Step 1: Add A New Blank Layer: The Final "Enhanced Sky" Result
Step 1: Add A New Blank Layer: The Final "Enhanced Sky" Result
Step 1: Add A New Blank Layer: The Final "Enhanced Sky" Result
very mention of having their picture taken, these two horses didnt seem to mind at all. It might have been a better photo if the wire fence wasnt in the way, but I could always get rid of it if I really wanted to using the Clone Stamp tool. The problem Im concerned about here is the sky. Its looking quite dull and could definitely use some help. Theres a lot of detail in the clouds that were not seeing, and the light blue needs to be deeper, more saturated. Heres what the sky will look like when were done:
Lets see how to go about enhancing the sky. One thing I should point out here before we begin is that if your sky is completely blown-out, meaning that it is overexposed to the point where it has become pure white and there is no useable image information, this technique wont work. In fact, no technique will work. Photoshop may be extremely powerful, but it cant create something out of nothing. If thats the case with your photo, youll need to replace the sky completely. Well look at how to do that in another tutorial.
The Layers palette in Photoshop showing the original image on the Background layer.
I need to add a new blank layer above the Background layer, and the easiest way to do that is by simply clicking on the New Layer icon at the bottom of the Layers palette:
Clicking on the New Layer icon at the bottom of the Layers palette.
This adds a new blank layer, which Photoshop automatically names Layer 1, above the Background layer:
The Tools palette in Photoshop showing the current Foreground and Background colors.
Click anywhere inside the photo to exit out of the Gradient Picker when youre done.
If you want a larger transition area with your image, simply drag the gradient across a larger area. A common practice is to start the gradient at the very top of the image and then drag down to the horizon line. This leaves the darkest area of sky at the top of the photo and gradually lightens it towards the horizon, a very nice effect. When I release my mouse button, Photoshop draws the gradient, filling most of my sky with black and then quickly fading it away as it crosses the trees (my transition area):
The sky is definitely darker now than it was before. Of course, it also looks quite horrible at the moment, but were not done yet! Hold your horses! (Sorry, I had to say that at some point).
With the gradient set to the Overlay blend mode, the black area from the gradient blends in with the photo in a way that makes a huge improvement to the sky. The contrast has been increased, weve brought out all the details in the clouds, and the sky is now a deeper, richer blue:
The sky has now been enhanced after changing the blend mode of the gradient layer to Overlay.
The sky now looks a whole lot better, but by solving one problem, weve created another. The gradient I dragged out covered not only the sky but also part of the horses, and now they look like theyve been roasting in the sun too long. I need to prevent the gradient from affecting the horses, and I can do that easily using a layer mask.
Clicking on the Layer Mask icon at the bottom of the Layers palette.
This adds a layer mask to the gradient layer. Nothing seems to have happened in the document window, but if we look at the Layers palette, we can see that a layer mask thumbnail has been added to Layer 1:
The Layers palette in Photoshop now showing a layer mask thumbnail on Layer 1.
Painting with black on the layer mask hides the effects of the gradient.
If you make a mistake and accidentally paint over an area you didnt mean to, just press X on your keyboard to swap your Foreground and Background colors again so white becomes your Foreground color. Paint over the mistake with white to bring back the effects of the gradient, then press X again to set your Foreground color back to black and continue painting. Im going to finish painting over the areas that I want to protect from the gradient. As I mentioned a moment ago, since were painting on the layer mask rather than on the image itself, we cant see the color were painting with, but if we look at the layer mask thumbnail in the Layers palette, we can see all the areas where weve painted with black:
The layer mask thumbnail in the Layers palette showing the areas where weve painted with black.
And here, after painting away the effects of the gradient over the horses, bringing back their original color and brightness, is my final enhanced sky result: