Phoenix

Phoenix (mythology)
From Wikipedia, the free encyclopedia

For other uses, see Phoenix.
A phoenix depicted in a book of legendary creatures by FJ Bertuch(17471822)
In Greek mythology, a phoenix (Ancient Greek: phonix; Latin: phoenix, phnix, fenix) is a
long-lived bird that is cyclically regenerated or born again.
Associated with the Sun, a phoenix obtains new life by arising from the ashesof its predecessor.
According to some sources, the phoenix dies in a show of flames and combustion, although there
are other sources that claim that the legendary bird dies and simply decomposes before being born
again.[1]According to some texts, the phoenix could live over 1,400 years before
rebirth.[2] Herodotus, Lucan, Pliny the Elder, Pope Clement I, Lactantius, Ovid, and Isidore of
Seville are among those who have contributed to the retelling and transmission of the phoenix motif.
In the historical record, the phoenix "could symbolize renewal in general as well as the sun, time, the
Empire, metempsychosis, consecration, resurrection, life in the
heavenly Paradise, Christ, Mary, virginity, the exceptional man, and certain aspects of Christian
life".[3]
Contents
[hide]
1Etymology
2Relation to the Egyptian Bennu
3Appearance
4In later European culture
5Analogues
6See also
7Notes
8References
9External links
Etymology[edit]
The modern English noun phoenix derives from Middle English phenix (before 1150), itself from Old
English fnix(around 750). Old English fnix was borrowed from Medieval Latin phenix, which is
derived from Classical Latin phoenx. The Classical Latin phoenx represents Greek phoinx.[4]
In ancient Greece and Rome, the bird, phoenix, was sometimes associated with the similar-
sounding Phoenicia, a civilization famous for its production of purple dye from conch shells. A late
antique etymology offered by the 6th- and 7th-century CE archbishop Isidore of Seville accordingly
derives the name of the phoenix from its allegedly purple-red hue. Because the costly purple dye
from Phoenicia was associated with the upper classes in antiquity and, later, with royalty, in the
medieval period the phoenix was considered "the royal bird".[5]
In spite of these folk etymologies, with the deciphering of the Linear B script in the 20th century, the
original Greek was decisively shown to be derived from Mycenaean Greek po-ni-ke, itself
open to a variety of interpretations.[6]
Relation to the Egyptian Bennu[edit]

Classical discourse on the subject of the phoenix points to a potential origin of the phoenix in Ancient
Egypt. In the 19th century scholastic suspicions appeared to be confirmed by the discovery that
Egyptians in Heliopolis had venerated the Bennu, a solar bird observed in some respects to be
similar to the Greek phoenix. However, the Egyptian sources regarding the bennu are often
problematic and open to a variety of interpretations. Some of these sources may have actually been
influenced by Greek notions of the phoenix, rather than the other way around.[7]
Herodotus, writing in the 5th century BC, gives a somewhat skeptical account of the phoenix:
"[The Egyptians] have also another sacred bird called the phoenix which I myself have never
seen, except in pictures. Indeed it is a great rarity, even in Egypt, only coming there
(according to the accounts of the people of Heliopolis) once in five hundred years, when the
old phoenix dies. Its size and appearance, if it is like the pictures, are as follow:- The
plumage is partly red, partly golden, while the general make and size are almost exactly that
of the eagle. They tell a story of what this bird does, which does not seem to me to be
credible: that he comes all the way from Arabia, and brings the parent bird, all plastered over
with myrrh, to the temple of the Sun, and there buries the body. In order to bring him, they
say, he first forms a ball of myrrh as big as he finds that he can carry; then he hollows out the
ball, and puts his parent inside, after which he covers over the opening with fresh myrrh, and
the ball is then of exactly the same weight as at first; so he brings it to Egypt, plastered over
as I have said, and deposits it in the temple of the Sun. Such is the story they tell of the
doings of this bird."[8]
Appearance[edit]
Detail from the 12th century Aberdeen Bestiary, featuring a phoenix

The phoenix is sometimes pictured in ancient and medieval literature and medieval art as
endowed with a nimbus, which emphasizes the bird's connection with the Sun.[9] In the oldest
images of phoenixes on record these nimbuses often have seven rays, like Helios (the
personified sun of Greek mythology).[10] Pliny the Elder[11] also describes the bird as having a
crest of feathers on its head,[9] and Ezekiel the Dramatist compared it to a rooster.[12]
Although the phoenix was generally believed to be colorful and vibrant, sources provide no clear
consensus about its coloration. Tacitus says that its color made it stand out from all other
birds.[13] Some said that the bird had peacock-like coloring, and Herodotus's claim of red and
yellow is popular in many versions of the story on record.[14] Ezekiel the Dramatist declared that
the phoenix had red legs and striking yellow eyes,[12] but Lactantius said that its eyes were blue
like sapphires[15] and that its legs were covered in scales of yellow-gold with rose-colored
talons.[16]
Herodotus, Pliny, Solinus, and Philostratus describe the phoenix as similar in size to an
eagle,[17] but Lactantius and Ezekiel the Dramatist both claim that the phoenix was larger, with
Lactantius declaring that it was even larger than an ostrich.[18]
In later European culture[edit]

Dante refers to the phoenix in Inferno Canto XXIV:
In the original Italian In English translation
Cos per li gran savi si confessa Even thus by the great sages 'tis confessed
che la fenice more e poi rinasce, The phoenix dies, and then is born again,
quando al cinquecentesimo anno appressa; When it approaches its five-hundredth year;
erba n biado in sua vita non pasce, On herb or grain it feeds not in its life,
ma sol dincenso lagrime e damomo, But only on tears of incense and amomum,
e nardo e mirra son lultime fasce. And nard and myrrh are its last winding-sheet.
In the play Henry VIII by William Shakespeare and John Fletcher, the King says in Act V Scene
v, in flattering reference to his young daughter Elizabeth (who was to become Queen Elizabeth
I):
Nor shall this peace sleep with her; but as when
The bird of wonder dies, the maiden phoenix,
Her ashes new create another heir
As great in admiration as herself;
So shall she leave her blessedness to one,
When heaven shall call her from this cloud of darkness,
Who from the sacred ashes of her honour
Shall star-like rise as great in fame as she was,
And so stand fix'd.
Analogues[edit]
Scholars have observed analogues to the phoenix in a variety of cultures. These analogues
include the Hindu garudaand gandaberunda, the Slavic firebird,
the Persian simurgh, Georgian paskunji, the Arabian anqa' (), and from that,
the Turkish Zmrd Anka, the Tibetan Me byi karmo, the Chinese fenghuang and zhu que, and
the Japanese h-.[19]

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Phoenix (mythology)

From Wikipedia, the free encyclopedia

A phoenix depicted in a book of legendary creatures by FJ Bertuch(17471822)

Relation to the Egyptian Bennu[edit]

Detail from the 12th century Aberdeen Bestiary, featuring a phoenix

In later European culture[edit]

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