The Lake Poets

Selected Poetry
RL 5 Analyze how an authors
by William Wordsworth
choices concerning how to
structure specific parts of a text VIDEO TRAILER KEYWORD: HML12-798A
contribute to its overall structure
and meaning. RL 9 Demonstrate
knowledge of eighteenth- and
nineteenth-century foundational
Meet the Author
works of literature. L 3a Apply
an understanding of syntax
to the study of complex texts
when reading. L 4b Identify and
William Wordsworth 17701850
correctly use patterns of word William Wordsworth, along with his him. Distraught over his inability to help
changes that indicate different
meanings or parts of speech. friend Samuel Taylor Coleridge, helped them and by the growing violence in France,
launch the English romantic movement Wordsworth fell into a deep depression.
in literature. Rebelling against the formal
did you know? diction and lofty subject matter favored by
Creative Partnership Wordsworths bleak
William Wordsworth . . . mood subsided in 1795 when he was
poets of the day, Wordsworth used simple
at first supported, but reunited with his beloved sister Dorothy,
language to celebrate subjects drawn
later denounced, the from whom he had been separated
mostly from nature and everyday life.
French Revolution. since childhood. Resolving not to be
refused to publish Childhood Turmoil As a child, Wordsworth parted again, he and Dorothy moved to
his autobiographical spent many happy hours exploring the Racedown, Dorset, where they met and
masterpiece, The countryside in northwestern Englands grew close to Coleridge. Speaking later
Prelude, during his Lake District. This idyllic period lasted of this friendship, Wordsworth would
lifetime. until he was seven, when his mothers death say, We were three persons with one
lost two of his five led to the breakup of the Wordsworth soul. Working together, Wordsworth
children to early deaths. household. Unable to raise five children and Coleridge produced Lyrical Ballads
on his own, John Wordsworth sent young (1798), the book that ushered in the
William away to school at Hawkshead, English romantic movement.
where he formed a passionate attachment
Britains Poet Laureate In 1799,
(background) Dove Cottage, to the surrounding countryside.
Wordsworth and his sister resettled in
Wordsworths Lake District
Love in a Time of War A walking tour the Lake District, with Coleridge
home
through revolutionary France in the summer residing nearby. Three years later,
of 1790 was the high point
p of Wordsworths Wordsworth married a childhood friend,
college years. Excited
Excite by the changes he Mary Hutchinson. Over the next two
saw, Wordsworth returned to France decades, he struggled to find readers
in 1791 and soon
soo fell in love with and critical acceptance for his work.
a young woman,
woma Annette Vallon. In the 1820s, his reputation gradually
Lacking money,
mone Wordsworth improved, and by the 1830s, he was
returned to England
En in 1792. Almost hugely popular. In 1843, his immense
immediately, war
w broke out between achievement as a poet was recognized
France and England,
Eng preventing with the poet laureateship.
Wordsworth from
fro seeing Annette
and the child she
s had recently borne
Author Online
Go to thinkcentral.com. KEYWORD: HML12-798B

798

NA_L12PE-u04s21-brABWC.indd 798 12/17/10 9:48:51 AM

 text analysis: romantic poetry
In England, romanticism was a literary and artistic movement
originating in the late 18th century and lasting until the
early decades of the 19th century. Unlike their neoclassical
Where do we
predecessors, the romantic poets stressed the importance
of the individuals subjective experiences rather than issues find peace?
that concerned society as a whole. Their philosophy valued
When filled with the stresses and
emotion, spontaneity, and imagination over reason and
strains of everyday life, people
orderliness. Most significantly, they rejected the world of
sometimes visit a particular place to
industry and science, turning instead to nature as a source of
regain a sense of peace. A person may,
inspiration and solace. Other defining features of romantic
for example, spend time in a church or
poetry are as follows:
temple, while others may seek out the
an emphasis on the commonplace comfort of a grandparents home. Still
language resembling natural speech other individuals, like Wordsworth, find
peace in nature.
elements of the mysterious, exotic, and supernatural
As you read Wordsworths innovative works, look for details DISCUSS Working with two or three
that are characteristic of romantic poetry. classmates, create a list of the places
you regularly turn to when you seek
reading skill: analyze stylistic elements relief from lifes problems. Discuss
each place, then circle the one that
Wordsworths poems contain distinctive stylistic elements such
seems the most satisfying. Compare
as the following:
the results of your discussion with
long, free-flowing sentences, often with phrases that those of other groups.
interrupt main ideas
inverted syntax, where the expected order of words is
reversed
unusual punctuation, such as dashes combined with other
punctuation or exclamation points appearing within a
sentence rather than at the end, and unusual capitalization
As you read each poem, be aware of these stylistic elements
and note how they affect your impression of the speakers
thoughts.

Complete the activities in your Reader/Writer Notebook.

799

NA_L12PE-u04s21-brABWC.indd 799 12/2/10 9:54:12 AM

 Lines Composed a Few Miles Above
Tinter Abbey
William Wordsworth

background In many of his poems, Wordsworth describes a specific setting

and conveys his thoughts and feelings about it. In Tintern Abbey, he captures
an outdoor scene in the Wye River valley, near the ruins of a Gothic abbey.
Composed upon Westminster Bridge expresses his feelings on seeing the
city of London early one morning from a bridge spanning the river Thames. In
I Wandered Lonely as a Cloud, Wordsworth describes the scenery of Englands
picturesque Lake District, near his home in Grasmere.

Five years have passed; five summers, with the length Analyze Visuals
Of five long winters! and again I hear What elements in this painting
These waters, rolling from their mountain-springs help give it a sense of grandeur?
With a soft inland murmur. Once again
5 Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose 9 repose: lie at rest.
10 Here, under this dark sycamore, and view
These plots of cottage ground, these orchard tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves 14 copses (kJpPsGz): thickets of small
Mid groves and copses. Once again I see trees.

15 These hedgerows, hardly hedgerows, little lines 16 pastoral (pBsPtEr-El): rural and
Of sportive wood run wild; these pastoral farms, serene.

Green to the very door; and wreaths of smoke 20 vagrant: wandering.

Sent up, in silence, from among the trees! a POETRY

With some uncertain notice, as might seem What details in lines 1422
Of vagrant dwellers in the houseless woods, suggest that Wordsworth
20
preferred to celebrate the
Or of some Hermits cave, where by his fire individual rather than society
The Hermit sits alone. a in his work?

Inside of Tintern Abbey, Monmouthshire (1794), Joseph Mallord

William Turner. Pencil and water color on paper, 32.1 cm 25.1 cm.
800 unit 4: the flowering of romanticism British Museum, London/Bridgeman Art Library.

NA_L12PE-u04s21-ABWC.indd 800 12/2/10 10:00:12 AM

NA_L12PE-u04s21-ABWC.indd 801 12/2/10 10:00:22 AM
 These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind mans eye;
25 But oft, in lonely rooms, and mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind,
30 With tranquil restorationfeelings too
Of unremembered pleasure; such, perhaps,
As have no slight or trivial influence
On that best portion of a good mans life,
His little, nameless, unremembered, acts
35 Of kindness and of love. Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery, 38 burthen: burden.
In which the heavy and the weary weight
40 Of all this unintelligible world,
Is lightenedthat serene and blessed mood,
In which the affections gently lead us on
Until, the breath of this corporeal frame 43 corporeal (kr-prPC-El): bodily.
And even the motion of our human blood
45 Almost suspended, we are laid asleep
In body, and become a living soul;
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things. b b ROMANTIC POETRY
Reread lines 2249. When he
was living in towns and cities,
If this
in what ways was the speaker
50 Be but a vain belief, yet, oh! how oft affected by his past experiences
In darkness and amid the many shapes in the countryside near Tintern
Of joyless daylight; when the fretful stir Abbey?
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart
56 sylvan: located in a wood or
55 How oft, in spirit, have I turned to thee, forest; Wye: a river near Tintern
O sylvan Wye! thou wanderer through the woods, Abbey.
How often has my spirit turned to thee! c c ROMANTIC POETRY
What feelings does the speaker
And now, with gleams of half-extinguished thought express in lines 4957 about his
With many recognitions dim and faint, everyday life? Cite details.
60 And somewhat of a sad perplexity,

802 unit 4: the flowering of romanticism

NA_L12PE-u04s21-ABWC.indd 802 12/2/10 10:00:28 AM

 The picture of the mind revives again;
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
65 For future years. And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe 67 roe: deer.
I bounded oer the mountains, by the sides
Of the deep rivers, and the lonely streams,
70 Wherever nature ledmore like a man
Flying from something that he dreads than one
Who sought the thing he loved. For nature then d STYLISTIC ELEMENTS
Reread lines 7275. Identify
(The coarser pleasures of my boyish days, the subject and the verb of
And their glad animal movements all gone by) this sentence. What phrases
75 To me was all in all.I cannot paint d interrupt the main idea?
What then I was. The sounding cataract 76 cataract (kBtPE-rBktQ): waterfall.
Haunted me like a passion; the tall rock,
The mountain, and the deep and gloomy wood,
Their colors and their forms, were then to me
80 An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, nor any interest
Unborrowed from the eye.That time is past,
And all its aching joys are now no more,
85 And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts 86 Faint I: I lose heart.
Have followed; for such loss, I would believe,
Abundant recompense. For I have learned 88 recompense (rDkPEm-pDnsQ):
To look on nature, not as in the hour compensation.

90 Of thoughtless youth; but hearing oftentimes

The still, sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue. And I have felt 93 chasten (chAPsEn): scold; make
modest.
A presence that disturbs me with the joy
95 Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns, Language Coach
And the round ocean and the living air, Etymology A words etymology
is its history. The word impels
And the blue sky, and in the mind of man: (line 100) comes from the Latin
100 A motion and a spirit, that impels prex in- (on) and the root
All thinking things, all objects of all thought, pellere (to push). What do
And rolls through all things. Therefore am I still you think impels means? What
other words contain this root?
A lover of the meadows and the woods,

lines composed a few miles above tintern abbey 803

NA_L12PE-u04s21-ABWC.indd 803 12/2/10 10:00:28 AM

 Tintern Abbey (1800s), Frederick Waters Watts. Private collection. Bridgeman Art Library.

And mountains; and of all that we behold

105 From this green earth; of all the mighty world
Of eye, and earboth what they half create,
And what perceive; well pleased to recognize
In nature and the language of the sense
The anchor of my purest thoughts, the nurse,
110 The guide, the guardian of my heart, and soul
Of all my moral being.

Nor perchance, 111 perchance: by chance; perhaps.

If I were not thus taught, should I the more
Suffer my genial spirits to decay: 113 genial (jCnPyEl): relating to
For thou art with me here upon the banks genius; creative.

115 Of this fair river; thou my dearest Friend, 115 thou my dearest Friend:
My dear, dear Friend; and in thy voice I catch Wordsworths sister, Dorothy.

The language of my former heart, and read

My former pleasures in the shooting lights
Of thy wild eyes. Oh! yet a little while
120 May I behold in thee what I was once,w e STYLISTIC ELEMENTS
Wordsworth uses unusual
My dear, dear Sister! and this prayer I make,
capitalization and punctuation
Knowing that Nature never did betray e in his poems, employing
The heart that loved her; tis her privilege, typographic elements of text
Through all the years of this our life, to lead that draw his readers attention
125 From joy to joy: for she can so inform to certain words or ideas. Why
does he capitalize Sister in line
The mind that is within us, so impress 121 and Nature in line 122? Why
With quietness and beauty, and so feed does he include an exclamation
With lofty thoughts, that neither evil tongues, point in line 119?

804 unit 4: the flowering of romanticism

NA_L12PE-u04s21-ABWC.indd 804 12/2/10 10:00:29 AM

 Rash judgments, nor the sneers of selfish men,
130 Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall eer prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings. Therefore let the moon f f STYLISTIC ELEMENTS
135 Shine on thee in thy solitary walk; Paraphrase lines 119134,
breaking the information
And let the misty mountain winds be free
into two or more sentences.
To blow against thee: and, in after years, What does the speakers
When these wild ecstasies shall be matured prayer or hope for his sister
Into a sober pleasure; when thy mind reveal about him?
140 Shall be a mansion for all lovely forms,
Thy memory be as a dwelling place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief
Should be thy portion, with what healing thoughts
145 Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance 146 exhortations: words of
If I should be where I no more can hear encouraging advice.

Thy voice, nor catch from thy wild eyes these gleams
Of past existencewilt thou then forget 149 past existence: the speakers
150 That on the banks of this delightful stream own past experience five years
before (see lines 116119).
We stood together; and that I, so long
A worshiper of Nature, hither came
Unwearied in that service; rather say
With warmer loveoh! with far deeper zeal
155 Of holier love. Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!

Text Analysis
1. Make Inferences Compare the speakers youthful
experiences of the natural world with his present
experiences. In what ways has his understanding
of nature changed?
2. Draw Conclusions Describe the speakers attitude in
each of the following passages. Do you think that he
regrets his loss of youth? Explain your response.
The sounding cataract. . . dizzy raptures.
(lines 7685)
Nor perchance. . . . Of thy wild eyes. (lines 111119)

lines composed a few miles above tintern abbey 805

NA_L12PE-u04s21-ABWC.indd 805 12/2/10 10:00:31 AM

 Composed upon
Westminste Bridge,
September 3, 1802

William Wordsworth

Earth has not anything to show more fair:

Dull would he be of soul who could pass by
A sight so touching in its majesty; g g STYLISTIC ELEMENTS
This City now doth, like a garment, wear Rewrite lines 13, reordering the
syntax. What does this passage
5 The beauty of the morning; silent, bare,
exaggerate?
Ships, towers, domes, theaters, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep 9 steep: soak; saturate.
10 In his first splendor, valley, rock, or hill;
Neer saw I, never felt, a calm so deep!
The river glideth at his own sweet will: 12 the river: the Thames (tDmz)
Dear God! the very houses seem asleep; the principal river in London.

And all that mighty heart is lying still! 13 houses: possibly a pun on
the Houses of Parliament, near
Westminster Bridge.

Text Analysis
1. Examine Personification Find three examples of
personification, or figures of speech in which human
qualities are attributed to an object, animal, or idea. In
what ways do these examples enhance the description
of the scene?
2. Analyze Tone What is Wordsworths tone, or attitude,
toward the scene? Cite specific words and phrases to
support your response.

806 unit 4: the flowering of romanticism

NA_L12PE-u04s21-ABWC.indd 806 12/2/10 10:00:32 AM

 Th World
Is Too Much with Us

William Wordsworth

The world is too much with us; late and soon,

Getting and spending, we lay waste our powers;
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon! 4 sordid boon: tarnished or
5 This Sea that bares her bosom to the moon, selfish gift.

The winds that will be howling at all hours,

And are up-gathered now like sleeping flowers,
For this, for everything, we are out of tune;
It moves us not.Great God! Id rather be
10 A Pagan suckled in a creed outworn; 10 Pagan (pAPgEn): someone who
So might I, standing on this pleasant lea, is not Christian, Jewish, or Muslim;
suckled in a creed outworn: raised in
Have glimpses that would make me less forlorn; an outdated faith or belief system.
Have sight of Proteus rising from the sea; 11 lea: meadow.
Or hear old Triton blow his wreathd horn. 1314 Proteus (prIPtC-Es) . . . Triton
(trFtPn): sea gods of Greek mythology.

Text Analysis
1. Clarify Ideas Reread lines 14. What do you think the
speaker means by the phrase The world is too much
with us?
2. Make Inferences Why would the speaker rather be a
Pagan (line 10) than live in his present state? Support
your response with details from the poem.

. . . westminster bridge . . . / the world is too much with us 807

NA_L12PE-u04s21-ABWC.indd 807 12/2/10 10:00:33 AM

 I Wandered
Lonely As a Cloud

William Wordsworth

Butterfly on Daffodils, Karen Armitage. Watercolor.

Private collection. Bridgeman Art Library.

I wandered lonely as a cloud

That floats on high oer vales and hills, 2 vales: valleys.
When all at once I saw a crowd,
A host, of golden daffodils;
5 Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine L 4b

And twinkle on the milky way, Language Coach

They stretched in never-ending line Roots and Affixes The suffix -ly
10 Along the margin of a bay: often signals an adverb, which
Ten thousand saw I at a glance, modifies a verb, adjective, or
other adverb; -ly can also form
Tossing their heads in sprightly dance.
an adjective, which modifies a
noun. Which type of word is
The waves beside them danced; but they sprightly (line 12)? How can you
Outdid the sparkling waves in glee; tell? What does sprightly mean?
15 A poet could not but be gay,
In such a jocund company; 16 jocund (jJkPEnd): merry.
I gazedand gazedbut little thought
What wealth the show to me had brought:

For oft, when on my couch I lie

20 In vacant or in pensive mood,
They flash upon that inward eye h ROMANTIC POETRY
According to lines 1924, what
Which is the bliss of solitude; has the speaker been able to
And then my heart with pleasure fills, accomplish by using his memory
And dances with the daffodils. h and imagination?

808 unit 4: the flowering of romanticism

NA_L12PE-u04s21-ABWC.indd 808 12/17/10 9:42:44 AM

 Reading for Information
JOURNAL Many of Wordsworths poems were inspired by his frequent walks with his
sister Dorothy in the English countryside. This excerpt from Dorothys journal records
the same scene that inspired Wordworths I Wandered Lonely As a Cloud.

from the
Grasmere Journals
Dorothy Wordsworth
Apr. 15.
It was a threatening misty morningbut mild. We [Dorothy and William]
set off after dinner from Eusemere.1 Mrs. Clarkson went a short way with
us but turned back. The wind was furious and we thought we must have
returned. We first rested in the large Boat-house, then under a furze Bush
opposite Mr. Clarksons. Saw the plough going in the field. The wind
seized our breath the Lake was rough. There was a Boat by itself floating
in the middle of the Bay below Water Millock. We rested again in the
Water Millock Lane. The hawthorns are black and green, the birches
here and there greenish but there is yet more of purple to be seen on the
Twigs. We got over into a field to avoid some cowspeople working, a
few primroses by the roadside, wood-sorrel flower, the anemone, scentless
violets, strawberries, and that starry yellow flower which Mrs. C. calls pile
wort. When we were in the woods beyond Gowbarrow park we saw a few
daffodils close to the water side. We fancied that the lake had floated the
seeds ashore and that the little colony had so sprung up. But as we went
along there were more and yet more and at last under the boughs of the
trees, we saw that there was a long belt of them along the shore, about the
breadth of a country turnpike road.2 I never saw daffodils so beautiful they
grew among the mossy stones about and about them, some rested their
heads upon these stones as on a pillow for weariness and the rest tossed
and reeled and danced and seemed as if they verily laughed at the wind
that blew upon them over the lake, they looked so gay ever glancing ever
changing. This wind blew directly over the lake to them. There was here
and there a little knot and a few stragglers a few yards higher up but they
were so few as not to disturb the simplicity and unity and life of that one
busy highway. We rested again and again. The Bays were stormy, and we
heard the waves at different distances and in the middle of the water like
the sea.

1. Eusemere: the home of Thomas and Catherine Clarkson, friends living near the
Wordsworths on the banks of Lake Ullswater in the Lake District.
2. breadth . . . road: width of one of the narrow, centuries-old English roads that pedestrians
once had to pay tolls to use.

reading for information 809

NA_L12PE-u04s21-rfi1Journa.indd 809 12/2/10 9:53:33 AM

 After Reading

Comprehension
1. Clarify The last poem begins: I wandered lonely as a cloud / That floats RL 5 Analyze how an authors
choices concerning how to
on high oer vales and hills. What is the meaning of this statement? structure specific parts of a text
contribute to its overall structure
2. Summarize Reread lines 312 of the poem. In your own words, describe and meaning. RL 9 Demonstrate
the scene the speaker encounters. knowledge of eighteenth- and
nineteenth-century foundational
works of literature. L 3a Apply
3. Clarify In line 21, what does the phrase flash upon that inward eye mean? an understanding of syntax to
the study of complex texts when
Text Analysis reading.

4. Make Inferences About Setting In Tintern Abbey, why do you think the
speaker says so little about the ruined abbey named in the poems title?
5. Analyze Stylistic Elements In his Preface to Lyrical Ballads, Wordsworth
defines poetry as the spontaneous overflow of powerful feelings. Review
the list of Wordsworths stylistic elements on page 799. How do the stylistic
elements help him achieve this state in Tintern Abbey?
6. Examine Romantic Poetry Select one of the four poems in the lesson. For
each convention of romantic poetry listed on page 799, provide an example
from one of Wordsworths poems. What overall effect do these conventions
help create?
7. Draw Conclusions What connection does Wordsworth make between the
speakers memories of the past and their ability to experience peace in the
present? Cite evidence from all four poems to support your response.
8. Evaluate Sonnets Both Composed upon Westminster Bridge and The
World Is Too Much with Us are Petrarchan sonnets. For each poem, identify
the speakers situation or problem in the octave and his comments in the
sestet. Which sonnet provides a more satisfying resolution?
9. Compare Texts Review I Wandered Lonely As a Cloud and Dorothy Wordsworths
journal entry on page 809. How does Dorothys response to the daffodils compare
with her brothers? Explain any similarities in the images and feelings expressed.

Text Criticism
10. Critical Interpretations Some critics have argued that Wordsworth presents
an idealistic, and therefore unrealistic, portrait of childhood. Based on
Tintern Abbey, do you agree with this argument? Support your opinion
with details from the poem.

Where do we find peace ?

Why do we associate peace with the natural world? Are there times when
nature is not serene or tranquil? Explain your response.

810 unit 4: the flowering of romanticism

NA_L12PE-u04s21-arABWC.indd 810 12/17/10 9:42:56 AM

 Language
grammar and style: Add Emphasis L 2 Demonstrate command of
the conventions of standard
One of the many delights of Wordsworths style is his use of repetition and English punctuation when
exclamation points to emphasize different thoughts and emotions. In Tintern writing. W 4 Produce clear
and coherent writing in which
Abbey, for instance, he repeats phrases, such as lofty cliffs and blessed mood, the style is appropriate to task,
to underscore the feelings of joy that nature arouses in him. Notice how, in the purpose, and audience.

excerpt below, Wordsworth repeats the adjective dear and uses exclamation
points to express his affection for his sister Dorothy.
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes. Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! . . . (lines 116121)

PRACTICE Write your own sentences about a topic you feel strongly about, imitating
Wordsworths use of repetition and exclamation points to create emphasis.

example

Five years have passed; five summers, with the length / Of five long
winters!
One week has passed; seven slow days with seven slow nights! So many hours of
waiting in the hospital to see if his condition had improved.

1. These hedgerows, hardly hedgerows, little lines / Of sportive wood run wild;
2. In hours of weariness, sensations sweet, / Felt in the blood, and felt along
the heart;
3. How oft, in spirit, have I turned to thee, / O sylvan Wye! thou wanderer
through the woods, / How often has my spirit turned to thee!

reading-writing connection


YOUR Expand your understanding of imagery by responding to this prompt.
Then, use the revising tips to improve your essay.
TURN

writing prompt revising tips

ANALYZE AUTHORS STYLE Wordsworth is widely Discuss what the poem
praised for his use of imagery, or details that would lose if the imagery
appeal to the senses. Identify several examples were removed from it. Interactive
of visual and auditory imagery in Lines Include direct quotations Revision
Composed a Few Miles Above Tintern Abbey. from the poem to show how Go to thinkcentral.com.
Then write a three-paragraph essay in which you imagery enriches its themes. KEYWORD: HML12-811
explain how this imagery enriches the poem.

selected poetry by william wordsworth 811

NA_L12PE-u04s21-arABWC.indd 811 1/13/11 2:56:50 PM