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A Modern
For
Etude-Cycle
the Pianoforte
By
Ludvig Schytte
Comprehensive Technics^ Melodically Developed
Op.
68.
Op.
75.
TWENTY-FIVE MODERN ETUDES

SPECIAL MELODIC STUDIES. In 10
3.
Broken Chords
Shake and Tremolo
Octaves
4.
Alternation of the
\.
2.
Hands
Rhythmic and Polyrhythmic Studies
Legato and Staccato
5.
6.
Studies for the Left

Thirds and Sixths
7.
8.
9.
92.
Op.
95.
Op. 106.
MODERN STUDIES
EASY CHARACTERISTIC STUDIES. 2 Books
STUDIES IN INTERPRETATION OF MODERN PIANO MUSIC
For the development of
2 Parts
1. Melody.
59.
Modern Composers
Parts
2.
Elegance.
Energy. 2 Parts
Lyric Quality. 2 Parts
Bravoura. 2 Parts
5.
60.
artistic interpretation of
3.
4.
08.
Hand
Chord-grasps
Pedal Studies
10.
Op.
Parts
TWENTY-FIVE EASY ETUDES

MELODIC STUDIES IN ALL KEYS.
TWENTY-FIVE EASY STUDIES
Books
62.
STUDIES IN ORNAMENTATION AND DYNAMICS.

THE ART OF DEVELOPING THE SINGING TONE.
74.
SCHOOL OF MODERN PIANOFORTE PLAYING
61.
Bk.
II
III
IV
First Preliminary
Books
Books
Grade
Second Preliminary Grade

Lo er Middle Grade
Middle Grade
Higher Middle Grade
V
"MAJOR AND MINOR." Little Fantasies and Impromptus
FORTY PEDAL STUDIES. For Self-instruction
in all
Keys.
4 Books
THE
PIANIST'S VADEMECUM. {HABERBIER-SCHYTTS)

CHILDREN'S PRACTICAL PIANO SCHOOL. (H0RNEMAN-SCHYTT)
The Boston Music Company

Boston, Mass.: 26
New
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York: G. Schirmer (Inc.)
&
28 West Strefet
Copenhagen. Wilhelm Hansen
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Piano Music for Children by-Helen
Cramm
iheU.SA.in
rhyme and lat
TO PLAY AND SING
INSCHCBLANDHONiE
-Q/^/3Ef ajidyiusic fy-'
"~~---.
HELEN CRAMM
PRJCE
).ag
NCT
HUM StawlUhvu their cvUbbttU;

Hti anB7 kept
>I
b7
To tleal, *Bd burn afid ala^

Tba Suodlah army Bnmbend ttf*Dui fflllUna Hclit ladaj.
.
.-tr?îewi**t:-!M******'
r--
ELEN CRAMM,
one of the most

successful composers of music for
beginners,
is
a well
known New-
Her musical
England musician.
ability, inherited from her father,
was manifested at an early age.
WTien a very small girl. Miss Cramm began the
study of singing. It was not long, however, before she specialized in piano playing. In this branch, as well
as in organ playing, she had the advantage of studying with several excellent teachers. Miss Cramm taught
music privately and also at the Montpelier, Vermont, Seminary, and established a school of music in Haverhill,
Mass., her
The
home
city.
compositions of Miss Cramm's to attract public notice were published in 1905. Since that
time she has written several volumes of piano music. That these may be classed among the best sellers is
evidenced by the fact that the demand for her music is not merely confined to this country-, but reaches to such
far off lands as China and Japan.
But let Miss Cramm speak for herself
"I have numerous interests beside that of music; belong to se\'eral clubs, musical and social, of w-hich I have
at different times been president, director, speaker, etc.; am not now actively engaged in teaching, but do more
or less coaching and am director of music at St. John's Episcopal Church.
house is a social and musical center.
"My lo\e of children makes my work a pleasure. I am a great lo\er of Nature, and during the grow-ing
season spend two or three hours a day culti\ating flowers, vegetables and fruits about my place; and then,
having in my pedigree many generations of old New England housewives, I can, and can, andean enough
for three families like my own, which includes only an old
housekeeper which I inherited."
first
My
Here are other fascinating

Keyboard Kinks
This
is
The music
Little
net
the best material
tvhich to Hart
imaginable with
melody alternates
from primo to secondo, and the jolly little

rhymes tvhich accompany every piece give it
added interest.
Hands
These
sung
in
Embellishments
.60 net
piece.
melodious piano numbers
also,
since tvords
under the finger i.
may
be
are joined to each
They are most tuneful,

Miss Cramm writes,
everything
The Boston Music Company
i.US
Easy Studies
.60 net
young pupils on duet playing.
is very easy, the
Helen Cramm
by
Finfier Sonfis for
{Four Hands)
JS
collections
and,
"lie
like
well"
Dotted
notes,
short
slurs,
staccato,
ac-
appoggiatura, mordent, inverted

mordent, triplet, turn and trill are illustrated
in this collection of ten easy pieces, which
afford pupils in the early stages excellent
practice ir. playing ornamented passages.
ciaccatura,
Boston, Mass.
Easy Teaching Material for Piano

PUBLISHED IN THE BOSTON MUSIC CO. EDITION
lBpBNaEiigi5nz](5p [5ira[5Tfa[5i?a[aai5if^
The Best Method for Beginners
NORRIS'
FUNDAMENTAL
PIANO METHOD
A New
and Thorough Course for

Beginners on the Pianoforte by
ALBERT LOCKE NORRIS

net 1.00
method has been written primarily to make
easier the task of the young pupil, so

the mental preparation of his first lessons.
At the same time, it actually simplifies the work of the teacher, especially with beginners,
as each of four lessons is clearly outlined with special reference to "mental" preparation.
THIS
that
he
may
be assisted at home
in, at least,
The first part of this method consists entirely of elementary work; muscular relaxation,
technical and mental application. The first, and most important steps are so provided for
that their mastery is made easily possible.
Care has been taken in the selection of suitable
study material and pieces, so as to incite the pupil's interest and to form his musical taste.
OPINIONS OF PROMINENT EDUCATORS

FANNIE BLOOMFIELD ZEISLER.
am
glad
to
jay that
I think tht Norris Fundamtntal Piano Method contains many

good tkingj, and, if used by a thoroughly competent uaehtr, unil
surely be lulpjul to a serious student.
GEORGE COLEMAN COW, Fassar Colleie: The Norris
Fundamental Piano Method covers the ground admirably. Everything is presented extremely well and there is not a toord too much.
This opinion is also voiced by the piano teachers in my department.
What we alt found especially satisfactory is the author's insistence

upon establishing at the outset the right finger and arm controL We
regard it as a serious mistake to delay relaxation and concentra-
bad habits have been formed. Mr. Norris

has very satisfactorily solved the problem of combining such work
tion exercises until
with musical interest.
CLARENCE G. HAMILTON, Wellesley College: I find the

Norris Fundamental Piano Method a very useful and sensible
course of instruction.
I am especially impressed with the attention
paid to accurate phrasing and work with the pedal, both of which
factors are, as they should be, emphasized from the beginning.
CONSTANTIN PON STERNBERG, Philadelphia: The Fundamental Piano Method by Albert Locke Norrts deserves great
It is thoroughly modern in spirit and method; the little
praise.
and studies as well as the pieces are carefully prepared,
and, outside of the technical, it takes due cognizance of the menUU
side of the child's study of music.
exercises
A. T. SMITH, EvansviUe (Ind.) Conservatory of Music: Mr.

Norris has presented a Fundamental Method, or instruction book,
I take great pleasure in
to meet the present day requirements.
recommending the work unreservedly. It is concise, definite and
practical, and strictly in accordance with the principles used in
playing by so many of the world's best players.
GRADED COURSE
OF PIANO STUDIES
NORRIS'
Based on, and
to be
used in conjunction with
Norris^ Fundamental Piano

In
Method
three grades, -price, each, net .75
Mr. Norris conand establish

pupil's
he
has
in
this
end
each
With
the
one
is
to
cover.
view,
composed and
definitely
ground
to make the
of
this
work
the
the
aim
"Graded
Course
of
and
it
is
Piano Studies,"
compiled
theoretical and technical education go hand in hand.
Its chief purpose, while forming a
movement to standardize piano teaching sweeping

country.
THE
work into grades
tends that standardization should divide the
is
the
technical foundation, is to combine with technical knowledge many really necessary things of
a theoretical character that often remain enigmas to even those far advanced in piano technic.
19X
THE BOSTON MUSIC COMPANY
BOSTON
glg@glggggggggglg@gB2Ial!aBJi3iilll@lll@lMGlia@Sg[S@S^^l^
'
THE
When
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816
847
42
40
820
84
;
84
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^
The Rainbow
DM, Pandora'ii Box
Album
of EiRbt Piece*
."iS
for the Left Hand alon*
.75
ucan Composifrs Album
.75
Ctavecln Book
ôr Bevinnem. The Bach
\ Annii MaKdalena
.50
.(0
n (Gertrude). Dutch Stories
1.00
lOreat ComDoeers of the Past
.60
Carnival Sketches
1
x<trinK of Merry Straina. 2 Bks, ea. .50
.60
>enfeld. Three Preludes
.75
vflemian Compoaers Album
.loreh. Op. 187. Four Little Lttic Pieces .60
.75
Brisham, Pedals of the Piano
Scales
.76
Clauieal Album for BeKlnnen. 20 Pieces .60
.60
Clouffh-Lelchter, Studies in xpree3ion
Couperin-Hopekirk, Album of Ten Pieces. 75
Cxamm. Ten Easy Studies in Embellish-
866
2
ments
869
Finger Songs for Little Hands
814
DebuMy, Album of Five Pieces
80
Delbrijck, Childhood Dreams
828a-b Digest of Easy Teaching Pieces
Bk. I., .60; Bk. 11.,
809
Digest of Salon Pieces
841
Franck, Prelude, Aria, and Finale (Rev.
89
7
844
849
18
12
81
813
by Harold Bauer)
French Composers Album
Album of Selected
German Composers Album
Geibel.
Pieces
Graham,
Si.x
Sieht-readine Studies
Graziani-Walter, Album Pittoresque
Six Morceaux Caract^ristiques
Gregh, Little Recreations
Grenzebach, Ten Etudes in Proêssive
Order
842
817
840
11
48
49
60
Grovlei, Three Impressions of London

Op. 21, Six Woodland Sketches
Barker,
Op.
29.
Fairy Tales
.60
.60
.75
.50
.75
.75
.50
.75
.60
,60
.50
.60
.76
.76
.60
.60
.60
Op.
82,
Four Easy Episodes
-50
.60
26
Helm, Summer Scenes
891a-b Henrique*. Op. SO. Twenty Short Lyric
2 Books, each 1.00
Pieces
.76
1
Hopekirk, Five Scottish Folk-Songs
.76
Suite
SM
.60
At
the
Show
SeO
Hucrter.
.76
Album of Six Pieces
t\i
.75
2
each
Vols,
Italian
Composers Album.
8STa-b
.75
826
Juon, Op. 48, Four Miniatures
Miniatures
.60
10.
Seven
806
Karganoif, Op.
87-d KShler, Practical Method. 4 Books each .60
.60
3
Krogmann. Op. 42, Miniature Sketches
.60
44
Op. 106, Ten Bagatelles
.60
and
Melodies
46
Op. 106, Moods
UO
KQUstrom, Mew Large Note Pianoforte
.60
Sehool for Small Children
.60
28
Lang, A Morning in Manich
.60
Allied Nat. Anthems (simplified)
8T4
.60
817
Crystal Stream of Folklore
.60
17
Uanchal-Loepke, Autumn Fancies
.60
16
Childhood Joys
.60
In the Woodland
16
.60
To Nod-Land
IB
.60
Winter Sketches
846
.60
10
Uaxim. Album of Selected Pieces
47
Heyer-Helraond, Op. 186, Four Nocturnes .76
.76
807
Messagcr. Donee-Suite
.76
Modem Ds'nce Album, Vol. I.
tlOa
1.00
2
Bks.
ea.
Studies.
3S
tBBa-b Neopert-Friedman.
19
Nerin (Ethelbert). Op. 7. Four Piece* 1.00
.76
184
Ntcodi. Six Aphorisms
.60
27
HBlok, Suite Arabesque
.75
Album
48
Northern Composers
.76
Omstein, Op. 9, Pygmy Suite
824
.60
Pieces
Piano
Orth (John), Op. 16. Six
861
.60
872
Op. 18. Six Nature Pieces
.60
22
Osgood. Greetings from Munich
.1^
867
Palmgren. Sketches from Finland
.60
24
Psriow, From the Realms of Youth
.60
829
Happy Hours (8 Pieces)
826a-b Popular Graded Course. 2 Books, eo. .60
Pnrccll.Ame Album. 16 Pieces for
830
34a-b
Op.
S62a-b Op.
35a-b Op.
86a-b Op.
The
321
46
Op.
10
Pts.. ea. 1
95,
303
352
353
6
358
26
304a-b
Six Etudes
Album of Miscellaneous Piu-ces
Seeboeck, Atbuni of Selected Pieces
Severac, From Childhood's Daua
Shackley, Pasticcio
Sindinc:, Op. 44, Fifteen Caprices,
Twieve Easy Duets

.60
Six Duets in Unfamiliar
.76
HANDS
Eajsy
82
86
Reinhold.
Si^te Uignonne
Richer, From Grandmother's Garden
4
The
Golaen Age
Rogers,
886
Rolfe. Tanglcwood Tnlce
88-e Russian Composers Album, 3 Vols, each
848
Saint-Saens Op. 62. No. 6, Etude en
20
83S
Forme de Valse
82
Saacrbrey, Tone Pictures
889
SelMrwenka-Capen. Op. 62. Twelve Pieces
811a-< SohmaUtich, Op, 11. Play and Work
8 Books, ea.
tSa-e Schmitt. Child's Garden of Melodies.
3 Books, ea.
870
Fun and Frolic
2 Bks. ea.
8M.b
The Rocnd of the Keys
Scbiitt.
Op.
48.
Camsval mignon
88
.60
Double-Stop Studies
Kross, Op. 13, Systematic Scale Studies .60
Ritter-Stoessel, Scale and Chord Exer-
87
Rodin,
.60
.60
.60
.75
for
Facility
.76
.76
& PIANO
118
.60
Ahn-Carse, Four Easy Piece
The Violin Teacher, Bk. I. .60 ; Bk. H. .76
119a-b
111
B. M. Co. Digest.
Eight Pieces (Easy
.60
.76
.76
Grade)
120
106
105a
123
128
108
108a
106a
107
107a
.60
Exercises
VIOLIN
106
.75
.60
.60
96.
cises
102
116
117
116
109
Burleigh.
Dvorak,
Six Fancies
Sonatina
Op. 100.
Elgar. Three Bavarian Dances

Faori [Loeffler] Sonata, No. I
Graham, Very First Violin Lessons
The same. Violin part alone
Helm, Summer Scenes (Six pieces)
Helm-Stoessel. Sylvan Sketches
Six Easy Pieces
Bollaender. Op. 48.
Kendrie, Four Elementary Studies
Modern Violin Album
Nolck, Op. 162. Six Pieces
Praoht, Op. 12, Twelve Easy PiecM
Russow. First Steps (10 pieces in First
P08.)
The
same.
,.
1.00
1.26
.60
.25
,75
.40
.75
,76
.40
.60
.60
186
Baoh
for Beginners
Barnes. Op. 25. Suite in D
Bossi (C. A.), Op. 37
Six Pieces
Bossi (M. E.>, Six Pieces
Biisser, Two Preludes and Fugues
Carl, Christmas Music
Lent and Easter Music
Special Church
Wedding Music
.76
.76
.76
.76
.76
1.00
1.00
1.00
i.oe
1.00
Services
Funeral Music
Douglas. Three Wedding Marches
Emmanuel Book.
Faulkes,
Op.
101,
4 Vols.
.80
.76
.76
1.00
each
Five Pieces
Franck, Folio of Six Pieces

.60
Grieg, Op. 46, First Peer Gynt Suite
.60
Liszt, Five Consolations
Nevin (E.), Organ Folio (Nine Pieces) 1.00
Preludes
.76
Seven
Wilson, Op. 7,
SONG COLLECTIONS
of 12 Sacred Solos. High and Low
American Composers, Album of 12 Songs
209a-b Bullard, Three Cavalier Songs. High and
Album
Low
French)
201
211s-b
Johns, Album of Songs. High or Medium
Three French Songs. High

Op.
.75
.40
.75
.40
.60
.80
.60
.75
.75
.76
.60
.76
.76
.76
.76
.76
.60
.76
.60
18.
and Med. (Eng. and Fr.)
224
202
.76
.76
.80
213a-b Cornelius, Six Christmas Songs.

High
and Low (Eng. and Ger.)
223a-b Cui, Six Songs. High and Low
212a-b Debussy, Six Songs (Eng. by Bliss Carman) High and Low (Eng. and Fr.)
208a-b Duparc, Six Songs (Eng. by Bliss Carman) High and Med. (Eng. & Fr.)
215a-b Faure, Six Songs.
High and Low
(Eng. and Fr.)
219a-b Franck, Six
Songs, High and Low
(Eng. and Fr.)
221a-b Gaynor. Five Love Songs. High and Low
210
Bahn, Songs in Gray. Med. (Eng. and
.60
MaHin, Five Concert Songs. Medium 1.00

Neo-Frenoh Song Album, 12 Songs for
1.00
Medium Voice (Eng. and Fr.)
1.00
Nevin, Six Duets, Sop. and Alto
Five Old Italian Airs, with Sacred Words
.60
Medium.
(Eng.)
214a-b Old Italian Masters, Twelve Arias. Me.76
dium. 2 Books
226a-b Rachmaninof, Six Songs. High and Low .76
203
Rotoli Album of Songs, Medium Voice I.OO
207a-b Russian Composers, Album of 10 Songs.
21 S
217
High and Low
1.00
Violin part alone

Ryder, A June Idyl (Suite)
Baint-Saens [Loeffler], Havanaise
Schmidt (E.). Five Bagatelles
Seitz, Classical Sonatinas
Singer, Seven Traoscriptions from Classic
.76
Sources
The Boston Music Company, 26
.60
Vos.,
206
.60
.60
Finger
Gribade, Twelve Bow-Studies
Forty
184
197
188
189
190
191
192
193
181
187a-d
182
195
185
204a-b
First
Hofmann, Op.
198
196
194
1.00
lib.)
ORGAN
183
VIOLIN SOLO
110a
Transcriptions, (Po., 2 Vos.,
9.
Elegie and Serenade.
Va. and 'Cello)
Wider, Serenade. (Violin, 'Cello nd
Piano)
.60
83
86
81
.60
.60
.60
.60
.60
.75
Si.x
.75
Beginners
153
ad
Strube. Op.
162
Position
.75
.60
Dulow, Spiccato and Staccato
Studies
.60
Eberhardt, Arpeggio
Gavriloff, Special Exercises for the Fourth
Nevin.
(2
Depas-Rodin, 24 Progressive Studies in
165
'Cel.
Spielter,
.60
each 1.60
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164a-b B. M. Co. Trio Albums. (Po., Vo. & 'Cel)
White. Op. 13.
Hungarian Suite
Willis. Op. 13.
.60
.76
156
Novellettes
.60
Cloagh-Leighter,
.60
Fuchs, For Little Folks (12 Pieces)
For
the
2
Bks.
ea.
.60
57a-b Ganschals,
Home,
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68
Gilbert, 3 American Dances
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65
Goldner, Suite
69
Helle;- (M. P.). Good Comrades (8 Pieces) .60
.60
63
Kronke, Op. 135. Little Suite
.75
fi2
Mailing, Ballet Suite
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62
Mar<schal-Loepke, Little Wood-Folks
60
Nevin (Ethelbert), Op. 6, Three Dances 1.25
1.25
61
Op. 13. Water Scenes
66
Schmitt (Susan), Easy Tunes for Two .60
,60
64
Progressive Tunes for Two
.60
63
Seeboeck. Six Piano Duets
122
121
104
126
124
124a
110
Bla^:, Three Transcriptions for

ad
Quartet.
(Bass
lib.);
"Spring" and "At Home"

sohn "Scherzo in F"
Smith (Hannah), Miniatures

- Op. 19, Water Music
d'Antalffy,
.52,
CHAMBER MUSIC
89a
'.76
161
1,
271
132
Nblck. Op. 43, Six Character Pieces
135
Schmidt, (.) 6 Pieces foi Beginner,
134a-b Schroeder (Alwin), 12 Easy Arrgmta.
Op.
2 Vols. ea.
Swinstead, Op. 22, Pleasant Pastime

322a-b Wagner, Gems from the Operas. 2 Vols., ea.
8
Whelpley, Op. 11, Characteristic Pieces
373
Op. 20. Easy Piano Pieces
306
Wyatt, Six Pastels
14
Zilcher, Sketch-Book for the Young
875
Zucca, h First Grade Pieces
376
5 Second Grade Pieces
5 Third Grade Pieces
877
67
64
.76
.76
.40
Sjbyreti, Erotikon (Five Pieces)
PIANO,
& PIANO
Three Pieces
Hollaender, Op. 48. Six Easy Pieces
The same. 'Cello part alone
131a
41
65
61
68
'CELLO
cises
33
BiJsser,
131
Scriabin,
2 Bks., ea.
133
Tales and Fables 2 Parts, ea.

Joys of Youth. 2 Parts, ea.
Palette (8 Pieces)
160, Twenty-Five Easy Studies
Schytte-Friedman, Technical Piano Exer96.
97.
(Con.)
Somervell, Suite in Four Parts

.60
1.26
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Sttiesscl, Miniatures (1st pos.)
.75
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101a
Bks., ea.
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VIOLIN
.76
tion)
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101
Musical Pictures 2 Parts, ea.

Eaay Char. Studies
94.
84
2018
103
127
125
114
t4
No.
(Con.)
310
Schyttr, Forty Pedal Studi
308a-d
4 Bks., ca.
Major and Minor
316
Ten Easy Transcriptions
348
Op. 68. 25 Modern Etudes
S63a-J
Op, 75. p. Melodic Studies
9
.75
.75
Harris, Six Romantic Pieces

Heller (M. P.), Op. 31. Four Easy Pieces
.B(both hands treble)
Op. 31a, Four Easy Pieces (treble and
.60
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PIANO SOLO
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,50
.50
vnU,
nix.
M. Co. Ed. and number only
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PIANO SOLO
/
M. CO. EDITION
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Girandct, Vocal Gymnastics
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'

THE NEW YORK PUBLIC LIBRARY

111 Amsterdam Avenue

weeks (28 days)

stamped otherwise. No renewals are

charged for each overdue book at the rate of

per calendar day for children's books.

TWENTY-FIVE MODERN ETUDES

Studies for the Left

TWENTY-FIVE EASY ETUDES

STUDIES IN ORNAMENTATION AND DYNAMICS.

SCHOOL OF MODERN PIANOFORTE PLAYING

Second Preliminary Grade

PIANIST'S VADEMECUM. {HABERBIER-SCHYTTS)

The Boston Music Company

York: G. Schirmer (Inc.)

Copenhagen. Wilhelm Hansen

Copyright, 1911, by Wilhelm Hansen, Leipzig

3^43212 5431 2354321

Copyright, 1911, hy Wilhelm Hav sen -Leipzig

f^^^^ 1^? :5z^

by Wilhehn Hnrisen, Leipzig.

B.M. Co. 3714

B.M. Co. 3714

Copyright. 1911, by Wilhelm Hajisen. Leipzig.

Piano Music for Children by-Helen

HUM StawlUhvu their cvUbbttU;

To tleal, *Bd burn afid ala^

one of the most

Here are other fascinating

the best material

from primo to secondo, and the jolly little

melodious piano numbers

under the finger i.

are joined to each

They are most tuneful,

The Boston Music Company

young pupils on duet playing.

is very easy, the

Finfier Sonfis for

appoggiatura, mordent, inverted

Easy Teaching Material for Piano

The Best Method for Beginners

and Thorough Course for

ALBERT LOCKE NORRIS

method has been written primarily to make

easier the task of the young pupil, so

OPINIONS OF PROMINENT EDUCATORS

I think tht Norris Fundamtntal Piano Method contains many

What we alt found especially satisfactory is the author's insistence

bad habits have been formed. Mr. Norris

tion exercises until

with musical interest.

CLARENCE G. HAMILTON, Wellesley College: I find the

A. T. SMITH, EvansviUe (Ind.) Conservatory of Music: Mr.

Based on, and

used in conjunction with

Norris^ Fundamental Piano

three grades, -price, each, net .75