Mufon UFO Journal
Mufon UFO Journal
Mufon UFO Journal
CONTENTS
LETTERS 20
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Walter N. Webb
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MUFON UFO JOURNAL
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(ISSN 0270-6822)
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INTRODUCTION
THE GULF BREEZE f Webster's definition of an unnatural phenomenon is
PHOTOGRAPHS
BONA FIDE OR BOGUS?
I accepted as "a fact or event of special or unique
significance" that is "inconsistent with what is natural
or expected; going beyond what is normal," unidentified flying
objects, more popularly known as UFOs, certainly fall within
By William G. Hyzer this general definition. Photographs containing images that
appear to be UFOs are subject to skepticism because 1) the
UFO represents a phenomenon that cannot be fully explained
by modern-day science and 2) photographs are known to be
An earlier preliminary report dated July 8, 1991 was easily falsified. The old adage "the camera never lies" is no
distributed to a limited number of people in the UFO- longer accepted as a truism; especially to the UFO skeptic,
investigation community to obtain their comments, both pro who is quick to point to any anomaly in a photograph as
and con, as a means of guiding us in our continuing investiga- "proof of fakery. The true believer on the other hand, is
tion into the authenticity of the Walters' photographs. This willing to accept the anomaly as an indigenous artifact of the
second edition is a revised version of that earlier report and UFO experience by reasoning that anything is possible when
includes new information acquired since July 8, 1991. dealing with an unnatural phenomena like UFOs, especially
when they are thought to be under the control of super-
ACKNOWLEDGEMENTS intelligent beings.
The analyses reported here were performed on enlarged
The author is especially indebted to Dr. James B. Hyzer for color photographic reproductions of the original Polaroid
his expert scientific advice and assistance in conducting this prints supplied by Mr. Walter Andrus, Jr. and on photographs
investigation, especially in the area of computerized image reproduced in Gulf Breeze Sightings [1]. The original Polaroid
analysis. Also, the cooperation of Mr. Walter Andrus, Jr. in prints, reportedly exposed by Edward and Frances Walters
providing the photographs and related background informa- in Gulf Breeze, Florida between November 11, 1987 and May
tion essential to this study is sincerely appreciated. Finally, 1, 1988, were not made available for our analysis. All of the
Mr. Rex Salisberry's persistent encouragement to continue photographs contain images of objects of unknown origin
this project to completion and his continued cooperation in reported by the Walters to be unidentified flying objects
helping us meet this goal is gratefully acknowledged. (UFOs) in the various scenes at the times the photographs
were exposed.
© 1992 William G. Hyzer
OBJECTIVES
(Rights to duplicate this document in any form is permitted only
upon receiving written permission from the copyright holder.) The objectives of this study are to describe the conditions
under which these images could have been obtained and ex-
plain the phenomena depicted, 1) based on detailed scien-
Mr. Hyzer is a consultant in engineering and applied science, special- tific examination of the photographs and 2) ruled by the limita-
izing in optical instrumentation, photogranunetry, and forensic and tions imposed by the assumptions listed below.
illumination engineering. He is widely regarded as one of this coun-
try's foremost photoanalytic experts, having served as a consultant for ASSUMPTIONS
the Polaroid Corporation, Honeywell, and National Geographic, among
many others. He has contributed a regular column to Photomethods
magazine since 1955, and now has more than 500 published patents, The analyses of the above photographs were performed on
books and papers to his credit. Hyzer is a Fellow of the Society of the basis of the following assumptions:
Motion Picture and Television Engineers, SPIE, the International Socie-
ty for Optical Engineering, and the American Academy of Forensic 1) The original photographs numbered 1 to 24 were recorded
Sciences. on Polacolor Instant Pack Film. The model number of the
The accompanying study was originally commissioned by MUFON and Polaroid camera used to expose these photographs is unknown
conducted entirely at Mr. Hyzer's own expense. See also his lech Talk (the Model 108 Polaroid camera specified by Edward and
column, "From MIAs to UFOs," in the October 1991 issue of Frances Walters as the camera used to record these images
Photomethods magazine, pp. 10 -13. [2] is unknown to the Polaroid Corporation [3]).
the exposures used in photographing models that are not par- 8. Abnormal road reflections. Estimates vary as to the size
tially obscured by foreground objects are far less critical than and location of the UFO-like object in photograph number
those employed in photograph numbers 1 and 7. The exposures 19. Based upon a camera-to-object distance of 185 feet, with
in these other cases would normally be greater than the ex- the object directly over the pattern of light in the roadway
posure threshold-response level of the film. In all instances surface, Maccabee in 1988 [9] reported its size to be approx-
in which this multiple-exposure method is used, all portions imately 13 feet in diameter at its widest point and 9 feet high
of the models will either appear brighter or no darker than from the bottom of the power ring to the so-called "dome
their proximate scenic backgrounds and background colora- light." The top of the object is tilted between 10° and 12° away
tions will be evident in the images of the models — two con- from the camera, so that the maximum vertical height of the
ditions that do prevail in all of the photographs analyzed for band of light emitted from the power ring is approximately
this report. It is also interesting to note that any spatial varia- 4- !/2 feet above the ground.
tion in intensity of the background will also be evident across The abnormally "fat" shape of the pattern of light on the
the darker areas of the object — a condition that was found roadway surface lead some analysts to question the validity
to exist in photograph number 5 and quantified in Figure 1. of photograph number 19. Consequently, Maccabee in 1990
[10] revised his earlier determinations of object location and
7. Image blur. Image-edge analysis was precluded as a viable size. He recalculated the camera-to-object distance to be 370
means of verifying the authenticity of the Walters' photographs feet, which is twice his earlier determination of 185 feet. At
provided to us for analysis. Ambiguities result from the con- two times the distance, the size of the UFO-like object would
dition that both the UFO-like objects (real or unreal) and the also be larger by a factor of two. In this latter case, the top
camera are independently subject to motion during exposure. of the power ring would be 5 feet above ground level and the
Photograph numbers 1-9 for example, show varying degrees pattern of light on the road surface would extend over an area
and directions of blur in the images of the UFO-like objects ranging from 64 feet to 127 feet in front of the object.
and their scenic backgrounds. Unfortunately, we were not The above change in object size and location was an at-
given photograph numbers 3, 4, 6, 7, 8 and 10 for analysis. tempt to explain away the abnormally "fat" shape of the reflec-
Some of these reportedly show blurred backgrounds with tion pattern on the roadway, but it failed to account for the
relatively sharp images of the UFO-like objects. A blurred absence of diffuse reflected light from the pavement directly
stationary background is indicative of camera movement. underneath and only two feet away from the highly luminous
photograph number 19. There was no evidence to support reflections in the hood of the truck and the abnormal road
this theory. No reflected images associated with the UFO- luminance in photograph number 19 provide the answers to
like object were detected in the truck's hood in photograph the question of its authenticity. It is this author's professional
number 19. opinion that there is only one logical explanation for all of
It is this author's professional opinion that the results of the optical anomalies described in this report: photograph
this study are conclusive: if the UFO-like object in photograph number 19 is a fakea produced by multiple-exposure
number 19 had been real, reflections of luminous sources photography.
associated with the object, and most certainly the crescent-
shaped illuminated dome and dome light at the top of the ob- FOOTNOTES
ject, would have to be visible in the truck's hood; but they
are not. a. The terms image manipulation, trick photography and
photographic fakery refer to techniques of producing a
CONCLUDING REMARKS photographic image which is altered in such a way as to
misrepresent the object or scene recorded by the camera.
The Walters' photographs of the Gulf Breeze sightings ana- Photographic misrepresentation can be accomplished in a
lyzed for this report: are they bona fide or bogus? What variety of ways: through the use of mirrors, rear-projection
unknown forces propel these wingless craft and support them methods, multiple-exposure techniques, digital image process-
as they hover overhead? How do they achieve their amazing ing, manual image retouching, paste ups, etc. A fake
chameleon-like abilities to change in brightness and color and photograph is one that has been reproduced by one of these
blend with the background? And the luminous blue beam that methods.
appears to terminate in mid air: what is it? Before we com-
pleted our analysis of photograph number 19 we were at a b. An example of a 0.05 meter-candle-second (mcs) camera
loss to answer these questions on scientific grounds, except exposure is a twilight sky having a luminance of about 4 milli-
to say that the images which depict all of these strange and lamberts exposed at a lens setting of f/9.2 for 1/2 second.
unnatural phenomena are uniquely characteristic of multiple-
exposure photography and could have been easily produced c. Light emitted by the UFO-like object's so-called "power
by the simple application of this technique. The missing ring" and the adjacent light pattern referred to as a "road
The Stars:
August evenings bring the Summer Triangle high overhead.
Just to the W of the bright stellar trio lie the dim sprawl-
ing constellations of Hercules and Ophiuchus! Look for the
Keystone, the four-sided waist of the upside-down kneel-