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Tai Chi Fa Jin
Advanced Techniques for Discharging Chi Energy

By Mantak Chia and Andrew Jan
ISBN 978-1-59477-428-7 $18.95
Quality Paperback January 2012
256 pages; 6 x 9 Full color throughout
Imprint: Destiny Books
U Contents
1
2
3
4
5
6
7
8
9
Acknowledgments
00
Putting Tai Chi Fa Jin into Practice
00
Preface
00
History of the Discharge Form
00
Why Practice Tai Chi Fa Jin
00
Principles of Discharge Power
00
Warm-ups and Technical Exercises
00
The Discharge Form
00
Summary of the Discharge Form
00
Push Hands (Tui Shou)
00
Applications of the Discharge Form
00
Home Practice
00
Glossary
00
Bibliography
00
Index 00
U
4
Warm-ups and
Technical Exercises
Warm-ups can be understood from two perspectives. The obvious

first is the Eastern or Taoist one. The second is the Western or scientific perspective. In this chapter both aspects will be mentioned. By
offering both we allow the Western reader to compare and contrast
in order to better understand both perspectives. This chapter will finish with specific warm-ups that the authors believe are beneficial to
practicing Fa Jin and the Discharge Form.
From a Taoist perspective the warm-up must provide a transition
from our everyday mind and bodily state to that which is conducive
to the successful release of discharge power.
Chang San-Feng gives us an idea of what state is needed be
achieved by a warm-up. He says:
Whenever one moves, the entire body must be light and lively, and
must all be connected throughout. The Chi should be excited and
the spirit should be gathered within. Let there be no hollows or
projections; let there be no stops and starts. Its root is in the feet,
its issuing from the legs, its control from the Yao and its shaping in
Warm-ups and Technical Exercises 3

the fingers. From the feet, to the legs, and then the Yao; there must
be completely one Chi.*
Technical exercises
Technical exercises have as their primary purpose the practice of
a specific skill that is used in the martial art. From a physiological
perspective, technical exercises create specific neuromuscular patterns that form the groundwork for discharge power. The secondary
purpose is similar to warm-ups and opens channels and meridians that
are often closed in the everyday mind state.
This chapter explores technical exercises that cover four areas.
First, there are the silk-reeling exercises that are yin exercises and cultivate all stages of the execution of Fa Jin, but especially the first four.
The second section focuses on exercises utilizing the Eight Gates.
This section will include visualizations suggested by Tan MengHsien. The third area is a summary and focused appreciation of Tan
Tien Chi Kung and how these exercises promote Discharge Power.
The fourth section explores some extra yang technical exercises that
focus on real-time speed release of jin.
The eight Gates with Visualizations
Little is known about Tan Meng-Hsien, yet his writings have gained
classic status. Tan offers explicit visualizations for the execution of the
eight forces. In these technical exercises the eight forces are practiced
in sequence and with a specific jin in mind. As opposed to practice or
demonstration of the Discharge Form, during which the practitioner
might not have the luxury of time necessary to allow the complex
internal work that is required in order to release power from the tan
tien, in the technical environment the adept can practice according to
*Chang San-Feng, The Taijiquan Classics, trans. Barbara Davis (Berkeley, Calif.: North
Atlantic Books, 2004), 75.
4 Warm-ups and Technical Exercises

his or her own inner timing rather than an imposed time constraint.
Multiple repetitions in a relaxed atmosphere allow the natural and
spontaneous movement of chi and jin to occur. The eight stages of
release with four yin and four yang stages are maintained. However,
in the following technical exercises taught by Tan Meng-Hsien, varied visualizations are used to create a template for the Yi (integrated
mind) to work with.
U Gate 1: Peng
Begin practicing Peng on the right side. The movement is like a boat
moving while supported by the water beneath. When the tan tien
feels as though it is naturally exploding it does so like the release of a
loaded spring. The aim is to follow the release in a relaxed manner.
Fig. 4.27. Core spring in the tan tien
U Gate 2: Lu
Roll back and sink deeper into your structure and as per the Push
Hands routine, keeping the kidneys full and spine straight. Become
so empty that you feel as if you are floating in deep outer space. Lu
in many respects represents the first (yin) half of the Fa Jin sequence.
In itself it can be used to topple an opponent by using the opponents
own force. Opponents may expect resistance and consequently uproot
themselves when none is offered.
Fig. 4.28. Tan tien as empty outer space

U Gate 3: Ji
This time you imagine the tan tien or the body to be connected to
two different forces that are symbolized through the left and right
arms. These two forces then create a reaction at the zenith of the
movement that is like bouncing a coin off a drum.
Fig. 4.29. Tan tien as a drum
U Gate 4: An
In the yang phase, visualize and feel like water, like a steady force in
an outgoing tidewhich fills every defect in the opponents structure
without effort. Then, at the moment when the tide seems fullwhen
there can be no more resistance and the opponent is on the verge of
imbalancerelease your power.
Fig. 4.30. Tan tien as a wave in the sea

U Gate 5: Tsoi
In this technical exercise visualize setting yourself and the opponent
into a lever position with a defined fulcrum. The wrist, elbow, and
shoulder can be targets for pressure applied to engage a lock (chin na)
and finished with discharge power to dislocate a joint or fracture a
bone. In this situation the yin phase breaks the opponents structure
by elongation, then in stages 5 to 7 the opponent is set up for the
lever. Set up a lever like a balance scale such that only four ounces is
required to break a thousand pounds.
Fig. 4.31. Tsoi uses the principle of the lever
U Gate 6: Lieh
Next imagine the tan tien like a spiraling vortex. The fastest moving
point is distant from the central eye. As an imaginary force entangles
itself on the outside of this vortex, it is cast off a thousand times
faster.
Fig. 4.32. Vortex and spiraling in the lower tan tien

U Gate 7: Chou
According to Tan, the elbows power is visualized as coming from the
five elements being absorbed from the six directions reducing to a
unity that ultimately explodes via the elbow joint.
Fig. 4.33. Tan tien absorbing chi from the five elements
U Gate 8: Kou
Finally the back and shoulder set up a discharge of power as they
use their weight against an imaginary force, much like Pounding a
Pestle.
Fig. 4.34. Shoulder strike using the principle of the mortar and pestle

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Tai Chi Fa Jin

Advanced Techniques for Discharging Chi Energy

Putting Tai Chi Fa Jin into Practice

History of the Discharge Form

Why Practice Tai Chi Fa Jin

Principles of Discharge Power

Warm-ups and Technical Exercises

The Discharge Form

Summary of the Discharge Form

Push Hands (Tui Shou)

Applications of the Discharge Form

Warm-ups can be understood from two perspectives. The obvious

Warm-ups and Technical Exercises 3

The eight Gates with Visualizations

4 Warm-ups and Technical Exercises

Fig. 4.27. Core spring in the tan tien

Warm-ups and Technical Exercises 5

Fig. 4.28. Tan tien as empty outer space

6 Warm-ups and Technical Exercises

Fig. 4.29. Tan tien as a drum

Warm-ups and Technical Exercises 7

Fig. 4.30. Tan tien as a wave in the sea

8 Warm-ups and Technical Exercises

Fig. 4.31. Tsoi uses the principle of the lever

Warm-ups and Technical Exercises 9

Fig. 4.32. Vortex and spiraling in the lower tan tien

10 Warm-ups and Technical Exercises

Warm-ups and Technical Exercises 11

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