GM1A Catalan Excerpt
GM1A Catalan Excerpt
GM1A Catalan Excerpt
The Catalan
By
Boris Avrukh
Quality Chess
www.qualitychess.co.uk
Preface
More than six years have passed since Quality Chess published my original contribution to its
opening series, appropriately titled Grandmaster Repertoire 1 1.d4 Volume One, which was
followed by its companion Grandmaster Repertoire 2 1.d4 Volume Two early in 2010. (These
works will henceforth be abbreviated to GM 1 and GM 2 respectively.)
To my great surprise and satisfaction, these volumes were extremely successful. The recommended
lines were employed by players at all levels, and demand grew to such an extent that the volumes
were translated into several languages. Chess players took to referring to these texts as The
Opening Bible and the term to Avrukh became part of the chess lexicon, meaning to have
easily obtained an opening advantage after employing one of my novelties or recommendations.
Six years is a lifetime in the evolution of opening theory, especially in a battleground such as the
Catalan, where ideas are constantly being tested and refined by the worlds top players and their
pet computers. I do not claim to have refuted Blacks various defensive tries, but I have strived to
offer fresh, challenging ideas that an opponent will find difficult to face over the board. That is
the approach I take when working with my students, including some of the worlds top players.
Series Structure
GM 1 and especially GM 2 were hefty books, numbering well over a thousand pages between
them. Many of my original recommendations have since been tested and scrutinized by top
grandmasters and correspondence players, making this new repertoire not so much an updated
edition as a complete reworking, using the original repertoire as a loose template. In view of
the many new games and discoveries that have occurred since the previous 1.d4 works, it was
necessary to divide each book into an A and a B volume, with some slight reorganizing in terms
of the grouping together of certain systems.
The opening moves 1.d4 f6 2.c4 e6 3.g3 provide the starting position for the current volume
1A. By far the biggest section of the book is devoted to the Catalan after 3...d5 4.f3, which
is one of the signature openings that defined GM 1. Against certain set-ups I was able to keep
approximately the same recommendations for White, although in such cases I almost always
found ways to tweak things to squeeze the best possible value from Whites position. In some
lines, however, I opted to go in a completely different direction from before. See, for instance, the
main line in Chapter 16, where 8.xc4 has been replaced by 8.a4, which I have employed with
considerable success in recent years.
Although this volume is titled The Catalan, it also covers the Bogo-Indian, as well as any Benoni
variants that may arise after 3...c5 in the aforementioned tabiya. In the Modern Benoni, important
new resources have been uncovered against the sharp set-up I recommended in GM 2. That is
why, in Chapters 24 and 25, you will find the more positional 10.f4 as our weapon of choice.
I know that many devoted chess players of all levels have been looking forward to this new
Grandmaster Repertoire on 1.d4. I hope that the new series, beginning with the present volume
1A, will provide the reader with many stimulating ideas, and, of course, excellent practical results.
Boris Avrukh
Chicago, March 2015
Contents
Preface 3
Key to symbols used & Bibliography
6
Catalan
1 Introduction
Catalan 4...dxc4
2 5...d7 24
3 5...c6
34
4 5...b4 51
5 5...bd7 63
6
Introduction to 5...c5
73
7
5...c5, 6...c6 and 7...d7 87
8
5...a6 and 6...b5
112
9 5...b5
126
10
5...a6 and 6...c6 134
11 5...c6 146
Catalan 4...b4
12
Various 5th Moves
169
13
Introduction to 5...e7 180
14 5...e7 Main Line
196
Catalan 4...e7
15
Closed System
16 6...dxc4
228
252
Bogo-Indian
17 4...e7 and 4...c5
284
18 4...xd2 295
19 4...a5
303
20 4...e7 5.f3 Various 5th Moves
314
21 4...e7 5.f3 c6 336
Odd Benonis
22
Catalan Benoni
23
Snake Benoni
362
376
Modern Benoni
24 Introduction
382
25 9...e8 399
Variation Index
426
er
a pt
22
Ch
Odd Benonis
Catalan Benoni
Variation Index
1.d4 f6 2.c4 e6 3.g3 c5 4.d5 exd5 5.cxd5 b5 6.e4 xe4 7.g2!? d6
8.f3
A) 8...e7 366
B) 8...e7 9.00 00 10.f4 368
B1) 10...e8 369
B2) 10...c4!? 369
B3) 10...a6 11.e1 b7 12.c3 371
B31) 12...e8 371
B32) 12...c7 372
B33) 12...b4
374
A) note to 12...f6
14.c3!N
16.e4!N
17.c6!N
5...b5
This move will be the exclusive subject of the
current chapter. I call it the Catalan Benoni
because it almost always arises via the 3.g3
363
364
Odd Benonis
7...a6 8.h3!
Impressive play, avoiding the stereotypical
development to g2 in favour of a more active
diagonal.
8...b7
8...g6 9.e2 g7 10.a4 pretty much forces
10...b4, with similar play to the game. Instead
10...b7?! runs into 11.axb5 axb5 12.xa8
xa8 13.a3! with a clear advantage.
9.e2 d6 10.a4 b4
Forced.
7.g2!?
This surprisingly rare move seems extremely
promising to me, and the arising positions
are much easier to understand than after the
messy 7.e2 e7 8.g2. I spent many hours
analysing the latter variation for Vladimir
Kramnik back in 2007, helping him to score
a nice win over Alekseev at the Tal Memorial
that same year.
365
11.e1!
Petrov analyses 11.a4 a6 12.b3 d8
13.axb5 xb5 14.e5 when White has a lot
of compensation. However, I find the text
move even more convincing.
11...f6 12.a4 a6
Also after 12...bxa4 13.xa4 d8 14.b3
a6 15.f4 Whites activity is too much
for Black.
13.e5!
The threat of g4 is difficult to meet.
13...xe5
366
Odd Benonis
8.f3
This is the right moment to share a nice
story with my readers. When I played in the
Croatian League in 2012, one of my teammates asked for my assistance in preparing the
Catalan. We scheduled an appointment a few
hours before the game, and he duly arrived
at my hotel room armed with his laptop. He
was actually happy enough with the Catalan,
but he was worried about this version of the
Benoni involving 5...b5.
The story continues under A) 8...e7, the
move that was troubling my team-mate.
We will then move on to the main line of
B) 8...e7.
A) 8...e7 9.e3 f5
p
+
12...f6
I had briefly considered 12...g4, but after
13.e5! d7 14.exd6 xd6 15.c3 Black is in
big trouble, due to the coming check along the
e-file.
12...d7
This seems like Blacks best try. It was the
main option we investigated, and it was
tested in a subsequent correspondence game.
13.e5! dxe5
367
14.c3!N
14.d6 only led to an unclear endgame
after 14...xd6 15.xd6 xd6 16.g5 f6
17.xa8 fxg5 when Black had three pawns
for the exchange in Fordham-Hall L. Van
Damme, corr. 2013.
14...b8
14...c4? 15.e4 f5 16.d6 e6 17.fg5 wins
easily for White, so the text move is the best
try.
15.e4
Black is in grave danger. Apart from the
obvious d5-d6, White also has attacking
resources such as h3 and fg5.
13.e5!
This secondary sacrifice improves the scope
of all of Whites pieces.
13...fxe5 14.c3 a6 15.a4!
I wanted to provoke ...b4 in order to get a
powerful outpost on c4 for my second knight.
15...g6
My opponent realized that he needed to
speed up the development of his kingside,
and decided to return one pawn, but it is not
enough to save him.
Odd Benonis
368
18...00 19.b6!
Black soon found himself in a completely
lost position in Avrukh Soffer, Givatayim
(rapid) 2013. Already he has no good moves,
since 19...d7 loses to 20.g4!.
B) 8...e7 9.00 00
10...b7
I only found one game where this move
was played, but it gives rise to a major
transposition.
11.e1
This position has occurred in more than 60
games, most of them featuring Gelfands
6.f3 idea. However, in the great majority
of cases, Black has developed his knight to
a6 in the next few moves, transposing to a
later variation.
11...e8
11...a6 takes us to variation B3.
12.c3 b4
Again 12...a6 transposes, this time to
variation B31. The text move is an independent
try, but White has a good answer.
13.xd6 xd6 14.xe8 xe8 15.b5 f8
16.d3!
This excellent move secures Whites
advantage. Aside from the obvious idea of
e1, Black also has to watch out for g5,
which explains his next move.
10.f4
Whites strategy becomes clear. The d5-pawn
seriously restricts Blacks queenside pieces,
and finding a suitable way to develop them is
no easy task especially taking into account
that moving the knight from d6 (in order to
facilitate ...d6) will leave him susceptible to
d5-d6. In short, I believe Whites compensation
is more than sufficient.
Blacks three most important moves are B1)
10...e8, B2) 10...c4!? and B3) 10...a6.
It is worth pointing out that the moves ...a6,
...b7 and ...e8 can be played in different
orders, meaning there are transpositions
galore. To make things easier to follow, I would
like to point out that any set-ups where the
knight goes to a6 in the next few moves will be
covered under variation B3.