Make Noise Presents MultiMod

video upload by MAKEN0ISE

0:00 Cold Open
0:43 Title Sequence
1:15 Introducing MultiMod!
2:18 Module Description
2:54 Tony Talks MultiMod
4:21 Controls Overview
8:03 Building The Team
10:42 Read Shapes and Hold
13:03 The Power Of The Hardware
16:04 LFO Shapes
17:49 From One Control Signal… We Create Many
18:44 Read Shape Patch Examples
22:56 Going Into The Unknown
24:22 Outro

Make Noise MultiMod | Overview & Explorations

video upload by Sarah Belle Reid

"A walkthrough of Make Noise’s newest Eurorack module, MultiMod, a multi-function modulation utility—with a few tricks up its sleeve.

This video contains a module overview, demo and patch tutorials. We’ll start with a panel tour of the MultiMod, and then dive into different patch examples that use MultiMod as a multi-LFO tool and a CV processor. I'll also share some "extended techniques" (ways of using MultiMod that extend beyond its intended use case), and demonstrate some ideas for using it to generate and process sound in unusual ways."

This is Make Make Noise Multimod: From One Comes Many

video upload by Red Means Recording Modular

00:00 intro
00:36 what is multimod?
07:38 shapes in action
13:43 one voice, much modulation
18:29 driving quantizers
22:05 v/o through multimod
28:09 noise through multimod
30:16 oscillator sequence through multimod
35:49 ambient audio manipulation
42:30 multimod as rhythm generator
48:00 unlocked polyrhythmic sequencing
51:13 merp merp merp merp merp
54:27 audio processing final jam

With MultiMod...from one control signal, we create many.

MultiMod represents a new approach to complex modulations: it takes a single control signal and copies it 8 times, additionally modifying those copies by weighted adjustment of their relative phase and speed. The result is a flock of related modulation signals, all derived from the same single input.

Phase sets the spacing of the signal copies in time, weighted by channel, with each progressive channel getting more out of phase from the original Signal and from each other. Spread allows for varispeeding the copies by different amounts, with each getting progressively faster or slower than the original Signal. Time determines the range of time captured at the input and therefore also the depth of modulation across copies of the input signal when Phase and Spread are manipulated. MultiMod also includes Tempo, Hold, and Reset features, and a variety of Read Shapes for temporal rearrangement of input signals.

When the input is not patched, MultiMod generates an LFO that is copied eight times and manipulated in the same ways.

MultiMod is built on a brand new DSP hardware developed for the New Universal Synthesizer System. It offers eight high resolution outputs, with signal input and output ranges approaching the upper limits of the analog eurorack modular system. All I/O is capable of a 20V range at +/-10V, greatly exceeding the typical 0-5V CV input ranges on typical digital modules.

Features

Generate vari-speeded, phase modulated copies of any modulation signal.
Dramatically control 8 CVs with just 3 fully modulatable parameters.
Multiple unique read shapes for varying traversal through copied signals
Tempo/Reset inputs and Clock output for temporal system integration
Hold feature for looping captured signals
Ultra-Wide 20V p-p I/O ranges approach analog maximums of the eurorack system
Full TechniColor, Maximum Blinkenlights
Calibrated to accurately pass critical control signals such as quantized pitch CV
Internally generated signals for “LFO mode” when nothing is patched to the Signal Input.

Specifications
Width: 10hp
Max depth (incl power cable): 39mm
Power:
195mA @+12V
10mA @-12V
MSRP: $349

https://www.makenoisemusic.com/module...

6-Voice Polyphonic Synthesizer + External 6-Step Gate Sequencer

video upload by Kol Yom

"This handcrafted 6-voice polyphonic synthesizer delivers rich analog tones with deep customization. Switch between Key Mode for melodic play or Drone Mode for sustained textures. Shape your sound with decay, filter cutoff, resonance, and a starve pot for glitchy effects. An external 6-step gate sequencer adds rhythmic control with selectable steps, on/off switches, and clock rate adjustment. Connect seamlessly via cable for evolving patterns and experimental sound design. Powered by 9V battery or PSU, with a 6.35mm mono output.

https://ogsynthdesign.etsy.com

INTRODUCING XP32

video upload by Squarp instruments

"💥 Introducing xp32, the perfect expander for unlocking 32 assignable CV or Gate outputs, amplifying the creative power of your Hermod+ sequencer.

🐙 Transform your Hermod+ into a 16-track CV/Gate powerhouse, an expansive MIDI/USB-to-CV interface, a preset manager, or customize your outputs to suit even the most intricate modular setups.

🧠 xp32 opens up a new world of possibilities for both live performances and studio setups, giving you the flexibility to bring your most complex musical ideas to life.

PATCH NOTES & CHAPTERS
0:00 HOW TO SETUP
Setting up the xp32 is incredibly simple. By connecting the included expander ribbon cable to the back of Hermod+, xp32 integrates instantly, no configuration required.

0:16 TR1 : DEFAULT LAYOUT
By default, xp32 outputs note pitch, note gate, note velocity, and modulation.
All these outputs are automatically mapped to the USB keyboard and can be recorded directly, preserving all the nuances of natural playing.
I'm also adjusting the range of the velocity outputs from -10V to +10V to maximize Atlantis's inputs response.

0:53 TR2 : GATE LAYOUT
For track 2, I'm setting all outputs to gate. Each output responds to a different MIDI note and is connected to Rample, which is handling the drums.

1:24 TR3 : CV/GATE + 4 MODULATION
A regular CV/Gate output from Hermod+ is used to generate random notes, which are sent to Plaits. I'm using 4 voices of xp32 to send all 4 available MOD lanes to Plaits. These modulation signals are accessed via the STEP ANALYZER and randomly generated by pressing STEP+Y on Hermod+.

2:12 TR4 : EXTERNAL MIDI CC TO CV
I start by connecting Hapax to Hermod+ via USB. Hapax is sending 4 MIDI CC messages, which are converted into CV and output on the 4 voices of XP32's track 4. These signals are then routed through the system to various controls.

2:18 QUICK JAM"

Rmif Ti5 Vst AU Plugin fron Ultrarare.su

video upload by Futulyric

"We present to your attention a vst instrument based on several thousand samples of the most perfect and rarest synthesizer of the late USSR Rmif-TI5 produced by Ultrarare. https://ultrarare.su/
This instrument was remade by changing the firmware from Rmif Ti 3, you can still hear it here:" [videos posted here]

Introducing Behringer WASP VCF

video upload by Behringer

"Put away that bug spray because this is one bug you don’t want to get rid of. In fact, we’re pretty sure it’s one you’re definitely going to welcome with open arms!

The Behringer WASP VCF is an authentic reproduction of the original 'Wasp Deluxe' filter from the ‘70s. In fact, we’ve released the full-sized WASP DELUXE a few years back, but this time, we wanted to give you the same capabilities in a compact and easy to install module."

Tubbutec Introduces Brainstep Controller

video upload by Tubbutec

via tubbutec

"Brainstep Controller is an expander for our Brainstep eurorack module. While it is possible to change Brainstep’s envelope and LFO parameters using the menu, Brainstep Controller creates a more direct, hands on approach.

The 25 sliders let you control most accent, ADSR and LFO parameters. Additionaly, the glide time can be controlled.
How to connect

Brainstep Controller is a specialized MIDI controller using TRS-A input and output jacks. A stereo jack cable needs to be used to connect the controller’s output the Brainstep’s TRS MIDI input.
MIDI data coming into the controller’s TRS input is merged with the controller data and sent to Brainstep. This way, no MIDI input is lost when using the controller.

Visualizing parameter changes
When receiving data from the controller, Brainstep can display the currently changing value on its display. To turn on this feature, go the Brainstep’s configuration menu and select Misc->Display->Overlay timeout. Here, you can set the number of seconds the value is shown, or turn this feature off.

CLICK FOR MORE »

Kaona Introduces Sisyphus Granular Eurorack Module w/ 8 Original Filters

via Kaona

Google translated:

Sisyphus is organized around a granular engine and a palette of eight original filters. Its granular system allows several grains to coexist in a single stereo sound stream that combine with each other.

This filter is based on a global granular design of the sound: it is not a granular engine followed by a filter but a real integration of filtering in the process of establishing the grain. Each grain generated carries the filtering characteristics defined by the musician and will be combined with the other grains according to evolving and configurable patterns.

The filters have been the subject of a completely specific development and are not from the usual libraries: they will therefore have a specific color that we let you explore!

Filters
→ Lowpass
Attenuates high frequencies beyond the cutoff frequency. Filter at 12 dB/octave.

→ Highpass
Attenuates low frequencies below the cutoff frequency. Filters at 12 dB/octave.

→ Bandpass
Let a band of frequencies around the cutoff frequency pass. Filters at 12 dB/octave.

→ Notch
Widens around the cutoff frequency and lets the rest pass.

→ Peak
Boosts the band around the cutoff frequency, while letting the rest of the spectrum pass without cutting it drastically.

→ Comb
Creates a series of cancellations and resonances, based on an internal delay and feedback.

CLICK FOR MORE »

NoiseSpace - Noise textures and backgrounds for iOS and Mac. First preview.

video upload by Igor Vasiliev

"This app ditches factory presets! :) Just hit the "Create" button, and you'll get a brand-new preset each time, with unique sound and rich texture. All you need to do is tweak a few parameters to better match your vision.
~
NoiseSpace is an experimental generator based on simplex noise, which is then used in a granular synthesis algorithm. This design allows for the creation of a vast array of diverse waveforms rich in harmonics with a rich low-frequency spectrum. The generator is controlled by just a few simple parameters. Despite its somewhat chaotic and atonal nature, it is highly suitable for generating industrial sound structures, ominous, foreboding noise and backgrounds.
~
More creative audio apps at:
https://motion-soundscape.blogspot.com"

ACME XP60 - Oberheim Xpander Clone In the Works

Spotted this one on Amazona.de.

The following is Google translated from the article:

"The ACME XP60 has set itself an extremely ambitious goal: the polyphonic synthesizer is to be nothing less than a 'faithful replica' of one of the greatest vintage classics: the Oberheim Xpander. The project by developer Markus Malik, who has so far offered modifications, replacement boards and repairs, is actually already in an advanced phase.

ACME XP60 - a compact Xpander

Admittedly, given the name ACME, you might think that the whole project is just another hoax report that comes around every year. But the XP60 is real and the electronics of the prototype are ready, although according to Malik there is still some need for optimization in the layout of the circuit board and the power supply.

Like its role model, the XP60 is also a six-voice analog synthesizer. However, the design is smaller, because the device, which actually has a desktop format, also fits in a 19" rack.
Not only the structure of the sound generation was adopted, but also the operating concept with the three displays. One improvement, however, are the controls with LED rings, whose colors can be customized.

For the sound generation, modern counterparts (clone chips) of the CEM3374 (Dual VCO) and CEM3372 (VC Mix-VCF-VCA) circuits used at the time are used. As a reference, developer Markus Malik was able to build the voice cards for the prototype with original oscillator ICs. In blind tests with mixed operation, no differences could be found between the original and clone chips.

There were also attempts to discretely recreate the circuit of the IC with transistors, but despite adjusted values, there were no satisfactory results in terms of temperature stability and FM, so this approach was not pursued further.

Doepfer, among others, has shown that the implementation of the complex multimode filter with its 15 different filter types can be successful with the A-106-6 XP VCF module.

Initially, no new firmware was written, but the original OS was used during development. The firmware is very complex, as envelopes, LFOs and other modulation options are also implemented using software. Tom Oberheim's consent was requested for the use of the firmware.

If the original firmware is retained, this will also entail certain restrictions, as it does not include parameter control with MIDI CCs, for example, but only Sysex. The developer may not be able to avoid creating his own OS sooner or later.

A small series of 50 units is planned initially, but a continuation is not ruled out. Information on the release, distribution and, above all, the price of the ACME XP60 cannot be given at this time, as there are too many factors that could still influence this.

So there is still a lot to do and we will report on the further progress of development."

PPG Returns with W2.2x4 Eurorack Module

Press release follows:

The legendary German synthesizer brand PPG is making a comeback, thanks to the collaboration between Cornel Hecht (Hell Modular) and the Liquid Sky Artistcollective (Liquid Sky d-vices).

The first release in this revival is the W2.2x4 Eurorack module, a 3U dual wavetable oscillator featuring all the original wavetables from the iconic PPG Wave 2.2. Each oscillator is equipped with a sub-bass generator, overdrive, and a built-in VCA, delivering the classic PPG sound in a modern modular format.

The PPG W2.2x4 can sound extremely true to the original or introduce new sonic nuances through its VCA/overdrive section.

It is suitable for all genres of electronic music, including Techno, Synth Pop, Ambient, Industrial, Noise, Berliner Schule, and more.

The W2.2x4 module will be available in two editions:

Limited Edition: Black front panel, strictly limited to 127 units. Shipping begins this month.

Standard Edition: Blue front panel, unlimited production. Shipping starts before Superbooth.

Additionally, the Liquid Sky D-Vices GLITHc ExpendR is compatible with the PPG W2.2x4, transforming it into an experimental mini glitch/noise/wavetable remix lab.

With its unique sonic character and heritage, the W2.2x4 brings the spirit of PPG into the contemporary Eurorack world. Be among the first to experience this modern classic!

"PPG® is a trademark of the Native Instruments Group, used under license."

www.liquidskyd-vices.com

DIY Analog-Hybrid Synthesizer with Rene Schmitz Vakuum-Tube VCF

video upload by Andreas Remshagen

"At first I wanted to build a complete vacuum tube synthesizer but I had problems with the vacuum tube VCO and the correct intonation over several octaves. That's why I decided to build two AS3360 chip VCOs and run them through a vacuum tube mixer. I used Rene Schmitz's vacuum tube filter as the VCF. ADSR, VCA and ring modulator run on AS chips. The envelope curve display is done via a Toyo 6E5 Magic Eye"

Centrevillage X-VCA - Versatile Crossfade VCA

video upload by centrevillage

"X-VCA is a versatile and compact 2ch linear analog VCA.

The common offset voltage controls and the A/B channel attenuverters make crossfading, panning, and more easy. It can also be used as a simple 2ch linear VCA mixer.

Multiple X-VCAs can be chained together and used as a multi-channel VCA mixer.

The input CV is bipolar, -5V is silences, +5V is unity gain. This specification makes it easy to use as a crossfader or panner.

Additionally, each signal level is displayed on the LEDs, making it easy to understand the status."

Oberheim: Love to Los Angeles – Support for Musicians Affected by the Wildfires

via Oberheim

"The recent wildfires in Los Angeles County have caused immense loss and devastation. Although Oberheim's global headquarters are based in San Francisco, the tragedy has still struck close to home. Our Focusrite Group colleagues in El Segundo, good friends with whom we collaborate daily, are now coping with the aftermath of one of the worst natural disasters in US history. We’re all too aware that Los Angeles is not just a workplace—it’s a home where many of us have grown up, created, and drawn inspiration. We are heartbroken for our city and everyone affected.

For those who have lost their music and audio equipment in the fires, we want to offer support. We know that music is more than just a passion—it’s a way of life, a form of healing, and a source of connection. If you’ve lost Oberheim gear, we encourage you to let us know.

Please share your story with us by filling out the form on our website, linked below. We’ll be reviewing responses asap to determine how we can best support you in getting back to creating what you love.

To the wider community, we know that times like these call for solidarity and support. If you know someone impacted, please share this with them. Together, we can help rebuild and keep the music going."

You can find the form on Oberheim's website here.

Stacks & Korg MS-20

video upload by Cong Burn

"This new looper focused view will be added in a future update

Available now: https://www.congburn.co.uk/stacks"



"Key Features

4 track granular looper, synced with DAW
4 voice polysynth with two-dimensional wavetable morphing, 4 FM modes, sub osc & unison
3 filter modes: dual hpf/lpf, variable width bandpass, 6 x bandpass filterbank
Accurately modelled low pass gate emulation, in addition to a clean VCA variant
Hybrid algorhithmic & convolution reverb. Stereo & ping-pong delays with frequency shifter in the feedback path.
Complex polyrhythmic ratchetting chord sequencer with MIDI output
24 x 115 Modulation matrix: 2 x sequencers, 6 x chaos generators / LFOs, per-stage parameter locks, AD envelope

Overview

In STACKS' self-contained production and performance environment you can create distinctive synth parts from melodies to percussion, which you can loop and layer to build up new tracks.
There are a lot of ways to manipulate the music you make with STACKS but it's designed to be intuitive, encouraging a steady flow from one idea to the next.
As well as its detailed synthesis elements, STACKS has a comprehensive modulation section, a stack of four versatile loopers and granular synthesis options to evolve your recordings in unpredictable new ways.
By continually creating new loops and bouncing them down, you can keep the exploration going for as long as you like — especially useful for improvised live performances.
With built-in processing from delay and reverb to saturation, it's easy to work solely within STACKS and end up with a great sound.
STACKS can run as a VST3 & AU plug-in within all major DAW environments, with the ability to take input from other sound sources and send out MIDI information to control other devices."

NEW MODULE: TIME

video upload by LARIX ELEKTRO

LARIX ELEKTRO TIME, Eurorack module OVERVIEW

video upload by LARIX ELEKTRO

"New Eurorack module: Swiss knif of Time management, for GATE signals:
Trigger to Gate converter
Clock generator
Trigger delay
Ramp generator
Connector for the Shift-R module, to add Clock Division option.

Of course, as usual, with CV contrôle and a lot of I/O.

Module available now, here: www.larix-elektro.com"

WHAT'S THAT THING ?
In fact, it's simple: it convert a trigger signal (hm, any signals) into a gate signal with CV controle of the time.
With its many inputs and outputs, it's the perfect companion to your favorite ADSR envelope.

It's also a clock generator, a rampe generator, and even a clock divider with the Shift-R extension.

The GATE output is augmented by 2 other outputs: START and END, which generate (as their name suggests) a trig at the beginning of the gate and one at the end.
The END allows this module to be used as a Trig delay, or to trigger another envelope at the end of a note, for example.
The START's output trig is generated each time a trig is received as input, even if the GATE is still active as output. Perfect for retriggering an envelope (if the corresponding entry exists on your module, of course...).

The GATE can be forced to zero by an RST input. (Think of HiHat Open and Close for example)
The input trig and RST each have a push button.

Finally, a switch allows the module to be transformed into a clock generator.
The input triggers the clock, and the RST stops it.

An additional output, not so common for this type of module, provides a ramp for the duration of the GATE.
This gives you access to a voltage that increases throughout the duration of the GATE.
Useful as is, or to send to a waveshaper for example.

The RITOURNELLE Shift-R, adds 8 trigger outputs.
The Rampe value is converted into an 8-bit word.
This allows for clock-type signals at smaller divisions than the duration of the GATE (or the clock in LOOP mode)
A kind of clock divider.

NEW 2025 Panoptigon Disc - POLYVOX

video upload by optigandotcom

"Now available exclusively at https://www.quilterlabs.com/collectio...

POLYVOX is the famous Vox Humana preset from a classic 1970s polyphonic synth. We simply gave it a different name to avoid confusion with the vintage Optigan disc of the same title. Try it with the Panoptigon’s hall reverb turned up, and the main volume knob turned all the way down, to simulate a slow attack rate.

POLYVOX can only be played on Panoptigon, and is not compatible with Optigan or Orchestron.

Recorded and mastered by Alex Ball @AlexBallMusic
Edited and mastered for Panoptigon by Pea Hicks
Disc design and mastering by Robert Becker

Important Note:

All discs are subject to the following licensing arrangement.
You MAY use any and all sounds on our Optigan/Orchestron discs to create derivative works for commercial or private use without any further licensing fee beyond the original purchase price of the discs. No credit to optigan.com is required. If your Optigan/Orchestron resides in a commercial studio which you operate, this license also extends to your clients.
You MAY NOT simply copy the sound contents of the discs and distribute the material directly as sample loops, either commercially or privately.
You MAY NOT make physical copies of the actual discs themselves, other than for private use/experimentation.

Compatibility
Panoptigon disc players"

NEW 2025 Optigan Disc - PIZZICATO POP

video upload by optigandotcom

"Now available exclusively at https://www.quilterlabs.com/collectio...

PIZZICATO POP is the latest in our series of excavatons into the Optigan Archives in search of material that was left on the cutting room floor. The working title for this disc was “Contemporary #107.” It was recorded in 1970 during the intial Optigan sessions in Cologne, Germany, with pizzicato string overdubs being added sometime later. Previously only heard on the song 'Hope In Your Eyes' by Optiganally Yours ( • Optiganally Yours - HOPE IN YOUR EYES... [furtherbelow] . The keyboard sound is also from the Optigan Archives- an experiment that combines a Hammond B3 with a hand-played tremolo on an RMI Rocksichord.

Chords:
Pop combo with pizzicato strings.

Keys:
Hammond B3 with RMI Rocksichord

SFX:
1 - Riff 01
2 - Riff 02
3 - Riff 03
4 - Riff 04
5 - Drums

Mastered by Pea Hicks
Disc design and mastering by Robert Becker"

Optiganally Yours - HOPE IN YOUR EYES - Official Lyric Video

video upload by optigandotcom

Spitfire Audio - Spitfire Symphony Orchestra Solo Strings Update

video upload by Spitfire Audio

"Spitfire Audio announces update to significant SPITFIRE SYMPHONY ORCHESTRA release recorded at AIR, adding three stunning-sounding soloists

LONDON, UK: Spitfire Audio is proud to announce availability of an update to its significant SPITFIRE SYMPHONY ORCHESTRA release — relatively recently relaunched with reviewed content and an updated UI (User Interface) in a single more user-friendly package that became last year’s bestseller as a set of flagship virtual instruments featuring full SYMPHONIC STRINGS, SYMPHONIC BRASS, and SYMPHONIC WOODWINDS sections (including solo instruments, plus harp, piano, and all core elements of percussion needed to complete the band), beautifully performed by top-tier musicians who have featured on some of the top film scores of the last decade, duly captured in Lyndhurst Hall’s hallowed acoustic at London’s legendary AIR Studios as some of the leading sounds and sample libraries creator’s best, most classic recordings, readily realised as a definitive selection of blockbuster sounds that have already made their musical mark in hundreds of AAA film, game, and TV score productions by the world’s top composers and music- makers — with the welcomed addition of SOLO STRINGS, featuring three stunning-sounding soloists, as of February 6…

CLICK FOR MORE »

Syndtsphere - Best looking FREE vst plugin ?

video upload by Klevgrand

"🏄 Get Syndtsphere FREE - https://klevgrand.com/products/syndts...

Oh my, new look! Our free synth plugin Syndtsphere just got a makeover, making it more intuitive, beautiful, and inspiring than ever.

Syndtspheres unique approach lets you rotate a sphere and "surf" between different synth presets, which will seamlessly morph all parameters at once.

🌐 Same powerful synth – brand new stunning interface.
🌐 Morph between over 70 professionally crafted presets.
🌐 Innovative spherical preset surfing.

Syndtsphere for macOS/Windows is completely free for anyone who creates a Klevgrand account. On iOS the update is free for previous users"

Klevgrand SyndtSphere 2.0 2025 Update ($2 Preset-Surfer Synth)

video upload by Gavinski’s Tutorials

"Offers a brand new way of finding the optimal sound. By rotating a sphere that consists of more than 70 professionally created states anyone can dial in the perfect sound. In addition to the sphere, a ping-pong delay and a few more global settings are available.
SyndtSphere is based on the more traditional polyphonic synthesizer Syndt (also available on the App Store).

Features:
• AUv3 Compatible - use it as a plugin inside Garageband or any other AUv3 compatible host app.
• High quality internal audio engine.
• Stereo ping-pong delay
• Optional legato mode with glide speed setting."

Ocean Swift Releases Dystopia Diary – A Unique Cinematic Sound Design Powerhouse for Kontakt 8 Player

video uploads by Ocean Swift / Faxi Nadu

Intro and sound demos:
Ocean Swift Synthesis Presents Dystopia Diary | Cinematic Sound Design | Tell Your Story
Dystopia Diary - Presets Showcase | Cinematic Sound Design | Tell Your Story

Dystopia Diary - Overview and Demonstration | Cinematic Sound Design | Tell Your Story

video upload by Ocean Swift / Faxi Nadu

"Available for 33% off - €40 on intro offer until Mrch 5!

https://oceanswift.net/product/dystopia-diary/

A bold new unique instrument playground for composers, sound designers, and sonic adventurers
Ocean Swift Synthesis proudly presents Dystopia Diary, a groundbreaking cinematic sound design tool for Kontakt 8 Player. Built for composers, producers, and sound designers working in film, games, ambient and techno music, this instrument redefines what a sample library can be—an immersive sound platform where tension, chaos, and atmosphere collide.

From the eerie crackle of shortwave transmissions to the roar of factories, military signals, and urban noise, Dystopia Diary delivers a dark, evolving sound palette designed to shape cinematic soundscapes with depth and emotion.

A Universe of Sound Awaits
With over 1800 meticulously curated samples, Dystopia Diary delivers a vast sonic arsenal—ranging from industrial clatter and military transmissions to shortwave radio artifacts, environmental textures, and cinematic drones. Whether shaping evolving backdrops, layering raw machine noise, or harnessing surreal radio magic, this instrument offers the tools to craft immersive, otherworldly soundscapes.

A Fully Integrated Experience
Unlike many sample libraries, Dystopia Diary’s samples are non-encoded, meaning they can be used freely both inside and outside Kontakt. The instrument is also fully NKS2 compatible, bringing seamless integration, visual feedback, and deep control for users of Kontrol Mk3 keyboards.

Sonic Manipulation at Its Finest
With a powerful dual filter system, creative modulation, and an extensive effects section, users can shape, morph, and transform sounds with endless customization options, from subtle ambient washes to raw industrial textures.

Pricing & Availability
Dystopia Diary is available now for €60 MSRP, with a special introductory price of €40 for a limited time. It is fully compatible with Kontakt 8 Player, ensuring accessibility for all users. Simply activate, download, and install via Native Access to explore this sonic dystopia.

For more information, visit https://oceanswift.net/product/dystopia-diary/

About Ocean Swift Synthesis
Ocean Swift Synthesis is dedicated to pushing the boundaries of sound design and synthesis, crafting innovative instruments and sample libraries that inspire musicians, composers, and sound designers worldwide. With a commitment to creative exploration, Ocean Swift continues to redefine the landscape of cinematic and electronic sound design."