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    Principles in Sarf

    Uploaded by

    UmmuYusuf Iman Grajo
    Principles learned from Bro. Fahad's Class. There might be some corrections needed, please do let me know.

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    Principles in Sarf

    Uploaded by

    UmmuYusuf Iman Grajo
    390 views3 pages
    Principles learned from Bro. Fahad's Class. There might be some corrections needed, please do let me know.

    Copyright

    © Attribution Non-Commercial (BY-NC)

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    Principles learned from Bro. Fahad's Class. There might be some corrections needed, please do let me know.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    390 views3 pages

    Principles in Sarf

    Uploaded by

    UmmuYusuf Iman Grajo
    Principles learned from Bro. Fahad's Class. There might be some corrections needed, please do let me know.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
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    c c

    c

    ͞Seeking lightness in speech.͟

    c  

    ? e can͛t start with a sukoon nor can we stop at a muta7arrik


    ? Starting a word with a kasrah or a dhummah is heavy on the tongue
    ? Having 4 7arakaat in a row is heavy, hence it is prevented
    ? Moving from kasrah on the 3ynul kalimah of the maadhee to 3ynul
    kalimah of the mudhaari3 is heavy, hence it͛s wrong combination

    c    

    ¦? if two (2)identical letters come together, the first one being sukoon (silent)
    and the 2nd being a  (vowelled), these two letters are fused together
    and marked with a   to indicate that the 2 letters has been fused.?
    ¦? the increase in letters indicates the increase in meaning (but this is not always
    the case)

    Example: (he killed many) Ô ÔÔ ÔÔ ?? (he killed)


    c    

    ¦? the a

     is given the same  (vowels) as a  (word being


    weighed)
    ¦? the a

     follows the a  and adjusts to it in terms of  and


     (letters)
    ¦? if a letter in the mawzoon turns/changes, weigh it according to how it
    originally was
    Example: Ô Ô Ôoriginally before it was turned to?
     Ô Ôdue to the
    above principle. So we say͙ 
    Ô Ô
    Ô  
    Ô Ô
    c   ?  ?  !

    ¦? if the ? or the ? is muta7arrik and the letter before it had a fat7ah, they are
    turned/changed to alif

    Example:Ô
    Ô Ôü?Ô Ô
    c   "
    st
    ¦? if two (2) saakin letters meet, the 1 being from one of the vowel letters

    () the vowel letter is dropped /omitted


    Example:  ü  
    ¦? if a letter is dropped/omitted from the mawzoon, it should also be dropped
    off from the meezaan

    Example:  ü   --- the  was dropped here, hence we say:
        
    ¦? when two (2) saakin letters meet, apply all vowels to see what works starting
    with kasrah, dhummah then fat7ah. If none works, drop the 1st saakin letter1.

    c   ! ? ? ?


    ¦? to say ͞I did͟, add 
     to the end of the letter which is called   
    (taa͛ of the 1st person or doer)
    a? when the   is connected to the ͞taa͟, the last letter gets a
    sukoon

    Example: 
     Ô Ô  Ô!Ô Ô 

    ¦? the 1st letter of the â " of a 3-letter   gets a fat7ah


    a? the 2a22a always gets a dhummah
    a? silence the faa al kalimah due to having 4 7arakaat in a row is heavy,
    hence it is prevented

    1
    Based on the principle below it??when transforming maadhee to mudhaari3 i.e. the last letter of the madhee after it
    has been connected to ͞taa͟ gets a sukoon
    

    Ro be continued in shaa Allaah͙.


    

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