I enjoyed "The Wall" in part because Céline Trudeau is at the forefront of the action, a gutsy, mature, experienced woman often outpacing her younger male counterparts. The storylines are interesting, and the settings are beautiful. (Plus, the language is so melodic for us non-French speakers.)
Each season's major crime is different, allowing Céline to shine, whether it's dealing with a small northern mining community's murders and mishaps, an urban environmental conference marred by murder or a trip down memory lane among her homefolks that unearths family secrets - literally.
If I have one complaint, it's that the story arcs are about 25% too long and tend to drag a bit. Solid editing could pick up the pace, keep the storyline intact and still allow the plots to develop and the characters to shine.
Each season's major crime is different, allowing Céline to shine, whether it's dealing with a small northern mining community's murders and mishaps, an urban environmental conference marred by murder or a trip down memory lane among her homefolks that unearths family secrets - literally.
If I have one complaint, it's that the story arcs are about 25% too long and tend to drag a bit. Solid editing could pick up the pace, keep the storyline intact and still allow the plots to develop and the characters to shine.