Grand Theft Auto III

Grand Theft Auto III
North American PlayStation 2 cover art design for Grand Theft Auto III
Developer(s)	DMA Design
Publisher(s)	Rockstar Games
Producer(s)	Leslie Benzies
Programmer(s)	Obbe Vermeij Adam Fowler
Artist(s)	Aaron Garbut
Writer(s)	James Worrall Paul Kurowski Dan Houser
Composer(s)	Craig Conner Stuart Ross
Series	Grand Theft Auto
Engine	RenderWare
Platforms	PlayStation 2 Microsoft Windows Xbox Mac OS X Android iOS PlayStation 3 (PSN)
Release date(s)	October 22, 2001 PlayStation 2 NA: October 22, 2001 EU: October 26, 2001 JP: September 25, 2003 Microsoft Windows NA: May 21, 2002 EU: May 24, 2002 JP: September 25, 2003 Xbox NA: April 11, 2003 EU: January 2, 2004 JP: July 29, 2004 Mac OS X EU: November 12, 2010 NA: November 22, 2010 Android, iOS INT: December 15, 2011 PlayStation Network NA: September 25, 2012 EU: September 26, 2012
Genre(s)	Action-adventure, third-person shooter
Mode(s)	Single-player

Grand Theft Auto III (abbreviated as GTA III or GTA 3) is a 2001 open world action-adventure video game developed by DMA Design (now Rockstar North), and published by Rockstar Games. It is the first 3D title in the Grand Theft Auto series. It was released in October 2001 for the PlayStation 2, May 2002 for Microsoft Windows, in November 2003 for the Xbox and in November 2010 for Mac OS X. It was made available on Steam on January 4, 2008 and on the Mac App Store on August 18, 2011. It was released on iOS and Android on December 15, 2011, and on the PlayStation 3 in September 2012. The game is preceded by Grand Theft Auto 2 and succeeded by Grand Theft Auto: Vice City.

GTA III is set in modern Liberty City, a fictional metropolitan city based on New York City. The game follows the story of a criminal named Claude who was betrayed by his girlfriend in a bank heist and begins to work his way up the crime ladder of the city before confronting her. GTA III is composed of elements from driving games and third-person shooters.

The game's concept and gameplay, coupled with the use of a 3D game engine for the first time in the series, contributed to Grand Theft Auto III's positive reception upon its release; it became 2001's top-selling video game and is cited as a landmark in video games for its far-reaching influence within the industry. GTA III's success was a significant factor in the series' subsequent popularity; as of 2008, five GTA prequels set before events in GTA III have been released, particularly Grand Theft Auto: Liberty City Stories which revisits GTA III's setting just three years prior. GTA III's violent and sexual content has also been the source of public concern and controversy. According to Metacritic, GTA III and Tony Hawk's Pro Skater 3 both hold an average critic score of 97 out of 100, making them the highest-rated PlayStation 2 games of all time.

Gameplay

Grand Theft Auto III is an action-adventure game played from a third-person view. Players complete missions—linear scenarios with set objectives—to progress through the story. It is possible to have several active missions running at one time, as some missions require players to wait for further instructions or events. Outside of missions, players can freely roam the game's open world, and have the ability to complete optional side missions. Liberty City is composed of three boroughs: Portland, Staunton Island, and Shoreside Vale; the islands are unlocked to players as the story progresses.

Players can freely roam the game's world, and have the ability to use weapons

Players may run, jump or use vehicles to navigate the game's world. In combat, auto-aim can be used as assistance against enemies. Should players take damage, their health meter can be fully regenerated through the use of health pick-ups. Body armour can be used to absorb gunshots and explosive damage, but is used up in the process. When health is entirely depleted, gameplay stops, and players respawn at the nearest hospital, at the expense of losing all weapons and armour, and an amount of money.

If players commit crimes while playing, the game's law enforcement agencies may respond as indicated by a "wanted" meter in the head-up display (HUD). On the meter, the displayed stars indicate the current wanted level (for example, at the maximum six-star level, efforts by law enforcement to incapacitate players become very aggressive). Law enforcement officers will search for players who leave the wanted vicinity. The wanted meter enters a cooldown mode and eventually recedes when players are hidden from the officers' line of sight.

The game lets players control the mute criminal Claude. During the story, Claude meets various new characters from gangs. As players completes missions for different gangs, fellow gang members will often defend players, while rival gang members will recognise players and subsequently shoot on sight. While free roaming the game world, players may engage in activities such as a vigilante minigame, a fire fighting activity, and a taxi cab service. Completion of these activities grants players with context-specific rewards; for example, completing the vigilante mission allows players to bribe police after committing a crime.

Combat in Grand Theft Auto III was reworked to allow players to commit drive-by shootings by viewing sideways in a car.

Players use melee attacks, firearms and explosives to fight enemies. The firearms include weapons such as the Micro Uzi, an M16 rifle and a flamethrower. The game's three-dimension environment allows a first-person view while aiming with the sniper rifle, rocket launcher and the M16 rifle. In addition, the game's combat was reworked to allow players to commit drive-by shootings by facing sideways in a vehicle. The game gives players a wide variety of weapon options—they can be purchased from local firearms dealers, found on the ground, retrieved from dead enemies, or found around the city.

Plot

While robbing a bank in Liberty City, ambitious criminal Claude is shot and betrayed by his girlfriend and accomplice Catalina (Cynthia Farrell). Although he survives the wound, Claude is arrested and sentenced to ten years in prison. While being transported in a prison van, Claude and fellow prisoner 8-Ball (Guru) are inadvertently freed after an attack on the police convoy, and escape to a safehouse. 8-Ball later introduces Claude to the Leone Mafia crime family; Sex Club 7 owner Luigi Goterelli (Joe Pantoliano), Don Salvatore Leone (Frank Vincent), his Capo Toni Cipriani (Michael Madsen), and the Don's son Joey Leone (Michael Rapaport). During work for the family, Claude finds himself fighting the Colombians, who are being led by Catalina in proliferating a new drug. Meanwhile, Salvatore's trophy wife Maria (Debi Mazar) begins to take a liking to Claude. Salvatore grows suspicious and betrays Claude into luring him to a death trap, but Maria saves him just in time and they both flee.

Claude then begins working for the city's Yakuza and its leader Asuka Kasen (Lianna Pai), Maria's close friend, who has Claude assassinate Salvatore and get his revenge. This cuts off all of Claude's ties with the Leone family, who are now against him. Claude's work leads him to allying himself with other criminal sources, such as corrupt police detective Ray Machowski (Robert Loggia), an enemy of the Cartel. Claude later saves him from Internal Affairs and the CIA by helping him flee to Vice City. Claude also meets charismatic media mogul Donald Love (Kyle MacLachlan), who maintains a huge media front. In an effort to start a war between the Yakuza and Cartel, Claude and Love organise the death of Asuka's brother Kenji Kasen (Les Mau) and blame the Cartel. Later, Love asks Claude to rescue a man who was kidnapped by the Cartel in the prison truck that Claude was in. While on an errand, Claude finally confronts Catalina, who narrowly escapes. Asuka abducts Catalina's partner Miguel (Al Espinosa), believing him to have knowledge of her brother's death.

With the war with the Cartel intensifying, Asuka and Maria learn of Claude's history with Catalina and order him to attack many Cartel operations. Eventually, his exploits attract the attention of Catalina. As a result, the Cartel kidnap Maria, murder Asuka and Miguel, and demand Claude to pay a $500,000 ransom in exchange for Maria's release. When Claude confronts Catalina, she attempts to have him killed, but he escapes. In the resulting firefight, Catalina attempts to flee in a helicopter and makes a final attempt on Claude's life. After killing the remaining Cartel members and rescuing Maria, Claude shoots down the helicopter, effectively killing Catalina. As they are leaving the scene, Maria complains to Claude about the kidnapping, particularly the state of her appearance. During the credits, a gunshot is heard, and Maria's voice is silenced.

Development

The core development team of Grand Theft Auto III consisted of about 23 people at DMA Design in Edinburgh, who worked closely with publisher Rockstar Games in New York City. By early 2001, the team had designed the city, cars, and some weapons. An online multiplayer mode was initially planned for the game, but was ultimately dropped due to time and resource limitations. Producer Leslie Benzies described Grand Theft Auto III as a "crime simulation game". When porting the game to Windows, the team delayed it from the PlayStation 2 release in order to ensure quality, citing issues with the simultaneous platform release of previous Grand Theft Auto games.

Open world design

Grand Theft Auto III is the first game in the series to use a third-person perspective view model, positioning the camera closer to the player character

Grand Theft Auto III is considered to be the first 3D game in the series, using Criterion Games' RenderWare game engine. When designing the game, the development team expanded upon concepts introduced in the previous Grand Theft Auto games. Benzies stated that the intention was to recreate the "freedom and diversity" of the previous games in a "living, breathing 3D world", using the power of the PlayStation 2 to do so. The console's ability to use DVDs, an improvement over the PlayStation's limit to CDs, allowed the team to store more data, such as animations, music and environments. Despite this, the team found it difficult to fit the game into the PlayStation 2's 32 megabytes of RAM, due to the scale. The game's size also created difficulties for the testers, due to the variety of options. Benzies felt that creating a living city was the "underlying principle" of the game's concept during development. Executive producer Sam Houser felt that the game's 3D element allowed the "chemistry of the team [to come] together perfectly for the first time".

A major difficulty the team encountered was converting all game elements into a fully-3D world, including the sound and radio stations, as well as designing and voicing the non-player characters, due to the amount that existed within the open world; producer Dan Houser said that there was about 8,000 lines of recorded dialogue in the game, while audio programmer Raymond Usher estimated about 18,000. The basic technical elements of the game began to work together in mid-2000, with a carjacking mechanic prototype and stable streaming model. Streaming was initially intended to be reserved for music and map geometry, but other elements were eventually included when it became apparent to the team as more data was entered.

When designing the game world, the team initially created a "hybrid city", which producer Dan Houser describes as "a post industrial Midwest slash east coast generic" city. Upon developing within this game world, the team realised that basing the design on a real location meant "you have a lot of things you can say about it". As a result, the team redesigned Liberty City, which had been previously featured in Grand Theft Auto (1997), basing it loosely on New York City. The city is broken into three islands: an industrial section representing Brooklyn and Queens, a commercial centre resembling Manhattan, and suburbs similar to New Jersey. The islands unlock as the story progresses; the team wanted players to "start out feeling poor and work to being richer". Dan Houser describes Liberty City as a "hybrid of a generic American city", including Chicago, Pittsburgh, Detroit, New York, and Philadelphia. He felt that the parallel realism of the world allowed the team to make more social commentary than previously. Sam Houser cited films and shows like Heat (1995) and The Sopranos (1999–2007) as inspiration for the setting, and wanted to emulate them in the game. He also cited the influence of The Legend of Zelda series (1986–present) and the film Goodfellas (1990), describing Grand Theft Auto III as "a cross between a gangster movie and an RPG". Dan Houser also cited The Legend of Zelda and Super Mario 64 as influences.

Story and characters

The team developed the story and design simultaneously. "We use the story to expose the mechanics, and we use the mechanics to tell the story," said Dan Houser. Houser found it difficult to create the narrative, as the game is so strongly focused on player freedom. He wanted the story to be more nuanced and interesting than the generic "rise and fall and rise again of a superhero bad guy". The game's script was also focused on mission objectives, attempting to implement high amounts of interactivity. Houser felt that each mission is "its own short story", and part of an "overarching story". Houser and co-writer James Worrall drew influence from mob films, and the mafiosi featured in films by Martin Scorsese. When writing the story, Houser and Worrall regularly met with the designers, and filled a room with post-it notes to reconstruct the story components to shape the game.

Many of the game characters were animated using motion capture, filmed at a rented studio at the Brooklyn Navy Yard, though this was limited by technical restraints. The character movement was also treated as being cinematic, though limited polygons heavily inhibited this. Animating non-player characters entering and driving cars proved to be difficult for the team, due to the variety of vehicle designs. "It involved chaining together dozens of different animations and altering key frames in code," recalled software engineer Alan Campbell. The team used varying camera angles when animating the game's cutscenes, in order to evoke different emotions. For the voice acting, the team wanted "natural, subtle performances", which proved difficult as many of the actors "had in their head the idea that because video games are animated their performances needed to be animated", explained motion capture director Navid Khonsari. The game's playable protagonist is unnamed in the game, and his name is not officially revealed as Claude until his appearance in Grand Theft Auto: San Andreas (2004). He is a silent protagonist, never speaking throughout his appearances. The team decided to make Claude silent primarily because it "did not seem like a major issue", due to the other challenges faced during development, and also partly to allow players to identify with the character.

Sound design

Grand Theft Auto III features about three-and-a-half hours of in-game radio material. For the music, the team sought a broad diversity, to recreate the real sensation of skipping through radio stations, reflecting the gangster movie culture invoked by the game. The team used the talk radio stations to add character to the city, and provide a "unique take on American life"; Sam Houser described it as "a very iconoclastic look at America". The team used real DJs to portray those on the radio. In doing so, the team wrote unusual dialogue for the DJs, seeking the effect of "high production values and absurd content". Music director Craig Conner assembled the assets of the radio station—music, advertisements, DJ dialogue, station imaging.

Cuts, changes, and the 9/11 effect

[W]e felt that a full content review of all our titles and the marketing materials we use to represent them was absolutely necessary for us ... we have come across certain small contextual references that we were no longer comfortable with, as well as a couple of very rare gameplay instances that no longer felt appropriate to us.

Terry Donovan, Rockstar managing director, IGN, 19 September 2001

Prior to the initial release, several modifications were made to the game. While changes are frequent during game development, the changes in Grand Theft Auto III were noted to be around the time of the September 11, 2001 terrorist attacks, which led to speculation that some changes were motivated by the attacks. On September 19, 2001, Rockstar delayed the game's release by three weeks, citing the attacks as an influencing factor in the delay. "Everyone had someone who had an uncle or brother [who was impacted by the attack]", said Paul Eibeler, then-president of Rockstar's parent company Take-Two Interactive.

After the events of 9/11, the original colour scheme of the police cars in the game (top), which resembled the NYPD, was changed to a generic black-and-white design common in the United States.

The original artwork for the game, which was changed after the events of 9/11. The artwork was used as the cover in Europe.

One of the changes made shortly after 9/11 was the colour scheme of the police cars; the original colour scheme of blue with white stripes specifically resembled that of the New York City Police Department. It was changed to black-and-white designs common among several police departments in the United States, such as Los Angeles and San Francisco. Other changes include altering the flight path of a plane to avoid appearing to fly into or behind a skyscraper, removing a mission referencing terrorists, as well as some changes to pedestrian dialogue and talk radio.

Another cut to the game is the character of Darkel, a revolutionary urchin who vowed to bring down the city's economy. When references to Darkel were found in the game's code, speculation arose that the character was related to 9/11, however Dan Houser explained that the character had been cut "months before [release]". There are also reports and previews stating that the game featured school children as pedestrians prior to release, although Rockstar has dismissed such rumours as "nonsense".

Rockstar stated that the game was "about 1% different" after 9/11, and that the biggest change was the cover art. They felt that the original cover, which was ultimately released as the cover in Europe, felt "too raw" after 9/11, and was changed into what became the "signature style" of the series. Sam Houser claims that the cover was designed in an evening, and was instantly preferred over the original cover. The cover was inspired by the movie posters for 1960s films, such as The Thomas Crown Affair (1968).

Critical reception

Initial release

PlayStation 2 version reception
Aggregate score Aggregator Score Metacritic 97/100 Review scores Publication Score 1UP.com A+ AllGame Edge 8/10 Eurogamer 10/10 Game Informer 9.5/10 GamePro 5/5 Game Revolution A GameSpot 9.6/10 GameSpy 94/100 IGN 9.6/10

Grand Theft Auto III was released to critical acclaim. Metacritic calculated an average score of 97 of out 100, indicating "universal acclaim", based on 56 reviews. It is the sixth-highest rated game on Metacritic, tied with a number of others. Reviewers liked the game's sound, gameplay, and open world design, though some criticism was directed at the controls. Tom Bramwell of Eurogamer called Grand Theft Auto III "a luscious, sprawling epic", and Official PlayStation Magazine named it "the most innovative, outlandish, brilliant video game". GameSpot's Jeff Gerstmann described the game as "an incredible experience that shouldn't be missed by anyone"; IGN's Doug Perry named it "one of the best titles of the year, on PlayStation 2, or on any system".

Many reviewers found the 3D graphics a welcome change from the 2D of the previous games. GameSpot's Gerstmann particularly praised the character and vehicle models, and the overall texture quality of the city. GameSpy's Andrei Alupului found the graphics "really rather impressive", describing the car models as "greatly improved" over those in Midnight Club. Eurogamer's Bramwell considered the graphics "generally pleasant to look at", but considered it inferior to games like Gran Turismo 3 and Ico. Justin Leeper of Game Informer described game world as "stunning in scope and detail", and Perry of IGN found it to be "on a scale that's truly epic". Game Revolution's Ben Silverman called the city a "technological marvel ... that captures the essence of gritty city life in amazing detail".

IGN's Perry considered the game's sound "unbelievably and meticulously delivered", particularly praising the soundtrack, voice acting and sound design, stating that it was "really approached as if it were done for a movie". Eurogamer's Bramwell echoed similar remarks, describing the city sounds as "perfect" and the soundtrack as "monstrous". The sound was described as "terrific" by GameSpot's Gerstmann and Game Revolution's Silverman, and 1UP.com appreciated the subtlety of the in-game radio stations. AllGame's Scott Alan Marriott named the music "the true star" of the game.

Reviewers considered the style of the game's missions to be a welcoming departure from those in previous games. 1UP.com described the missions as "wonderfully creative", while GamesMaster appreciated the diversity. IGN's Perry similarly appreciated the variety and scale of the missions, and praised the amount of available side missions. GameSpy's Alupului described the game's story as "well-paced" and "coherent", featuring plot elements akin to a mob film. GameSpot's Gerstmann found the missions entertaining and challenging, but noted that exploring the game world also offers "a great deal of fun" to players.

Reactions to the game's controls were mixed. Alupului of GameSpy found the game "controls beautifully", both while driving and on-foot. Game Revolution's Silverman identified the control issues as the game's only flaw, although praised the responsiveness of the driving mechanics. Matt Helgeson of Game Informer similarly described the driving as "great", but noted "clunky" combat. GamePro's Four-Eyed Dragon found the cars simple to manoeuvre. Edge described the game's combat as "an awkward system that stymies play. 1UP.com noted particular flaws in the targeting system, explaining that it "often focuses on the wrong guy".

Windows version

Windows version reception
Aggregate score Aggregator Score Metacritic 93/100 Review scores Publication Score Game Informer 9.5/10 GameSpot 9.3/10 GameSpy 94/100 IGN 9.4/10 PC Gamer (US) 92% X-Play 4/5

When Grand Theft Auto III was released to Windows in May 2002, it received similar critical acclaim. Metacritic calculated an average score of 93 out of 100, indicating "universal acclaim", based on 20 reviews. It was the highest-rated Windows game on Metacritic in 2002. Reviewers liked the visual enhancements and control improvements, but criticised the port for its demanding system requirements.

The in-game features and controls in the port were generally well received. IGN's Tal Blevins praised the higher precision of the mouse controls, finding the aiming mechanic more precise. GameSpot's Erik Wolpaw also commended the mouse controls, but disapproved the replay system, particularly due to the lack of options with timing and camera controls. Extended Play's Andrew Bub appreciated the addition of a custom radio station, as well as the availability of custom skins. Daniel Morris of PC Gamer praised the gameplay tweaks provided by the port, but criticised the lack of major additional features, such as an overhead map of the in-game city.

The port's visuals received a positive response from reviewers. GameSpot's Wolpaw praised the port's reworked textures, but criticised the frequent popup, and the advanced system requirements. IGN's Blevins similarly criticised the necessity of an advanced system for stable play, but ultimately felt that the port looks "a bit nicer" than the original game. GameSpy's Sal Accardo felt that the port "looks much sharper" than the PlayStation 2 version, though noted some "choppy" animations. Extended Play's Bub mentioned that the advanced settings resulted in slowdown and crashes. Game Informer's Matt Helgeson noticed little difference between the visuals of the original and the port.

Mobile version

Mobile version reception
Aggregate score Aggregator Score Metacritic 80/100 Review scores Publication Score Destructoid 7/10 Eurogamer 5/10 GameSpot 7/10 IGN 7.5/10 Pocket Gamer 9/10

When Grand Theft Auto III was released to mobile devices in December 2011, it received generally positive reviews. Metacritic calculated an average score of 80 out of 100, based on 26 reviews. Reviewers liked the enhanced visuals, but criticism was directed at the touchscreen controls.

The port's visuals were well received. IGN's Peter Eykemans commended the smoother textures, especially condensed on a mobile screen, while Destructoid's Jim Sterling noted improvements in the character and vehicle models. Mark Walton of GameSpot wrote that the game runs well on high-end devices like the Motorola Xoom and Samsung Galaxy S II, but noticed significant frame rate and texture issues on the Xperia Play. Pocket Gamer's Mark Brown identified the game's short draw distance leading to sudden popup, although still found that the models and textures "have been given a tune-up" in the port.

The touchscreen controls received a mixed response. Eurogamer's Dan Whitehead appreciated the driving mechanics, but felt that moving on-foot is "a flaky way of navigating" the world, and criticised the "clumsy" shooting mechanics. IGN's Eykemans felt that the controls "make half the experience frustrating", and Destructoid's Sterling described them as "by far the biggest barrier toward enjoying" the port. Brown of Pocket Gamer found that the touchscreen "hasn't hindered [the game] too drastically", commending simple movement and "effortless" driving mechanics. Some critics identified better controls upon the use of external gamepads, but felt that they hinder the game's portability.

Commercial performance

Sales

GTA III unexpectedly emerged as a smash hit at its initial US$49.95 price and became the #1 selling video game of 2001 in the United States. Later discounted to $19.95 as part of Sony's "Greatest Hits" program, it continued to sell well and went on to become the second best-selling video game of 2002, behind only its sequel, Grand Theft Auto: Vice City. GTA III was bundled with Vice City for the Xbox Double Pack, which saw strong sales in December 2003, even though GTA III was two years old. The Double Pack's success for Xbox was due to several factors; the critical acclaim and controversial game content for the games, the graphical improvements specifically for the Xbox, and having two games in one, which led to GameSpy giving it their Best Value Award.

As of September 26, 2007, Grand Theft Auto III has sold 12 million units according to Take-Two Interactive.[66] As of March 26, 2008, Grand Theft Auto III has sold 14.5 million units according to Take-Two Interactive.[67]

Accolades

Grand Theft Auto III received multiple nominations and awards from gaming publications. It was awarded Game of the Year at the Game Developers Choice Awards, and from GameSpot and GameSpy. It was named the Best PlayStation 2 Game by Game Revolution, GameSpot, GameSpy and IGN. It also won Best Action Game from Game Revolution, GameSpot, and IGN, and Most Innovative from GameSpot, as well as Excellence in Game Design at the Game Developers Choice Awards. GameSpy also awarded the game Most Offensive, Best Use of Radio, and tied for Best Artificial Intelligence.

Controversies

Grand Theft Auto III was and remains very controversial because of its violent and sexual content. Frequently cited in the press is the opportunity for players to carjack a vehicle, pick up a prostitute, have (implied) sex with her, and then have the ability to kill her and steal her money.[74]

Prior to and since the release of Grand Theft Auto III, the game generated several controversies. GameSpy awarded Grand Theft Auto III with Most Offensive Game of the Year, calling it "absolutely reprehensible". They wrote that the game rewards players for "causing mayhem" and "killing innocent people by the dozen", ultimately questioning its appropriateness within the industry. The notoriety of Grand Theft Auto III resulted in Wal-Mart's decision to check the identification of purchasers who appeared to be under the age of 17, when purchasing mature titles. In an essay, assistant professor Shira Chess identified the lack of conclusion to player violence, due to the ability to respawn upon death or incarceration, and found that it denies the "reality of mortality and simultaneously [forces] it on players". When speaking about the game's depiction of violence, producer Leslie Benzies claims that is intended as comedic, and that the game is "not meant to be taken seriously". Producer Dan Houser stated that the team was conscious of the offence that the game would attract, but "never marketed it in a way that exploited that".

The game allows players to participate in sexual activities with prostitutes, and murder them to reclaim the payment. This was met with widespread controversy. The game also received controversy for its depiction of crime, and allowing violence against police officers. Psychologist David Walsh of the National Institute on Media and the Family stated that the game "glamorizes antisocial and criminal activity", and that "the purpose of the game is to perpetrate crime". In response, Kotaku writer Owen Good wrote that the game does not reward players for "proficiency at crime, no matter how much it is accused of doing so". Joanna Weiss of The Boston Globe noted the "adrenaline" that players feel when committing crimes in the game, excusing the game's violence due to its mature classification. The National Organization for Women spoke out against the game in January 2002, asking Rockstar and Take-Two to withdraw the game from sale as it "encourages violence and the degradation of women". Matt Richtel of The New York Times wrote that the activities within the game "crossed the line into bad taste".

Grand Theft Auto III was initially released in Australia with an MA15+ classification. After re-reviewing the game, the Office of Film and Literature Classification (OFLC) banned it, due to its depiction of sexual content and violence to prostitutes. This prompted distributor Take-Two Interactive to appeal to the OFLC, who reaffirmed the banned status on 11 December 2001, after reanalysing the game and seeking the professional opinion of a forensic psychologist. This prompted Take-Two to recall the game in Australia, and Rockstar to make appropriate changes to the game; a modified version was re-released with an MA15+ classification in January 2002, removing all instances of sexual acts with prostitutes.

On October 20, 2003, the families of Aaron Hamel and Kimberly Bede, two young people shot by teens William and Josh Buckner (who in statements to investigators claimed their actions were inspired by GTA III) filed a US$246 million lawsuit against publishers Rockstar Games and Take-Two Interactive Software, retailer Wal-Mart, and PlayStation 2 manufacturer Sony Computer Entertainment America. Rockstar and its parent company, Take-Two, filed for dismissal of the lawsuit, stating in U.S. District Court on October 29, 2003 that the "ideas and concepts as well as the 'purported psychological effects' on the Buckners are protected by the First Amendment's free-speech clause." The lawyer of the victims, Jack Thompson, denied that and attempted to move the lawsuit into a state court and under Tennessee's consumer protection act.

Legacy

Grand Theft Auto III has been frequently included among the greatest video games of all time. In 2007, GamePro called Grand Theft Auto III the most important video game of all-time, explaining that the "game's open-ended gameplay elements have revolutionized the way all video games are made". Similarly, IGN ranked the game among the Top 10 Most Influential Games, and GameSpot listed among the greatest games of all time. In 2009, Game Informer wrote that Grand Theft Auto III "changed the gaming landscape forever with its immersive open world sandbox", and in 2016 GamesRadar named it "the most important game of the decade". Time named it one of the greatest video games of all time in November 2012 and August 2016.

Grand Theft Auto III is considered to have a leading role in the popularisation of sandbox games, inspiring those such as True Crime (2003–05), Saints Row (2006–present) and Crackdown (2007). The term "Grand Theft Auto clone" is frequently used to describe subsequent video games released with similar open-ended gameplay as Grand Theft Auto III. While previous video games used open world design, including earlier Grand Theft Auto games, Grand Theft Auto III took this gameplay foundation and expanded it into a 3D world, offering an unprecedented variety of minigames and side-missions. Due to the greater success of the game over its predecessors, it is credited with popularising the open-world genre; Dan Houser felt that the game made it "one of the most vibrant genres today".

The game also led the trend of mature video games; Dan Houser felt that it allowed other developers to create violent shooters. Hal Halpin, president of the Entertainment Consumers Association, described Grand Theft Auto III as the "lightning rod for the violence-in-games debate". Metro's Roger Hargreaves wrote that it "emboldened a whole new wave of games that were ... fixated with violence, gang culture". Greg Ford of Electronic Gaming Monthly felt that the game allowed the medium to handle mature subject matter in a more serious manner than previously perceived, and noted the improvement of video game classification as a result of the game's controversy.

Following the game's success, Rockstar developed further titles in the series. Vice City and San Andreas are set in their titular locations in 1986 and 1992, respectively. Grand Theft Auto Advance (2004) is set in Liberty City roughly one year before the events of Grand Theft Auto III. Grand Theft Auto: Liberty City Stories (2005) takes place three years before the events of Grand Theft Auto III in the same rendition of Liberty City. A completely redesigned version of the city was later used in Grand Theft Auto IV (2008), The Lost and Damned (2009), The Ballad of Gay Tony (2009) and Chinatown Wars (2009).

Ports and remakes

Six months following the initial PlayStation 2 release of Grand Theft Auto III, versions for Microsoft Windows and the Xbox were made available. GTA III is notable for being the first game in the series to be released on a video game console before a PC version was available. Following GTA III, PlayStation 2 GTA games generally followed GTA III's release pattern, in which the Microsoft Windows port is released within seven to eight months after the PlayStation 2 versions' release.

The Microsoft Windows version of the game, released on May 21, 2002, supports higher screen resolutions and draw distance, has more detailed textures, a customizable player skin, and a custom option for MP3 playback in cars. The Windows port of GTA III has been criticized for performance problems, especially in light of the much smoother performance of Vice City. This was due to technical issues; the game engine rendered everything within the draw distance, even things hidden behind buildings or trees, whereas Vice City only rendered what could actually be seen.

The Xbox version was initially supposed to be released in spring 2002 but it was shelved when Sony signed an agreement with Take-Two Interactive (Rockstar Games' parent company), making the GTA series a PlayStation 2 exclusive until November 2004. However, the agreement was amended in 2003 and the Grand Theft Auto: Double Pack containing both GTA III and Vice City was released for PS2 and Xbox in December 2003. The Xbox version of the Double Pack has improved audio, polygon models, and reflections over the Microsoft Windows and PS2 versions of the game. The Double Pack was not released for Microsoft Windows. In November 2005, GTA III was re-released again for the Xbox and PS2, this time bundled with Vice City and San Andreas in a trilogy compilation, dubbed Grand Theft Auto: The Trilogy. There were no new changes, though the set retained Double Pack's graphical improvements for GTA III and Vice City. A Nintendo GameCube port of GTA III was also planned to be released alongside the Xbox version, but was cancelled for unknown reasons. The Xbox version also supports the playback of one's personal music library.

As of 2008, five GTA prequels set before events in GTA III have been released, with two of these titles for handheld systems. Liberty City in its GTA III form is revisited in the Introduction and one mission for the subsequently-released prequel San Andreas. Grand Theft Auto Advance was initially intended as a Game Boy Advance port of GTA III, but has since introduced a new storyline set in Liberty City, roughly one year before the events in GTA III. Grand Theft Auto: Liberty City Stories was released for the PlayStation Portable in 2005 and later ported to the PS2. The game, which is also set in the same location as GTA III, takes place in 1998, three years before the events in GTA III. Liberty City Stories is the last GTA title to feature Liberty City in its GTA III form, as Grand Theft Auto IV (2008) and Grand Theft Auto: Chinatown Wars (2009) are entirely set in a completely redesigned Liberty City.

A Macintosh version, made with Cider, was released on November 12, 2010. On August 19, 2011, the game was released in the Mac App Store. On February 17, 2012, Grand Theft Auto III was removed from the Mac App Store. It was put back on March 6, though no reason was made for the three-week omission.

The PC version of GTA III was ported by War Drum Studios and released for several Apple iOS devices, Android phones and Android Tablets on December 15, 2011 for its 10th anniversary. The port was announced in October 2011, and Rockstar originally announced that the game would support for Samsung Galaxy S II at launch, however, due to "technical differences with the Galaxy S2 that make the development process a special case [but] still working on it", an update to support the Galaxy S II, Droid Bionic and Galaxy Nexus was released four days later.[90] The mobile port is essentially the PC version of the game, along with enhanced textures and models, as well as touchscreen controls (the game is still playable using a keyboard, and the cheat codes also work). It has also been reported that third-party modifications, such as custom car models and textures originally designed for the PC port, also work on the mobile versions. When asked on the chances of iOS ports of Grand Theft Auto: Vice City and Grand Theft Auto: San Andreas, Rockstar told Digital Trends that it would be a "technical challenge", but said it was "very possible". Rockstar later released iOS and Android ports of Vice City on December 6, 2012 to commemorate Vice City's 10th anniversary.[94][95]

In June 2012, the American ratings board, the Entertainment Software Rating Board, re-rated GTA III and Vice City. Both titles were listed with PlayStation 3 as platform and Sony Computer Entertainment America as publisher. No separate listings existed for Xbox 360 releases. GTA III was scheduled to be released on July 31, 2012 for PlayStation 3, however, it was later confirmed that the release would be delayed due to an issue with music licensing. On September 25, 2012, GTA III was officially released for the PlayStation 3 via PlayStation Network in North America.

External links

• Official website
• Grand Theft Auto III at IMDb