Tyler Shields
Tyler Shields
Tyler Shields
JC Vogt
the Summer of 2013 when the tragic murder of Trayvon Martin shocked the nation.
masses. Founded by three black community organizers, Patrisse Cullors, Opal Tometi
and Alicia Garza, the group set out to promote awareness of the inequality and still
existent oppression that was seeping through the African American community. Later in
August of 2014, the Black Lives Matter Movement organized its first in-person protest
after the shooting of Michael Brown in Ferguson. The protest gained over 500 members
of the community to join in the non-violent demonstration, and the protest has since
Civil Rights Movement of the 50s and 60s, and currently referred to as a new civil
rights movement thats defending against the oppression targeted towards African
American citizens. Using this idea for inspiration, Tyler Shields, an American born and
fueled and anger felt by recent injustices. Featured in his most recently series Historical
Fiction, these images with ties to the Black Lives Matter are unsettling yet potent. One
1800s and early 1900s. Another image in the series depicts two black businessmen
stabbing a restrained white police officer with the United States flag, a play on Stanley
Gormans Soiling of Old Glory in which a white teenager is seen threatening to stab a
black protestor with an American flag. The reversed rolls as well as the introduction of
police men speaks to the brutality and excessive violence these officers have
demonstrated in recent events. Illustrating the disrespect shown towards the African
American community in the middle of the 20th century, these photographs strike
shockingly close to the reality of today as the lives of many Americans are still
considered trivial due to a difference in skin pigmentation, and while Shields doesnt
directly refer to his art as a form of activism, the content and timing of these images
come to disagree.
appearing on its own, soon followed by the rest in the collection, and the response was
immediate. The photos amassed over ten thousand likes on Instagram in just minutes,
and articles promoting the message of the images began to spread. The Daily Beast, a
popular and modern news source, interviewed Shields about his motives behind the
images, as well as the general response to the photographs, where he touches on how
mixed the publics reactions were. A large majority of the photographs viewers were left
in awe, seemingly shocked upon seeing such a harsh reminder of how horrific the
countrys past has been. Others, however, were offended, threatening the photographer
for recreating such a controversial image. However, regardless of how much support
and backlash the image received, I believe that the message couldve been supported.
The series, while shocking, didnt have much of a personal backing, and while many
could assume Shields disgust with the recent events, there was no verbal recognition or
Americas past, and while applicable to the Black Lives Matters organization, they dont
fulfill the role of activist art as well as they could have, like if they were backed with a
personal position.