William   Donaldson

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William Donaldson


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William Donaldson is a graduate of the University of Aberdeen (M.A., Ph.D.) and worked for twenty five years with Britain’s Open University before becoming a visiting lecturer at M.I.T. in 2010. He has written on the political song culture of the Scottish Jacobites, tracing the creation of the semi-mythical figure “Bonnie Prince Charlie”. He pioneered the use of newspaper sources to study the popular culture of Victorian Scotland and in particular its use of vernacular Scots to deal with the whole range of the contemporary world. He has written also in the field of traditional music, being author of two books on the music and history of the Highland bagpipe.

He is the author of several prize-winning books: Popular Literature in Victorian Sco
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Average rating: 3.91 · 32 ratings · 7 reviews · 12 distinct works
Pipers

4.06 avg rating — 16 ratings — published 2004 — 5 editions
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The Highland Pipe and Scott...

4.22 avg rating — 9 ratings — published 1999 — 3 editions
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The Jacobite Song: Politica...

3.75 avg rating — 4 ratings — published 1988 — 3 editions
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Popular Literature in Victo...

3.67 avg rating — 3 ratings — published 1986 — 3 editions
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Johnny Gibb of Gushetneuk

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3.67 avg rating — 3 ratings — published 1870 — 49 editions
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The Laird of Drammochdyle a...

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2.67 avg rating — 3 ratings — published 1865 — 3 editions
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Grampian Hairst: An Antholo...

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really liked it 4.00 avg rating — 1 rating — published 1981 — 3 editions
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The Language of the People:...

0.00 avg rating — 0 ratings — published 1989 — 2 editions
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Cencrastus No. 4: Winter 19...

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0.00 avg rating — 0 ratings — published 1980
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Cencrastus No. 18: Autumn 1984

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0.00 avg rating — 0 ratings — published 1984
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Quotes by William Donaldson  (?)
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“On the whole popular fiction in Victorian Scotland is not overwhelmingly backward-looking; it is not obsessed by rural themes; it does not shrink from urbanisation or its problems; it is not idyllic in its approach; it does not treat the common people as comic or quaint. The second half of the nineteenth century is not a period of creative trauma or linguistic decline; it is one of the richest and most vital episodes in the history of Scottish popular culture.”
William Donaldson, Popular Literature in Victorian Scotland: Language, Fiction and the Press

“Nineteenth-century Aberdeenshire was seething with land hunger and social strife. The interests of the landowners and muckle farmers were at odds with the democratic ideal enshrined in the concept of 'The Poor Man's County', which proclaimed the value of a finely graded rural economy with the emphasis on smaller farms and crofts as the continuing guarantee of economic opportunity and ultimately, therefore, of social justice. But the cottar class was disappearing as landlords evaded Poor Law assessment by demolishing cottages for married workers. Traditional farm touns and hamlets were being destroyed. As leases expired, holdings were thrown together into bigger units yielding high returns on the kind of investment only great capitalists could contemplate. As entry levels into farming climbed, the land was monopolised in fewer and fewer hands.”
William Donaldson, Johnny Gibb of Gushetneuk in the Parish of Pyketillim, with Glimpses of the Parish Politics about AD 1843



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