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Rating Title | Year Author Quote
Alien: Romulus (2024) Jack King It's more like a warp-speed remix, Álvarez the club DJ putting his own distinct touch on familiar bangers with the singular object of getting our blood pumping as quickly as possible.
Posted Aug 15, 2024
Deadpool & Wolverine (2024) Ben Allen It’s not quite the silliest MCU plot ever, but nearly two decades into this whole thing, it’s one of the least engaging. It’s phoned in, like the writers have realised that plot is no longer what audiences are turning up for.
Posted Jul 24, 2024
A Quiet Place: Day One (2024) Jack King Not only is it technically well-made, it makes you feel things, which is why people still go to the movies, by and large.
Posted Jun 27, 2024
The Bikeriders (2023) Jesse Hassenger That interplay [between fantasy and reality], including Nichols’ ability to bring out the dusky beauty amidst all that noise and exhaust, holds The Bikeriders together when the story itself threatens to wander off into vague self-mythologizing.
Posted Jun 21, 2024
Godzilla Minus One (2023) Iana Murray Despite the film’s charming background and ostensible small size, Minus One is tapping into the same thrills of blockbuster filmmaking with the support of hard-earned pathos.
Posted Jun 06, 2024
The Apprentice (2024) Iana Murray Director Ali Abbasi certainly has guts -- his film is an unflattering portrait with a surprising, well-judged turn from Sebastian Stan at its centre.
Posted May 29, 2024
Emilia Perez (2024) Rory Doherty Rather than turning his story into farce, Audiard heightens all the sincere emotions to the point that expressing them as poppy earworms or electric dance numbers feels a natural fit.
Posted May 29, 2024
Bird (2024) Iana Murray Keoghan is at his best when he acts small, and in Bird, he delivers a lived-in performance that’s low-key but no less textured and alive. It might just be his greatest performance yet.
Posted May 29, 2024
Megalopolis (2024) Iana Murray Very little of Megalopolis makes sense, but it’s nonetheless fascinating to watch the story of a man playing god against all odds and witness Coppola attempt the very same. It is ludicrous and awe-inspiring. Most importantly, it is never boring.
Posted May 21, 2024
The Kitchen (2023) Jack King The Kitchen is a good, timely film, but without Wright's concreting presence, you wonder if the foundations would be as brittle as the tower block in which it's set. Thank god they transferred him in.
Posted Jan 26, 2024
The Holdovers (2023) Lucy Ford A bittersweet and funny drama, the kind designed for elevated family Christmas viewing and it's also pretty intimate, with rarely more than a few people on screen at the same time and its flashiest moments reserved for 70s-ifying its Boston set pieces.
Posted Jan 11, 2024
Anatomy of a Fall (2023) Jack King The crowning example of the recent renaissance for the ‘90s-style legal thriller.
Posted Jan 11, 2024
Wonka (2023) Lucy Ford It's the sort of movie that kids (and their parents) will remember watching at the cinema in years to come. And yes, it will give you a warm and gooey feeling, like Lindt chocolate at Christmas.
Posted Dec 08, 2023
Five Nights at Freddy's (2023) Jack King Maybe the fans are satiated by reams of lore, but we wanted blood. Even if it was a bit of a gory romp, that wouldn't do much to paper over the technical cracks, like some of its shoddy editing. Josh Hutcherson innocent, of course.
Posted Nov 10, 2023
Bottoms (2023) Daisy Jones It’s confounding, haywire, absurd and spectacular... Bottoms has all the makings of a cult classic in the sense that it is beloved by many, and misunderstood or disliked by everyone else.
Posted Nov 09, 2023
The Wonderful Story of Henry Sugar (2023) Jack King The movie whips past in a moment, a result of the combined pace of the dialogue and sets that shift and morph endlessly; it's like trying to keep up with a speeding hare on your hands and feet.
Posted Sep 28, 2023
Dumb Money (2023) Patrick Sproull Despite The Big Short-ish pace and rapid-fire gags, there's a sadness hanging over Dumb Money.
Posted Sep 28, 2023
Rotting in the Sun (2023) Jack King It's also sexy, which feels strangely unfamiliar despite the fact the sex scene is making something of a comeback.
Posted Sep 21, 2023
The Killer (2023) Jack King Fincher deserved it all [appaluse] and then some for The Killer's dark, noir-ish, eminently watchable kill-fest.
Posted Sep 08, 2023
Priscilla (2023) Jack King Elordi is quieter, subtler, as is Priscilla, but you never think he's not the King.
Posted Sep 08, 2023
Past Lives (2023) Daisy Jones Aesthetically, too, the film is gorgeous -- like something you want to reach out and touch.
Posted Sep 08, 2023
Ferrari (2023) Xuanlin Tham Ferrari regrettably splinters into two films. One is a genuinely hold-your-breath racing movie that viscerally captures all of motorsport’s inherently cinematic, spellbinding qualities. The second is a disappointingly muted interpersonal drama.
Posted Sep 01, 2023
Choose Love (2023) Patrick Sproull It’s a bit like playing The Sims if you were only given access to the most boring options imaginable.
Posted Sep 01, 2023
Gran Turismo: Based on a True Story (2023) Jack King It's Ford vs. Ferrari with a drive-thru's worth of corporate merchandising.
Posted Aug 18, 2023
Barbie (2023) Lucy Ford Barbie is a movie about existentialism. It's about questioning who we are... Behind the glitter and the bleach-blonde bouffants, Barbie and Ken are on opposite but equal journeys to personal enlightenment.
Posted Jul 19, 2023
Killers of the Flower Moon (2023) Hannah Strong This might not be the film that most audiences might expect from Scorsese, but at this stage in his career, it’s thrilling to see the master filmmaker continue to innovate and deliver the unexpected.
Posted May 25, 2023
Guardians of the Galaxy Vol. 3 (2023) Jack King [Guardians Vol. 3 is] the best Marvel since Avengers: Endgame. That may not immediately read as high praise given the dearth of quality in the interim, but the film has made one thing very clear: James Gunn really, really knows what he's doing.
Posted May 04, 2023
Money Shot: The Pornhub Story (2023) Lucy Ford Money Shot is smart in overloading the front end of its documentary with the deeply unsexy reality of what it takes to get our rocks off.
Posted Mar 15, 2023
Cocaine Bear (2023) Hannah Strong In the age of franchise domination and streaming service supremacy, there’s nothing quite like sitting down with a packed house to watch something outrageous on a giant screen.
Posted Feb 24, 2023
Ant-Man and The Wasp: Quantumania (2023) Jack King To introduce Kang, really, is all Ant-Man and the Wasp: Quantumania exists to do. In and of itself, it's a boring story devoid of meaningful stakes.
Posted Feb 15, 2023
Avatar: The Way of Water (2022) Jack King It's a shame because the spectacle truly is brilliant, as tremendous as Avatar and then some. But there is such thing, as it turns out, as a little too much.
Posted Dec 16, 2022
Black Panther: Wakanda Forever (2022) Jack King Where Wakanda Forever works best it leans into its pathos, something of an untapped resource across the Marvel stable at large. Angela Bassett, as T'Challa's grieving mother, is the glue that holds the movie together.
Posted Nov 11, 2022
Glass Onion: A Knives Out Mystery (2022) Lucy Ford Look, it's all a bit of innocuous fun, and would land without quibble if the story was as strong as Knives Out.
Posted Oct 21, 2022
Black Adam (2022) Lucy Ford A convoluted slog that feels both too slow and too surface-level, it's hard to really care much about whether we'll ever see these characters again.
Posted Oct 21, 2022
Don't Worry Darling (2022) Jack King or the lion’s share of Don’t Worry Darling, [Styles] truly holds his own. We’d go as far as to say he’s pretty bloody good.
Posted Sep 08, 2022
No Time to Die (2021) Thomas Barrie It's extremely rare for a film of this scale to be this affecting.
Posted Sep 30, 2021
F9 The Fast Saga (2021) Thomas Barrie It is undeniably a lot of fun and the villains, frankly, are the best bit.
Posted Jun 25, 2021
A Quiet Place Part II (2021) Alice Kemp-Habib The film oscillates between several storylines and it is just as thrilling as the first. But it is also a blatant foray into franchise territory.
Posted May 28, 2021
Black Bear (2020) Thomas Barrie There's something promising lurking at the bottom of this murky soup of a psychological thriller.
Posted Apr 23, 2021
The Mauritanian (2021) Ben Allen Without even attempting to assess the post-9/11 scars on the American psyche that enabled this kind of reprehensible behaviour, it catastrophically fails its audience.
Posted Apr 03, 2021
Godzilla vs. Kong (2021) Stuart McGurk It's gloriously shameless in its silliness. It doesn't care one bit about your cynicism.
Posted Apr 01, 2021
Corona (2020) Olive Pometsey The film's message is important, but it would have perhaps been more powerful had it not been filmed with such haste.
Posted Mar 29, 2021
Songbird (2020) Olive Pometsey The second obstacle that Songbird stumbles over is the fact that the future it depicts feels increasingly unrealistic each day...
Posted Mar 29, 2021
Locked Down (2021) Olive Pometsey Locked Down isn't a bad film, but, again, there is something slightly grim about watching other people Zoom their bosses during your own free time.
Posted Mar 29, 2021
Zack Snyder's Justice League (2021) Steve Rose The overall mood is funereal, though most funerals are shorter than this. Stretched over four hours, Snyder's limitations as a visual stylist also become apparent.
Posted Mar 18, 2021
Cherry (2021) Stuart McGurk While some films are not the sum of their parts -- and Cherry is also that -- Cherry is more specifically not the sum of its remarkable Tom Holland performances.
Posted Mar 12, 2021
Coming 2 America (2021) Olive Pometsey Sure, Coming 2 America is cheesy, formulaic and relies heavily on its predecessor's reputation. However, it's also occasionally heartwarming, full of joy and doesn't take itself too seriously.
Posted Mar 05, 2021
I Care a Lot (2020) Olive Pometsey Through half-concealed smiles when met with technically bad news and a fiendish glint in her eye, Pike has mastered the art of portraying the corrupt pretender, lulling audiences into a sense of sinister security as she enacts her evils.
Posted Feb 25, 2021
Malcolm & Marie (2021) Olive Pometsey Both actors do enough with the material to make you believe that something interesting might happen in Malcolm & Marie, but the trouble is that something never arrives.
Posted Feb 06, 2021
Stardust (2020) Dylan Jones A film that, remarkably, seems to get incrementally more awful the longer it lasts.
Posted Jan 15, 2021
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