Metalocalypse Dethklok Bass Anthology

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Hello, bass playing friends. I'm writing this introduction as myself, Brendon Small. Not as William Murderface, or Nathan Explosion or Skwisgaar Skwigelf, or Dick "Magic Ears" Knubbler,.p~t me. Brendon Small-a humble, "nearly handsome" yet pasty, aging man in denial of his nerd-dom but fully realized as a creative, gifted super-genius and hero to those without a voice. So do please realize the importance of this lifting of my protective veil to speak to all of you Earth people as if I were one of you ... I've spent well over the last five years during the production of Metalocalypse ruthlessly making fun of bass players ... well, making fun of ONE bass player-William Murderface. But let's be honest, he deserves it. I've cut out more jokes from episodes than you'll ever hear in a lifetime in an effort to show a smidgen of fairness. The sad truth is that I wield the power to turn off a new generation of bass players. But can you imagine the backlash I'd get from the woofer industry? I don't need to be a pariah. (A "pariah" is like a guy who takes the blame for stuff-I realize bass players are reading this so I'll make sure to leave in definitions f or b.Igger wor d s.) Aw, c ' mon, I' m k'dd' ..... ling 11111 The truth is, however: I absolutely adore the bass guitar. I love playing it, I love that I've learned more about it in the last five years than I have at music school, I love arranging with the bass in mind, I love traditional figured bass (which you'll hear all over Dethklok). I love the bass. I REAllY love the bass. I do. I hope that doesn't ruin the whole Murderface joke. But I wondered why it came easy to make fun of bass in the show. Was it because I am a guitarist first? For years, I thought like a lot of guitarists do about the bass. So many rock/metal guitarists think of the bass as a dumber, fatter guitar-a guitar that's fat and
depressed. A fat guitar who's having a hard time getting over a relationship, that stopped exercising and ate its feelings, and now it's fat. A fat idiot. A fat idiot that's not allowed to even take solos (unless you're in Weather Report-but ass Viking. Bass, to me, used to be a chubby guitar. But I don't see it that way now. It's a totally different instrument. It is its OWN instrument. NOT A GUITAR.A powerful, beautiful, independent hero that could crush you if it wants to-but doesn't because it's better than you. It is its own instrument, with its own laws and it's a really dumb government, but that's because it's a bass rules and ecosystem and government-sure, then you HAVE to be in Weather Report). But I was wrong. It's not fat. It's just a little husky. Big boned. Powerful. like a Thor. like Conan the Barbarian. like a totally powerful butt-kicking bad-
government. .. Aw, c'mon, I'm KIDDING!!! It would be a smart government. There. You happy? Annnnyway. I truly love bass and I love all of you. Well, some of you. And I think "love" is appropriate. Thank you for checking this book out and I hope uh... I hope you all are good? ight be a strong
word based'on my own personal commitment issues. But I'd have to say that, in this particular case, "love"
Brtnbon (frienb to tije B~~) ~mafl
6 BY
BrJJanBtUer
You know what they say in show business: Never follow a dog, a child, or a comedian with a music degree. But here goes anyway. Ever since I've been fortunate enough to be a part a the extended, dysfunctional Metalocalvpse family. I've had people come up to me and blurt out, "You're Murderface!" "Easy there, friend," I respond. "I'm not Murderface. It's just my job to make him sound good." And as anyone who follows Dethklok knows, that is a very, very, very tall order. In a way, I've been practicing all my life for this impossible mission. I'm not joking. Not totally, anyway. I've always loved metal. When I was a teenager, I dutifully practiced my gallops and worked out some fingerstyle techniques-right hand flicking, left hand muting, whatever it took-specifically so I could play along with early Metallica and Slayer records. Then it all went on the shelf for nearly 20 years... until Brendan Small called me for this gig. Finally, I was going to join a real metal band. Well, almost a real one. When Dethklok plays live, we're their pit band. We're there to serve them. to make them sound great. I'm like Murderface's very own bass-playing Klokateer. He actually glowers down at me while I'm playing, with death eyes that whisper, "Hey, you hired gun muzo jackoff, you'd better not &%*@#$ up down there." I do 't do might actually kill me if I played a wrong note, or if he didn't get served his second lunch on time.
t
that he
In all seriousness, it's my job to not only play Murderface's (OK-Skwisgaar's) bass lines right, but
sure that Dethklok sounds just as massive live as they do on the records. When Brendan makes a Det stacks the tracks with tens, hundreds, thousands of guitars, just as a proper metal album should have. tracks the bass, and it's important that the role of the bass is properly fulfilled, but also that it doesn't uddy up the heaviness of the riffs, or the layered texture of the guitars, or the clarity of the kick drums. Sometimes that means keeping the bass line more rhythmically sirT)plethan the actual riffs in the song. Lesscan be more. But not when we're playing live. We don't ave a hundred guitarists up there. We ve got two: Brendon and Mike it takes to fill out the sound and
Keneally. Playing bass for live Dethklok means sometimes acting as a third guitar, adding overdrive, making the bass lines more closely mirror the guitar riffs, adding melodic content-whatever mai~tain the brutality required to send a respectable portion of our fans to the hospital. Fortunately for me, Brendon isn't just open to tha hole concept, he actually encourages it, trusting me to adel
and even rearrange many of the bass lines for liv~ performance. And fortunately for all of us, the actual material that Brendon writes for Dethklok is just plain awesome melodic aeath metal, with crushing riffs and rich harmonic structures and complex song forms that beg for e bellishment and reward' epeated listening. It really is the metal I waited my whole life to play, evejJif I have to do it while Murderface looks down at me in disapproval. eu'li fi full bass transcriptions for four "live arrangem s" of Deth 10ktunes ift this book. Check them out,
compare them to the studio versions-and, for God's sake, have fun with them. If you're not having fun playing this music. you're doing it wrong. Finally, for anyone who's expecting to see Murderface's bass solo in these pages: Sorry, but no. The transcriber refused to write the TAB. Faithfully not Murderface. I remain,
Br.!lan Bener
a nm aBOUT8Rvan 81.~RFRom 8RenDon Smau.:

Bryan Beller is currently the best bass player in rock and roll. I say that with nothing to gain but absolute truth. I had the pleasure of playing with him on stage so many nights with Dethklok, and his attention to detail, his musicality, his jaw dropping technique. and his absolute LOVEfor his instrument should be an inspiration to us all. He is a master of the bass and a good friend. Irs a total honor to h.~,'!.~ be a part of my ridiculous world. Pay attention him to his words and note his differences between the recorded and live versions of the songs-he made the music better with his adjustments and'helped me learn a lot about the instrument. Now go learn some cool stuff and be the best that you can be!
a nOTeaBOUT8RenDOn smau. fRom 8Rvan 8WR:

He's a damned genius. If you bought this book, you already know this. That is all.
Heme
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pipe.
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end Fig. 3
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39
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47
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end Vel. Fig. I ,,~
life
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53
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57
(2:00)
N.C.
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15
w/Flg. 1 2 limes
11 ~~I----------============-============:::============-============
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10
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N.c.
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al Coda
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21
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have
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26
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E5
B5
C5
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oul
and you're
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of
life. Fig. 5
To Coda II ~
Hap. py Birlh. day.
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you're gon - no
Guitar Solo:
N.C. die.
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(1:05)
Fig. 6
end Fig. 6
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Binhday Detbday 5 3
2>
Verse 3: (1:12)
w/Fig.6
J'
N.C.
I
J8
Now
you're
old
and
Jull
oj
ha
Ired.
Take
pill
to
mas
tur
ba
Ired.
Chi! -
dren
point
to
you
and
scream
_.-
be
cause
they
will
be
come
that
thing.
w/Fig. 3 2 times
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I
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GS
F#S
Jl\,s
AS
AI>S
G5
AI>S
GS
F#S
BI>S
AS
AI>S
G5
AI>S
GS
One
more
year
oj
fur
- ther
suJ - jring,
there
'.'I'
no
point
in
1*** - ing
bluff -
ing.
D.S.S. %%al Coda 11

F#S BI>S AS AI>S G5 AI>S GS F#S Bl>s AS AI>S GS
N.c.
- pen
up
your
Deth
- day
pres
I.
em,
il's
box
oj
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ing
II
no/h -
ing.
Coda 11
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Bridge:
ES
you're go - na
die.
(1:43)
GS
F#S
GS
BS
GS
F:ls
GS
.Sung 1st time only.
ES
G5 F:lS GS
BS
GS F#S GS
ES
Die.
GS F#S GS
BS
die.
GS F:lS GS
ES
Deth
G5 F:lS G5
BS
day.
GS F#S
GS
Fig. 7
end Fi~, 7
:1
3
Oethdav . 5 - 4 -
24
w/Fig. 7 2 times
49
ES
GS
F#S
GS
BS
GS
F#S
GS
ES
GS
F#S
GS
BS
GS
F#S
GS
I
Birth
51
day.
Deth
day.
ES
GS
F#S
GS
BS
GS
F#S
GS
ES
GS
F#S
GS
BS
GS
F#S
G5
I
53
Die.
die.
Delh
day.
ES
Birth
G5
F#S
GS
BS
day.
GS
F#S
GS
ES
Deth
GS
F#S
GS
BS
day.
GS
F#S
GS
Guitar Solo:
55
(2:03)
w/Fig.4 ES
BS CS ES
BS CS
ES
BS BpS ES
BS BpS
~::::=:
=-===- ===- =
BS CS ES s. v. BS CS ES
BS BpS ES
:~
Chorus: (2:16)
w/Flg. 4 1 & 3/4 times
9
ES
BS BpS
r
R.
P.
I
please for the deth of thee. wlFig.S 2 times N.C.
ES
BS CS ES
BS
CS
ES
1'3
You
67
have
lit
tIe
time
and you're
run - ning
out
of
life.
I
Hap. py Birth. day. Rrr, you're gon - na
II
Dulro: (2:3S)
w/Fig.l
70
E/G#
I
die.
I .
N.C.
GfB . _
You're run - ning
out.
of
Free time
ES
74
life.
Birthday Dethday - 5 - 5
2)
\Dotbl ub
@=c
~=B>
(j)=E>
Fast J Intra:
=
monoo
roaole bi SmaLl
Ql=F
185
G5 C5
A5 D5 end Fig. I
E5
Fig. I
.Recording
sounds two whole steps lo"'er than written. (0:11). (0:32)
Verses I & 2:
B
I. You've 2. Find Fig. 2
E5
been your
B
lar
E5G5
gel
E5
cd in in
to
B via dogs
E5
lent can
B mer s~e//
E5
ce your
G5
nor polh. ies.
the the
night woods,
w~
deep
by the
~==='1
~1:7
C5
==l=====
'1 =:;;.==-=-=..:::::;~~
D
7
'1
19
19
G5 den
C5
Ii your
os
Iy's
way
C5 been
oul
G5 one
C5 that
D5
looks be like no
A5 you. chance.
Your Try
con
of
fused
Ihis,
with
10
find
there
seems
to
end Fig. 2
IFlg.2 B
E5
E5
G5
E5
E5
E5
G5
're
a ty -5- I
sim hunt
pie ers
man clos
lil' er
ing to
life, you.
YOu.
are
10
an re
e mem
lec
Iri
ciano
start
ber
back
(1) 1117 Til FlfT' muSIC. 10C lA' 1110000 $mlL~ muSIC PULISHIor. nai.i.tud h~I lvcJ, II, musIC 'ULlSKIAt. lAC.
nun
26
C5 G5 C5 05 C5 G5 C5 05 A5
1I
but when
a you
boun stud
ty's
jed
on bi
your 01
head.
0
a IV'
bi! - lion
un - marked back in
trav - 'Jer's your
checks. class.
II
high - school
w/Fig. 1 2 times
IJ
E5
G5 C5
A5 05
Run.
/7
E5
G5 C5
A5 D5
=r
12.
Pre-chorus: E5
Wait
11
(0:42) Am
now,
:~
G
say a
0
hu- man bod. f. y and pro
por- lions
what did they
bout the
of
things?
Fig. 3
end Fig. 3
15
wlFig.3 E5
Am
II q~~~
Blood is an en-er-gy con-due- tor. I am full of that. all I need is an
out - leI.
(0:53) G They
19
..- Cm
are get ling close, but now you have a plan.
Fig. 4
Bloodrocuted - 5 - 2
21
Frn/C
lead
Jt
them
to
the
gen-er-a-/or
where there's
50/
id
lond.
The
end Fig. 4
JJ
w/Fig.4 G
Cm
con
crete
floors
will
do
just
fine,
and
lee
Iric
out
lets.
J5
Frn/C
o -
pen
up
your
veins
and
splash
your
blood
and
hit
the
pow
er
lines.
Chorus: (1 :03)
E5 r Blood - ro - cut ed
Blood - ro - cuI - ed.
e
N.C.
(1:13) You'll be blood - ro cuI -
edt
You'll
be
blood
- ro
cut
ed!
28
You'll
be
blood
ro
cut
edt
You'll
be
blood
ro
cut
ed
right
II.
N.C.(05)
o
now!
51
Guitar Solo:
wlFig, 1
57
(I :34)
E5
G5 C5
A5
os
~I=_: -===-====-==--~:~ =_-=_

Verse 3: (1:44)
w/Fig. 2 2 times 6t B
E5
E5
G5
E5
E5
E5
G5
En
mies
stand
dead
in
your
path.
The
stench
of
cook
ing
skin,
63
C5
G5
C5
05
C5
G5
C5
05
A5
Ev
'ry
one
of
them,
hair
on
end.
their
eyes
ex
plod
ed
in.
Bloodrocuted - 5 - 4
29
B E5 B E5
05
E5
E5
E5
05
You
stand
with
your
arm
bleed
ing
Slm,
you
can
not
stop
the
flow.
.Though
C5
05
C5
D5
_.tor
10
C5
05
CS
D5
A5
you
are
the
vic
night.
your
time
has
come
to..,
il
Outro: (I :55)
w/Flg.3 4 times
wlVcI. Fig. I 3 times .
E5
Am
Vel. Fig.I------------------------------.,
Go.
go,
go,
go.
I
o
D
Your time has come
10.
E5
Am
Your time
has come
10..
E5
Am
o
they say a - bout the hu - man bod - y
Wail
now,
what did
and pro -. por- lions
of
things?
E5
Am
o
con - due - lor, J am full of that, all J
Blood
is
an
en - er - gy
need
is
an
out - Jet.
E5 Blood
ro
cut
ed.
jO
BRiefCAse
fU~~ Of CUTS
UJolbs ~4b music bq
@=c
(ID=F
~=m
(D=EI>
SBtQOOtl
smm

Intra:
N.C.
Fig.!
Play 4 limes
end Fig. 1
Verse 1: (0:12)
N.C. Punch
3
your
'cause
your
day
has
start
ed
and
you're
end Fig. 2
Fig. 2
w/Fig. 2 3 times
G
ing
I
7
hard
for
em
ploy
ee
of
the
month.
You've
got
your
tools
of
bus;
. ness
and
they're
blood
ied
by
your
eli
ents,
and
you"re
off wark with your brief - case fUll of guts.
II
Briefcase Full of Guts - 4 -~l
@ to!)1 lUI ,ltTY
musIc. JOt.,
ntoi.lllttu.~ Ilel"lul, ''11 TaIOU musIc PUlUSlIU. III li,btl '.und Uu." ruml l
lie.
Interlude: (0:24) wlFig. 1 3 & 112 times

It
N.C.
Verse
t9
2: (0:36)
w/Fig. 2 1 limes N.C.
I
1t
Door
to
door
you
are
search
ing
for
buy
er
who
will
I
fit in
1J
the
terms
of
your
pol
'Y.
You
got
vi
ta
lion
to
their
Iiv
ing
room.
you"re
gon
na
.Fig. 3
F&F 3
15
, err
[
1
r--- "'r12 (12)==--
-I
>/7
;/104
13
-I
dem
on
strate
your
prod
uct
Wi
i
7 Chorus: (0:48)
E5 O~S ES
' <(b
; <14
I
13
pri
vale
Iy.
You
know
that end Fig. 3
r12
AI>S G5 AI>S
"'r-
(12)=----
BI>S
AS
ee,
BI>S
OS
c#s
OS
cs
0
BS
CS
BS
Vel. Fig. 1 J"m Fig. 4 an em ploy

0
have
de
gree. end Fig. 4
*il
a
F
J .
e
ij
1
J
e
e
n
r.
'S2
wlFig.4 1.
ES
D~S
ES
Bbs
your
AS
Bbs
DS
ds
DS
Abs
will
GS
Abs
you
cs
bleed.
BS
CS
BS
I'll
ful
jill
need,
make
ES I'll
3t
ES
rise to
Bbs
the
AS
top.
Bbs
DS
DS best
Abs
one
GS on
Abs
the
cs
team.
BS
CS
BS
Fig. 5
end Fig. 5
wlFig.5
ES
33
D#S
ES
Bbs
AS
Bbs
DS
ds
D5
Abs
GS
Abs
cs
BS
CS
BS
end V<I. Fig. 1
Kill
oul
side
Ihe
box,
hold
you
as
you
scream.
N.C.
I'll
35
di
vide you
in
to
piee
es. end Fig. 6
Fig. 6
37
w/Fig. 6 3 times
sell
them
back
and
raise
the
price.
Make
prof
it
40
off
your
in
('rest.
II
in
You'll
crease
my
sales
to
night.
Cui/ar Solo:
N.C.
(1:12) w/Fig. 2 2 times
wlFig.3
w/Fig. 1 4 times
Briefcase FuU of Guts - .: . 3
. E5 Al
D#5
ways
E5
A5
be
D5
C#5
D5 kill
Ap5
. ing.
05
Ap5
C5
85
C5
85
@=c
~=B>
(1)=EO Moderately Intra:
N.C.
Fig. 1 =
Woth OQb mueie b;
@=F
8BeODOO smm
117
Play 4 times
end Fig. I
mf
.Recording
sounds two whole steps lower than written.
Verse J: (0:25) Em Trapped in - side

5
A';'(9)!E
a box four long years.
BjE
Hid - ing from the world. pun-ished
by
your peers. end Fig. 2
Fig. 2
I
,
w/Fig.2 Em
Am(9l!E
BjE
Stud. jed teach. ers' words.
spat from black.- ened hearts.
I
Earned
piece
of
pa - per,
now
go forth
and start.
Chams:
13
(0:37)
w/Fig. 1 N.C.
Play 4 tim
II:
Go forth. Verse
:I
be con - quered.
Go forth and die.
2: (1:02)
Am(9l!E mind is mu - Ii - lot - ed.
Em
Now you've grad - u - at - ed.
/7
BjE
Thrust in /0
the world.
feel- ing seg - re - gat - ed. end Fig. 3
Fig. 3
Go Forth and Die - 5 I
I
@
l'" Ttl tit" IUSIC. lIC "aililtu.'

III IISUt bunt)
helatl,tt, " faUn "c' ., PetaJul
mUle PUlLlSlI.',
lie.
,5
wlFig.2 Em
Am(9)(E
!;l(E
lv/ove
in
with your
par - en/s,
I back
in -
/0
the
dark.
ILand - ed
B(E
where this start - ed.
Bach - e - lor
oj
Arts.
wlFig.3 Em
Am(9)(E
The ' learn - ing
I
Am(9)(E
starts
I
now ...
wlFig.2
Em
B/E
o - pen
up your
text - books and
I turn
/0
the chap- ler
I
con cern - ing your
de/h.
II!
Bridge:
N.C. Night
Fig. 4
(I :26)
slcy
end Fig. 4
:PI j.
a
~.~
a a
12
12
12
12
w/Fig.4 3 times
bleeds
red.
Black
birds
bring
deth.
II~
Huh.
12121212121212121212
te e e
8 8 888881777777777717777777777/1
, {
, ?
",,/Fig. 5 3 times
______ .------
.~----- f------_.------
,,
;6
49
You '1/
.53
be
eat
en
by
the
black - ness
oj
your
rot - ling
mind
that's
dy
lng.
You're
con - sumed
with
Isharp
ened
wings
that
pen
Irate
your
fright
- ened
/y
lng.
Go,
57
die.
Fig, 6
Go,
59
die.
end Fig. 6
.- . .

,
61
:If
-Go.
.Sung 1st time only.
Guitar Solo:
65
(2:24) Am(9)fE BfE w/Fig.2 Em Am(9}fE BfE
w/Flg.3 Em
Verse 3: (2:36)
73
Am(9)fE
--~-~--~-~-~--
-----~------~--
w/Fig. 3 2 times Em
BfE
I
Now you're sad and fright- ened.
I want
to
go
and hide.
I ,May - be
get
your Mas - fer
'5,
eight more years
in - side.
Go Forth and 0;., - 5 - 3
;1
Em
Am(9)/E
B/E
Dream of your own mur - der, stran-gled by
I
the I - \'Y. Drown in stu. dent loans.
bet - ler off just dy - ing.
II~
Bridge: (2:48) wlFlg. 5 3 times

N.C.
~=- -=-=- ====- =_ ..::::::===-====-== '-'

Vel, Fig. 1 end Vel, Fig. I
I
Go, die. Go. die.
wNcL Fig. I 2 times
You '/I
be
eat
en
by
the
black - ness
oj
your
rot ling
mind
that's
dy
ing.
You"re
can
sumed
with
sharp
ened
wings
that
12
12
12
12
12
12
12
12
12
12""
[-e--e--e--e--e--e--e--e--e--e-
pen
Irate
your
fright
end
Iy
ing.
======~
7 7
7
(3:09)
1--11--1-1-1-1---11--1-1-1-1--11--1-1-1-1-1-1--11--~
Guitar Solo:
wlFig. 1 2 times
N.C.
;
'-'
I' ~ Go.
=====-====== =====-====== ======-=====:::=====-=====:: =====-====== =====-====== ======-=====:::~
Chorus: (3:21) ",'!Fig. I 2 times N.c.
Go Jonh,
FartluDd Die - 5 - .
con- quered
Go
forth
and
die.
>8
10.
I
w/Fig.2 Em
113
Go . forth,
be
con - quered
I
Go
forth
II
and die .
Am(9l/E
B/E
II:
Em
117 (
I
Am(9l/C B
:11
Go forth and
die.
Go
forth and die.
Em
Am(9)jC
B/F~ Go forth and die.
12l
Outro:
wlFig, 6
115
(3:58)
N.C,
~~:
w/Fig.5
---
-==-==~-'-------+--------,.j:~
=r~--129
--~:=:=- -==--=-==---=.,-~, ..--=-=-=--==--=====-====
133
Go Forth and Die - 5 . 5
39
Itt
"'Tune down 2 whole steps:
@=c
@=F
~=B, (D=E>
fast
Wotbl ub
BBeODOOsmm
maGiC bq
Moderately
J = 160
!ntro:
(0:06) Em Fire. Fig. 1 Fire.
Em
ED
end Fig. I
"'Recording sounds two whole steps lower than written.
Verse 1: (0:18)
\\''/Fig. I 2 times
Em
Fly (Fire.)
hard
in
to
the
night
strapped
to
rock - et
ig
nit
ed.
I
Last (Fire.) Em meal sits in your bod y. gas 0 -
c
line. fur - pen - tine, gun - pow - der, glyc - er - ine.
/0
I
/2
Last (Fire.)
meal
giv
en
to
you.
gen
fleet
ing
with
lorch.
ED
erl
Pun (Fire.)
ish - men!
out - weighs
the
crime.
ex
plode
in
to
the
des
II
N.C.
sky.
u
Fig. 2
"Sung 1st time only.

Laser Cannon Deth Sentence - 7 1
,
E lIU ftA 'lfTY musIc. 14t., n.l.i.tue' hclUiVeI, Of nun III lilU' lItell" Itc) " rtf.JuJu IIlSle, I'SII.'. lit,
40
/6
end Fig. 2
lIS Chorus:
Dm
Say
/9
(0:42). (2:51) your good byes.
Fm That
23
C(E
your
life.
You'll
Em
pay
27
all
your
pen -
ance.
Dm
La
3/
- ser
can
- non
DETH
sen -
fence.
To Coda
Laser Cannon Deth Sc:oIcoc:e . 7 - .2
41
(I :06)
N.C.
D
JJ
DIE!
-.
JC:::::=::::=~.
J=-.
~
11
Ej:
D r
DIE! end fig. 3
i@lI
~ 8 8 8 8 8 8 8 8 8 8 8 818 8 8 8 1
:~
Inlerlude:
N.C.(Am)
(1:18)
DIE!
_.
3~8 _ _
Verse 2: (1:24)
N.C.(Am)
8 1=~8==============
8_8__ 8_8_8_8_~
Fm
j
rock
et.
Ro
man
can
dIe. end fig. 4
F"
\ /12 12 12 12 12
12,,1
.5
w/Fig.4 3 times
A JUk - ing m;s - sile
on
my
way
to
hell.
Fm
mar
tyro
saini
of
sin
ners.
and you
will fear
me
in
my.
DETH.
- ,
42
A5
51
G5 no one
A5
that
D5
can
CS
G/B
me
GS re
AS
pent
GS the
things
AS
rye
done.
Dm/F
There's
make
A5 E-vil
55
G5
is
AS
my
DS
prime
CS
ob
G/B
jec -
GS
rive.
F J
C/E
ex- plode
F and be - slow your
w/Fig. 4 4 times
5'
N.c.(Am)
I
DETH. Pm a rock - et, a
1*.k-
ing weap - on
of mass de - struc - lion.
De - stray the plan - et.
61
I
6'
My law - yer f* .ked
me,
I won', get par - doned.
The dev - if wails
with
fear
in
his eyes.
Interlude:
(2:00) Cm
Em
Ebm
.A
71
Em Look to the skies.
4>
77
Cm
E~m
61
Verse 3: (2:27)
Em
Seethe
blood.
blO1 - ing
the
sfry
strapped
to
the
mode
of
de - slruc
lion.
C
Cell
67
E~ face. bUs - lered skin.
males
ex - plode
in
fronl.
bar - be - qued
hone frag- ments. blood - ied
w/Fig. I
69
Em
I
91
Last
mo
ments
near
you
now
as
the
count - down
pro - ceeds.
Pun
ish - menl
is
your
re -
ward.
laugh
as
Ihey
col - leet
your
. <
44
w/Fig.3 .)
N.C.
I
97
life.
D.S. ~ 01 ~
I
Coda
em
s,<!,
your good
GfB byes. (Say your good
/01
El>m
ThaI
was
your
B.ID life.
(ThaI
byes.)
IOJ
was
your
Om
p,<!,
all
your
pen -
once. (You'll
pay
life.)
109
your
l.A,.,- Cannon Doth Scnt=<c - 7 - 6
4>
Cm La - ser pen. ance.)
113
GjB can - non DETH

sen fence.
Ii
1I7
333
333
3' 3
2 2 2 1=:2=:2:::2:::2::=2:=:2=:2==:::::~
(3:39)
w/Fig.2 N.C.
Play 3 times
II:
,
D D D D D D D D D D D D DIE! D D D D D D D D D D D D DIE!
:11
D
11l
DIE!
Fig.S
l13
end Fig. S
Outro:
115
(4:03) w/Fig.5 1st 2 meas.
wlFig. S Em
Bm
Bm
Em
Bm
~==: =-===--=-----'---------~--~:~===-=====
D
13J
Bm
Em
t:\
46
@=c @=F
~=m
CD
= Eb
!Doth ~nb music b9
mODOO
smm
Fast ~ = 220 Intra:

N.C.
1/4 1/4
mf
1/4
1/4
5 1/4 1/4
.1/4
1/4
liS
Verses I & 2: (0:09), fly

a
(0:53)
N.C.
I Fig. I
g;
gan - tic
man
ster,
1/4
am
cap - lain
e - vii
stop
per.
1/4
1/4
I
IJ
gel
to
wear
big
black
hel.
met.
pi - 10/
the
Ha - Ired - cop -
fer.
end Fig. 1
114
1/4
1/4
Hatredcopter - 6 - 1
(j)
1117 III mn
mUSIC, Ill I IIUlla smlL~ muSIC rU8~ISHIIG,

liC.
n.ilUtuU lIel"lnl, Il, l"ln .'SIC 'IIUUHIG. III IISlU hunt' " r".IUi'.
47 Pre-chorus:
Am I. 2.
17
(0:18), (1:01)
D5
J J fly fly the beast the Ha
made Ired
C5
Ihe you
G5
night.
of cop
steel.
ler,
thick
knil'es
that cut
0
I'm
gon
na hunt
down.
end Fig, 2
Fig. 2
-w/Fig. 2 2 times Am
11
05
is filled paid
lois
C5
G5
Gas J
lank
with of
ven - geance,
gel
man
ry
rna - chine far all
guns shoot
ing
ties
spite.
found.
Ihe boun
15
Am
05
Can't Can't find seem Ihe thing
10
C5
G5
that
makes
bul
0
this
thing
take
turns
a Ihe
hard
ra
find
turn
Ihe
right.
Ion
that
dar
on.
Am
J Can't fol
.
To Coda ~
05
low where Ihe Ha il
Ired leads
C5
of is
G5
might.
me,
blind Ihe
1.
work
hats
cop
fer.
hunt
with wings for you
on.
Chorus: (0:35) C/E

You
11
B die from the hands
will most Uke./y
of my
arm
when J c;ome and
fly
and take off
your
Fig. 3
H~1J'edcoIur -
48
C/E
face
37
B with the front
E5 oj my
Ho Ired cop - ler.
end Fig. 3
Interlude:
w/fig. I
(0:46)
N.c.
Coda
Chorus: (1:19) w/Fig.3 2 times C/E
D.S.
l5 al
Coda
======-===== ======-===== t=====-=====:::======-=====
===-====:...======-======~
49
D/f~
am /ike-Iy
to find
from my Jail
ure fo
I fly
that J will be fired
for not
kill-ing
53
CfE
E5
I
you, 'cause that is my job. Ha - Ired cop ler.
57
CjE
DfF~
You
will most
like - Iy
die
from the hands
oj
my
arm
when I come and fly
and take
off
your
6f
C/E
E5
I
face with the front oj my Ha
Ired
cop
ler.
.65
Interlude: N.c.
(I :36)
Hatredoopter - 6 - 3
49
6.
7J
77
61
(C/E)
(o/C)
'Chords implied by keyboard.
WDl
(C/El
(G/C)
>0
93
(A)
Guitar Solo:
97
(2:11)
Bo(D
Aid
C(E
..... - - . - .
...........
BolD
105
CfE
A 109
'"
I ""'"-I
D5
Interlude:
BolD
J13
(2:29) F
C(E
IIatredoopcco- - 6 - 5
>1
BpfO
Il7
05
A5
121
Bp/D
efE
125
BP/D
05
Ou/ro:
N.C.
(2:46)
Ha - Ired - cop - ter.

/29
Ha
- fred - cop
ter.
1/4
Ha
Ired - cop
- ter.
Ho
- Ired
cop
ler, 1/4
1/4
1/4
Ho
Ired
- cop
ler.
Ha - fred - cop
ler.
1/4
Ha
fred - cop - ler.
Ha - Ired -
cop -
ter. 1/4
1/4
1/4
H_-6-
. 52
THe GeaRS
@)=C
@~F
(g)=B>
(1)=EO
Wotbs QQb masic b9
BReODOQsmm
Fast J = 194 Intro:

Em
Am
.Recording
5
sounds two wfiole steps lower than written.
Em
Am
13
Em
~ Verses I & 2:
N.C.
(0:20), (1:09)
/7
I. You're 2. You've Fig. I
here
be -
cause
mas
lered
DETH,
.-
you're you've
us. mas
fear.
The Gears - 8 - 1
llOl Tl4 IIfn Glllit. lit 1'.1.111.", llClul"', " lUllll Glllit PIlUS lie. lit. III Ii'.!' leunt' ltd " rU.IUi'.

2nd time. substitute FiliI We You
19
are are
the
strength.
we you
are are
sol
sIron
diers.
ger.
Iram - formed.
end Fig. 1
21
wlFlg. I 2 times
You've jour - neyed far, Now that you're here.
you've a
bat - tIed hard, brand - ed GEAR
and burned
now you will in
re - ceive the per - rna -nenf re - ward. will seal the deal.
your flesh
25
I
You've con- quered pain. You've con- quered fire,
you've you've
con- quered fear. con- quered ice.
Stand proud You've
and sa
lute Ihe blood - ied flag you've

10k -
here.
last - ed blood.
en
life.
You pledged You're here 29
your DETH be - cause
and you're
your one
last breath. of us.
are You Be come
the GEARS, a GEAR,
you
are
Ihe
G...
be - come
end Fig. 2
Fill 1
Pre-Chorus:
N.C.
GEARS. We (DETH
JJ
(0:39), (1:29) fear not KLOK.) our mor- tal, - i - ty. (DETH
we'll
serve
to the
best of our a - bi! KLOK.)
i - ty.
To Coda I-$We
give
our
lives KLOK.)
to our mas - ters,

(DETH
we
vow
to
smite KLOK.)
our
en - e- mies.
(DETH
Interlude:
Em
4/
.;
(0:49) Am G
Em
Am
The Gears - 8 - 3
55 D.S. % al Coda I
Em
53 IT'"
Am
D/F~
Codal
57
%%
Am
Chorus:
(1:38)
Em
We bless your skin.
* gear.
.Sung 2nd time only.
c
We
61
G bless you with our
mark.
Om
Am Be come o pari of the KLOK.
65
To Coda II
F Be come B BfD~
a I I I
GEAR.
"
56
Interlude:
73
(I :58)
N.C.
77
-'
Guitar Solo:
.1 Em
(2:08)
Am
*Slide up 2nd time only.

85
Em
Am
D/F~
.9
Em
Am
Verse 3: (2:28) w/Fig. 1

93
.con - quered
N.C.
I
You've w/Fig.2
pain,
we've
con - quered
pain.
You've
con - quered
fear.
we've
con - quered
97
I
fear. TheG=.g.5 You fear
nol
your mar - tal -
- ty.
Be - come
gnzr.
We
are
the
'51
.tFlg. I
101
I
gears. You've con - quered pain, we've con - quered pain. You've con - quered fear, we've con - quered
D.S.S. ~~ al Coda II
fear.
105
You
fear
not
your mor- tal - i - ty.
You
are
gear, you
are
Coda II
109
C
GEAR.
GfB
Am
We
Em bless
JJ]
your
skin.
C
We bless you
G
with our mark.
Om
Am
Be come
G of the KLOK.
part
JJ9
58
F Be
J23
C
come a
GEAR.
GfB
Outro/Chorus:
Am
(3:27)
Em We bless your skin.
c
We bless you
G with our mark.
127
*Begin repeating background chant "We fear not our mortality." till end.
Dm Be
115
Am come a part of the KLOK.
F You
119
C are a
GEAR.
G/B
Am We
143
.bless your
Em
skin.
TheGe=-8-7
)9
c
We bless you
G with our
mark.
Dm Be
15l
come
**Bryan Beller plays these fast passages by flexing his picking hand index and middle finger out in a rigid manner and then flicking them back and forth from the first knuckle to emulate alternate picking with a tlatpick.
Am part
l53
G of
the KLOK.
You
155
are
C
157
GfB
A5
GEAR.
~r.-r;;- -
60
@=c
@=F
~=m
<D=B
Woebe ~Qb muoie b9
8BQUOQ
smm
Moderately Intro:
N.C.
J = 120
Play 4 times
n~1-----------------------------------------~----------------------,
-:j
mf
,
w/Fig. 1
1
*Recording sounds two whole steps lower than wntten.
'
-~,'
Verse I: (0:\2)
1limes
N.C.
I
J
Put
rid
beast.
mu
tant
with
blood
fISt
puk
ing
cid
in
the
night,
you're
dis -
eased.
I
I
Med
I'
cal
ex - per
;-
ments
took
a -
WQ):'
your
hum - an
life
for
fee.
Just
stu - dent
with
no
man - ey. grabbed
"flY -
er.
paid
the
price.
}=}
Pre-Chorus: (0:24) N.C.
Sharp
6
in
jec
lion.
n~2 ---------------------------------------------------------------
Bum the Earth - 6 - 1
il) IDOl 110
mn mum. lOt. n I,lOt",' lIeI'''v,l, " .

III litllU I&luvc)
TOUIl
Utili '9 rumiuJu
mum rU~I$HIOG.
10C.
61
wlFig. 2 3 times
brain
in
spec
lion.
Puis
ing
an
ger,
rnu
tant
ran
cor.
II~
Verse 2: (0:36)
N.C.
Splat - tered blood,
fl~3-------------------------------------------------------r------------------'
_.
"
doc - tor
lay.
ing
on
the floor,
11
wfFig.3 3 limes
I
lory fIX
bleed
ing
in
your
hand.
blood
teeth.
11
I
First of man - y you'll be kill - lng. make your way in - to the street
fi -
nal - Iy.
13---
I
}~}
Pre-Chorus:
w/Fig. 2 3 times 14 N.C. (0:48)
The
gas
line
and
dyn - a - mite
will
light
the
sky
for
the
night.
Iii
Ii
Sharp
in
jec
lion,
brain
in
spec
lion.
Puis
ing
an
ger,
rnu /7
fant
ran
cor.
Rum'~
F"nh _f,. _,
62
Chorus:
F
(1:04) E+
G
to save.
There's
20
noth - ing
You're
my end Fig. 4
Fig. 4
24
wlFig.4 F
E+
slave.
Burn
the
Earth
for
min
i -
mum
wage.
~lli
Interlude: N.C.
Burn,
28
(1 :20)
burn.
-burn,
...
29
wlFig.3 3 times
I
Bridge: (1:32) N.C.
Pour
II
burn.
burn. burn.
the
gas, ------
tight - - -- - -- -- ---
the - - ---
match,
- ------
burn.
Fig. 5 - -------32
-- -- - -- -- -- - -----
---
-- -- - - - -- - -- - --,
. .
,-..,
I
r--I
---
'----'
Bum the Earth . 6 - 3
jJ
w/Fig. S 3 times
Pour the gas.
light the malch. burn.
Pour the gas,
light the match. hum.
Pour the ga'.., light the maldJ.
Pour the Fig. 6

36
gas. -- ---
light the malch,. burn. - -- -- - -- -- --- - _-c::"~__ -- ---
::w
.,
--
- --
--
---
.
'---"
,---..
L-
--
---
-----
---
--
- - - ----
- ----,
r---
37
w/Fig. 6 3 limes
12
Pour the gas, light the match, burn. P,!ur the gas, light the match. burn. Pour the gas. light the match. burn.
G
DETH
40
CfE
streels.
filled
Fig. 7 - - - - - - - - - - - - - - - - - - - - - - -,- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - --,
w/Fig.7
41
CfE
tusks.
killed
with
F Once
G held
C/E life.
~~8 -----------------------------------------------------------------------------,
43
wlFig.8 F G lie
CfE
huslts.
Ii
no"
F
64
Burn,
44
Fig. 9 - -- - -- - - ------
-- ---
-----
- -- -- ---
-----
- -- -----
- -- -- -----
- -- - -----
---
- - -----,
.-
. .
.-...-:
"
45
'--"'
I
,
47
w/Fig. 9 2 times
. burn.
burn.
. .
burn
*J
'--"'
-~= ~~
w/Fig. 7 4 limes
48
CfE r*k ing paid. it a way. get
I~
49
Bum
it
way.
get G
Burn
r*k -
ing
paid.
CfE
gan
I
50
/n F
cin
er
qte,
or
ie
hate.
/n
cin
er
ate,
or
gan
- ie
hate.
CfE
son
this
I
Dump 51
all
the
waste,
poi
place.
Dump
all
the
waste,
poi
son
this
place.
w/Fig.8 F
CfE r*k paid.

Burn
I
Burn
it
a -
way,
get
ing
it
a -
way.
get
r*k -
ing
paid
Iii
}=.\ , Interlude:
F now.
(2:32) G
CfE
Fi~IO--------------------------------------------------------------------------,
Bum the Earth - 6 . 5
6"
53
w/Fig. 10 2 times F
CfE
CfE
55
}=} .Guitar Solo:

56
(2:44) w/Fig. I 4 limes
~=N.=C ===_=========_===== __== =_==_-+~= __==_-_==_ __==__ __== = _

Pre-Chorus:
w/Fig. 2 4 times
60
---<::::::
(2:56)
N.C
I
Sharp in jec lion. brain
in spec lion.
Puis
ing
an -
ger,
mu
lant
ran -
cor.
It
64
Chorus: (3:12)
66
w/Fig. 4 2 times F E+
E+
II:
There's noth -ing to save, you're my
:112
Burn the
Earth
slave.
for
min-;-mum wage.
Outro: (3:44)
wlFig. t 4 times N.C
-------------------------~------------~
66
DeTHSUPPO
T
Wotbs nOb music bq
@)=c (ID=F
~=m
(j)=E>
SaenDOAsmm
Moderately
J = 104
Chorus:
N.C. Pull the plug. Fig. 1 Pull the plug. (0:01)
,
mf
.Recording
sounds two whole steps lower than written.
Pull
J
the
plug.
'Pull
'-....
f'-.t the
plug.
,
.
~~ ~
"""
,
....
i:
Pull the plug.
~
i
Pull
the
plug.
,
5

u u u
the plug .
Pull
7 ,
the
plug.
Pull
end Fig. 1
,
Dcthsupport - 6 I
@
loot ItO t1tTf mOllt. IIC n laUt",b h,l"lvcl9 19 lUun IIIlitl" luenc' tu' " Pumlulu
mUSIC rUSLlIHIOC. OC. I
61 Verse 1: (0:16)
ES
D#S drove my truck in - to a mav - ing van. 1/
Will
filled
all
the
way
up
with
jet
fuel
and
D5 I crashed
JJ
ds
right in
and then
ex - plo - sian
smash through
the
win
dow
and ripped off
my hands.
DS/A
Med - i-cal
13
team
drove up
and found
me,
bleed - ing
in
piee
es picked
up
off
the street,
dS/G~
drove me
15
CS/G
in - to
filth
- y
has - pi - tal,
hoy - ror
ex - pe
ri - enced
ji - nan - cial - Jy.
ES
Woke
/7
up
in
pain
in
gown
in
bed.
in -
ler -
nol hem-'rhag -
ing
in
side
my head
Dethsuooar:
68
DS
1 real - Iy think thai I should be dead. I saw the bill and then I cry and bled.
DS/A
Keep
11
me
a - live,
it
is
cost - ing
me
no - lion - at
del
i-cit
limes
three.
dS/G#
There
23
CS/G is no way to
a - void
the
fee,
please pull
the
plug
and
kill
me.
Pre-Chorus:
Em
2S
(0:44) BfE
It's
c#m7 cost - ing tao
Cmaj7 Pull the
much. .
'"
I
~
I
-- ..
:Eli
"
.Em plug BfE Its

cosl- ing
. c#m7
Cmaj7(#Sl
tao
much.
,.
29
~ ~
I
----.
~
I
Dethsupport - 6 - 3
69
ChoroS:(I:04)
w/Fig. I
33
N.C.
N.C.
I
3.
II:~
Pull the plug. Pull the plug.
I~
Pull the plug.
I~
Pull the plug.
I~ I~
Pull the plug. D5
Pull the plug.
I~
:/If
I~
Guitar Solo:
4Z
I~
Pull the plug.
I~
-"
D#5 Pull the plug.
(I :34)
E5
c#5/G#
C5/G
Bridge:
N.C.
(1:47)
An- eu - ry- sm.
bot-u
-li-
sm,
ep - i- lep- sy.
.,
50
Fig. 3 end Fig. 3
nar.co-/ep-
sy. Pull the plug.
Near - sight-ed.
51
breath
/lght-ed,
cat - a -raC1S,
heart at- tacks.
Pull the plug.
DetIuuooon
-_
10
54 w/Fig.3
Hep - a - Ii - lis.
bran - chi - tis,
op - pen - di - ci
tis.
or -
thri - tis. Pull
the plug. En-
ceph-a
56
- Ii - tis.
ad - e - n; - tis.
mas- toid - i-tis.
cap- su - Ii - tis.
Pull
58
the
plug
now.
Pull
the
plug
now.
Pull
the
plug
now.
Pull
the
plug
now.
Verse 3:(2:10) E5
F5
life
in - stead
Pay you
60
my
of
life sup' port.
har - vest
my
p/as
rna
because it's worth more.
F#O
Take all
6]
".-U5
my blood
and
my
or - gans,
sell
them
to
buy
ers
o - ~'er
in
third worlds.
Dethsuppoo1-6-5
E5 Burn my
64
F5
co - dav er for some en - er - gv. charge the po - lients in their mis - er - y.
G5
Such
strong quar
ler
for
the
in - dus - try,
phar - rna - ceu
Ii
cal
j"'k - ing
vic.
to - ry.
68
Em
70
Outro:
E5
(2:30)
F5
the price. Pull the plug. Pay with my life. Putt the plug.
Can', pay
72
F#O
Say my farewell. Pull the plug.
G5
See' you in hell. F k- ing pull the plug.
72
I,OODl,t
@)=C @=F
(g)=m (j)~EP
WOtU nob maoic bg
saeaooa smm
Moderately)
In/ro:
N.C.
110
(Em)
=fl
N.c.(Em)
. (Tribal drums)
(h Recordmg sounds two whole steps lower
I t
~(Gtr.m)
. an wntten
1===-=====- ==11
'2:' )
cide,
Verses I & 2:
I. I 2. An
Fig. 1
5
(0:09), (0:39) my lor
track ces
g\
hI,-
~
10
,
1''''''''
blood we
o '
r-
- -- l
/
"V
burned killed
Jom
10
'Iy save
tree. lives. end Fig. 1
were
mf
7
1
I I
..
j
in me, vive,
-"
..."
mur now
Na Just
9
~~ ous
I live
ten - den
10
des. life.
one
beast
take
I
II
Keep Keep
blood your
lust self
ence w\al
al I
bay. be.
Can't I
de am
ny man
mal I
D will
N eat.
A.
N.C.
Dis - ap - pear in - to the fog, Fal/ right in - /0 hom - i. cide,
J3
gon - na mul - Ii - ply the taint - ed blood. be .;.7!tJme the beast that lives in - side.
Can't re end Fig. 2
Fig. 2
Bloodlines - 5 - 1
2009 TEn flflf
mustt, lac., i.i.hn. hclUiVtt,
tn li,au leun.'
lul "
" luau musIc PUlc.JSMIJ'. IIC. PUlDiui
2nd time. subsitute
Fig.' 2
mem- ber whereyou go Sink your fangs in - to

IS
at night. the skin.
you got
the
blood - y teeth and wolv- en sight. drink the blood so you may win.
11.
(Em) 17
19
",'Fig. 2 2 times
I
11
Kill
un - til
you
find
the
one
that
will
car -
ry
taint - ed
sons.
I
DETH brings life in - to the dark. in - fest the world and make your mark
to
night.
13
Chorus:
Em
(1:19)
GIB
go
Go per. pet - u - ate.

15
pro - ere - ate.
En -
I;
14
C5 sure
27
hom - i - cide.
keep blood -lines
a - live.
Our
Em chil- dren will )

29
G/B
re - gress and hun - ger for the flesh.
C5 They can't
31
be
con- trol/ed.
Ihey
hun - ger
for
your soul
10
N.C.
night.
33
(Em)
(Spoken:)
Close your eyes
and become the
.animals you once were.

37
Interlude:
Em
(1:50)
Am
Em
E.m (Tribal drums)
Am
Em
Bloodlines - 5 - 3
75
Half-time feel
47
C/B
end half-time feel

51
--
Em
B/D~
Em
56
DIE
Em
60
G/B
62
C5
Blood -
Dutro: (2:48)
Em
lines. I'll take your
G/B
life. I'll give you
16
C5
66
life.
Blood
lines.
Em
GfB
Life.
68
fa
take
your
life.
fa
give
you
C5
70
life.
Blood
lines.
,
72
Em
C5
./
fa
take
your
.N.C.(Em) 76
life.
(Tribal drums)
Fade
Bloodlines - 5 - 5
71
upon u
@)=c @=B> Ql=F CD=E>

Moderately .J. =
Intra:
C
GfB
Woth oob musiC bq
mnoon smm
no
"'Recording sounds two whole steps lower than written.
--
N.C.(Em)
(Am)
(C)
13
(Em)
(Am)
Black Fire Upon Us - 9 - 1
tOO' lEn fifTY mUSIC, lAt Umltlilttn'

All B.lsbtt Itutucll
h:ClUivclV 09 nun maslc 'UlUU14C. at" it heml l
tOC.
78
17
(el
(0:44)
21 (Em)
1/2
112
23
1/2
25
G5
Om
Grn/D
AID
Om
.(1:08)
31
Grn/D
A/D
Em
AmfE
BfE
Black Fire Upon Us - 9 . 2
79
34
Em
Am(E
B/E
...../
.. .~. .. ....~
"
1/2
"(1: 19) Cmaj9/E Fig. 1 Em? Cmaj9/E Em?

I
-"
Amll
37 -
Csus2
4/
B Toend Fig. 1
Verse 1: (1 :36)
Em night
45 we
B/D# ride
Em
C clouds of
G/B
on
fi
- 'e.
We're end Fig. 2
Fig. 2
Em damned
49
B/D# by gods,
Em our
C DETHS
G/B
con - spir
G
ed.
D/F#
We end Fig. 3
Fig. 3
53
wlFlg.2 Em
B/D#
Em
G/B
D/F#
I
fear no
Black: Fire Upon Us - 9 - 3
I
mar - tals in these worlds.
The
80
Em gift
57
Em we give you
c
is your
GfB soul.
G Fly with us to-
(2: 11) C
6/
GfB
night.
D
63
Fly
with
us
'to -
c
night. 65
G/B
.D
67
The
81
(2:28) w/Fig. I
6'
Cmaj9jE
Em?
Cmaj9jE
Em?
Amll
I
sky Csus2
73
I
-
will
break.
Black
D/F#
fi
re
-"
N.C.(Em) Fly
will
Iwake.
B5
~
76
...~ .. .. .. .. .. ..
~
an al Ii
once,
I " I
1;Z
on
78
through
the
night.
We
built
our
1/2
1/2
D/F#
num - hers
80
G5 but we don't pray to gods.

What
are
strong.
We
goth er,
E/O#
fools.
83
A5
what
lu - na - tics
they
must think
of
us.
82
(3:03) F On
85
AlE
this night we will jour
A7/G ney far be- yond
D/F~
88
F And you must know
AlE
that we will never come back
this world.
A7/G home
91
a -
gain.
But
(3:21)
Om
GmjD
we must fly, beasts in the night.
trag - ie
AID in the sky.
naw
93
Bat - tIe - field
in
sight,
Dm storm
95
GmjD
goth ~ ers strong, cold black - ened flame. Tell
.us our fu. lure,
AID s10 - ries of the slain.
"
Black Fire Upon Us . 9 - 6
8,
Em
Fi
97
Arn/E
re grows strong. jreez ing our
BIE
skin.
..../
I" I
,
112
Chorus:
wlFig. I 101 Cm.j9IE
(3:40) Em7 Cm.j9IE Em7
I
Dan. ger GUS
erea -
lures, Those thaI op - pose us.
those
that
op - pose
us. Raped all their pow er.
104
Amll
Raped
all
their pow
er. Bar- fered with war. locks.
Bar - fered
with
war -
locks. Cheat - ed the de mons
\ 10'
Csus2
I
Cheal-ed the de-mons for an - cient spells.
for an-cientspe//s. Theblaek-enedfi - re
The black-ened
fi
re waits to con-sume us.
B7
waits
109
to
con- sume
us
so
now
we'll
say
good We'll say good-
84
(4:00) C bye bye.
1Jl ./
GfB
Fig. 4
D be - cause
113
to - night
we
end Fig. 4
.--
wlFig. 4 2 limes
115
GfB
B/D#
die.
I
So we say good -
110
c
bye.
GfB
B/D#
I.
I
/
So we'l/ say
good-
C
bye.
.GfB
We
85
D 115 die.
B/D~ To-
Verse 2/0utro: (4:37)

m w/Fig.2 Em
B/D~
Em
GfB
D/F~
I
night we ride on clouds of
fi
I
reo
We're
131
w/Fig.3 Em
BfD~
Em
G/B
D/F~
I
damned by gods, our DETHS con
- spir
I
-
ed.
We
I~
w/Fig.2 Em
B/D~
Em
GfB
D/F~
I
fear no mar - lals in these worlds.
I
The
140
w/Fig.3 Em
B/D~
Em
GfB
DfF~
I
gift
I
we give you is your soul.
The
l Em
gift 14< we
BfD~
give
Em
you
C is your
GfB
soul.
Em
t:\
_.
ri!. Black F~ t.
86
As Pecformeb uue bll 8rll~ Seller

eTHTH
e
Woth b9
@=c
@=F
~=m
(1)=H Moderately
Intra:
GfB C5 N.C.
8BellDOll smu~
lob
J = 92
AlC.
muolc b9 8UIlDOll Smll~~
TOmmy 8~IlCllJl
os
N.C.
mf
---- .. .. ... ...

v v v v
"'Notes sound two whole steps lower than written.
B(D# E5
Em
Em
Em
Em
(0:09)
N.C.
8
Bop ...
C5
D5
**Bryan Beller plays these fast passages by flexing his picking hand index and middle finger out in a rigid manner and then flicking them back and forth from the first knuckle to emulate alternate picking with a flatpick.
(0:16)
N.C.
11
Skwisgaar Skwigelf, taller than a tree ....
Play 4 times
.-
/001 TIDfifTY mullC. lOt nmlll,lot,l

IU liti"
lell"''''
., lUun
httaiui
muSIC
l"ln,"
Uu""
Ilium.,.
87
/3.
15
--
(0:27) Em
/7
Em
Em
Em
Em
Em
Em
:>
S
T U
as Pct(oftncb utle blJ8flJ~ 8cllcf

Woebe oob maolc bq
8RellDon SmALL
Fast N.c.
. @)=c
(2)=8>
J = 180
A5 FIA
@=F
<D=H
(Synth. & 8ell) 1':\
Intra: (0:05)
Ride .... Fig. I
*Notes soun<tj two whole steps lower than written. (0:16)
N.c. N.c.
end Fig: 1 Thunder ....
Play 4 times
(!) tOOl TID tlflY
mUSIc. lOt .. Uml.'.l",' 11<1001 10 10 lUlDll lUIlitbt. hutltll lub " PctmiUlu
mam
rUUllHIOC, 101.
88
w/Fig. I
7
A5
A5
C5
C5
D5
D5
E5
E5
Thunderhorse ....
(0:34)
N.c.
13
-venge ....
(0:39)
17
'Fig. 2
end Fig. 2
"
*Fig.2 includes repeat and 2nd ending.
16
.30 (1 :00) Thunder ...
.M.---------------------------------~
.Mute with L.H. 4th finger ahead offitued
DOte.
89
(1: 11)
Play 4 times
hoW--------------------------------------------j
(I :21)
_.
.M.---------------------------------,
N.C.
38
Thunder...
*Mute with L.H. 4th finger ahead of fretted note.
(1 :32)
C5
G5
05
A5
.*M.--------------------------------------------------------------~
UMute
with L.H. thumb over top of neck.

C5 G5 OS A5
N.C.
*.*M.-------------------------------------------------------------1
Mute with L.H. 4th finger ahead of fretted note.

(I :42)
50
N.C. Thunder ....
(I :52) A5 E
54
A5
C5
C5
05
05
A5
A5
C5
C5
OS
05
Thunderhorse ...
90
(2:00) w/Fig.2
56
(2: 11)
~.c.
6.
(2:16)
"
wldist. 3rd time. w/octaver -1 till end
75
Play 3 times
r--.
78
.0
(2:42)
muamatDea uue
9$ P~tfo(m~b
91
bll 8(lIQQ8~1J~(
Wotbl ub
@=C tID=F
@ =B>
[>=H
music bg
8BtllDOll
$ma~~

Intra:
(Fade in guitar noise effects) N.c.(ES) Fig. 1 - - - -=-.::. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - __ ..,
4
L-3...J L-3...J L-3...J L-3...J L-3...J L-3...J L-3...J L-3...J
mf
*Notes sound two whole steps lower than written.
Verses J & 2:
w/Fig. 1 4 times
(0:13), (0:S7)
C (ES)
1. There are nofingerprints ... 2. But beware, ...
II. J=J
Chorus:
w/Fig. 2 3 times
17
(0:38) ES N.c. ES N.c. - -- ---1
ES F#S GS ES F#S GS Murmaider. Murmaider .... Fig. 3- -- - -- --- -----
J=J
w/Fig.3 3 limes w/Fig. 1 2 times
-- - - - -- - ----
6
v
1/2
6
v
112
v
112
v
112
/2.
Bridge:
(I :22) B E (ES) G OS (ES) A7/C# B E (ES) Hold your breath, swim and strain ....
35
DS
Fig. 4 ,--3-,,--3-,,--3--,
,---3--,
,---3---,
1001110 fIfTY mom. lOt nmIAI.t1"b All li'Ah luuvtb
1'1"1"19 b9 TURO!B mum PU8LlSHIOC. lOt. Gub bllJ PttmlUiOll
92
d=.1.
Chorus:
w/Fig.4 3 times
38
(I :47) w/Fig. 3 4 times Murmaider. Murmaider ....
end Fig. 4
12
---3---'
~I
---3---'
~I
---3---'
~I
---3---'
Guitar Solo:
59
(2:00)
.I.=d
wlFig. 1 1 & 1/2 times
N.C.
Play 4 times
Pre-chorus:
64
(2:19) w/Fig. 2 4 times
Bridge: (2:32)
w/Fig.4 4 times Murder, ...
Dutro:
Swords, check, ...
(2:57) w/Fig 1 3 & 1/2 times (mute wi L.H.)
8
L-3...JL-3...JL-3-.J
16
7
L-3...JL-3...JL-3-.J > M.--------------I S
c
as fet(ormeb
f tBe
L1ue blJ 8(lJQ.Q8eller
on us
WocbG ub
neoooo sma~~
mUGle bq
@)=C
Ql=F
(2)=8'
(j)=H Moderately.l.
Intro:
C =
110
M.------I
GIB
.M.--------I .M.------I
"!f
M.--------l M.-- - - - - --I M.- --- --I
**Mute with L.H. 4th finger ahead of fretted note. *Notes sound two whole steps lower than written.
lOOI 111'lfTY mUlt. lAt n.ialdcub hel !o.l; " lUaU III liut tte. In' " rlU.iuiu
muslt nnJ$8IQt.
Jac.
9,
4
N.C.(Em)
M.---------j
M.------j
M. - - - -- - ---j
M. - - - ---j
M. - - - - - - - - -j
M. ----j
(Am)
(e)
-"
M.---------j M.-------j
M. - - - -- - - - -j
M. -------j
M.---------j
M.-------j
M.---------j
M.--j
- M.--------~
M. -- - - ---j
M.---------j
M.--j
IJ
(Em)
M.---j
M. ---j
M.---j
M.
M.---j
M.---j
M.---j
'15
(Am)
M.---j
M.---j
M.---j
M.
M.---j
M.---j
M.---j
M.
17
(C)
M.---j
M.---j
M. ---j
M.
M.---j
M.---j
19
M.---j
M.---j
M.---j
M.---j
M.---j
M.---j
M. ---~
94
(0:44)
(Em)
11
Play 4 times D/F;1

1/4 1/4
1/4
M.--~
M. ---I
1/4
*Fig. I includes repeats.

13
05
end Fig. 1
1/4
Aid
1/4
M.---I
1/4 M.
---I
M.
---I
1/4
15
Dm
1/4
OmlD
AID
M.--1
M.--~
1/4
M. - --I
M. ---I
27
Dm
1/4
mID
AID
M.---I
M.---I
1/4
M. -
--I
M.---I
(I :08)
19
Em
1/4 ArnIE
BfE
M.---I
M.--1
1/4
M.. --1
M.--1
31
Em
1/4 ArnIE
BfE
1/4
M.- --I
1/4
M. - --I
M.--~
1/4
95
(1: 19) Cmaj9(E
33
Em7
Cmaj9(E
Em7
Amll
Fig. 2
Csus2
37
_.
D/F~
To end Fig. 2
Verse 1: (1:36)
Em
B/D~ Em
GIB
G.
night we ride ...
Play 4 times
*Slide 1st time only. (2:11)

46
M.- - - -- -- - - -- -- - ---I
M.------------------"
GIB
M.----------------"
M.-------------------1
M.------------------1
11. 4'
B/D~
112.
B/D~
(2:28) w/Fig.2 The sky ...
w/Fig. I F/y ...
8
M.---------------"
M.--I
65
AS
1/4
1/4
M.---I
M.---I
1/4
M.---I
M.---I
1/4
96
(3:03) F
AlE
A7/G
67
. . .. .
On this night...
- , I I
I I
.
11.
D/F~ (3:21 ) Om But now we mus/fly, ..
70
'"
. r-- r-.
. .
.
.
. .
1......1.....1
M.-~ M.-~ M.
. ::It:
liz.
GmfD
71
GmfD
AID
M. ----i
M.----\
M. - --i
Em
75
Fire grows strong, ...
1/4
AmfE
BIE
M.--~
M. - --i
M.
M.
1/4
M. - --i
M. - --i
Iz.
77
.BIE
I
Chonts:
w/Fig.2
(3:40) (1st 7 meas.)

crealUres ....
AmfE
Dangerous
M. --i
M. --i
M.
8'
B7
'"
___ ttt~
M.------------------~
-"
.. E:
(4:00)
...good-bye ...
~~ .....
89
GfB
12.
91
BtD~
GfB
98
GfB
M.-----------j
Verse 2/0utro: (4:37) Em B/D~ Em

Tonight we ride on...
101
GtB
M.-------i
M.-------i
98
\ /05
Em
Em
G/B
M.-- - - --- - -- --I
M. --------~
/08
Em
B/O#
Em
-M. -- -- - - --~ M. ----~
M.-- - - --- - --I
M. - -- - - - ~
c
J1J
.' .'
GfB
.,
M. - -- - --- - ~ M. - - -- - - - - -~
. . . . . . . . . . .
M. - ---- - -- ~ M. - - - - ---~
~ ~
Em
1/4
~ ~ ~
C G/B
#'
B/O#
Em
,
,
,
ho~----------------~
1/6
M.--------------I
M.--------------I
M.- --- -.- - -- - - - - -I
M.----------~
.Em
1J8
Em
G/B
Em
-e-'
mo/to rit.
>
S
_.
THe DeTlluaum
BIRTHDav DeTHDav BLOODROCUTeD uIHcase FULL Of GUTS DUHTHeme +- Duncan HILLS COHee JInGLe ---+ GO POUH anD DIe HaTUDCOPTeR mU8malDeR THunDeBlfORse
DeTllU8Um
II
BLaCK fIRe upon US BLOODLIUS 8Uan THe eaUH DUHSUPPOU THe GeaRS LaSeR cannon D senTence
as PLayeD LtUe btl BRYan BeLLeR

BLaCK flU upon DeTHne
36798
IS8N-10: 0-7390-7609-4 IS8N-13: 978-0-7390-7609-5
11111111111111111111111111111111111
780739 076095
MilIII iI

Metalocalypse Dethklok Bass Anthology

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---~ -~

uue UeBSJOtlS0.$ p~QyeD 8Y 8BYQtl 8e~eB

Brtnbon (frienb to tije B~~) ~mafl

a nm aBOUT8Rvan 81.~RFRom 8RenDon Smau.:

a nOTeaBOUT8RenDOn smau. fRom 8Rvan 8WR:

smau Tommv 8~at maGic bq 8BODOO sma~~

Doo- di ~ Iy ding dong tick lock.

DOD di - /y ding dong tick lock.

E5 Doo-di - Iy ding dong tick tock.

DOD-iii - Iy ding dong tick tock.

Deth - ktok. Deth - klok.

Deth - klok. Deth - klok.

Deth - klok. Deth - klok.

1001 lIO fifTY mUSIC, JOC., nmlClltlllb AU Bilbll Bl8lrUlb

tx,I"iuIIV IV TUann Ullb IV Film! ;,.

muSIC FUiUSHIOC, IOC.

Mur - der - face.

Mur - der - face,

Mur - der - face.

(0:27) No - than Ex-pIa - sian. Em B Em B Em B Em B Em B Em B Em

Dun-can Hills will wake you

DETHS. end Fig.

black -ened blood.

Duncan Hills Coffee Jingle - 2 _ I

Utl IlIlt mustt. ItlC nmi4lthteb aH BIIIHt hun.b

beta.fv.l, 09 nun Utell 0' PUtrllUJoa

mUSIC rUUSHIAG. IDC,

French va - nil -10 roast.

A.5 Pre - pare

N.C. gel some

Guitar Solo: (0:49)

Worbe QQb music

Moderately fast ~ = 150

*Recording sounds two whole steps lower than wrinen.

wa - ler, for when \ you

blood - thirst end FIJ< .

A nd if you seek oth-ers will seek

all you need they won '/

. un - til you're dead.

They'// have their

(0:25), (1:10) B check. check. rope.

(E5) check. check,

(E5) check, check.

mUSIC, 10C Uml.lotOIOI III li,bte luuulb

IIelaolo.l, I, TUROII mullC rUlUIHIOC. 10C. Uull 'tl PccmlUiOA

la - ser beams, check, co - lion. check.

bag, check. check..

ES N.C. Mur-maid - er. Mur-maid - er.

Mur-maid - er. Mur-maid - er.

.'Wur-maid- er. Mur-maid _ er.

,,'/Fig. 4 E5 F#S GS ES F#S GS ES N.c. ES N.c. ES F#S GS ES F#S GS ES N.C. ES N.C.

Mur-maid - er, Mur-maid - er.

Mur-maid - er. Mur-maid - er.

w/Fig 5 3 times (ES) B E

drank their blood,

end Vel. Fig. I ,,~

Mur-maid - er. Mur-maid

Mur- maid - er.

Fig I 4 times Vel. Fig. 3 - -- -- -------------------,