List of polytonal pieces
From Infogalactic: the planetary knowledge core
List of pieces using polytonality and/or bitonality.
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- Symphony No. 2 (1944)[citation needed]
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- "Wouldn't It Be Nice" – Pet Sounds (1966)[1]
- "God Only Knows" – Pet Sounds (1966)[2]
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- Mikrokosmos Volume 5 number 125: The opening (mm. 1-76) of "Boating", (actually bimodality) in which the right hand uses pitches of the pentatonic scale on E♭ and the left hand uses those of either G mixolydian or dorian[3]
- Mikrokosmos No. 105, "Playsong"[4]
- 44 Violin Duets, "Song of the Harvest" (1933)[5]
- Bagatelles (1908)[6] 1st Bagatelle, RH: C♯ minor, LH: C Phrygian.[7]
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- Sea Interludes (1945)[8]
- Fanfare for St Edmundsbury (1959)[citation needed]
- Folk Songs of the British Isles, Vol. 1, No. 6[6]
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- Danzas Argentinas - 1. "Danza del viejo boyero" (1937), RH: white keys, LH: black keys[9]
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- Symphony No. 2, used for ambiguity[10]
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- Planet of the Apes (1968)[citation needed]
- Patton (1970)[citation needed]
- The Omen (1976)[11]
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- Symphony for Strings, III[5]
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- "What The Hell Happened" (from Halcyon Days, 2004)[12]
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- Variations on "America" (1891-1892), polytonal interludes added 1909-1910[13]
- Sixty-seventh Psalm (1898–99)[6]
- Piano Sonata No. 2 (Ives) III. The Alcotts, presence of bitonality (right hand in B♭ major and left hand in A♭ major)[14]
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- Cabaret (1966), in the Finale Ultimo[citation needed]
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- Concerto for Piano, with Wind Octette Acc. (1928)[15]
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- Scaramouche, in the first movement "Vif"[citation needed]
- Sorocaba, from Saudades Do Brasil[citation needed]
- Le Boeuf sur le toit[citation needed]
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- The Untouchables (1987)[citation needed]
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- Lieutenant Kijé Suite (mov. V, "The Burial of Kijé")[citation needed]
- Sarcasms, Op. 17. The third movement uses two different key signatures for each hand.[17]
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- A Festival Prelude[citation needed]
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- "Gavotte", Suite for Piano Op. 25 (1923)[18]
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- George Washington Bridge[19]
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- Petrushka, opening fanfare[citation needed]
- Symphony of Psalms - 3rd Movement[citation needed]
- Symphonies of Wind Instruments (1947), rehearsal No. 11[20]
- "Rite of Spring"
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- String Quartet No. 1 in C major Movement 3 (1917). Each part has its own key: Cello, C; Viola, 3 flats; Violin 2, 6 sharps; Violin 1, 3 sharps. See score.
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- Jesus Christ Superstar - "This Jesus Must Die" (B♭ and E major)[21]
Sources
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Stein, Deborah (2005). "Introduction to Musical Ambiguity" in Engaging Music: Essays in Music Analysis, p.82-3. New York: Oxford University Press. ISBN 0-19-517010-5.
- ↑ Kostka, Stefan and Payne, Dorothy (1995). Tonal Harmony, p.495. ISBN 0-07-300056-6.
- ↑ 5.0 5.1 DeLone, et al. (1975). Aspects of 20th Century Music, p.339. ISBN 0-13-049346-5.
- ↑ 6.0 6.1 6.2 Richardson, John (1999). Singing Archaeology: Philip Glass's Akhnaten, p.73. ISBN 9780819563422.
- ↑ Ross, Alex (2007). The Rest Is Noise: Listening to the Twentieth Century, p.83. ISBN 9780374249397.
- ↑ Wilkins, Margaret Lucy (2006). Creative Music Composition, p.78. ISBN 9780415974677.
- ↑ Hinson, Maurice (2000). Guide to the Pianist's Repertoire, p.334. ISBN 9780253336460.
- ↑ "Philip Glass : Symphony No. 2", ChesterNovello.com.
- ↑ 11.0 11.1 Karlin, Fred and Wright, Rayburn (2004). On the Track: A Guide to Contemporary Film Scoring, p.359. ISBN 9780415941365.
- ↑ Diton, Robert (September 23, 2011). "Bruce Hornsby to bring the noise to Englewood", Examiner.com.
- ↑ Latham, Alison (2004). The Oxford Dictionary of Musical Works, p.173. ISBN 9780198610205.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Gagné, Nicole V. (2012). Historical Dictionary of Modern and Contemporary Classical Music, p.171. ISBN 9780810879621.
- ↑ 16.0 16.1 16.2 Reti, Rudolph (1958). Tonality, Atonality, Pantonality: A study of some trends in twentieth century music,[page needed]. Westport, Connecticut: Greenwood Press. ISBN 0-313-20478-0.
- ↑ | Encyclopædia Britannica, "Polytonality (music)".
- ↑ Maconie, Robin (2005). Other Planets, p.71. ISBN 0-8108-5356-6. "Has distinctly polytonal tendencies."
- ↑ Swayne, Steve (2011). Orpheus in Manhattan: William Schuman and the Shaping of America's Musical Life, p.244. ISBN 9780195388527.
- ↑ Berry, Wallace (1976). Structural Functions in Music, p.183n1. ISBN 0-486-25384-8.
- ↑ (1973). Country Life, Volume 154, p.2015.