Directed by
Kevin Smith | ... | (directed by) |
Writing Credits (WGA)
Kevin Smith | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
Robert Hawk | ... | associate producer |
Scott Mosier | ... | producer (produced by) |
John Pierson | ... | executive producer |
Derrick Tseng | ... | line producer |
Music by
David Pirner | ... | (music by) |
Cinematography by
David Klein | ... | director of photography |
Editing by
Scott Mosier | ... | (edited by) |
Kevin Smith | ... | (edited by) |
Casting By
Shana Lory |
Production Design by
Robert Holtzman | ... | (as Robert 'Ratface' Holtzman) |
Art Direction by
Jim Williams |
Set Decoration by
John Carlucci | ||
Susannah McCarthy |
Costume Design by
Christopher Del Coro |
Makeup Department
Jane Choi | ... | hair stylist / makeup artist |
Kristin Mosier | ... | hair/makeup assistant |
Production Management
Monica Hampton | ... | post-production manager / production manager |
Second Unit Director or Assistant Director
David Klein | ... | second unit director |
Linda Krantz | ... | second assistant director |
Chip Signore | ... | second second assistant director (as Stephen 'Chip' Signore) |
John M. Tyson | ... | first assistant director |
Art Department
Laura Allred | ... | artwork: Bluntman & Chronic action sequence |
Mike Allred | ... | artwork: Bluntman & Chronic action sequence |
Scott 'Whitey' Anderson | ... | construction foreman |
Mike 'Gold Bond' Baker | ... | construction coordinator |
Kate Bartouldus | ... | scenic artist (as Kate Bartoldus) |
Matt Brundage | ... | artwork: Bluntman & Chronic action sequence |
Howard Chelder | ... | leadman |
Jennifer Cooke | ... | set dresser |
Augusta 'Gussy' Hopkins | ... | property master |
Mitchell Landsman | ... | scenic artist |
Amanda Nanawa | ... | art department production assistant |
Sound Department
Tim J. Carroll | ... | dolby stereo consultant |
Gary Funicelli | ... | foley artist |
David Glaser | ... | foley artist / sound designer / sound editor |
Don Hankinson | ... | foley artist |
William Kozy | ... | production sound mixer |
Brian Mackewich | ... | foley artist / sound designer / supervising adr editor / supervising sound editor |
Susan Mackewich | ... | foley artist |
Sean McAuliffe | ... | foley artist / sound editor |
Don Powell | ... | foley artist |
Dominick Tavella | ... | re-recording mixer (as Dominick 'The Dominator' Tavella) |
Joe White | ... | boom operator (as Joseph White Jr.) |
Camera and Electrical Department
Kelly Baldwin | ... | first assistant camera (as Kelly S. Baldwin) |
Lorenzo Bevilaqua | ... | still photographer |
Andrew Blauner | ... | additional electrician |
Eric Boncher | ... | additional electrician |
Jay Chandrasekhar | ... | additional grip |
Divine Cox | ... | additional grip |
Raphaelle Gosse-Gardet | ... | additional electrician (as Raphaelle Gardet) |
Jeremy Graham | ... | rigging electrician |
Kevin Hackenberg | ... | additional electrician |
Monica Hampton | ... | still photographer: opening credit stills |
Takeshi Hattori | ... | third electrician |
Alan Jacobsen | ... | best boy electric |
Learan Kahanov | ... | gaffer (as Learan 'Skippy' Kahanov) |
Michele Lee Kirwan | ... | second assistant camera |
David Klein | ... | Steadicam operator / camera operator |
Seth Loft | ... | third grip |
Roberto Lopez | ... | rigging grip |
John McEnerney | ... | additional grip |
Malcolm Murray | ... | additional grip (as M.C. Murray) |
Christian O'Reilly | ... | additional grip |
Michael 'Rodi' Rodia | ... | best boy grip / ice dolly grip |
Nat Russell | ... | rigging grip |
Ron Stone | ... | grip and electrical equipment supplier: R.D. Sparks Inc. |
Peter Vietro-Hannum | ... | key grip |
Elizabeth Wick | ... | additional electrician |
Casting Department
Paris Petrick | ... | extras casting |
Costume and Wardrobe Department
Melissa Crawford | ... | assistant costume designer |
Editorial Department
David Glaser | ... | assistant editor: avid |
Fred Heid | ... | color timer |
Noëlle Penraat | ... | negative cutter |
Arnold Shuster | ... | additional negative cutter |
Location Management
Ian MacGregor | ... | location manager |
Karen Phillips | ... | location assistant |
David K. Rhee | ... | location assistant (as David Rhee) |
Music Department
Lisa Brown | ... | music consultant |
Jennifer Chouinard | ... | music clearances |
David Glaser | ... | music editor |
Bonnie Greenberg | ... | music consultant |
Brian Mackewich | ... | music editor |
Sean McAuliffe | ... | music editor |
Jill Meyers | ... | music business affairs |
Script and Continuity Department
Peggy Sutton | ... | script supervisor |
Additional Crew
Mike Allred | ... | artwork: Bluntman & Chronic 'Chasing Amy' |
Paul Brennan | ... | legal services: Sloss Law Office |
John T. Copeland | ... | caterer |
Christopher Cram | ... | office production assistant |
Nicole Duryea | ... | set production assistant |
Randi Eaton | ... | office production assistant |
Doug Edwards | ... | office production assistant |
Joseph Frantz | ... | production assistant |
Nick Giovannetti | ... | set production assistant |
Shai Halperin | ... | set production assistant |
Monica Hampton | ... | auditor |
Mike Hansen | ... | set production assistant |
Carlo Hart | ... | office production assistant |
David Hurlburt | ... | set production assistant |
Bryan Johnson | ... | assistant production coordinator |
Brian Lynch | ... | key craft service |
Colleen Lynch | ... | caterer |
David McCole | ... | firearms specialist |
Glenn Mobley | ... | key set production assistant |
Gary Muscato | ... | avid supervisor |
Jimmy Palmiotti | ... | artwork: "White Hating Coon" |
Jodi Peikoff | ... | legal services: Sloss Law Office |
Joe Quesada | ... | artwork: "White Hating Coon" |
Lance Rosario | ... | security: New York |
John Sloss | ... | legal services: Sloss Law Office |
Luis R. Soto | ... | security: New York |
Ritamarie Stapleton | ... | caterer |
Devon J. Start | ... | set production assistant |
Bryan W. Strang | ... | craft service assistant |
Kirk Van Wormer | ... | artwork: "Idiosyncratic" & "Baby Dave" |
Garry Vander Voort | ... | key office production assistant (as Gary Vander-Voort) |
Kyle V. White | ... | set production assistant |
Mike Zittle | ... | set production assistant (as Mike Zittel) |
Neal Bennett | ... | production assistant (uncredited) |
Vincent Pereira | ... | set production assistant (uncredited) |
Thanks
Brooke Adams | ... | thanks |
Joey Lauren Adams | ... | the director would like to thank: For giving me something personal to say. I love you poopie. (First one who laughs gets decked!) (as Joey) |
Mike Allred | ... | the director would like to thank: For fulfilling this fanboy's dream. See you in the funny papers. |
Jack Anderson | ... | thanks |
Mike Brodzik | ... | thanks |
John Burzichelli | ... | thanks: Hill Studio (as John Burzachelli) |
Mark Cohen | ... | thanks |
Chris Davis | ... | thanks |
Dwight Ewell | ... | the director would like to thank: Hi Duh-Wight. (as Dwight) |
God | ... | the director would like to thank: For all that's come before, all that'll come after, and most importantly, for right now. |
John Gordon | ... | thanks |
Jonathan Gordon | ... | the director would like to thank: Why, Why, Why?!? (as Jon Gordon) |
Robert Hawk | ... | the director would like to thank: For being there from the start, teaching us what makes a movie great, and always doing the dishes. (as Bob Hawk) |
Charles Herzfeld | ... | thanks (as Charlie Herzfeld) |
David Klein | ... | the director would like to thank: For the prettiest pictures yet. At bargain basement prices, no less! (as Dave) |
Jason Lee | ... | the director would like to thank: For kicking it Reynold's style. |
Brian Mackewich | ... | the director would like to thank: For the extra mile... and the hundred more that followed. |
Scott Mosier | ... | the director would like to thank: Master of the Impossible, ying to my yang, heart of my heart... He's my cherry pie. (as Scott) |
Jimmy Palmiotti | ... | thanks: Event Comics (as Jim Palmiotti) |
John Pierson | ... | the director would like to thank: Guru, Czar, friend. |
Scott Purcell | ... | thanks |
Joe Quesada | ... | thanks: Event Comics |
Tony Romano | ... | thanks |
Matt Zoller Seitz | ... | the director would like to thank: For the one review that made a difference. (as Matt Seitz) |
Donald E. Smith | ... | the director would like to thank: I know I've got a PG in me somewhere. (as Dad) |
Grace Smith | ... | the director would like to thank: I know I've got a PG in me somewhere. (as Mom) |
Joe Violante | ... | thanks (as Joey Violante) |
Harvey Weinstein | ... | the director would like to thank: Who, like a good parent, gives us money, offers endless moral support, and spanks us when we need spanking (okay... everything but the spanking part). (as Harvey) |