Coleridgian

She writes off Finnegans Wake, for instance (precisely because it has to play straw person to the later postmodernist challenge), as a work engaged on a quest for transcendence that relies on a 'Coleridgian aesthetics of the symbol'.

He was, indeed, a member of the Victorian constituency that the Coleridgian clerisy deemed to be most in need of edifying 'sweetness and light', namely, the majority of the coarse-grained working poor who adhered to one of the Nonconformist faiths.

He was (in the Coleridgian language) an 'esemplastic' force.

While the work has long been known to Coleridgian scholars, it has been less well known to the general student of English poetry.