User reviews

Ixcanul is a cinematic chef-d'oeuvre that sheds light on the plight of many indigenous Guatemalans who suffer from almost unfathomable levels of economic, social, and political exploitation. The film has many heart-breaking moments where the powerlessness of the film's protagonists comes through in a way that feels deeply real and authentic. One of the most interesting aspects of this films is that it is the first feature film created in Kaqchikel, one of the many indigenous Mayan languages of Guatemala. The actors are all native speakers of Kaqchikel, and the filmmakers overcame significant difficulties to assemble the cast that they did. The fact that the actors are so inexperienced makes the film all the more incredible because it did not at moment seem faked, at least for me. I would also like to address some of the criticism that has been levelled at the film and the filmmakers. The problem of orthography, that the title uses a c instead of a k, following modern (instead of colonial) spelling conventions, seems like minutiae compared to all of the positive work the film does in raising awareness of many of the problems indigenous Guatemalans face on a routine basis. Many also say the film only reinforces stereotypes about indigenous peoples in Guatemala and in the Americas more broadly. In that for many people this film will be their first exposure to contemporary Mayans, there is a risk of Ixcanul becoming a single story that defines an entire people. But it is the choice of the spectator to determine whether or not he/she will extrapolate stereotypes about an entire people from the portrayal of one family in one village at one specific point in time. However, if you look beyond these somewhat valid criticisms, you will see a cinematic masterpiece that will make you look at the world in a different way.

Ixtanul is a very unique film in that it causes the viewers to question. This film essentially about a young girl named Maria, who prepares for her arranged wedding (set by her parents) as she overcomes unusual obstacles along the way. Although this film is slow and not very action-packed, it taught me a lot about Mayan culture and tradition in Guatemala. This film was unlike any film I have ever seen because of its mystery and lack of sound. There was almost no music in this film, which I thought was really interesting because it added uniqueness to the film. Also, the camera angles and shots were very different than most other films. Overall, this film taught me more about Guatemalan society than I have ever known.

I've long been interested in Mayan mythology and culture, so when I heard about a new movie from Guatemala in the Maya language, I knew it was a film I wanted to see. "Ixcanul" is the Maya word for volcano, which looms large in the film, both physically and as a psychological barrier between this village and the rest of the world.

Maria is a teenage girl, beautiful and bold. She lives with her parents, their only child, on a coffee plantation. Her parents have arranged her marriage to the plantation foreman, but neither seem particularly enthused about it. Instead, Maria dreams of escaping to the United States with a local worker. Despite her best attempts to get Pepe's agreement to take her with him North, she never secures a committed response. Her actions, however, have significant repercussions for her and her family.

This could be a film about the uncaring and unsympathetic corporate owners of the plantations, or it could be about the ignorance of peasant life in the Guatemalan villages, or it could be a film that romanticizes North American culture and lifestyle, but it is none of these things. What it is, is an intimate and honest story of a brief moment in time of a family caught on the crossroads of tradition and modernity. "Ixcanul" is Guatemala's first entry in the Academy Awards for Foreign Language Film, and it certainly deserves to win. I am intrigued by the language and have a few unanswered questions, so it is likely I will pick this one up for the collection when released.

The director's feature film debut. From Guatemala, selected to represent the Oscars in the previous year (2016), but did not make. The film was based on the real about a small Mayan family living closer to the active volcano slope working in the coffee plantation. A perfect depiction of hardship of life, but from the perspective of a teenager. The life between adulthood and childhood, and for the lack of the knowledge of the real world, how they are misled was the film's purpose.

I liked the film, no question about that. But it did not start like that. I hate films showing cruelty towards animals. It does not matter livestock, wild animals or anything else. The exception is only for the nature documentaries which does not involve human. So it all started with a strong dislike for the film. I was not sure I about writing a review for it. But the film convinced me with the later parts. I was not expecting it. In the end, I felt a very good film became a just above average because of one bad sequence.

The film follows the character Maria. The seventeen year old girl was promised to the one who works in the city. But she wants to leave the place, country to the United States. That's when she begins to have her sexual urge. Following that, she develops a relationship with a boy from the coffee plantation. The consequence is the bigger price she has to face. With numerous challenges, not just her, but the whole family should overcome it. So how they are prepared for it and other following struggles revealed in the remaining narration.

❝He's probably living in the United States in a big house with a garden, like those in the magazine. He must speak English by now.❞

The film highlights many things. One of those was how the poverty ridden, illiterate people are misguided. The indigenous Guatemalan people that showed in this film really amazed me. Okay, the girl made a mistake, but how her family reacted to it was a surprise to me. Being very cultured, I did not expect that. In fact, I thought it could turn into a thriller, particularly in its finale. But the entire film was a drama and finding a solution to solve the issue as the way it flows. Then comes the misconception which drags the family into more trouble.

At that point of the narration, the film was close to the end. But an unexpected twist made its way. The part where desperation takes the front seat. With all the sudden, everything was resolved, but good or sad is to know, one must watch the film. Like the filmmaker, the casting was also new faces. The storyline seems simple, but where it sets in was the challenge the cast and crew excelled. The original title Ixcanul means volcano in Mayan language, but it is a force looking to explode is the correct definition, that's explained by the director.

It is one of first Guatemalan films for me. I'm very impressed with the story, the performances, locations and the overall film. It is not just a film festival product, it is like any Hollywood or the rest of the world cinema that qualified to call a good film. So if you are watching lots of regular films and got bored, you can try this for a change. A different language, different setting, but a situation every culture, ethnic had seen, that now you can learn how it all confronted by these people. Just like the film 'Tanna', but not all the same. Excluding the opening part I complained about, this is a nice film to check it out. But I won't mention the word recommended!

7/10

Often times in Guatemala, you go watch a Guatemalan film solely for the sake of supporting your country. Ixcanul didn't feel that way, it is truly a film that transcends its origins and offers a story that feels universal. The story tackles topics such as agriculture, arranged marriages, pregnancy, among others. The film has a stunning cinematography and direction, which was quite impressive, some scenes do make use of the shaky camera method, which within context of what's happening in the film kind of make sense, however, they may feel a bit "out of place" considering the attention to detail that the rest of the film has.

Although all of the actors are debuting in this film, the acting is stellar, particularly from María Telón who commands the film and really delivers some of it's most powerful and emotionally effective scenes. In some instances, the actors don't need to speak for you to understand their feelings, almost like a silent picture. The Spanish-speaking actors are the only ones that I felt lacking, but their parts are minimal and are hardly detracting to the film.

Overall, Ixcanul is an eye-opener to people who are not familiar with the sad realities that the Kaqchikel people have to go through. It's the first film made in Guatemala that feels thought out, as well as culturally important and significant.

Ixcanul is a practically flawless work of naturalistic cinema. Much has been said about the cutural specifics of the film, but not enough about Ixcanul as an argument for the vitality of naturalism, in an era that has been blinkered with frivolous spectacle. The movie treats its audience as adults, never telling them what to think or feel. It's beautifully lit and composed, subtle, thorny and complex. If you can find nothing engaging here, it's hardly the fault of the film.

I had the wonderful experience of watching this film with my Quiché goddaughter, who found the story real and compelling. Maria, 17, is betrothed by her parents to a young man--a decision in which she has no say. Her heart, however, leads her in another direction and therein lies the story's heart. The reality of daily life for thousands of Mayan Guatemalans, many of whom speak only their indigenous language, is conveyed with a realism that never patronizes. It is the daily struggle for life, for work, and dealing in an emergency with a power structure that is far from the experience of those who must confront it. One comment about the description: The film is bilingual: Spanish and Kakchiquel, one of 22 Mayan languages spoken in Guatemala, none of which can communicate with the other. I asked my goddaughter--who is trilingual (Kiché, Spanish, and English)--if she understood any of the Kakchiquel dialogue. "No" was her answer.

A beautiful film that very much transports the viewer to the struggles of a girl coming of age and working on a coffee plantation with her parents at the foot of a volcano in Guatemala. The cinematography is gorgeous, the story is heartfelt, and the performances all feel truly authentic. I thank Letterboxd user Muffintree for his suggestion to watch this film, and would recommend it to others as well.

It's clear early on that we're being plunged into a world without the luxury of pretense, where eating pork doesn't mean going in to the air-conditioned market and buying a neatly packaged cut of bloodless pink meat, and living with one's parents doesn't mean being able to pretend they don't have sex, since everyone sleeps in the same room. In this world coffee beans are tediously picked by hand, and workers (who speak indigenous Kaqchikel) are exploited by owners (who also speak the language of the ruling class, Spanish). The owners know that the laborers have few opportunities, and also run a bar where the workers might run up an alcohol tab that erases the earnings they receive from a careful weighing of the beans they've picked. All of this is so that affluent people in far-off lands like America can sip a gourmet brew, made to order by a person with a college degree in English Lit and getting a paltry minimum wage, but I digress.

The daughter (the soulful María Mercedes Coroy) has been betrothed to her father's boss, the foreman of the plantation, a situation that might improve her family's situation. Unfortunately she's more attracted to a field worker who dreams of running away to America to escape the poverty of his life in Guatemala, and drinks to excess maybe to escape it in another way. The way the parents (María Telón and Manuel Manuel Antún) support the daughter is amazing, despite the decisions she makes which have disastrous consequences. The mother-daughter bond is truly special and seems eternal, and I imagined it representing a link which must stretch back generations upon generations into the past. It was also pretty cool to see the father not erupt into anger, instead calmly accepting what happened as if a weather conditions had caused a bad crop one year. Nothing is romanticized here, but the film shows the family bond and perseverance in the face of a hard life, starting with accepting each other.

Jayro Bustamante's "Ixcanul" - Kaqchikel for volcano - looks at the challenges faced by Guatemala's indigenous population, especially the women (namely machismo). Starring non-professional actors and spoken mostly in Kaqchikel, it tells the story of a girl who has never been outside her community...until an unexpected event changes things.

This movie is not for those who expect nonstop action. The plot is deliberately slow-moving, with scenes often lasting minutes at a time. When you focus on a culture that the world doesn't usually see, it makes sense to have slow-moving action. All in all, it's a movie that you should see. How often do we get to see the day-to-day lives of Latin America's indigenous people?

For a Mayan family of three living on misty and sable volcano slopes, snakes come in both reptile and human form. Blessings are bestowed upon the family as well. 17 year old Maria dreams of life on the other side of the volcano. This place she dreams of, stretching from the other side of the volcano, across all of Mexico and into the United States, is nowhere that anyone she knows has ever been. Yet her pleasant life picking coffee, cooking and taking care of farm animals is too sedate for her. She intends to bolt from an arranged marriage with her father's boss. In doing so she sets herself up for confrontations between needs; company and independence, city and country, adventure and stability, Mayan and Spanish, and more. In this struggle the real character of Maria will become more apparent.

If exquisite cinematography is your thing, you will like this unlikely yet appealing pairing of Guatemala and France. The acting is more convincing for the local talent, for even the best actors in the world would not make convincing Mayans. Kaqchikel is the film language. Ixcanul is available by Netflix snail mail delivery, a delivery that matches the gentle and pleasing pace of the film.

Well filmed and a close look at an Indian community. Sadly the story is not one that engenders much empathy for the family at is center. It does show how violence and selfishness are not reserved to any one ethnicity. Peasants being exploited and cheated victimize the weakest member of their family. If you disregard the rights of children you might find these people sympathetic. If you area realist you will see that they told gang up on the weak.

Yes,I had to read the internet reviews to figure out the plot;& came in fully prepared to compare it to the last similar movie,'el Abraxo de la Serpiente',by Ciro Guerra,a more documentary-like,instructional film about the effects of 300 years of European colonialism on the indigenous Indians of the amazon rain forest. But strangely,the woman(very stoic looking Maria Mercedes Coroy,great actress)reminded me of the Mexican waif('Ride the Pink Pony',1946);excuse me,'RIde the Pink Horse', starring Robert Montgomery; about the small girl who keeps dogging this ex-GI,who lands in San Pablo,New Mexico determined to flush out a new York Mobster for squaring away past debts?both put in great performances;there was a lot of astrological/ mystical references in 'el Abraxo....',not as many in this movie,I wish there were more of those,but Juana(Telon) did call out a lot of references to beseeching blessings of earth,wind,water,volcano,or sacrifice a pig as offering to appease a long,dormant volcano, lest it explode w/ lava & havoc to the nearby villages, so as to bring good luck to her daughter's betrothel to the local coffee plantation owner.(in 'el Abraxo....' it was the local rubber plantation owners who were the villains in movie...)>>

With beautiful cinematography and art directon, and a well directed first-time casting, the film tells a story held in a traditional Mayan Kaqchikel community who worships nearby volcano, avoids the snakes that live there, and is exploited by greedy employers in a coffee plantation. María has been promised to marry the foreman of the plantation. However, not only she does not want it, but also is sexually excited in her virgin teen age and is attracted to Pepe. The latter is a drunkard who dreams about fleeing to the United States, where he expects everything is better than in Guatemala countryside. Well, then there is a well built drama, which explores where Kaqchikel rural and indigenous culture. Harsh reality is interwined with magic, the sadness of unsafe uncertainty faces the happiness of life.

A film with Culture, beautiful takes, nature, arranged marriage trafficking of children and the difficulties that life has for the rural people of Guatemala a reality faced in some areas