Stations of the Cross (film)
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Film poster
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| Directed by | Dietrich Brüggemann |
| Written by | Dietrich Brüggemann Anna Brüggemann |
| Starring | Hanns Zischler |
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Release dates
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Running time
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107 minutes |
| Country | Germany |
| Language | German |
| Box office | $1,505[1] |
Stations of the Cross (German: Kreuzweg) is a 2014 German drama film directed by Dietrich Brüggemann. The film had its premiere in the competition section of the 64th Berlin International Film Festival,[2] where it won the Silver Bear for Best Script.[3]
Plot
Maria (Lea van Acken), is a 14-year-old Catholic girl in a religiously fanatic family who has dedicated her life to serving God. She is preparing with a group of young people for confirmation in a southern German town. Their church belongs to the Society of St Paul that rejects the more secular rulings of the Second Vatican Council, and holds to the Latin mass. Learning of the 14 Stations of the Cross that Jesus endured on his path to Golgotha, she thinks that this is what she also must go through in order to reach Heaven, and potentially cure her younger brother's autism.
Cast
- Lea van Acken as Maria
- Franziska Weisz as Mother
- Florian Stetter as Pater Weber
- Lucie Aron as Bernadette
- Moritz Knapp as Christian
- Klaus Michael Kamp as Father
- Georg Wesch as Thomas
- Birge Schade as PE Teacher
- Ramin Yazdani as Doctor
- Hanns Zischler as Funeral Director
Notes
The fictitious Society of St Paul is based on the Society of Saint Pius X, a traditional Catholic Church organization of which the German co-writer Anna Brüggemann, and her director brother Dietrich Brüggemann, had first hand experience.[4]
Reception
Reception for the film was mostly positive. Rotten Tomatoes gave the film 91% out of 23 votes.[5] The critics consensus states that the film is "A drama of thought-provoking depth as well as a showcase for newcomer Lee van Acken, Stations of the Cross hits hard and leaves a lingering impact."[5] Steven Greydanus of Decent Films gave the film an "A-" grade, saying "Stations of the Cross is among the most insightful and devastating cross-examinations of religious fundamentalism that I have ever seen, certainly in a Catholic context. The film is not so much an attack on faith or religion, but an examination of how faith goes wrong."[6]
References
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