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- REDIRECT Template:Infobox film or theatre festival
The Seattle International Film Festival (SIFF), held annually in Seattle, Washington since 1976, is among the top film festivals in North America. Audiences have grown steadily; the 2006 festival had 160,000 attendees.[1] In recent years, the SIFF has run for more than three weeks (24 days), in May/June, and features a diverse assortment of predominantly independent and foreign films and, in recent years, a strong contingent of documentaries.
SIFF 2006 included 300+ films and was the first SIFF to include a venue in neighboring Bellevue, Washington, after an ill-fated early attempt. However, in 2008, the festival was back to being entirely in Seattle, and had a slight decrease in the number of feature films. The 2010 festival featured over 400 films, shown primarily in downtown Seattle and its nearby neighborhoods, but also in Renton, Kirkland, and Juanita Beach Park.[2]
History
The festival began in 1976 at a then-independent cinema, the Moore Egyptian Theater. The first five festivals were held at The Moore Egyptian, now back under its earlier name the Moore Theater and functioning as a concert venue. When founders Dan Ireland and Darryl Macdonald of the Moore Egyptian lost their lease, they founded the Egyptian theater in a former Masonic Temple on Seattle's Capitol Hill. The Egyptian theater remains a prime festival venue to this day, although the festival now typically uses about half a dozen cinemas (including, since 2007, its own SIFF Cinema at Seattle Center), with the exact roster varying from year to year.
During the 1980s, SIFF audiences developed a reputation for appreciating films that did not fit standard industry niches, such as Richard Rush's multi-layered The Stunt Man (1980). SIFF was instrumental in the entry of Dutch films into the United States market, including the first major American success for director Paul Verhoeven.[citation needed]
The nature of the festival
The festival includes a component that is unique among major film festivals: a four-film "Secret Festival". Those who attend the Secret Festival do not know in advance what they will see, and they must sign an oath that they will not reveal afterwards what they have seen.
In general, SIFF has a reputation as an "audience festival" rather than an "industry festival".[3] The festival often partially overlaps the Cannes Film Festival, which can reduce attendance by industry bigwigs; in 2007 there were two days of overlap, May 24 and 25.
The SIFF group also curates the Global Lens film series, the Screenwriters Salon, and Futurewave (K-12 programming and youth outreach), coordinates SIFF-A-Go-Go travel programs (organized tours to other film festivals), and co-curates the 1 Reel Film Feastival at Bumbershoot and the Sci-Fi Shorts Film Festival at the Science Fiction Museum and Hall of Fame.[1]
In 2006, Longhouse Media launched the SuperFly Filmmaking Experience, in partnership with the Seattle International Film Festival, which brings youth together from diverse backgrounds to work collaboratively on film projects that promote awareness of indigenous issues and mutual understanding of each other's cultures. Fifty youth from across the United States arrive in Seattle to then travel to a local Pacific Northwest reservation to create 4 films in 36 hours.
SIFF Cinema
November 28, 2006, SIFF and Seattle mayor Greg Nickels announced that SIFF will soon have a home and a year-round screening facility in what has been the Nesholm Family Lecture Hall of McCaw Hall, the same building at Seattle Center that houses the Seattle Opera. The city contributed $150,000 to the $350,000 project. This auditorium was a "flagship venue" for SIFF festivals[1] and the site of most press screenings.
Shortly after the 2011 festival, SIFF moved its operations to the SIFF Film Center on the Seattle Center campus. The Film Center includes a 90-seat multi-use theater, multi-media classroom, exhibition spaces, archives, and offices for SIFF and the Film School.[4] In October 2011, SIFF Cinema moved from McCaw Hall to its current location in the Uptown Theater. SIFF utilizes all three of the Uptown's three screens for year round programming. SIFF currently has year round programming for four screens in Seattle.
In May 2014 it was announced that SIFF had purchased the Uptown Theater, and would be leasing and renovating the Egyptian Theater (abandoned roughly a year earlier by Landmark Theatres) from Seattle Central College.[5]
Awards
Since 1985, the Seattle International Film Festival has awarded the Golden Space Needle award each year to the festival's most popular movie. Ballots are cast by audience members at the end of each movie. Previous winners of the Golden Space Needle include Whale Rider for 2003, Trainspotting for 1996, Kiss of the Spider Woman for 1985 and Boyhood for 2015, the latter two being the only films to be nominated for the Academy Award for Best Picture and win the Golden Space Needle.
Golden Space Needle (Best Film) and SIFF Awards for Best Short and Documentary
| Year |
Best Film (Golden Space Needle) |
Best Short |
Best Documentary |
| 1985 |
Kiss of the Spider Woman (dir. Héctor Babenco, Brazil) |
Frankenweenie (dir. Tim Burton, United States) |
|
| 1986 |
The Assault (dir. Fons Rademakers, Netherlands) |
The Big Snit (dir. Richard Condie, USA) |
| 1987 |
My Life as a Dog (dir. Lasse Hallström, Sweden) |
Your Face (dir. Bill Plimpton, USA) |
| 1988 |
Bagdad Café (dir. Percy Adlon, West Germany) |
Ray's Male Heterosexual Dance Hall (dir. Jonathon Sanger, USA) |
| 1989 |
Apartment Zero (dir. Martin Donovan, USA) |
Tin Toy (dir. John Lasseter, USA) |
| 1990 |
Pump Up the Volume (dir. Allan Moyle, USA) |
Knick Knack (dir. John Lasseter, USA) |
| 1991 |
My Mother's Castle (dir. Yves Robert, France) |
The Potato Hunter (dir. Timothy Hittle, USA) |
Paris Is Burning (dir. Jennie Livingston, USA) |
| 1992 |
Betty Blue (dir. Jean-Jacques Beineix, France) |
Anima Mundi (dir. Godfrey Reggio, USA) |
A Brief History of Time (dir. Errol Morris, USA) |
| 1993 |
The Wedding Banquet (dir. Ang Lee, Taiwan/USA) |
The Fairy Who Didn't Want to Be a Fairy Anymore (dir. Laurie Lynd, Canada) |
Road Scholar (dir. Roger Weisberg, USA) |
| 1994 |
Priscilla, Queen of the Desert (dir. Stephan Elliott, Australia) |
The Wrong Trousers (dir. Nick Park, UK) |
The Wonderful, Horrible Life of Leni Riefenstahl (dir. Ray Müller, Germany) |
| 1995 |
The Kingdom (dir. Lars von Trier, Denmark) |
Surprise! (dir. Veit Helmer, Germany) |
Crumb (dir. Terry Zwigoff, USA) |
| 1996 |
Trainspotting (dir. Danny Boyle, UK) |
That Night (dir. John Keister, USA) |
Hype! (dir. Doug Pray, USA) |
| 1997 |
Comrades: Almost a Love Story (dir. Peter Chan, Hong Kong) |
Ballad of the Skeletons (dir. Gus Van Sant, USA) |
Licensed to Kill (dir. Arthur Dong, USA) |
| 1998 |
God Said Ha! (dir. Julia Sweeney, USA) |
Sin Sostén (dir. Rene Castinello, Antonio Urrutia, Belgium) |
Frank Lloyd Wright (dir. Ken Burns, Lynn Novick, USA) |
| 1999 |
Run Lola Run (dir. Tom Tykwer, Germany) |
12 Stops of the Road to Nowhere (dir. Jay Lowi, USA) |
Buena Vista Social Club (dir. Wim Wenders, USA) |
| 2000 |
Shower (Zhang Yang, China) |
In God We Trust (dir. Jason Reitman, USA) |
Trade Off (dir. Shaya Mercer, USA) |
| 2001 |
Finder's Fee (dir. Jeff Probst, USA) |
Boychick (dir. Glen Gaylord, USA) |
The Endurance: Shackleton's Legendary Antarctic Expedition (dir. George Butler, USA) |
| 2002 |
Elling (dir. Petter Næss, Norway) |
The Host (dir. Nick Tomnay, Australia) |
Ruthie & Connie: Every Room in the House (dir. Deborah Dickson, USA) |
| 2003 |
Whale Rider (dir. Niki Caro, New Zealand) |
Misdemeanor (dir. Jonathan Lemond, USA) |
The Revolution Will Not Be Televised (dir. Kim Bartley, Donnacha O'Briain, Ireland/Venezuela) |
| 2004 |
Facing Windows (dir. Ferzan Özpetek, Italy) |
Consent (dir. Jason Reitman, USA) |
Born into Brothels (dir. Zana Briski, Ross Kauffmann, USA) |
| 2005 |
Innocent Voices (dir. Luis Mandoki, Mexico) |
Raftman's Razor (dir. Keith Bearden, USA) |
Murderball (dir. Henry-Alex Rubin, Dana Adam Shapiro, USA) |
| 2006 |
OSS 117: Nest of Spies (dir. Michel Hazanavicius, France) |
Full Disclosure (dir. Douglas Horn, USA) |
The Trials of Darryl Hunt (dir. Ricki Stern, Annie Sundberg, USA) |
| 2007[6] |
Outsourced (dir. John Jeffcoat, USA) |
Pierre (dir. Dan Brown,[disambiguation needed] USA) |
For the Bible Tells Me So (dir. Daniel Karslake, USA) |
| 2008 |
Cherry Blossoms (dir. Doris Dörrie, Germany) |
Felix (dir. Andreas Utta, Germany) |
The Wrecking Crew (dir. Denny Tedesco, USA) |
| 2009 |
Black Dynamite (dir. Scott Sanders, USA) |
Wallace and Gromit: A Matter of Loaf and Death (dir. Nick Park, UK) |
The Cove (dir. Louie Psihoyos, USA) |
| 2010 |
The Hedgehog (dir. fr (Mona Achache), France) |
Ormie (dir. Rob Silvestri, Canada) |
Ginny Ruffner: A Not So Still Life (dir. Karen Stanton, USA), Waste Land (dir. Lucy Walker, United Kingdom) |
| 2011 |
Pájaros de papel (dir. Emilio Aragón, Spain) |
The Fantastic Flying Books of Mr. Morris Lessmore (dir. William Joyce and Brandon Oldenburg, USA) |
To Be Heard (dir. Amy Sultan, Roland Legiardi-Laura, Edwin Martinez and Deborah Shaffer, USA) |
| 2012 |
Any Day Now (dir. Travis Fine, USA) |
CatCam (dir. Seth Keal, USA) |
The Invisible War (dir. Kirby Dick, USA) |
| 2013 |
Fanie Fourie's Lobola (dir. Henk Pretorius, South Africa) |
Spooners (dir. Bryan Horch, USA) |
Twenty Feet from Stardom (dir. Morgan Neville, USA) |
| 2014 |
Boyhood (dir. Richard Linklater, USA) |
Fool's Day (dir. Cody Blue Snider, USA) |
Keep On Keepin' On (dir. Alan Hicks, USA) |
| 2015 |
The Dark Horse (dir. James Napier Robertson, New Zealand) |
Even the Walls (dir. Sarah Kuck, Saman Maydani, USA) |
Romeo Is Bleeding (dir. Jason Zeldes, USA) |
SIFF Awards for Best Director, Actress and Actor
| Year |
Best Director |
Best Actress |
Best Actor |
| 1985 |
Krzysztof Zanussi (Power of Evil, Poland) |
Renee Soutendijk (The Fourth Man, Belgium) |
William Hurt (Kiss of the Spider Woman, Brazil) |
| 1986 |
Fons Rademakers (The Assault, Netherlands) |
Cathy Tyson (Mona Lisa, UK) |
Bob Hoskins (Mona Lisa, UK) |
| 1987 |
Lasse Hallström (My Life as a Dog, Sweden) |
Monique van de Ven (Iris, Netherlands) |
Gary Oldman (Prick Up Your Ears, UK) |
| 1988 |
Alan Rudolph (The Moderns, USA) |
Deborra-Lee Furness (Shame, Australia) |
Tom Hulce (Dominick and Eugene, USA) |
| 1989 |
Martin Donovan (Apartment Zero, USA) |
Wendy Hughes (Boundaries of the Heart, Australia) |
Rutger Hauer (Legend of a Holy Drinker, Italy) |
| 1990 |
Denys Arcand (Jesus of Montreal, Canada) |
Rebecca Jenkins (Bye Bye Blues, Canada) |
Michael Rooker (Henry: Portrait of a Serial Killer, USA) |
| 1991 |
Peter Greenaway (Drowning by Numbers, UK) |
Lily Tomlin (Search for Signs of Intelligent Life in the Universe, USA) |
Alan Rickman (Close My Eyes / Truly, Madly, Deeply, UK) |
| 1992 |
Jean-Jacques Beineix (Betty Blue, France) |
Marianne Sägebrecht (Martha and I, Germany/France) |
Dermot Mulroney (Where the Day Takes You, USA) |
| 1993 |
Ang Lee (The Wedding Banquet, Taiwan/USA) |
Tilda Swinton (Orlando, UK/Russia/Italy/France/Netherlands) |
Russell Crowe (Romper Stomper / Hammers Over the Anvil, Australia) |
| 1994 |
Rolf de Heer (Bad Boy Bubby, Australia) |
Mimi Rogers (Reflection on a Crime, USA) |
Terence Stamp (Priscilla, Queen of the Desert, Australia) |
| 1995 |
Bryan Singer (The Usual Suspects, USA) |
Nicole Kidman (To Die For, USA) |
Kevin Spacey (The Usual Suspects, USA) |
| 1996 |
Danny Boyle (Trainspotting, UK) |
Lili Taylor (Girls Town, USA) |
Vincent D'Onofrio (The Whole Wide World, USA) |
| 1997 |
Peter Greenaway (The Pillow Book, UK) |
Robin Wright Penn (Loved, USA) |
Brendan Fraser (Still Breathing, USA) |
| 1998 |
Bill Condon (Gods and Monsters, USA) |
Christina Ricci (Buffalo 66 / The Opposite of Sex, USA) |
Stephen Fry (Wilde, UK) |
| 1999 |
John Sayles (Limbo, USA) |
Piper Laurie (The Mao Game, USA) |
Rupert Everett (An Ideal Husband, UK) |
| 2000 |
Zhang Yang (Shower, China) |
Nathalie Baye (Venus Beauty Institute, France) |
Dan Futterman (Urbania, USA) |
| 2001 |
Tim Blake Nelson (O, USA) |
Thora Birch (Ghost World, USA) |
John Cameron Mitchell (Hedwig and the Angry Inch, USA) |
| 2002 |
Julio Médem (Sex and Lucia, Spain) |
Isabelle Huppert (The Piano Teacher, Austria/France) |
Moritz Bleibtreu (Das Experiment, Germany) |
| 2003 |
Niki Caro (Whale Rider, New Zealand) |
Moon So-ri (Oasis, South Korea) |
Sol Kyung-gu (Oasis, South Korea) |
| 2004 |
Marco Tullio Giordana (The Best of Youth, Italy) |
Catalina Sandino Moreno (Maria Full of Grace (Colombia/USA) |
Luis Tosar (Take My Eyes, Spain) |
| 2005 |
Gregg Araki (Mysterious Skin, USA) |
Joan Allen (Yes, USA) |
Joseph Gordon-Levitt (Mysterious Skin, USA) |
| 2006 |
Goran Dukic (Wristcutters: A Love Story, USA) |
Fiona Gordon (fr (The Iceberg), Belgium) |
Ryan Gosling (Half Nelson, USA) |
| 2007[6] |
Daniel Waters (Sex & Death 101, USA) |
Marion Cotillard (La Vie en Rose, France) |
Daniel Brühl (Salvador, Spain) |
| 2008 |
Amin Matalqa (Captain Abu Raed, Jordan) |
Jessica Chastain (Jolene, USA) |
Alan Rickman (Bottle Shock, USA) |
| 2009 |
Kathryn Bigelow (The Hurt Locker, USA) |
Yolande Moreau (Seraphine), France) |
Sam Rockwell (Moon, UK) |
| 2010 |
Debra Granik (Winter's Bone, USA) |
Jennifer Lawrence (Winter's Bone, USA) |
Luis Tosar (Cell 211, Spain) |
| 2011 |
Larysa Kondracki (The Whistleblower, Canada/Germany) |
Natasha Petrovic (As If I Am Not There, Ireland) |
Bill Skarsgård (Simple Simon, Sweden) |
| 2012 |
Benh Zeitlin (Beasts of the Southern Wild, USA) |
Jamie Chung (Eden, USA) |
Alan Cumming (Any Day Now, USA) |
| 2013 |
Nabil Ayouch (Horses of God, Morocco) |
Samantha Morton (Decoding Annie Parker), USA) |
James Cromwell (Still Mine, Canada) |
| 2014 |
Richard Linklater (Boyhood, USA) |
Patricia Arquette (Boyhood, USA) |
Dawid Ogrodnik (Life Feels Good, Poland) |
| 2015 |
Alfonso Gomez-Rejon (Me and Earl and the Dying Girl, USA) |
Nina Hoss (Phoenix, Germany) |
Cliff Curtis (The Dark Horse, New Zealand) |
Jury awards
Premieres
Among the films that have received North American or world premieres at SIFF are:
- Alien — Ridley Scott (1979, World premiere)[7]
- Arafat, My Brother — Rashid Masharawi (2005, North American premiere)[8]
- Banlieue 13 — Pierre Morel (2005, North American premiere)[8]
- Burning in the Wind — Silvio Soldoni (2003, World premiere)[9]
- Creature — Parris Patton (1999, World premiere)[10]
- Ghost World - Terry Zwigoff (2001, World premiere)
- I Murder Seriously — Antonio Urrutia (2003, North American premiere)[11]
- Joshua Tree, 1951: A Portrait of James Dean — Matthew Mishory (2012, World premiere)[12]
- Last Days — Gus Van Sant (2005, North American premiere)[8]
- Mars — Anna Melikian (2005, North American premiere)[8]
- Mongolian Ping Pong — Ning Hao (2005, North American premiere)[8]
- Monster House — Gil Kenan (2006, North American premiere)[13]
- Nate Dogg — Thomas Farone (2003, World premiere)[11]
- PTU — Johnny To (2003, North American premiere)[11]
- Tomorrow's Weather — Jerzy Stuhr (2003, North American premiere)[14]
Gala Event Films
Seattle
| Year |
Opening Night |
Other Galas |
Closing Night |
| 1991 |
The Miracle (dir. Neil Jordan, UK) |
|
Uranus (dir. Claude Berri, France) |
| 1992 |
fr (Le Bal des casse-pieds) (dir. Yves Robert, France) |
|
Equinox (dir. Alan Rudolph, USA) |
| 1993 |
Much Ado About Nothing (dir. Kenneth Branagh, USA) |
|
King of the Hill (dir. Steven Soderbergh, USA), |
| 1994 |
Little Buddha (dir. Bernardo Bertolucci, UK) |
|
Barcelona (dir. Whit Stillman, USA) |
| 1995 |
Braveheart (dir. Mel Gibson, USA) |
|
Cold Comfort Farm (dir. John Schlesinger, UK) |
| 1996 |
The Whole Wide World (dir. Dan Ireland, USA) |
|
Emma (dir. Douglas McGrath, USA) |
| 1997 |
Addicted to Love (dir. Griffin Dunne, USA) Addicted to Love |
|
Mrs. Brown (dir. John Madden, UK) |
| 1998 |
Firelight (dir. William Nicholson, USA) |
Smoke Signals (dir. Chris Eyre, USA) |
This Is My Father (dir. Paul Quinn, USA) |
| 1999 |
The Dinner Game (dir. Francis Veber, France) |
|
Austin Powers: The Spy Who Shagged Me (dir. Jay Roach, USA) |
| 2000 |
Love's Labour's Lost (dir. Kenneth Branagh, UK) |
|
A Rumor of Angels (dir. Peter O'Fallon, USA) |
| 2001 |
The Anniversary Party (dir. Jennifer Jason Leigh and Alan Cumming, USA) |
O (dir. Tim Blake Nelson, USA)
Liam (dir. Stephen Frears, UK)
Tortilla Soup (dir. Maria Ripoll, USA)
Ghost World (dir. Terry Zwigoff, USA)
|
Investigating Sex (dir. Alan Rudolph, USA) |
| 2002 |
Igby Goes Down (dir. Burr Steers, USA) |
24 Hour Party People (dir. Michael Winterbottom, UK) |
Passionada (dir. Dan Ireland, USA) |
| 2003 |
Valentín (dir. Alejandro Agresti, Argentina) |
H (dir. Lee Jong-hyuk, South Korea)
Caeser (dir. Uli Edel, USA)
PTU (dir. Johnnie To, Hong Kong)
Together (2002 film) (dir. Chen Kaige, South Korea)
Whale Rider (dir. Niki Caro, New Zealand)
|
Jet Lag (dir. Daniele Thompson, France) |
| 2004 |
The Notebook (dir. Nick Cassavetes, USA) |
Saved! (dir. Brian Dannelly, USA)
Donnie Darko: The Director's Cut (dir. Richard Kelly, USA)
Before Sunset (dir. Richard Linklater, USA)
Criminal (dir. Gregory Jacobs, USA)
|
Intimate Strangers (dir. Patrice Leconte, France) |
| 2005 |
Me and You and Everyone We Know (dir. Miranda July, USA) |
The Dying Gaul (dir. Craig Lucas, USA)
Red Dust (dir. Tom Hooper, UK)
Bombón, el Perro (dir. Carlos Sorín, Argentina)
Côte d'Azur (dir. Olivier Ducastel and Jacques Martineau, France)
|
Last Days (dir. Gus Van Sant, USA) |
| 2006 |
The Illusionist (dir. Neil Burger, USA) |
Factotum (dir. Bent Hamer, USA)
Perhaps Love (dir. Peter Ho-Sun Chan, Hong Kong)
A Prairie Home Companion (dir. Robert Altman, USA)
Strangers with Candy (dir. Paul Dinello, USA)
|
The Science of Sleep (dir. Michel Gondry, France) |
| 2007 |
Son of Rambow (dir. Garth Jennings, USA) |
2 Days in Paris, (dir. Julie Delpy, France)
A Battle of Wits, (dir. Jacob Cheung, Hong Kong)
The Boss of It All, (dir. Lars von Trier, Denmark)
Evening, (dir. Lajos Koltai, USA)
|
Molière (dir. Laurent Tirard, France) |
| Year |
Opening Night |
Centerpiece |
Closing Night |
| 2008 |
Battle in Seattle (dir. Stuart Townsend, USA) |
The Great Buck Howard (dir. Sean McGinly, USA) |
Bottle Shock (dir. Randall Miller, USA) |
| 2009 |
In the Loop (dir. Armando Iannucci, UK) |
Humpday (dir. Lynn Shelton, USA) |
OSS 117: Lost in Rio (dir. Michel Hazanavicius, France) |
| 2010 |
The Extra Man (dir. Shari Springer Berman and Robert Pulcini, USA) |
Farewell (dir. Christian Carion, France) |
Get Low (dir. Aaron Schneider, USA) |
| 2011 |
The First Grader (dir. Justin Chadwick, UK) |
Service Entrance (dir. Philippe Le Gauy, France) |
LIfe in a Day (dir. Kevin MacDonald, UK) |
| 2012 |
Your Sister's Sister (dir. Lynn Shelton, USA) |
The Chef (dir. fr (Daniel Cohen (filmmaker)), France) |
Grassroots (dir. Stephen Gyllenhaal, USA) |
| 2013 |
Much Ado About Nothing (dir. Joss Whedon, USA) |
20 Feet from Stardom (dir. Morgan Neville, USA) |
The Bling Ring (dir. Sofia Coppola, USA) |
| 2014 |
Jimi: All Is By My Side (dir. John Ridley, USA) |
Boyhood (dir. Richard Linklater, USA) |
The One I Love (dir. Charlie McDowell, USA) |
| 2015 |
Spy (dir. Paul Feig, USA) |
The End of the Tour (dir. James Ponsoldt, USA) |
The Overnight (dir. Patrick Brice, USA) |
Kirkland
Renton
See also
References
- ↑ 1.0 1.1 1.2 Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lynn Jacobson, Locals swarm huge Seattle fest. Variety, Jun. 19, 2005
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Paul Constant, SIFF To Renovate and Reopen the Egyptian Theatre, slog.thestranger.com (blog of Seattle alternative weekly The Stranger, 2014-05-15.) Accessed online 2014-05-17.
- ↑ 6.0 6.1 6.2 6.3 Reel News (SIFF), Autumn 2007, p. 5.
- ↑ 1979 SIFF program (guide/booklet) states this is the World Premiere of Alien
- ↑ 8.0 8.1 8.2 8.3 8.4 News in 2005, SIFF. Accessed 23 November 2006.
- ↑ Burning in the Wind, SIFF, Accessed 23 November 2006.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ 11.0 11.1 11.2 Press release, SIFF. Accessed 23 November 2006.
- ↑ [1], SIFF, Accessed 29 April 2012.
- ↑ [2] Archived March 25, 2014 at the Wayback Machine
- ↑ Tomorrow's Weather, SIFF, Accessed 23 November 2006.
External links
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