Movie composition

There are no rules of composition in art. But are there in filmmaking?

Master cinematographers approach every frame as an opportunity to convey the feel of the scene. And one of the things that really helps them to achieve it is composition—the way elements (actors, scenery, props, etc) are placed on screen in respect to each other and within the frame itself has a huge impact on our viewing experience.

If you aren’t familiar with the rule of thirds when it comes to photography (or, in this case, film), then you may be opened up to a whole new world of analyzing visual media. This notion was invented by artist John Thomas Smith in 1797, in relation to paintings. He, in turn, was trying to keep up w

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Full Metal Jacket (1987)

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Each frame of a film is like a blank canvas for a cinematographer, offering them a new opportunity to create a dynamic composition. If a scene is

Master cinematographers approach every frame as an opportunity to convey the feel of the scene. And one of the things that really helps them to achieve it is composition—the way elements (actors, scenery, props, etc) are placed on screen in respect to each other and within the frame itself has a huge impact on our viewing experience.