The Scarlet Empress (1934) |
Plot Synopsis (continued)
Catherine's Seduction by a Lieutenant Guard: Insanely jealous over Count Alexei's love of the old Empress Elizabeth, Catherine stomped on Count Alexei's portrait-locket and threw it out of the window. It fell almost endlessly to the ground in stages, as it slowly descended and was momentarily caught by various tree branches, and viewed in the moonlight through leaves, and even seasons or shades of light. Eventually, it dropped into a snowdrift. After having regretful second thoughts about her impulsive reaction, she ran outside to search for the locket and when she found it, picked it up off the ground. She was startled to be halted by an anonymous, armed palace guard who didn't recognize her and asked for a password - and then called her "a little hen." Unable to convince him or another military official, the head of the night-watch guards, Lieutenant Dmitri (Gerald Fielding) of her true identity, she was dragged away to be questioned: "Come to the guardhouse, and we'll find out who you are. You're entirely too good-looking to be running around like this." When he asked what she was hiding behind her back ("What are you hiding back there?"), she reprimanded him for detaining her:
In the scene of vengeful and adulterous seduction, Catherine allowed herself to succumb to Lieutenant Dmitri. She told him that he was "fortunate, very fortunate," and then grabbed him around the neck and passionately kissed him. With her clasped hands behind his neck, seen in a close-up, she embraced and surrendered to him and let the Count's locket slip from her extended fingers before they went limp - followed by a fade to black. The Aftermath of the Birth of a Male Heir: Bells tolled and there were "three volleys," broadcasting the joyous news that Catherine had given birth to a son - of questionable fatherhood - he was to be the future heir to the Russian throne. Crowds cheered outside the royal palace. The Empress was ill but very attentive to the news of the birth. One of the Empress' ladies-in-waiting (May Foster) commented: "Have you noticed, Your Majesty, how the imperial duckling resembles his father?" The Empress was only concerned about the safety, health and well-being of the newborn, and stringently insisted that no one spread germs to the baby, on penalty of torture:
She was defiant when cautioned by Count Lestoq (Philip Sleeman) to not become too excitable from all the turmoil: "Don't any of you think I'll give you the pleasure of seeing me die! I'll outlive all of you, you sinister buzzards. All of you!" Meanwhile, the cuckolded Grand Duke was receiving numerous personal congratulations for fathering the boy, in particular by Marquis de la Chetardie (John Davidson). But he was obviously frustrated, miffed and seething with hatred - knowing that he wasn't the sperm-donor and had not consummated the marriage with the Duchess:
The recuperating young Duchess, still recovering from the birth and in a veiled canopy bed, received a gift delivered from the Empress - a bejeweled necklace "as a sign of her most extraordinary joy and satisfaction." Shortly later, Count Alexei requested an audience with Catherine, but Catherine's Lady-in-Waiting (Anna Duncan) denied him access. He was told: "We have orders from Her Imperial Highness not even to mention your name to her." Count Alexei was frustrated after being barred from seeing Catherine. He desired to offer his congratulations to her for providing an heir for the country:
The Slowly-Transformed Catherine - Russia's Queen - And Political Intrigue with Grand Duke Peter:
At the same time that the health and political strength of the Empress was waning, white-haired, bearded Archimandrite Simeon Todorsky (Davison Clark), one of the elderly religious advisors to the Empress, told Catherine, who had matured in her understanding of power politics, that he was worried about Russia's future. He was concerned that Grand Duke Peter had plans to remove her from power. She assured him that she had "weapons" that were "far more powerful than any political machine":
An intertitle explained two processions down interior hallways - Catherine led her troupe of ladies-in-waiting behind her, while the Grand Duke's Hessian soldiers, his real-live toy soldiers, were drilling in marching formation:
When the two groups confronted each other, the Grand Duke's Hessians surrounded Catherine and her ladies, and he unleashed his sword for a mock execution - a signal to his soldiers to wield their sabers and point their guns at Catherine. The Grand Duke threateningly instructed them to aim at Catherine's heart as he pointed his own sword at her chest: ("Right here, gentlemen. What a lovely target. You're looking quite well, Catherine, since you provided me with an unexpected addition to the family"). She calmly replied: "Thank you, Peter. It's nice to see you again." She thrust her silky handkerchief onto the end of his saber before he ordered his soldiers back to the barracks. He taunted her by bringing her to his quarters after announcing: "I'd like you to meet someone who's come for an extended visit." Clearly insane, he decapitated the head of one of his fair-haired, blonde female dolls (resembling Catherine) to hint that he would soon execute her after becoming Czar. He asked for her reaction: "What do you think of this decapitation?" Without showing any fear, she answered: "It would be more amusing if it were real." Then, he introduced her to his "visitor" -- Countess 'Lizzie.' Against the express orders of the Empress, he had invited her to return. She mocked Catherine by claiming that Peter had promised to marry her - once the Empress passed away and Catherine was disposed of:
Catherine circled around 'Lizzie' without a single word - critically judging her shape and figure before departing and slamming the heavy wooden door behind her. The Death of the Empress - The Year 1762: A Proclamation was issued to order the people to pray for the health of the ailing Empress:
While Catherine was happily cavorting and flirtatiously playing blindman's bluff with a blindfold, accompanied by her admiring guards and ladies-in-waiting in the gardens of the royal residence, others were solemnly chanting prayers. A flag was lowered to half-mast, and Archimandrite pulled on a bell rope to sound the alarm - the announcement of the death of the Empress. Catherine removed her blindfold, and the guards in attendance departed, as she realized the gravity of the new political situation once Peter assumed power. The crazed Peter gloated over the open coffin of the Empress:
He assumed the customary position and perched himself on the royal throne as the newly-appointed Tsar or Emperor of Russia. He issued a proclamation "By Command of His Divine Majesty Peter III, Tsar". Gunshots sounded as further proclamations were declared, and his Hessian soldiers arrested citizens, raped women, stole money, jailed and punished people arbitrarily, and created a climate of chaos and reign of terror. For his own amusement, Peter himself took practice shots out his window - gunning down one of his own guards. Catherine's Alliance with the Russian Military:
For self-preservation's sake, Catherine gained control of the army. The slowly-transformed character of Russia's queen was presented as she turned into a dominatrix ruler with a whip, who began to engage in numerous amorous, romantic and flirtatious conquests with men in her military entourage, to ally herself with them (a cunning display of the "weapons" she had in her disposal). In a stunning sequence set in a military barracks, the fur-hatted Catherine (with Count Alexei behind her) was introduced with a drum roll before she appraised her troops lined up on either side before her. The sexually-depraved Catherine surveyed each and every one of the attractive virile soldiers (mostly by fantasizing about the size of their genitals), before stopping in front of Captain Gregori Orloff (Gavin Gordon), who was in charge of the barracks. She flirted with him: "I've heard a good deal about you, Captain, from the ladies." She inspected some of the mattresses of the bunk-beds, and pulled out a piece of straw from one of them. She placed a piece of straw in her mouth (not sideways this time but stem first, and suggestively twirled it with her tongue). After boldly toying with it, she cooly looked at Count Alexei - reminding him of her previous romp in the horse stables. She engaged in an openly-sexual conversation with Alexei:
But then she turned her swaggering attention to another soldier - she singled-out Lieutenant Dmitri, in charge of the "night watch" - the attractive virile soldier who had most likely fathered her child. She was sexually-suggestive with her question about being "cold at night" but still functioning efficiently:
Catherine was dismayed that the Lieutenant's bravery had been neglected: "I can't understand why such a brave man hasn't been decorated." To decorate the Lieutenant for his military service, she started to remove one of Count Alexei's medals - who asked why she was avoiding him. She coyly invited Alexei to visit her that night to explain, then presented the Lieutenant with the medal and pinned it on his chest: "For bravery in action. See that you do justice to it in future emergencies." She then flirted with Captain Orloff, who profusely apologized for neglecting to honor his own Lieutenant: "I'm distressed at my neglect at not having rewarded Lt. Dmitri before." He held out his palm to present her with diamonds. Pleased, she took one and replied: "Rich too, huh?" She continued the military review until a fade to black. Catherine's Romantic Revenge on Count Alexei - and Liaison with Captain Orloff: That evening, Catherine allowed Count Alexei to enter her boudoir. She reminded him that he had often visited the Empress in the same bedroom: "I seem to have a faint recollection that you had that privilege before," although he claimed he was only serving as her "trusted advisor." He announced Catherine's intentions for privacy to others who stood guard outside the room: "Her Majesty wishes to be alone tonight." Then, he returned to Catherine, who removed his fur hat before she seductively asked:
She hid behind a gauzy veil as the opportunistic Count vowed his love for her and his desire to protect her.
When he leaned down to kiss her through her veil, she gripped the veil with her fist and drew it aside to reveal their affectionate kiss. And then in a startling, taunting move, she asked for a favor from the scorned Count. She requested that he become an intermediary to open her secret door and passageway and summon another preferred lover into her presence - Captain Orloff.
It was cruel payback and punishment to remind him that he was now disfavored - recompense for the night she watched as the Empress invited the Count to enter her bedroom through a secret passageway. When Count Alexei came face to face with Captain Orloff, he requested that a message be relayed back to Catherine, but then changed his mind. He realized he must gracefully accept her rejection:
The Banquet Scene:
At a banquet table, the Archimandrite was soliciting offerings for the poor from Catherine, Captain Orloff, and Count Alexei. In lavish fashion, Catherine gave up five of her bracelets, while the Captain dropped a handful of diamonds onto the offering plate, and Count Alexei tossed a bag of coins as his donation. However, the Chancellor gave only a single coin, and Countess Elizabeth ('Lizzie') flung a morsel of chewed food at the plate - he respectfully removed it. The bratty and objectionable Peter complained about the charity collection, slapped the Archimandrite, and claimed there were no poor people in Russia ("There are no poor in Russia! Get out!"). His Imperial Majesty, the Emperor of Russia Peter III, who had tired of "sanctimonious talk," then proposed an offensive toast for his consort Countess Elizabeth ("Lizzie"): "To the most charming woman in my empire, my friend, the countess Elizabeth." The camera panned down the length of the table to view Catherine, who refused to join in. She remained seated and set aside her drinking glass. Her response was relayed back to his Imperial Majesty - "Tell His Majesty that my thirst is not as great as his tonight." His message was brought back to her - that she was a "fool." She symbolically knotted the cloth scarf on her lap under the table and pulled it tight (a foreshadowing of Peter's strangulation). She stood in order to be escorted from the banquet room by Captain Orloff. Knowing of Captain Orloff's alliance with Catherine, Peter stripped the Captain of his rank ("Well, you're nothing now"), removed his insignias and sword, and ordered: "Now get out, both of you, and stay out!" After they departed, Peter put Catherine under house arrest: ("My wife is not to leave the palace. She's under arrest until further orders. Am I the Emperor of Russia, or am I not?"). To consolidate his power, Peter planned to eliminate her: "We'll issue a proclamation that she died and ask the people to pray for her." As he issued his proclamation, he emphatically stabbed an apple with his knife on the word 'pray'!
Catherine's Political Clash and Toppling of Russian Emperor Peter III - Storming the Palace: Wearing the white uniform of a male Cossack (or hussar, a member of the light cavalry) with a saber at her side, Catherine escaped through her bedroom's secret passageway with the aid of Captain Orloff who had awakened her ("Everything is ready"). They subdued guards on their way out, and mounted horses in a cavalry batallion led by Count Alexei. With the support of the military behind her, Count Alexei proudly and succinctly affirmed the transfer of power:
Trumpets and drum rolls greeted her arrival at a military encampment. The army under Captain Orloff was pledged to her: "We, soldiers in the service of the Holy Russian Empire, do hereby solemnly swear to acknowledge and to defend with our lives, the authority of Catherine our Empress, and to destroy her enemies!" Emperor Peter's black steward awakened him after which he was informed by a military guard that Catherine was missing. He chastised his military commander for inferring that the Empress was in his bedroom: ("You infernal blockhead! This is the last place in the world she would come to"), and feared that she was plotting against him. He became distraught: "Double the guard! Surround the palace! Find her and bring her here to me!" In the film's rousing conclusion, Catherine and a horde of flag-waving cavalry forces on horseback rode to the church with the support of Captain Orloff and the Archimandrite. The ruthless and clever Catherine, who was triumphantly carried upon the shoulders of the soldiers, was blessed by the Archimandrite: "God grant you victory, Catherine. All Russia is waiting for the sound of our bell." The ringing of the church bells by Catherine confirmed that she had consolidated the aid of both the military and the church - she had coordinated and engineered a coup d'etat against Peter III. The about-to-be deposed Emperor, wearing a flowing white nightgown, was awakened in his bedroom by the loud ringing of the bells, and asked himself: "Why are those bells ringing?" He pulled open his heavy bedroom door and found himself standing face-to-face with Captain Orloff, who had his back turned toward him. The film's last lines were delivered by Orloff to Emperor Peter who was about to be dethroned and assassinated:
As the bells continued to peal, Captain Orloff, who was guarding Peter, ominously approached and strangled him at the foot of a giant cross. [Note: His strangulation was presaged by Catherine's tying of a knot in her cloth scarf at the banquet.] The cavalry soldiers (with Catherine in the lead) noisily rode their horses up the grand staircase into the interior of the palace, and assembled in the throne room, where the gleeful Catherine was hailed and cheered before being crowned as Catherine the Great, Tsarina of Russia. She victoriously ascended the throne with her white stallion horse to take her rightful place before her royal forces after her seizure of power through a coup d'etat. |