Julius Zeyer
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Julius Zeyer | |
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File:Julius Zeyer Vilimek.jpg
Portrait of Julius Zeyer by Jan Vilímek
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Born | Prague, Austrian Empire |
26 April 1841
Died | Script error: The function "death_date_and_age" does not exist. Prague, Austria-Hungary |
Resting place | Slavín |
Occupation | Writer, poet |
Nationality | Czech |
Notable works | Fantastické povídky Ondřej Černyšev Román o věrném přátelství Amise a Amila Tři legendy o krucifixu Radúz a Mahulena Dům U tonoucí hvězdy Večer u Idalie Jan Maria Plojhar |
Julius Zeyer (26 April 1841 – 29 January 1901) was a Czech prose writer, poet, and playwright.
Personal life
Zeyer was born on 26 April 1841 in Prague. His mother, Elisabeth Eleonora (née Weisseles), came from a German Jewish-turned-Catholic family, and his father, Jan Zeyer, was a carpenter and timber merchant[1] with relations to French (Alsatian) nobility. He was taught to speak Czech by his nanny. Growing up, he was expected to take over the family's factory but decided to study carpentering instead. All of his attempts at graduation from high school or university were unsuccessful.[clarification needed] He spent a significant portion of his life travelling across Europe and the East. In around 1877, he moved to Vodňany, where he spent over a decade focusing on his literary work. His last years were spent living in Prague.
Works
Zeyer's prose and poems convey a sense of restlessness, nostalgy, mysticism, and gloominess, and generally feature tragic endings. He combined European and Eastern mythologies with themes particular to Czech society and history,[2] and, similarly to the Decadents, often employed a blend of religious and erotic imagery. He was associated with the "Lumír" school, a circle of writers grouped around a magazine of the same name who were influenced by western-European, primarily French, literary currents.[3]
Zeyer's epics, Vyšehrad (1880) and Karolinská epopej (1896), among others, draw from Czech and French legends respectively, and put bygone glory in contrast with Zeyer’s bleak present times. He was inspired by Czech, Russian, Irish, and French history, as well as Scandinavian myths. His novels generally follow characters seeking to realize their romanticized ideas of life, many of who only find peace in death. His semi-autobiographical novel Jan Maria Plojhar (1891) deals with the tragic nature of being an artist. His collection of three short stories, “Tři legendy o krucifixu” (1895), builds upon the story of Christ's crucifixion and explores themes of Czech Nationalism and the value of art.[4] The first story, “Inultus”, explores the idea of an artist driven mad by her work. It follows an Italian sculptress as she attempts to create a realistic depiction of the crucifixion, eventually murdering her model, the titular character, in a fit of creative insanity.
Plot-wise, Zeyer’s dramatic works follow a similar pattern.
Josef Suk composed his Pohádka based on Zeyer’s play "Radúz a Mahau.lser Leoš Janáček uZeyer's his theater play about a Slavonic heroine Šárka as a libretto for his opera.
References
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External links
Wikisource has original works written by or about: Julius Zeyer |
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- Short biography (in English)
- Biography (in Czech)
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- Pages with reference errors
- Articles needing translation from foreign-language Wikipedias
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- Wikipedia articles needing clarification from November 2021
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- 1841 births
- 1901 deaths
- Burials at Vyšehrad Cemetery
- 19th-century Czech novelists
- Czech Catholics
- Czech Jews
- Czech male novelists
- Czech nationalists
- 19th-century Czech poets
- Czech male poets
- Czech male dramatists and playwrights
- Czech people of French descent
- Czech people of German-Jewish descent
- Czech Freemasons
- Writers from Prague
- LGBT writers from the Czech Republic
- LGBT dramatists and playwrights
- 19th-century Czech dramatists and playwrights
- 19th-century male writers