The Secret Journal of Ichabod Crane: Ichabod's First Entry
The Secret Journal of Ichabod Crane: Ichabod's First Entry
The Secret Journal of Ichabod Crane: Ichabod's First Entry
•8•
© 2014 Twentieth Century Fox Film Corporation. All rights reserved.
I have told my story to the constabulary but will set it down
again here, because during the course of my interrogation I
learned as much from their questions as they did from my answers,
or more. The Hessian mercenary I struck down in 1781 lives
again. It can be no coincidence that I was returned to my senses
at the same time. I shot him from his horse scant miles from where
I now sit, the ball clearly striking him in the breast—but he rose
again and dealt me a mortal wound with his axe. With the last of
my strength I returned his blow, separating his masked and tat-
tooed head from his shoulders. After that, I remember very little.
At triage my wife’s face—oh, Katrina, what became of you in the
years after my passing?—was the last I saw until I emerged from
my sleep in a riverside cave.
The supernatural life given the Hessian surely explains why
General Washington ordered me to seek and kill any man with
the figure of a bow tattooed or scarified on his hand. That symbol
bears investigating, if I am ever to be permitted my freedom.
They have a machine that can distinguish truth from lies by
means of electrical signals transmitted along the skin. What
would Benjamin Franklin have made of this odd descendant of the
key dangling from his kite string? For that matter, of the electrical
light that shines in every room of every building, and from fixtures
within the horseless carriages they call cars?
Despite the machine’s support of my tale, they have deter-
mined me fit for the asylum. One hopes the masters of that Bed-
lam will forbid cloying perfumes. Regardless, I hope to be able to
keep this journal there. Already it has proven a great comfort.
There is another, more practical and pessimistic reason to re-
cord my experience. If I do not survive my battle with the Hessian,
others will step into my place. For those successors (though I hope
they succeed me none too soon!) I write this journal, that it may
•9•
© 2014 Twentieth Century Fox Film Corporation. All rights reserved.
assist them in navigating the thickets of superstition, spycraft, and
malevolence—and the Infinite alone knows what else—that op-
pose us. My role in the colonies’ rebellion taught me that the most
important actions of a war take place on unnamed battlefields.
This may be one of those, and I may die on it; but if I must die, I
would not have all I know perish with the extinguishing of those
final sparks of my brain.
I am afraid, and unashamed of my fear. Only the fool shows no
fear when he fights for his life against an opponent such as the one
we face, and only a fool is unafraid when thrust into a situation ut-
terly foreign, alone.
• 10 •
© 2014 Twentieth Century Fox Film Corporation. All rights reserved.
All men are created equal, Jefferson wrote—this America strives
to live that ideal. Doubtless it falls short, as do all human actions
when compared against ideal goals. However, when I consider the
oppression I witnessed during my time in the colonies, I cannot
help but feel pride that I contributed—in whatever slight fash-
ion—to the liberation of the colonies, which over time led to the
liberation of the slaves. And Abigail’s friend and colleague Brooks
bears the traces of yet another history: that of the Asian peoples
finding their way to these shores. Of that I know little, but hope to
investigate more thoroughly.
I feel foolish now for congratulating Abigail on her emancipa-
tion. Whether I will work up the nerve to confess my foolishness,
now . . . that is another matter entirely.
Regardless, Abigail is a young woman of considerable forti-
tude, whatever her pigmentation. She also possesses a quick wit.
“You keep running your fingers over that tabletop like you’re try-
ing to pet it,” she remarked. “Never seen a table before?” I could
not but laugh, for I had indeed been doing exactly that, seeking to
discern by touch of what substance the table might be composed. A
pet table! But soon enough we returned to the drier topics of my
interrogation.
She does not believe me, not yet, but she is of a most pragmatic
cast of mind. If I can contribute to her pursuit of a criminal—a
figure whom she considers a criminal but I know to be something
much worse—she will hear me out. It must be even more difficult
for her. She clings to the rational, to her belief in only the prov-
able world of the senses. This, I believe, is why she intends to enter
an advanced program of education in what they call “profiling.” I
gather it is a systematized means of using the evidence of a crime
to deduce specifics about the unknown criminal, and thereby
speed his capture.
• 11 •
© 2014 Twentieth Century Fox Film Corporation. All rights reserved.
But only a woman fleeing from the inexplicable would seize so
desperately on the tangible to the exclusion of all else. There is more
to the young lieutenant than she has yet spoken of, or I discerned.
• 12 •
© 2014 Twentieth Century Fox Film Corporation. All rights reserved.
• 13 •
© 2014 Twentieth Century Fox Film Corporation. All rights reserved.