List of polytonal pieces

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List of pieces using polytonality and/or bitonality.

Symphony No. 2 (1944)[citation needed]
"Wouldn't It Be Nice" – Pet Sounds (1966)[1]
"God Only Knows" – Pet Sounds (1966)[2]
Mikrokosmos Volume 5 number 125: The opening (mm. 1-76) of "Boating", (actually bimodality) in which the right hand uses pitches of the pentatonic scale on E and the left hand uses those of either G mixolydian or dorian[3]
Mikrokosmos No. 105, "Playsong"[4]
44 Violin Duets, "Song of the Harvest" (1933)[5]
Bagatelles (1908)[6] 1st Bagatelle, RH: C minor, LH: C Phrygian.[7]
Sea Interludes (1945)[8]
Fanfare for St Edmundsbury (1959)[citation needed]
Folk Songs of the British Isles, Vol. 1, No. 6[6]
Danzas Argentinas - 1. "Danza del viejo boyero" (1937), RH: white keys, LH: black keys[9]
Symphony No. 2, used for ambiguity[10]
Planet of the Apes (1968)[citation needed]
Patton (1970)[citation needed]
The Omen (1976)[11]
Lincolnshire Posy[citation needed]
The Planets[citation needed]
Terzetto for Flute, Oboe and Viola
Symphony for Strings, III[5]
"What The Hell Happened" (from Halcyon Days, 2004)[12]
Variations on "America" (1891-1892), polytonal interludes added 1909-1910[13]
Sixty-seventh Psalm (1898–99)[6]
Piano Sonata No. 2 (Ives) III. The Alcotts, presence of bitonality (right hand in B major and left hand in A major)[14]
Cabaret (1966), in the Finale Ultimo[citation needed]
Concerto for Piano, with Wind Octette Acc. (1928)[15]
Scaramouche, in the first movement "Vif"[citation needed]
Sorocaba, from Saudades Do Brasil[citation needed]
Le Boeuf sur le toit[citation needed]
The Untouchables (1987)[citation needed]
Ein musikalischer Spass[16]
Ein musikalischer Spass <phonos file="K522 multitonality.mid">Play</phonos>
Lieutenant Kijé Suite (mov. V, "The Burial of Kijé")[citation needed]
Sarcasms, Op. 17. The third movement uses two different key signatures for each hand.[17]
A Festival Prelude[citation needed]
"Gavotte", Suite for Piano Op. 25 (1923)[18]
George Washington Bridge[19]
Petrushka, opening fanfare[citation needed]
Symphony of Psalms - 3rd Movement[citation needed]
Symphonies of Wind Instruments (1947), rehearsal No. 11[20]
"Rite of Spring"
String Quartet No. 1 in C major Movement 3 (1917). Each part has its own key: Cello, C; Viola, 3 flats; Violin 2, 6 sharps; Violin 1, 3 sharps. See score.
Star Wars (1977)[11]
Chorale and Shaker Dance[citation needed]
Jesus Christ Superstar - "This Jesus Must Die" (B and E major)[21]

Sources

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  3. Stein, Deborah (2005). "Introduction to Musical Ambiguity" in Engaging Music: Essays in Music Analysis, p.82-3. New York: Oxford University Press. ISBN 0-19-517010-5.
  4. Kostka, Stefan and Payne, Dorothy (1995). Tonal Harmony, p.495. ISBN 0-07-300056-6.
  5. 5.0 5.1 DeLone, et al. (1975). Aspects of 20th Century Music, p.339. ISBN 0-13-049346-5.
  6. 6.0 6.1 6.2 Richardson, John (1999). Singing Archaeology: Philip Glass's Akhnaten, p.73. ISBN 9780819563422.
  7. Ross, Alex (2007). The Rest Is Noise: Listening to the Twentieth Century, p.83. ISBN 9780374249397.
  8. Wilkins, Margaret Lucy (2006). Creative Music Composition, p.78. ISBN 9780415974677.
  9. Hinson, Maurice (2000). Guide to the Pianist's Repertoire, p.334. ISBN 9780253336460.
  10. "Philip Glass : Symphony No. 2", ChesterNovello.com.
  11. 11.0 11.1 Karlin, Fred and Wright, Rayburn (2004). On the Track: A Guide to Contemporary Film Scoring, p.359. ISBN 9780415941365.
  12. Diton, Robert (September 23, 2011). "Bruce Hornsby to bring the noise to Englewood", Examiner.com.
  13. Latham, Alison (2004). The Oxford Dictionary of Musical Works, p.173. ISBN 9780198610205.
  14. Lua error in package.lua at line 80: module 'strict' not found.
  15. Gagné, Nicole V. (2012). Historical Dictionary of Modern and Contemporary Classical Music, p.171. ISBN 9780810879621.
  16. 16.0 16.1 16.2 Reti, Rudolph (1958). Tonality, Atonality, Pantonality: A study of some trends in twentieth century music,[page needed]. Westport, Connecticut: Greenwood Press. ISBN 0-313-20478-0.
  17. | Encyclopædia Britannica, "Polytonality (music)".
  18. Maconie, Robin (2005). Other Planets, p.71. ISBN 0-8108-5356-6. "Has distinctly polytonal tendencies."
  19. Swayne, Steve (2011). Orpheus in Manhattan: William Schuman and the Shaping of America's Musical Life, p.244. ISBN 9780195388527.
  20. Berry, Wallace (1976). Structural Functions in Music, p.183n1. ISBN 0-486-25384-8.
  21. (1973). Country Life, Volume 154, p.2015.