Inn Quotes

“An inn, of course, was a place you came to at night (not at three o'clock in the afternoon), preferably a rainy night—wind, too, if it could be managed; and it should be situated on a moor (“bleak,” Kate knew, was the adjective here). And there should be scullions; mine host should be gravy-stained and broad in the beam with a tousled apron pulled across his stomach; and there should be a tall, dark stranger—the one who speaks to nobody—warming thin hands before the fire. And the fire should be a fire—crackling and blazing, laid with an impossible size log and roaring its great heart out up the chimney. And there should be some sort of cauldron, Kate felt, somewhere about—and, perhaps, a couple of mastiffs thrown in for good measure.”
― Mary Norton, The Borrowers Afield

“For me life is an inn where I must stay until the carriage from the abyss calls to collect me [...] I could consider this inn to be a prison, since I’m compelled to stay here; I could consider it a kind of club, because I meet other people here. However, unlike others, I am neither impatient nor sociable. I leave those who chatter in the living room, from where the cosy sound of music and voices reaches me. I sit at the door and fill my eyes and ears with the colours and sounds of the landscape and slowly, just for myself, I sing vague songs that I compose while I wait.
Night will fall on all of us and the carriage will arrive. I enjoy the breeze given to me and the soul given to me to enjoy it and I ask no more questions, look no further. If what I leave written in the visitors’ book is one day read by others and entertains them on their journey, that’s fine. If no one reads it or is entertained by it, that’s fine too.”
― Fernando Pessoa, The Book of Disquiet

“One response was given by the innkeeper when Mary and Joseph wanted to find a room where the Child could be born. The innkeeper was not hostile; he was not opposed to them, but his inn was crowded; his hands were full; his mind was preoccupied. This§ is the answer that millions are giving today. Like a Bethlehem innkeeper, they cannot find room for Christ. All the accommodations in their hearts are already taken up by other crowding interests. Their response is not atheism. It is not defiance. It is preoccupation and the feeling of being able to get on reasonably well without Christianity.”
― Billy Graham

“He ordered oxtail soup and enjoyed it heartily. Then he glanced at the menu for the fish, ordered a haddock and, seized with a sudden pang of hunger at the sight of so many people relishing their food, he ate some roast beef and drank two pints of ale, stimulated by the flavor of a cow-shed which this fine, pale beer exhaled.

His hunger persisted. He lingered over a piece of blue Stilton cheese, made quick work of a rhubarb tart, and to vary his drinking, quenched his thirst with porter, that dark beer which smells of Spanish licorice but which does not have its sugary taste.

He breathed deeply. Not for years had he eaten and drunk so much. This change of habit, this choice of unexpected and solid food had awakened his stomach from its long sleep. He leaned back in his chair, lit a cigarette and prepared to sip his coffee into which gin had been poured.”
― J.K. Huysmans, A rebours: Exploration de l'esthétisme et de la marginalité dans la France décadente du XIXe siècle

“I want you to give me a chance.”
“A chance at what?”
Shifting so that he could press his forehead to hers, he said one word. “You.”
Her breath caught. “Sean,” she breathed.
“Because you’ve got me,” he said. “All of me.”
― Jill Shalvis, Holiday Wishes

“He was led by the girl to a courtyard that gave off a lavish look. Such was the grace of the place that it would have been demeaned if a common traveler were to find shelter here.”
― Mukta Singh-Zocchi, The Thugs & a Courtesan

“A bad inn has a good out.”
― Mantaranjot Mangat, Plotless

“Above the snap and pop of the fire, the wind howled, prowling around the inn, snooping at the windows and whining at the door. The candle flames quivered in the draft, melting the wax into strange shapes.”
― Mary Downing Hahn, Look for Me by Moonlight

“The inn where she had a small room was called The Gates of Heaven...”
― Robert Jordan, New Spring

“And then we came to a stop in front of a large yellow Victorian house that sat, so stately, between two brick buildings, like a misplaced Lego piece, overgrown with ivy and bluebells and honeysuckle.
The Daffodil Inn looked exactly how I'd imagined.
The bed-and-breakfast was fresh and bright, the dentils all painted across the edging on the roof, the corbels replaced, the sawn spandrils and turned spandrils all given proper attention. The bay window was set with a stained-glass daffodil, the same one that encrusted the window in the front door. Around the inn, encasing it like a lovely cage, was a wrought-iron fence overgrown with ivy and honeysuckle that bled into the rose garden that surrounded the house.”
― Ashley Poston, A Novel Love Story

“She took me through the parlors and the kitchen, and I marveled at the beautiful ceiling molding, the wooden banisters up to the second floor, the crystalline chandelier in the dining room. The furniture was tasteful and sparse, plastic over the fainting couches and coffee tables and wingback chairs, so that as they stood in stasis they wouldn't collect dust.
The second floor was just as gorgeous, the rooms all themed in different flowers. The yellow daffodil room was my favorite. The wall with the headboard had an entire mural of huge daffodils blooming across it. Junie's handiwork, I was sure. Just like the mural on the side of Frank's Auto Shop, and the logo for the Grumpy Possum, and even Gail's bar scene. She showed me all the different rooms, each with a different flower theme and a different focal color--- lavender and coral and sage. The pink ones--- roses--- matched Junie's pastel hair.”
― Ashley Poston, A Novel Love Story