Pablo Neruda Quotes
Quotes tagged as "pablo-neruda"
Showing 1-30 of 31
“We the mortals touch the metals,
the wind, the ocean shores, the stones,
knowing they will go on, inert or burning,
and I was discovering, naming all the these things:
it was my destiny to love and say goodbye.”
― Still Another Day
the wind, the ocean shores, the stones,
knowing they will go on, inert or burning,
and I was discovering, naming all the these things:
it was my destiny to love and say goodbye.”
― Still Another Day
“The days aren't discarded or collected, they are bees
that burned with sweetness or maddened
the sting: the struggle continues,
the journeys go and come between honey and pain.
No, the net of years doesn't unweave: there is no net.
They don't fall drop by drop from a river: there is no river.
Sleep doesn't divide life into halves,
or action, or silence, or honor:
life is like a stone, a single motion,
a lonesome bonfire reflected on the leaves,
an arrow, only one, slow or swift, a metal
that climbs or descends burning in your bones.”
― Still Another Day
that burned with sweetness or maddened
the sting: the struggle continues,
the journeys go and come between honey and pain.
No, the net of years doesn't unweave: there is no net.
They don't fall drop by drop from a river: there is no river.
Sleep doesn't divide life into halves,
or action, or silence, or honor:
life is like a stone, a single motion,
a lonesome bonfire reflected on the leaves,
an arrow, only one, slow or swift, a metal
that climbs or descends burning in your bones.”
― Still Another Day
“Each in the most hidden sack kept
the lost jewels of memory,
intense love, secret nights and permanent kisses,
the fragment of public or private happiness.
A few, the wolves, collected thighs,
other men loved the dawn scratching
mountain ranges or ice floes, locomotives, numbers.
For me happiness was to share singing,
praising, cursing, crying with a thousand eyes.
I ask forgiveness for my bad ways:
my life had no use on earth.”
― Still Another Day
the lost jewels of memory,
intense love, secret nights and permanent kisses,
the fragment of public or private happiness.
A few, the wolves, collected thighs,
other men loved the dawn scratching
mountain ranges or ice floes, locomotives, numbers.
For me happiness was to share singing,
praising, cursing, crying with a thousand eyes.
I ask forgiveness for my bad ways:
my life had no use on earth.”
― Still Another Day
“Our love was born
outside the walls,
in the wind,
in the night,
in the earth,
and that's why the clay and the flower,
the mud and the roots
know your name.”
―
outside the walls,
in the wind,
in the night,
in the earth,
and that's why the clay and the flower,
the mud and the roots
know your name.”
―
“I can write the saddest lines tonight.
Write for example: ‘The night is fractured
and they shiver, blue, those stars, in the distance’
The night wind turns in the sky and sings.
I can write the saddest lines tonight.
I loved her, sometimes she loved me too.
On nights like these I held her in my arms.
I kissed her greatly under the infinite sky.
She loved me, sometimes I loved her too.
How could I not have loved her huge, still eyes.
I can write the saddest lines tonight.
To think I don’t have her, to feel I have lost her.
Hear the vast night, vaster without her.
Lines fall on the soul like dew on the grass.
What does it matter that I couldn’t keep her.
The night is fractured and she is not with me.
That is all. Someone sings far off. Far off,
my soul is not content to have lost her.
As though to reach her, my sight looks for her.
My heart looks for her: she is not with me
The same night whitens, in the same branches.
We, from that time, we are not the same.
I don’t love her, that’s certain, but how I loved her.
My voice tried to find the breeze to reach her.
Another’s kisses on her, like my kisses.
Her voice, her bright body, infinite eyes.
I don’t love her, that’s certain, but perhaps I love her.
Love is brief: forgetting lasts so long.
Since, on these nights, I held her in my arms,
my soul is not content to have lost her.
Though this is the last pain she will make me suffer,
and these are the last lines I will write for her.”
―
Write for example: ‘The night is fractured
and they shiver, blue, those stars, in the distance’
The night wind turns in the sky and sings.
I can write the saddest lines tonight.
I loved her, sometimes she loved me too.
On nights like these I held her in my arms.
I kissed her greatly under the infinite sky.
She loved me, sometimes I loved her too.
How could I not have loved her huge, still eyes.
I can write the saddest lines tonight.
To think I don’t have her, to feel I have lost her.
Hear the vast night, vaster without her.
Lines fall on the soul like dew on the grass.
What does it matter that I couldn’t keep her.
The night is fractured and she is not with me.
That is all. Someone sings far off. Far off,
my soul is not content to have lost her.
As though to reach her, my sight looks for her.
My heart looks for her: she is not with me
The same night whitens, in the same branches.
We, from that time, we are not the same.
I don’t love her, that’s certain, but how I loved her.
My voice tried to find the breeze to reach her.
Another’s kisses on her, like my kisses.
Her voice, her bright body, infinite eyes.
I don’t love her, that’s certain, but perhaps I love her.
Love is brief: forgetting lasts so long.
Since, on these nights, I held her in my arms,
my soul is not content to have lost her.
Though this is the last pain she will make me suffer,
and these are the last lines I will write for her.”
―
“Soy el desesperado, la palabra sin ecos, el que lo perdiò todo, y el que todo lo tuvo.”
― Veinte Poemas de Amor y una Canción Desesperada
― Veinte Poemas de Amor y una Canción Desesperada
“Give me Pablo Neruda, picnic beneath a full moon & iridescent stars, black olives, cherries, dark things, canoe on a river...that's romance.”
― Soledad
― Soledad
“I taste you
in the fleshy fruit of the guayaba
that melts as slowly
as your kisses
in my mouth –
your eyes that explode in sunlight,
your humid, fluid voice
the soft, oceanic touch of your fingertips.”
― Island Flirtations
in the fleshy fruit of the guayaba
that melts as slowly
as your kisses
in my mouth –
your eyes that explode in sunlight,
your humid, fluid voice
the soft, oceanic touch of your fingertips.”
― Island Flirtations
“Settle your perfect hips here and the bow of wet arrows
loosens into the night the petals that form your form
let your clay limbs climb the silence and its pale ladder
rung by rung taking off with me in my dream.
I can sense you scaling the shade tree that sings to the
shadows.
Dark is the world’s night without you my love,”
― Then Come Back: The Lost Neruda Poems
loosens into the night the petals that form your form
let your clay limbs climb the silence and its pale ladder
rung by rung taking off with me in my dream.
I can sense you scaling the shade tree that sings to the
shadows.
Dark is the world’s night without you my love,”
― Then Come Back: The Lost Neruda Poems
“It says yes, in blue, in foam, in a gallop. It says no, then no. It cannot be still. My name is sea, it repeats, striking a stone but not convincing it. Then with the seven green tongues, of seven green tigers, of seven green seas, it caresses it, kisses it, wets it, and pounds on its chest, repeating its own name.”
― The Postman
― The Postman
“I want you to know
one thing.
You know how this is:
if I look, at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.”
― If You Forget Me
one thing.
You know how this is:
if I look, at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.”
― If You Forget Me
“In a world where ‘likes’ and ‘followers’ define worth, we have become a society of self-promotion and self-indulgence, where the true value of human connection and genuine experience is lost to the endless pursuit of more.”
―
―
“Nothing touches your skin of sweat
(meltdown of oceanic kisses)
when the purple light
whispers to the moon
in silent moonlit clarity”
―
(meltdown of oceanic kisses)
when the purple light
whispers to the moon
in silent moonlit clarity”
―
“you, my friend, could be the smoke’s daughter,
you who may not have known you were born of fire and rage,
lightning over flaming lava etched your violet mouth,
your sex in the scorched oak’s moss like a ring in a nest,
your fingers there in the flames, your compact body
rose from leaves of fire that make me recall
there were bakers in your family tree,
you’re still the rainforest’s bread, ash from violent wheat,”
― Then Come Back: The Lost Neruda Poems
you who may not have known you were born of fire and rage,
lightning over flaming lava etched your violet mouth,
your sex in the scorched oak’s moss like a ring in a nest,
your fingers there in the flames, your compact body
rose from leaves of fire that make me recall
there were bakers in your family tree,
you’re still the rainforest’s bread, ash from violent wheat,”
― Then Come Back: The Lost Neruda Poems
“Pay to go inside Neruda's home
A body lies there with no dome.
But right there in the front hall
Lean a fairy against the icy wall.
Oh Endless enigmas had the bard!
Nice and large and calm backyard
Ends In the middle of a rare room
Rare portrait of revelishing gloom.
Up climbing at the weird snail stair
Does make you grasp for some air.
And there's a room with bric-a-brac:
Old and precious books all in a pack.
Dare saying what I liked most of all?
Enjoyed seeing visitors having a ball!”
― ACross Tic
A body lies there with no dome.
But right there in the front hall
Lean a fairy against the icy wall.
Oh Endless enigmas had the bard!
Nice and large and calm backyard
Ends In the middle of a rare room
Rare portrait of revelishing gloom.
Up climbing at the weird snail stair
Does make you grasp for some air.
And there's a room with bric-a-brac:
Old and precious books all in a pack.
Dare saying what I liked most of all?
Enjoyed seeing visitors having a ball!”
― ACross Tic
“In the end, it is not the grand gestures of love that sustain a relationship, but the daily acts of kindness and devotion.”
―
―
“When the powerful control the narrative, they hold the reins of perception. In the era of corporate western media, the masses must question what they’re being fed, lest they become unwitting pawns in the game of power.”
―
―
“. . . they will say: "The one
you love,
is not a woman for you,
Why do you love her? I think
you could find one more beautiful,
more serious, more deep, more other . . .”
―
you love,
is not a woman for you,
Why do you love her? I think
you could find one more beautiful,
more serious, more deep, more other . . .”
―
“Our existence is a philosophical conundrum in the era of social media - do we truly exist if we aren’t validated by likes and followers?”
―
―
“When they push your buttons and then blame you for pushing back, that's not just disrespect, it's pure manipulation.”
― COVERT CONTROL: Unveiling the Dark Art of Social Manipulation
― COVERT CONTROL: Unveiling the Dark Art of Social Manipulation
“Love is a symphony of the heart, a melody that echoes through the ages, and a song that we all long to sing.”
―
―
“Love is the greatest adventure of all, a journey that takes us to the highest peaks and the deepest valleys, but ultimately leads us to a place of profound happiness and fulfillment.”
― Life is Meaningless and That's Okay: Embracing Your Existential Freedom
― Life is Meaningless and That's Okay: Embracing Your Existential Freedom
“I love you as the plant that never blooms
but carries in itself the light of hidden flowers.
-Sonnet XVII, Pablo Neruda”
― The Botanist's Daughter
but carries in itself the light of hidden flowers.
-Sonnet XVII, Pablo Neruda”
― The Botanist's Daughter
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