Run Silent, Run Deep (1958 film)

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Run Silent, Run Deep
Run Silent Run Deep 1958 Poster.jpg
Directed by Robert Wise
Produced by Harold Hecht
Screenplay by John Gay
Based on Run Silent, Run Deep
1955 novel
by Edward L. Beach, Jr.
Starring Clark Gable
Burt Lancaster
Music by Franz Waxman
Cinematography Russell Harlan
Edited by George Boemler
Production
company
Hecht-Hill-Lancaster Productions
Distributed by United Artists
Release dates
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  • March 27, 1958 (1958-03-27) (US)
Running time
93 minutes
Country United States
Language English

Run Silent, Run Deep is a 1958 American black-and-white war film from United Artists, produced by Harold Hecht, directed by Robert Wise, and starring Clark Gable and Burt Lancaster. The film is based on the novel of the same name by Commander (later Captain) Edward L. Beach Jr.. The title refers to "silent running", a submarine stealth tactic. The story describes World War II submarine warfare in the Pacific Ocean, and deals with themes of vengeance, endurance, courage, loyalty, and honor and how these can be tested during wartime.

In addition to Gable and Lancaster playing the leads, the film also features Jack Warden, as well as the film debut of Don Rickles.[1]

United Artists promoted Run Silent, Run Deep as a combination of the obsessiveness of Moby Dick's Captain Ahab and the shipboard rivalry found in Mutiny on the Bounty.[2]

Capt. Beach, the author of the book, did not think highly of the film. He later said that the film company bought only the book title and was not interested in producing an accurate depiction of the theme and plot of his novel.[3]

Plot

A World War II US Navy submarine officer, Commander P.J. Richardson (Clark Gable), has an obsession with a Japanese destroyer that has sunk three US submarines in the Bungo Straits, including his previous command. He persuades the Navy Board to give him a new submarine command with the provision that his executive officer, also known as the XO or the "exec", be someone who has just returned from active sea patrol. He single-mindedly trains the crew of his new boat, the USS Nerka, to return to the Bungo Straits and sink the destroyer, nicknamed Bungo Pete. Richardson's executive officer, Lieutenant Jim Bledsoe (Burt Lancaster), is worried about the safety of his boat and his crew. Bledsoe is also seething with resentment at Richardson and the Navy leadership for denying him command of the Nerka, which he believes should have been his.

Richardson begins to drill the crew on a rapid bow shot, in which a submarine shoots "down the throat" (that is, at the bow of an approaching target) at a destroyer moving in for the kill, which is normally considered a desperation shot due to the extremely narrow profile of the target. He then bypasses one target only to take on a Japanese destroyer using a bow shot. The crew is outraged as it discovers that Richardson is avoiding legitimate targets in order to enter the Bungo Straits undetected in direct contradiction to his mission orders. Finally, they are confronted by a large convoy about 7,000 yards ahead. Soon after firing two torpedoes at one of the cargo ships, blowing it up, and then engaging Bungo Pete, they are attacked by aircraft that had been alerted to their presence and waiting in ambush. The submarine is forced to dive and barely escapes destruction from depth charges. Three of the crew are killed, and Richardson suffers an incapacitating skull fracture. The submarine also narrowly escapes what the crew mistakenly believes to be one of their own torpedoes doubling back on them. By sending up blankets, equipment, and the bodies of the dead, they convince the Japanese that the submarine has been sunk. Bledsoe uses Richardson's incapacitation to assume command and set course for Pearl Harbor.

While listening to Tokyo Rose proclaiming the sinking of their boat, several crewmen feel mystified about how the Japanese are able to identify several of them by name. Bledsoe realizes that the Japanese have analyzed their floating trash, so he decides to turn that to his advantage. Since the Japanese believe the Nerka has sunk, he returns to the Bungo Straits to fight the destroyer Akikaze, which the submarine defeats, only to be subjected again to a mystery torpedo. Richardson deduces that it was not the Akikaze alone which had been destroying US submarines but a Japanese submarine working in concert with the destroyer. He orders the boat into a dive just seconds before a Japanese torpedo races by. The Nerka then forces its adversary to surface and destroys it, achieving the revenge that was Richardson's personal mission. Richardson then collapses on the bridge and dies from his head injury and is buried at sea.

Adaptation from the novel

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The film draws many plot elements from the novel, including Japanese gathering intelligence from the submarine's trash. One key difference is that the novel places Richardson ashore recovering from a broken leg and working on the torpedo exploder problem when Bledsoe dies in the sinking of USS Walrus, Richardson's first command.

In the novel the conflict between Richardson and Bledsoe begins while they are reconditioning the old USS S-16 (SS-121) in the Naval Submarine Base New London. The mutinous attitudes of the crew are an extension of Bledsoe's earlier rebelliousness, while the film provides them with no comparable context. The film adds an action sequence in which Richardson commands his boat through a wild night of surface action against a Japanese convoy.

At Gable's insistence, the film has Richardson taken seriously ill before being relieved of command so Gable would not be perceived as playing a less than dominant character.[2]

In the film the Eel does not ram the Japanese lifeboats. The US Navy, which helped with the film's production, may have been concerned with reviving memories of a 1943 incident in which Dudley W. Morton was accused of shooting into lifeboats while commanding Wahoo.

Cast

Production

The USS Redfish was used in many of the exterior scenes. Captain Rob Roy McGregor, who had commanded two fleet boats (Grouper and Sea Cat) during World War II, acted as the technical advisor.[citation needed]

Nick Cravat, who starred with Lancaster in nine films, had a speaking part. This was rare for him, because his thick Brooklyn accent did not fit the historical dramas in which he often appeared.[4]

Don Rickles made his film debut in a small role, and in his 2007 memoirs he recalled that during filming Gable would sometimes frustrate the filmmakers (including Lancaster, who was a financial investor in the film) by adhering to a strict 9-to-5 approach to the workday—he would reportedly stop working during the filming of major scenes. Later in his life, Lancaster publicly had nothing but praise and admiration for Gable, whom he described as a consummate professional.[citation needed]

The film contains several accurate depictions of torpedo attacks being arranged with periscope sightings, range and bearing calculations, and use of a Torpedo Data Computer to achieve a shooting solution. On the surface, the Captain uses a Target Bearing Transmitter mounted on the bridge to acquire a target visually and mark its bearing input for the shooting party inside the conning tower. This depicted the preferred tactic of night surface attack, taking advantage of both the submarine's greater speed and maneuverability using its diesel engines, and the use of its SJ radar in making accurate range and bearing calculations, although with greater risk of being sunk by bombs and shell fire. The director, Robert Wise, had real submariners working with the cast until they could realistically depict the complexities of these torpedo attacks. Submarine veterans of World War II who viewed the film remarked on the accuracy of these scenes, and the scenes now provide modern-day audiences with a view of what life was like aboard World War II submarines.[citation needed]

The special effects were completed by using miniatures, considered to be state-of-the-art in 1957, when the film was made.[citation needed]

Reception

Bosley Crowther, writing in the New York Times, called it "a straight tale of undersea adventure, all-male and all-submarine ... [that] has the hard, cold ring of truth", with "dangerous adventures [that] are severely, nail-bitingly tense" until "the ultimate showdown ... that keeps one forward on the chair." To the extent that the events depicted might appear hard to believe, he cited the credentials of the novel's author and noted that "they look more like the real thing in good old black-and-white."[5]

One critic later summarized the plot after it had been replicated in other submarine films:[6]

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[T]he Executive Officer hates the Skipper and smolders valiantly in that compressed environment with the tacit complicity of the crew until the Old Man just plain old blows his stack and then we have a shouting match and, as is the way with guys, things get better and we outwit the [you supply it] lurking there beyond in the somber depths to sail home at last....

References

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  4. Nick Cravat Biography
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External links