Portal:Visual arts
THE VISUAL ARTS PORTAL
Visual arts is a class of art forms focusing on the creation of works that are primarily visual in nature, such as painting, drawing, illustration, architecture, photography, graphic design, printmaking, and filmmaking. Works that involve moulding or modeling, such as sculpture, public art, and ceramics, are more narrowly referred to as plastic arts. The visual arts are distinguished from the performing arts, language arts, culinary arts and other such classes of artwork, but those boundaries are not well defined. Many artistic endeavors combine aspects of visual arts with one or more non-visual art forms, such as music or spoken word. The current use of the phrase "visual arts" includes fine arts as well as crafts, but this was not always the case. Prior to the Arts and Crafts movement in Britain and elsewhere at the turn of the 20th century, "visual artist" referred to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the handicraft, craft, or applied art disciplines. The scope of study and appreciation of visual arts spans the globe, and reaches through time back to people drawing on stone walls. All societies have embellished their tools and toys with more visual interest than is functionally necessary.
John Constable's Salisbury Cathedral from the Bishop's Grounds (1823) hangs in the Victoria and Albert Museum in London, England.
El Lissitzky was a Russian artist, designer, photographer, teacher, typographer, and architect. He was one of the most important figures of the Russian avant-garde, helping develop suprematism with his friend and mentor, Kazimir Malevich, and designed numerous exhibition displays and propaganda works for the former Soviet Union. His work greatly influenced the Bauhaus, Constructivist, and De Stijl movements and experimented with production techniques and stylistic devices that would go on to dominate 20th century graphic design. Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarised with his edict, "das zielbewußte Schaffen" (The task-oriented creation). In 1941 he produced one of his last known works — a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany.
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