Directed by
| Scott L. Flynn | ||
Writing Credits
| Lee Fontanella | ... | (screenplay) |
| Colleen Cochran | ... | (screenplay) |
Cast (in credits order)
Produced by
| Erin Cochran | ... | co-producer |
| Brett Cranford | ... | line producer |
| Chelle Flynn | ... | executive producer |
| Aaron Osborne | ... | executive producer / producer |
Music by
| Justin Caine Burnett | ||
Cinematography by
| David Rudd | ||
Editing by
| George Folsey Jr. | ||
| John Sitter | ||
| Brad Wilhite | ... | (as Brad E. Wilhite) |
Casting By
| Chris Freihofer | ||
| Ruth Lambert | ||
| Robert McGee | ||
Production Design by
| Jennifer M. Gentile | ||
Costume Design by
| Stephen M. Chudej | ||
Makeup Department
| Sara De Pue | ... | makeup department head |
| Dugg Kirkpatrick | ... | department head hair stylist |
| Janet Tallent-Dickson | ... | key makeup artist |
Production Management
| Brett Cranford | ... | unit production manager |
Second Unit Director or Assistant Director
| Tony Adler | ... | first assistant director (original version) |
| Matthew T. Weiner | ... | assistant director |
Art Department
| Treven Bedwell | ... | property master |
| Rebekah Bell | ... | art department coordinator |
| Andrew Cashion | ... | lead man |
| Sterling Gates | ... | art department intern |
| Aris Gerakis | ... | art intern |
| David H. Greene | ... | carpenter |
| Ted Haigh | ... | graphic designer |
| Zack Hiatt | ... | carpenter |
| Sean Lynch | ... | on-set dresser |
| Leesa Martling | ... | set designer |
| Elizabeth Roath | ... | art department intern |
| Joyce Yeich | ... | assistant property master |
Sound Department
| Joe Barnett | ... | re-recording mixer |
| Preston Connor | ... | boom operator |
| Frederick Critchlow | ... | sound mixer |
| Andrew DeCristofaro | ... | supervising sound editor |
| Jim McCurdy | ... | boom operator |
| Michael Payne | ... | supervising sound effects editor |
| Von Varga | ... | sound mixer |
| Mathew Waters | ... | re-recording mixer |
Visual Effects by
| Mitch Gates | ... | visual effects artist |
| Clark James | ... | visual effects supervisor: HIVE-FX |
| Tom Kendall | ... | visual effects producer |
| Ahren Thomas | ... | matte painter |
Camera and Electrical Department
| Mark Shane Davis | ... | key grip |
| Clark Deal | ... | grip |
| Sean P. Fickert | ... | best boy / key rigging grip |
| Lucas Kelley | ... | assistant camera |
| Dustin Penrod | ... | electrician |
| Max Pomerleau | ... | camera operator: second unit / gaffer |
| Nick Pomerleau | ... | best boy electric |
| R. Dustin Sanchez | ... | electrician |
| Scott Sunday | ... | electrician |
Casting Department
| Nicole Powers | ... | casting assistant |
Editorial Department
| Dan Aguilar | ... | digital intermediate editor |
| Jacquelyn Karambelas | ... | assistant editor (as Jacquelyn Dean) |
| Mark Sachen | ... | colorist |
Script and Continuity Department
| Wendy L. York | ... | script supervisor |
Transportation Department
| Corey Askins | ... | transportation coordinator |
| Eli Lozano | ... | driver |
| Kevin Norwood | ... | driver |
Additional Crew
| Billy Acquaviva Jr. | ... | production coordinator |
| Cassandra Barbour | ... | rights and clearances |
| Aaron Cosman | ... | production accountant |
| Lori Hammond | ... | craft service |
| Lori Lee Korth | ... | production assistant |
| Samantha Ludlow | ... | craft service (as Samantha Bryant) |
| Tyler R. Mann | ... | production assistant |
| Jason Manzano | ... | production assistant |
| Steven Matthew Moody | ... | production assistant |
| Mandy Overton | ... | production assistant |
| Laura Sevier | ... | rights & clearances |
| Gentle VanDeburgh | ... | production assistant |
| Colin Warde | ... | production assistant |
| Clinton Noel Williams | ... | set production assistant |
Thanks
| Blayne | ... | thanks |
| Caleb Oglesby | ... | without whom this film would never have been made |
