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    Grade 1 Theory

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    vianau91
    Time signatures appear at the start of every piece of music and tell us the timing of each piece of music. They tell us how beats in each bar The BOTTOM number tells us = What Type of Note For The BOTTOM number we can have the following: 4 if there was 4 as a time signature, it would mean there are 4 crotchets per bar. Ties join notes that have the same sound (same note or letter in other words) to make it longer.

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    Grade 1 Theory

    Uploaded by

    vianau91
    683 views8 pages
    Time signatures appear at the start of every piece of music and tell us the timing of each piece of music. They tell us how beats in each bar The BOTTOM number tells us = What Type of Note For The BOTTOM number we can have the following: 4 if there was 4 as a time signature, it would mean there are 4 crotchets per bar. Ties join notes that have the same sound (same note or letter in other words) to make it longer.

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    Time signatures appear at the start of every piece of music and tell us the timing of each piece of music. They tell us how beats in each bar The BOTTOM number tells us = What Type of Note For The BOTTOM number we can have the following: 4 if there was 4 as a time signature, it would mean there are 4 crotchets per bar. Ties join notes that have the same sound (same note or letter in other words) to make it longer.

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    683 views8 pages

    Grade 1 Theory

    Uploaded by

    vianau91
    Time signatures appear at the start of every piece of music and tell us the timing of each piece of music. They tell us how beats in each bar The BOTTOM number tells us = What Type of Note For The BOTTOM number we can have the following: 4 if there was 4 as a time signature, it would mean there are 4 crotchets per bar. Ties join notes that have the same sound (same note or letter in other words) to make it longer.

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    NOTE TYPE

    NAME OF NOTE Semi-breve

    TIME VALUE 4 Beats

    RESTS

    Hangs off the 4th line

    Dotted Minim Minim Crotchet

    3 Beats 2 Beats 1 Beat


    Sits on the 3rd line

    Quaver

    Beat

    Semi-quaver

    Beat

    +++=1

    ++=1

    +=1

    A.M Sparrow 2012

    Time Signatures:
    Time signatures appear at the start of every piece of music and tell us the timing of each piece of music. The TOP number of any time signature tells us = How beats in each bar The BOTTOM number tells us = What Type of Note For the Bottom number we can have the following:

    2=

    4=

    8=

    So if there was

    4 as a time signature, it would mean there are 4 crotchets per bar. 4 If there was 2 as a time signature, it would mean there are 2 minims per bar. 2
    A.M Sparrow 2012

    Ties:
    Ties join notes that have the same sound (same note or letter in other words) to make it longer. You can tie any number of notes together as long as they are the same sound/letter.
    A tied note can go over a bar still the same principal as before.

    You play the first note and hold for its value (1 beat in this case) and then keep holding for the length of the second note (also 1 beat) But DO NOT actually play the second note. You will have held this note for 2 beats in total.

    Dots:
    Dots behind notes lengthen them. They add on half OF (NOT half - ) the note it sits behind.
    The note here is worth 1 beat, The dot is worth half of that which is , Making 1 beats in total length. The note here is worth 2 beats, The dot is worth half of that which is 1, Making 3 beats in total length.

    1 + = 1

    2+1=3

    A.M Sparrow 2012

    Accidentals:

    Accidentals are simply sharps (

    ), flats (

    ) and naturals (

    They are always placed BEFORE a note on the music and usually (at this stage at least) they will indicate black notes.

    = flat One black note to the left

    = sharp One black note to the right

    = natural This takes the sharpened or flattened note back to the original white note.

    The first note here is a sharp The one next to it will also a sharp even though there is no sharp in front of it.

    The first note here is also a sharp note, and the second note would be also, but a natural sign before the note makes it a regular white note again.

    A.M Sparrow 2012

    Key signatures:
    Use this chart to tell you how many sharps or flats are in any given key and to work out what the key signature is from any number of sharps or flats. For example, in the Major b's key, Eb has 3 flats in it.

    Major #s
    0 Carol 1 Grows 2 Daisies 3 And 4 Enters 5 Blooms 6 F#or 7 C#ompetition

    Minor #s
    0 Animals 1 Enter 2 Boats 3 F#or 4 C#ruise 5 G#oing 6 D#own 7 A#mazon

    Major bs
    0 Chef 1 Fred 2 Bbuys 3 Ebggs 4 Abnd 5 Dboes 6 Gbood 7 Cbooking

    Minor bs
    0 All 1 Dogs 2 Give 3 Cats 4 Frights 5 Bbut 6 Eblephants 7 Abche

    A.M Sparrow 2012

    Order of Key Signatures:

    #s

    Fred Charles Goes Down And Ends Battle

    bs

    Battle Ends And Down Goes Charles Fred

    # ## # # # # ### # # # #

    b b b b b b b b b b b b b b

    This chart above will help you remember the order of sharps & flats in the Treble & Bass Clefs.

    A.M Sparrow 2012

    Tones and Semitones:


    A Tone will have a note between it A semitone will NOT have a note between it

    The notes here of G to A are a TONE as the note of G#/Ab is situated between them.

    The notes here of E to F are a SEMITONE as there are NO notes that sit between them.

    Intervals:
    Put simply, an interval is the space between two notes.

    4th

    5th

    6th

    2nd

    3rd

    8th
    Octave

    7th
    A.M Sparrow 2012

    Degrees of the Scale:


    'Degree' is just a fancy word for 'number' A degree of the scale is any note of the scale from the Tonic (first) note. For example, if we were talking about the scale of C, the note of G would be the 5th degree of that scale. If we were talking about the scale of E, then the note of B would be the 5th Degree of the scale.
    (We ALWAYS start counting including the first note NEVER from the first note.)

    The Tonic Triad (Chord):


    A 'Triad' is a musical term for Chord and 'Tonic' is the musical name for the first note of any scale. A Chord/Triad is described as 3 or more notes played together at the same time. A Chord/Triad is made up of the First, Third and Fifth note of any scale. If this was the scale of C: C D E F G A B C 1st 2nd 3rd 4th 5th 6th 7th 8th then C, E & G would make up the 'Tonic Chord' of the key of C
    A.M Sparrow 2012

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