Owner's Manual PDF Manual To Obtain The PDF Manual 1. 2.: (This Document)

Owner’s Manual (this document)
Read this first. It explains the basic things you need to know in order to use
the INTEGRA-7.
To obtain the PDF manual
PDF Manual (download from the Web) 1. Enter the following URL in your computer.
• Parameter Guide http://www.roland.com/manuals/
This explains all parameters of the INTEGRA-7.
• Sound List
This is a list of the sounds built into the INTEGRA-7. 2. Choose “INTEGRA-7” as the product name.
• MIDI Implementation
This is detailed information about MIDI messages.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
The lightning flash with arrowhead symbol, within an

CAUTION
equilateral triangle, is intended to alert the user to the
RISK OF ELECTRIC SHOCK
DO NOT OPEN presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR constitute a risk of electric shock to persons.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, The exclamation point within an equilateral triangle is
DO NOT REMOVE COVER (OR BACK). intended to alert the user to the presence of important
NO USER-SERVICEABLE PARTS INSIDE. operating and maintenance (servicing) instructions in the
literature accompanying the product.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions. 10. Protect the power cord from being walked on or pinched
2. Keep these instructions. particularly at plugs, convenience receptacles, and the
3. Heed all warnings. point where they exit from the apparatus.
4. Follow all instructions. 11. Only use attachments/accessories specified by the
5. Do not use this apparatus near water. manufacturer.
6. Clean only with a dry cloth. 12. Use only with the cart, stand, tripod, bracket,
7. Do not block any of the ventilation openings. Install in or table specified by the manufacturer, or
accordance with the manufacturers instructions. sold with the apparatus. When a cart is used,
8. Do not install near any heat sources such as radiators, use caution when moving the cart/apparatus
heat registers, stoves, or other apparatus (including combination to avoid injury from tip-over.
amplifiers) that produce heat. 13. Unplug this apparatus during lightning storms or when
9. Do not defeat the safety purpose of the polarized or unused for long periods of time.
grounding-type plug. A polarized plug has two blades with 14. Refer all servicing to qualified service personnel. Servicing
one wider than the other. A grounding type plug has two is required when the apparatus has been damaged in any
blades and a third grounding prong. The wide blade or the way, such as power-supply cord or plug is damaged, liquid
third prong are provided for your safety. If the provided plug has been spilled or objects have fallen into the apparatus,
does not fit into your outlet, consult an electrician for the apparatus has been exposed to rain or moisture, does
replacement of the obsolete outlet. not operate normally, or has been dropped.
For the U.K.

WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the
letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
USING THE UNIT SAFELY
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and
“IMPORTANT NOTES” (p. 5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to
feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The
Quick Guide
manual should be saved and kept on hand as a convenient reference.
Copyright © 2012 ROLAND CORPORATION

All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
About WARNING and CAUTION Notices About the Symbols

The symbol alerts the user to important instructions or
Used for instructions intended to alert the
Introduction
warnings.The specific meaning of the symbol is
user to the risk of death or severe injury determined by the design contained within the triangle. In
should the unit be used improperly. the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
Used for instructions intended to alert the
user to the risk of injury or material The symbol alerts the user to items that must never be
damage should the unit be used carried out (are forbidden). The specific thing that must
improperly. not be done is indicated by the design contained within
the circle. In the case of the symbol at left, it means that
* Material damage refers to damage or the unit must never be disassembled.
other adverse effects caused with
Playing/Creating Sounds
respect to the home and all its The symbol alerts the user to things that must be
furnishings, as well to domestic animals carried out. The specific thing that must be done is
or pets. indicated by the design contained within the circle. In the
case of the symbol at left, it means that the power-cord
plug must be unplugged from the outlet.
ALWAYS OBSERVE THE FOLLOWING
WARNING WARNING WARNING

Make sure that the power cord is grounded Do not use or store in the following types of locations Use only the included power cord
Connect mains plug of this model • Subject to temperature extremes Use only the attached power-supply
Use with a Computer

to a mains socket outlet with a (e.g., direct sunlight in an enclosed cord. Also, the included power cord
protective earthing connection. vehicle, near a heating duct, on top must not be used with any other
of heat-generating equipment); device.
or are Do not bend the power cord or place heavy objects on
Do not disassemble or modify by yourself
• Damp (e.g., baths, washrooms, on it
Do not open or perform any internal
wet floors); or are Do not excessively twist or bend the
modifications on the unit.
• Exposed to steam or smoke; or are power cord, nor place heavy objects
on it. Doing so can damage the cord,
• Subject to salt exposure; or are producing severed elements and
Do not repair or replace parts by yourself short circuits. Damaged cords are fire and shock
• Humid; or are
Do not attempt to repair the unit, hazards!
or replace parts within it (except • Exposed to rain; or are
Avoid extended use at high volume
when this manual provides specific
Overall Settings
• Dusty or sandy; or are This unit, either alone or in

instructions directing you to do so).
Refer all servicing to your retailer, the nearest • Subject to high levels of vibration and combination with an amplifier and
Roland Service Center, or an authorized Roland shakiness. headphones or speakers, may be
distributor, as listed on the “Information” page. capable of producing sound levels
Do not place in an unstable location that could cause permanent hearing loss. Do
When using the unit with a rack or not operate for a long period of time at a high
stand recommended by Roland, volume level, or at a level that is uncomfortable.
the rack or stand must be carefully If you experience any hearing loss or ringing in
placed so it is level and sure to the ears, you should immediately stop using the
remain stable. If not using a rack or stand, you unit, and consult an audiologist.
still need to make sure that any location you Don’t allow foreign objects or liquids to enter unit;
choose for placing the unit provides a level
never place containers with liquid on unit
surface that will properly support the unit, and
keep it from wobbling. Do not place containers containing
Appendix
liquid on this product. Never allow

Connect the power cord to an outlet of the correct foreign objects (e.g., flammable
voltage objects, coins, wires) or liquids
The unit should be connected to (e.g., water or juice) to enter this
a power supply only of the type product. Doing so may cause short
described as marked on the rear circuits, faulty operation, or other
side of unit. malfunctions.
3
USING THE UNIT SAFELY
WARNING WARNING CAUTION

Turn off the unit if an abnormality or malfunction Do not use overseas Do not connect or disconnect the power cord with wet
occurs Before using the unit in a foreign hands
Immediately turn the unit off, country, consult with your retailer, Never handle the power cord or
remove the power cord from the the nearest Roland Service Center, its plugs with wet hands when
outlet, and request servicing by or an authorized Roland distributor, plugging into, or unplugging from,
your retailer, the nearest Roland as listed on the “Information” page. an outlet or this unit.
Service Center, or an authorized Roland
distributor, as listed on the “Information” page Disconnect everything before moving the unit
when: Before moving the unit, disconnect
• The power-supply cord or the plug has been CAUTION the power plug from the outlet,
and pull out all cords from external
damaged; or Place in a well ventilated location devices.
• If smoke or unusual odor occurs; or The unit should be located so that Unplug the power cord from the outlet before
its location or position does not
• Objects have fallen into, or liquid has been cleaning
interfere with its proper ventilation.
spilled onto the unit; or Before cleaning the unit, turn it off
• The unit has been exposed to rain (or and unplug the power cord from the
otherwise has become wet); or Grasp the plug when connecting or disconnecting the outlet (p. 22).
power cord
• The unit does not appear to operate normally
Always grasp only the plug on the If there is a possibility of lightning strike, disconnect
or exhibits a marked change in performance.
power-supply cord when plugging
the power cord from the outlet
Adults must provide supervision in places where into, or unplugging from, an outlet
or this unit. Whenever you suspect the
children are present possibility of lightning in your area,
When using the unit in locations Periodically clean the power cord’s plug pull the plug on the power cord out
where children are present, be At regular intervals, you should of the outlet.
careful so no mishandling of the unplug the power plug and clean it
unit can take place. An adult should by using a dry cloth to wipe all dust
always be on hand to provide supervision and and other accumulations away from
guidance. its prongs. Also, disconnect the power plug
Do not drop or subject to strong impact from the power outlet whenever the unit is to
remain unused for an extended period of time.
Protect the unit from strong impact. Any accumulation of dust between the power
(Do not drop it!) plug and the power outlet can result in poor
insulation and lead to fire.
Manage cables for safety

Do not share an outlet with an unreasonable number Try to prevent cords and cables
of other devices from becoming entangled. Also, all
Do not force the unit’s power- cords and cables should be placed
supply cord to share an outlet with so they are out of the reach of
an unreasonable number of other children.
devices. Be especially careful when
using extension cords—the total power used by
Avoid climbing on top of the unit, or placing heavy
all devices you have connected to the extension objects on it
cord’s outlet must never exceed the power Never climb on top of, nor place
rating (watts/amperes) for the extension cord. heavy objects on the unit.
Excessive loads can cause the insulation on the
cord to heat up and eventually melt through.
4
IMPORTANT NOTES
Power Supply • Depending on the material and temperature • To avoid disturbing others nearby, try to keep
of the surface on which you place the unit, its the unit’s volume at reasonable levels. You
• Do not connect this unit to same electrical rubber feet may discolor or mar the surface. may prefer to use headphones, so you do not
outlet that is being used by an electrical You can place a piece of felt or cloth under the need to be concerned about those around
Quick Guide
appliance that is controlled by an inverter rubber feet to prevent this from happening. If you.
or a motor (such as a refrigerator, washing you do so, please make sure that the unit will
machine, microwave oven, or air conditioner). not slip or move accidentally. • When you need to transport the unit, package
Depending on the way in which the electrical it in the box (including padding) that it came
appliance is used, power supply noise may • Do not put anything that contains water on in, if possible. Otherwise, you will need to use
cause this unit to malfunction or may produce this unit. Also, avoid the use of insecticides, equivalent packaging materials.
audible noise. If it is not practical to use a perfumes, alcohol, nail polish, spray cans, etc.,
separate electrical outlet, connect a power near the unit. Swiftly wipe away any liquid Before Using External Memories
supply noise filter between this unit and the that spills on the unit using a dry, soft cloth.
electrical outlet. Using External Memories
Maintenance
• To prevent malfunction and equipment • Carefully insert the USB flash drives all the way
• For everyday cleaning wipe the unit with a in—until it is firmly in place.
Introduction
failure, always make sure to turn off the power
on all your equipment before you make any soft, dry cloth or one that has been slightly
connections. dampened with water. To remove stubborn
dirt, use a cloth impregnated with a mild, non-
• Although the LCD and LEDs are switched abrasive detergent. Afterwards, be sure to
off when the unit is turned off, this does not wipe the unit thoroughly with a soft, dry cloth.
mean that the unit has been completely
disconnected from the source of power. If • Never use benzine, thinners, alcohol or
you need to turn off the power completely, solvents of any kind, to avoid the possibility of
first turn off the unit’s switch, then unplug discoloration and/or deformation.
the power cord from the power outlet. For
this reason, the outlet into which you choose Repairs and Data
to connect the power cord’s plug should
be one that is within easy reach and readily • Please be aware that all data contained in the
accessible. unit’s memory may be lost when the unit is
sent for repairs. Important data should always
be backed up USB flash drives, or written • Never touch the terminals of the USB flash
• With the factory settings, the INTEGRA-7 will
down on paper (when possible). During drives. Also, avoid getting the terminals dirty.
automatically be switched off four hours after
you stop playing or operating the unit. If you repairs, due care is taken to avoid the loss of
data. However, in certain cases (such as when • USB flash drives are constructed using
don’t want the unit to turn off automatically,
circuitry related to memory itself is out of precision components; handle the USB flash
change the “Auto Off” setting to “OFF” as
order), we regret that it may not be possible drives carefully, paying particular note to the
described on p. 55.
to restore the data, and Roland assumes no following.
* The settings you were editing will be lost when the
liability concerning such loss of data. • To prevent damage to the cards from
unit is turned off. If you want to keep your settings,
static electricity, be sure to discharge
Use with a Computer

you must save your settings before turning the unit
off. Additional Precautions any static electricity from your own
body before handling the USB flash
Placement • Please be aware that the contents of memory drives.
can be irretrievably lost as a result of a • Do not touch or allow metal to come
• Using the unit near power amplifiers (or malfunction, or the improper operation of into contact with the contact portion
other equipment containing large power the unit. To protect yourself against the risk of the USB flash drives.
transformers) may induce hum. To alleviate of loosing important data, we recommend
that you periodically save a backup copy of • Do not bend, drop, or subject USB
the problem, change the orientation of this
important data you have stored in the unit’s flash drives to strong shock or
unit; or move it farther away from the source
memory on a USB flash drives. vibration.
of interference.
• Do not keep USB flash drives in direct
• This device may interfere with radio and • Unfortunately, it may be impossible to restore sunlight, in closed vehicles, or other
television reception. Do not use this device in the contents of data that was stored in the such locations.
unit’s memory, USB flash drives once it has
Overall Settings
the vicinity of such receivers. • Do not allow USB flash drives to

been lost. Roland Corporation assumes no become wet.
• Noise may be produced if wireless liability concerning such loss of data.
communications devices, such as cell phones, • Do not disassemble or modify the
are operated in the vicinity of this unit. • Use a reasonable amount of care when using USB flash drives.
Such noise could occur when receiving or the unit’s buttons, sliders, or other controls;
initiating a call, or while conversing. Should and when using its jacks and connectors. Handling DVDs
you experience such problems, you should Rough handling can lead to malfunctions.
• Avoid touching or scratching the shiny
relocate such wireless devices so they are at
• Never strike or apply strong pressure to the underside (encoded surface) of the disc.
a greater distance from this unit, or switch
display. Damaged or dirty DVD discs may not be
them off.
read properly. Keep your discs clean using a
• When moved from one location to another • When disconnecting all cables, grasp the commercially available DVD cleaner.
where the temperature and/or humidity is connector itself—never pull on the cable. This
very different, water droplets (condensation) way you will avoid causing shorts, or damage
Appendix
may form inside the unit. Damage or to the cable’s internal elements.
malfunction may result if you attempt to use
the unit in this condition. Therefore, before • A small amount of heat will radiate from the
using the unit, you must allow it to stand for unit during normal operation.
several hours, until the condensation has
completely evaporated.
5
IMPORTANT NOTES
Intellectual Property Right
• Do not use this product for purposes that

could infringe on a copyright held by a third
party. We assume no responsibility whatsoever
with regard to any infringements of third-party
copyrights arising through your use of this
product.
• The copyright of content in this product
(the sound waveform data, style data,
accompaniment patterns, phrase data, audio
loops and image data) is reserved by Roland
Corporation.
• Purchasers of this product are permitted
to utilize said content for the creating,
performing, recording and distributing original
musical works.
• Purchasers of this product are NOT permitted
to extract said content in original or modified
form, for the purpose of distributing recorded
medium of said content or making them
available on a computer network.
• Before you open the included DVD-ROM, you
must read the “license agreement.” Opening
the DVD-ROM will be taken to mean your
acceptance of the license agreement.
• MMP (Moore Microprocessor Portfolio)
refers to a patent portfolio concerned with
microprocessor architecture, which was
developed by Technology Properties Limited
(TPL). Roland has licensed this technology
from the TPL Group.
• Microsoft product screen shot(s) reprinted
with permission from Microsoft Corporation.
• This product contains eCROS integrated
software platform of eSOL Co.,Ltd. eCROS is a
trademark of eSOL Co., Ltd. in Japan.
• Roland, SuperNATURAL are either registered
trademarks or trademarks of Roland
Corporation in the United States and/or other
countries.
• Cakewalk is a registered trademark of
Cakewalk, Inc. in the United States.
• SONAR is a trademark of Cakewalk, Inc.
• Company names and product names
appearing in this document are registered
trademarks or trademarks of their respective
owners.
6
Contents
SuperNATURAL Drum Kit (SN-D) . . . . . . . . . . . . . . . . . . . . . . . . . .39
IMPORTANT SAFETY INSTRUCTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
PCM Synth Tone (PCMS) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
USING THE UNIT SAFELY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 PCM Drum Kit (PCMD) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Saving a Tone/Drum Kit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Quick Guide
Editing the Effects of a Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41
Quick Guide 8 Editing the MFX (Multi-Effect) Settings . . . . . . . . . . . . . . . . . . . .41
Main Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Editing the COMP (Compressor) and EQ (Equalizer) Settings41
Getting Ready . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Initializing a Tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
Using the Internal Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Initializing a Partial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
Using the Expansion Sounds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14 Copying a Partial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
Creating a Sound Field with Depth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Selecting the Partial to Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
Using SONAR LE to Play Sounds (Windows) . . . . . . . . . . . . . . . . . . . . .18
Use with a Computer 43
Introduction 20
Using the INTEGRA-7 with Your Computer . . . . . . . . . . . . . . . . . . . . . . . .43
Introduction
Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 USB Driver . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
Front Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Connecting the INTEGRA-7 to Your Computer . . . . . . . . . . . . . . . . . . .44
Turning the INTEGRA-7 On/Off . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 USB MIDI. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
Playing the Demo Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 MIDI Signal Flow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
Rear Panel Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Specifying the Output Destination of the Incoming
Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
Getting Acquainted with the INTEGRA-7 . . . . . . . . . . . . . . . . . . . . . . . . .24 USB AUDIO. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46
Studio Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Audio Signal Flow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46
How a Tone Is Structured . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Specifying the Sampling Rate for USB Audio . . . . . . . . . . . . . .46
How a Studio Set Is Structured . . . . . . . . . . . . . . . . . . . . . . . . . . . .25
Applying Motional Surround to Sounds of an External Device . . . . .47
Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Connection Example . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
About Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
Basic Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 Overall Settings 48
Switching Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Moving the Cursor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 Overall Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
Editing a Value . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28 System Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
[SHIFT] Button Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29 Saving the System Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
[ENTER] Button Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29 System Parameter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
Saving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29 Viewing the System Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
Assigning a Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29 Convenient Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50
Inserting or Deleting Characters . . . . . . . . . . . . . . . . . . . . . . . . . .29 Basic Procedure for Utility Operations . . . . . . . . . . . . . . . . . . . . . . . . . . .50
Use with a Computer

Initializing a USB Flash Drive (FORMAT USB MEMORY) . . . . . . . . . . .50
Playing/Creating Sounds 30 Exporting/Importing Sound Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
Exporting Sound Data (Export) . . . . . . . . . . . . . . . . . . . . . . . . . . .51
Playing Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Importing Sound Data (Import) . . . . . . . . . . . . . . . . . . . . . . . . . . .51
Choosing a Studio Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Marking Multiple Items of Data . . . . . . . . . . . . . . . . . . . . . . . . . . .52
Viewing a List of All Parts (PART VIEW -ALL- Screen) . . . . . . . . . . . . . .30
Deleting an Exported File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52
Viewing the Part Settings (PART VIEW Screen) . . . . . . . . . . . . . . . . . . .30
Renaming an Exported File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52
Temporarily Silencing a Part’s Sound (MUTE) . . . . . . . . . . . . . . . . . . . .30
Backing Up User Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52
Listening to Only One Part (SOLO) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Backing Up to a USB Flash Drive (BACKUP) . . . . . . . . . . . . . . . .52
Choosing a Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
Restoring Backed-up Settings from a USB Flash Drive
Selecting Tones from a Tone List by Category . . . . . . . . . . . . . .31
(RESTORE) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
Selecting Tones from a Tone List by Type/Bank . . . . . . . . . . . .31
Deleting a Backup File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
Overall Settings
Selecting Drum Kits from a Tone List . . . . . . . . . . . . . . . . . . . . . .31

Renaming a Backup File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
Editing a Studio Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32 Backing Up USB Flash Drive Data to a Computer . . . . . . . . . . .53
Studio Set Common Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32 Restoring Backed-up Data from a Computer to a USB
Editing the Part Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32 Flash Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
Saving a Studio Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34 Transmitting the Temporary Area’s Data to an External MIDI
Panning the Sound with Depth (MOTIONAL SURROUND Screen) .34 Device (BULK DUMP) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
Editing the Motional Surround Settings . . . . . . . . . . . . . . . . . . .35 Restoring the Factory Settings (FACTORY RESET) . . . . . . . . . . . . . . . .55
Turning Effects On/Off. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35 Making the Unit Automatically Turn Off After a Time (Auto Off ) . .55
Editing the Effects of a Studio Set (EFFECTS ROUTING Screen). . . .36
Editing the CHORUS Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36 Appendix 56
Editing the REVERB Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .56
Adjusting the Overall Tone of the Audio Output (MASTER EQ) . . . .36
Error Message List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
Appendix
Initializing a Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

Initializing the Sound Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37 MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
Initializing a Studio Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60
Editing a Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61
Editing the Tones Assigned to a Part . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
SuperNATURAL Acoustic Tone (SN-A). . . . . . . . . . . . . . . . . . . . . .38 Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62
SuperNATURAL Synth Tone (SN-S). . . . . . . . . . . . . . . . . . . . . . . . .38
7
01 Main Features
The INTEGRA-7 is a completely new sound module that contains expressive and high-quality
SuperNATURAL sounds in addition to a rich sound library from the ever-popular SRX series, as
well as “Motional Surround,” which uses RSS (Roland Sound Space) technology to offer a new
type of sound field.
The powerful SuperNATURAL sounds are reproduced using Motional Surround in a deeper and
even more natural sound field, allowing a truly new dimension of sound creation.
SuperNATURAL tones provide not only realistic sound, but also rich, natural expression during a performance
SuperNATURAL Acoustic Tones

The SuperNATURAL acoustic tones built into the INTEGRA-7 do not merely reproduce the Crescendo
sound of acoustic instruments, they also use Behavior Modeling Technology to simulate
the characteristic behavior of an instrument when it is played.
A dedicated sound engine tuned specifically for each type of instrument analyzes the
phrases performed by the player, automatically differentiating between chordal and Glissando technique
Vibrato
melodic playing to produce the optimal expression for a performance.
For example, the “violin” SuperNATURAL acoustic tone allows your conventional keyboard
playing to create a realistically expressive solo violin sound that sounds as if it were being
played by a violinist.
SuperNATURAL Synth Tones

These are SuperNATURAL synth tones, which realistically reproduce sounds ranging from
vintage analog synths to digital synths. Each synth tone consists of three sets of OSC,
FILTER, AMP, and LFO, meaning that powerful synth sounds can be created using just a
single synth tone.
In addition, the behaviors of the oscillators and filters of analog synths have been analyzed,
allowing their distinctive sounds to be reproduced. The INTEGRA-7 contains more than
1,000 sounds, which cover every type of synth sound from analog to digital.
Repeated strikes on cymbal edge
SuperNATURAL Drum Kits

The SuperNATURAL drum kits built into the INTEGRA-7 provide not only realistic, high-
quality sound, they also boast smooth tonal change in response to your playing dynamics
or to repeated strikes.
For example, the crash cymbal can be played not only by a powerful strike, but will also
respond to a light touch. The ride cymbal will shift through a variety of tones in response
to your varying dynamics. The drum will also respond appropriately to repeated strikes, so
press rolls, flams, and fill-ins will sound natural.
Snare roll
What is SuperNATURAL?
These are proprietary Roland sounds created using Behavior Modeling Technology, which enables
natural and rich expression that was difficult to achieve on earlier sound generators.
What is Behavior Modeling Technology?

Not only physical modeling of the instruments, Roland takes it a step further by modeling the instrument’s distinctive behavior
that responds to how the performer plays, resulting in true-to-life, expressive sounds in realtime.
8
The INTEGRA-7 brings together the classic sounds of Roland synthesizers (PCM Tones)
Quick Guide
Classic preset sounds from past models of Roland synthesizers, as well as the
sounds from the entire SRX series wave expansion boards have been included,
especially tuned for the INTEGRA-7.
The sound data includes PCM synth tones and PCM drum kits, and can be called
up from the preset banks and expansion banks.
The sounds of the SRX series are organized into SRX-01 through SRX-12 just as on
the actual SRX models; when you load an entire title of sound data into one of the
Introduction
four virtual slots, those sounds will be available for use.
PCM Synth Tones

These are sounds that were called “patches” on previous Roland synthesizers; they have been tuned specifically for the INTEGRA-7. One PCM
synth tone can consist of up to four partials (waves).
PCM Drum Kits
These were called “rhythm sets” on previous Roland synthesizers; they have been tuned specifically for the INTEGRA-7. A drum kit is a group
of multiple percussion instrument sounds assigned so that a different percussion instrument will be heard depending on the key (note
number) you play.
Multi-effects Usable for 16 Parts Simultaneously

All of the tones (SuperNATURAL tones and PCM tones) built into the INTEGRA-7 includes dedicated multi-effect settings.
Since a multi-effect can be used by each of the 16 parts simultaneously, the most appropriate multi-effect settings will be called up when you
select a tone.
Use with a Computer

Motional Surround lets you control not only left/right panning but also depth
The INTEGRA-7 supports two-channel output as well as 5.1 channel surround.
Using the Motional Surround function gives you even more freedom to
8
manipulate the spatial position of each part (p. 16). 7
9
EX
Until now, sounds in a MIDI sound module could only be panned between left 12
2 10
and right. However, the INTEGRA-7 lets you specify the depth as well, allowing 6
3
you to create a sound field that has unprecedented depth and spaciousness. 5 1 4 11
16
For example, a solo instrument can be placed nearby, while the ensemble or
Overall Settings
13
percussion instruments are placed at a distance, thus creating a sound field 14
15
with greater depth; or you can create a perceptual space that extends beyond
the actual speakers.
This effect can be applied to external input signals as well, so you can use it on
audio tracks as well as on the sounds of the sound module.
* To use the Motional Surround function, turn the [MOTIONAL SURROUND] button ON (p. 16, p. 34).
What is Motional Surround?

Appendix
In the sounds we hear every day, the “direct sound,” which reaches our ears directly from the sound source, is combined with the “reflected
sound,” which has bounced off various objects in the environment. The combination of these two types of sound gives us a sense of the
distance between us and the sound source. Motional Surround takes into account the state of the actual room, and simulates the way in which
objects in the room reflect the sound, thus creating a three-dimensional sound field.
In order to create the most realistic sound field, the INTEGRA-7 contains a processor that generates a sense of distance, reverberation, and
directionality, and also performs format conversion.
As appropriate for your playback system, Motional Surround supports both 5.1 channel and two-channel output.
9
02 Getting Ready
Connection example 1: A compact production setup
Here’s an example of the use of the INTEGRA-7 for high-quality music production.
This is an easy way to set up a full-fledged music production system based on the INTEGRA-7 simply by connecting it to DAW
software in your computer and to a MIDI keyboard.
* If you turn the INTEGRA-7’s USB-MIDI Thru setting “ON,” you’ll be able to use it as a MIDI interface (p. 45).
Computer
Connect an instrument
or other device.
Audio input from an external device can be
panned spatially using the Ext part of the
Motional Surround function (p. 47).
Sequencer software
such as SONAR
INTEGRA-7
MIDI IN
To powered speakers
MIDI keyboard MIDI OUT or amp
REFERENCE
For details on connections, refer to “Rear Panel Connections” (p. 22).
Connecting your computer via USB

If you connect the INTEGRA-7 to your computer using a USB cable, you’ll be able to use your DAW software to record performance data (MIDI
data) from a MIDI keyboard connected to the INTEGRA-7, and use performance data (MIDI data) played back by the DAW software to play the
sound generator of the INTEGRA-7 (USB MIDI).
The INTEGRA-7 will operate as a MIDI sound module when it is connected to your computer with a
“USB MIDI” page 45
USB cable.
To use USB audio functionality

You’ll need to install a driver in order to use the USB audio functionality of the INTEGRA-7.
This driver can be downloaded from the Roland website.
Roland website
http://www.roland.com/support/en/
For the installation procedure, refer to the Readme file that was extracted along with the installer.
You need to set the “Ext Part Source Select” parameter under “Volume and Pitch Settings
(SOUND)” (p. 48) to “USB AUDIO.” “USB AUDIO” page 46
10
Connection example 2: Using the INTEGRA-7 as a sound module for live performance
Quick Guide
Here’s a connection example of including the INTEGRA-7 in an existing live performance system.
In this example, the MIDI connector is used to connect a keyboard or another sound module.
Keyboard
MIDI OUT
Introduction
OUTPUT
INTEGRA-7 MIDI IN
INPUT
Use with a Computer

MEMO
Turn the INTEGRA-7’s USB-MIDI Thru setting “OFF” (p. 45).
REFERENCE
For details on connections, refer to “Rear Panel Connections” (p. 22).
To mixer, or amp
Overall Settings
About MIDI
MIDI (Musical Instrument Digital Interface) is a standard specification that allows musical data to be transferred between electronic musical
instruments and computers. If a MIDI cable is connected between devices equipped with MIDI connectors, you’ll be able to play multiple
devices from a single MIDI keyboard, perform ensembles using multiple MIDI instruments, program the settings to change automatically as the
song progresses, and more.
Appendix
11
03 Using the Internal Sounds
About the INTEGRA-7’s screen
When you turn on the INTEGRA-7, the top screen will appear. You can choose the type of top screen (p. 48).
Part number The “*” indicates an edit The “!” indicates use of Tone number and tone
sound that’s not loaded name of the current part
Tone type
Part level meter
Tone bank
Mute on/off of each part Solo on/off of the current Part number External audio input level
(p. 30) part (p. 30)
Playing SuperNATURAL tones Playing PCM tones

1. Press the [SuperNATURAL] button. 1. Press the [PCM] button.
The tone of the selected part will change to a SuperNATURAL The tone of the selected part will change to a PCM tone.
tone. The display will show the PCM tone list.
The display will show the SuperNATURAL tone list.
2. Use the cursor buttons to change the type or the bank.
2. Use the cursor buttons to change the type or the bank.
3. Use the value dial to select a tone.
3. Use the value dial to select a tone.
4. Press the [ENTER] button.
4. Press the [ENTER] button. The part’s tone will be selected.
The part’s tone will be selected.
MEMO
Tone Preview function
By pressing the [VOLUME] knob you can audition the tone of the selected part.
Connecting a MIDI keyboard and performing
Connection example
OUTPUT
Keyboard
To powered speakers
or amp
MIDI IN
OUTPUT A (MIX)
INTEGRA-7
* Depending on the settings of the connected MIDI keyboard, note messages played on the keyboard might be transmitted on several
channels. Make settings on your MIDI keyboard so that the MIDI output is appropriate.
12
Types and Features of the Internal Sounds
Quick Guide
For details on how to select sounds, refer to p. 12.
SuperNATURAL Acoustic Tone (SN-A)

Changes in dynamics
From delicate pianissimo to powerful fortissimo, these tones provide natural timbral variation (dynamics) that goes beyond
mere changes in volume.
* Dynamics can be controlled by note-on velocity, modulation controller (CC01), and expression (CC11).
Introduction
While a note is sounding, you can operate the modulation controller (CC01) or expression pedal (CC11) to continuously
control the dynamics (except for struck-string instruments and plucked-string instruments).
Legato
By playing legato (the technique of sending the next note-on before releasing the previous key) you can produce smooth
transitions between notes.
* To obtain the legato effect, set the Mono/Poly of the part settings to “MONO” and set the Legato switch to “ON” (p. 32).
Switching variation sounds
Each instrument provides effective performance variation sounds; you can use control changes CC80, CC81, CC82, CC83
(Tone Variation 1–4) to switch instantly between them as you play.
SuperNATURAL Synth Tone (SN-S)

Realistic filter behavior
Use with a Computer

The INTEGRA-7 contains filters that simulate the classic analog synths of the past, producing natural-sounding change when
you vary the cutoff frequency (CC74) or resonance (CC71).
SuperNATURAL Drum Kit (SN-D)

Changes in dynamics
From delicate pianissimo to powerful fortissimo, these sounds provide natural timbral variation (dynamics) that goes beyond
mere changes in volume. Overall Settings
Eliminates boring uniformity even for repeated attacks

To avoid monotonous uniformity, the sense of attack will differ for each strike.
Ambience control for the entire kit

The drum kit consists of multiple drum instruments such as snare, kick, and hi-hat. You can control the resonance between
instruments and the ambience of the room.
PCM Synth Tone (PCMS) / PCM Drum Kit (PCMD)

Appendix
The PCM synth tones and PCM drum kits are what were called patches and rhythm sets on previous Roland synthesizers; they
are remarkable for their high quality and their rich variations. Many classic sounds tuned specifically for the INTEGRA-7 are
included.
13
04 Using the Expansion Sounds
About the EXPANSION Virtual Slots
The INTEGRA-7 contains all the sound data from the entire SRX series of wave expansion boards, as well as expansion
SuperNATURAL tones.
You can add these sounds by loading each title into one of the INTEGRA-7’s four EXPANSION Virtual Slots (Slot A–D). (In other
words, sound data for up to four titles can be used simultaneously.)
The sound data includes tones (patches), drum kits (rhythm sets), instruments, and wave (waveform) data. (The content will
vary by title.)
Sound data (expansion)

The INTEGRA-7 contains all SRX series sound data, expansion SuperNATURAL tones, and high-quality GM2 sounds.
SRX series (all 12 titles)

SRX-01 SRX-02 SRX-03
Dynamic Drum Kits Concert Piano Studio SRX
PCM Synth Tone : 41 PCM Synth Tone : 50 PCM Synth Tone : 128
PCM Drum Kit : 79 PCM Drum Kit : 12

Symphonique Strings Supreme Dance Complete Orchestra
PCM Drum Kit : 34 PCM Drum Kit : 5

Ultimate Keys Platinum Trax World Collection
PCM Drum Kit : 11 PCM Drum Kit : 21 PCM Drum Kit : 12

Big Brass Ensemble Complete Piano Classic EPs
Expansion SuperNATURAL sounds High-quality GM2 sounds/Diverse synth sounds

Ethnic (SuperNATURAL Acoustic Tone : 17) HQ GM2 + HQ PCM Sound Collection
ExSN1 Ethnic instruments such as kalimba and santur
ExPCM High-quality GM2 sounds and a variety of synth
Wood Winds (SuperNATURAL Acoustic Tone : 17) sounds
ExSN2 Woodwinds such as sax and flute HQ GM2 (GM2#)
Session (SuperNATURAL Acoustic Tone : 50) PCM Synth Tone : 256
ExSN3 Electric guitar and bass PCM Drim Kit : 9
A. Guitar (SuperNATURAL Acoustic Tone : 12) HQ PCM (ExPCM)

ExSN4 Acoustic guitar PCM Synth Tone : 512
PCM Drum Kit : 19
Brass (SuperNATURAL Acoustic Tone : 12)
ExSN5 Brass instruments such as trumpet and trombone * ExPCM uses all four slots.
SFX (SuperNATURAL Drum Kit : 7)

ExSN6 Realistic sound effects
EXPANSION Virtual Slots Slot A Slot B Slot C Slot D

Choose one title of sound data for each slot.
Sound banks (example)
PRESET USER SRX-01 ExSN3 SRX-11 SRX-05
When you load expansion sound data into the EXPANSION Virtual Slots (A–D), the loaded sounds will be available for selection from the corresponding
sound bank (title is displayed).
14
Loading sound data into an EXPANSION Virtual Slot
Quick Guide
1. Press the [MENU] button.
2. Choose “EXPANSION” and press the [ENTER] button.

The EXPANSION screen will appear. This screen shows the sounds that are
loaded into each EXPANSION Virtual Slot.
3. In the VIRTUAL SLOTS area, move the cursor to the slot that
you want to load, and use the [DEC] [INC] buttons to select the Sound data to be loaded
desired sound data. An “*” symbol is shown at the left of
the name of edited sound data.
MEMO
Introduction
To view the expansion sound list, move the cursor to “INFO/LIST” and
press the [ENTER] button.
4. Move the cursor to “LOAD” and press the [ENTER] button.

A message will ask “Are you sure?”
5. To execute, choose “OK” and press the [ENTER] button.

MEMO
You can also access the EXPANSION (VIRTUAL SLOT) screen by holding down the [SHIFT] button and pressing the [MENU] button.
Using SRX series sounds

SRX series sounds can be selected in the same way as PCM sounds.
Select one SRX bank (SRX-01–SRX-12) to use the sounds that have been loaded into an EXPANSION Virtual Slot.
* Some SRX titles have no PCM drum kit (PCMD).
Using SuperNATURAL sounds
Use with a Computer

SuperNATURAL sounds that have been loaded can be selected in the same way as the SuperNATURAL sounds of preset
memory or user memory.
Select one ExSN bank (ExSN1–SxSN6) to use the sounds that have been loaded into an EXPANSION Virtual Slot.
* ExSN 1--5 contain only SuperNATURAL acoustic tones, and ExSN6 contains only SuperNATURAL drum kits.
Using ExPCM sounds

Loaded ExPCM sounds can be selected in the same way as PCM sounds.
The sounds loaded into the EXPANSION Virtual Slot can be made available for use by selecting the ExPCM bank.
Overall Settings
When you load the ExPCM sounds, the “GM2” bank indication will change to “GM2#”, and high-quality GM2 sounds will be
available.
* The ExPCM sounds use all four slots.
* You can’t edit ExPCM tones.
If you want the expansion sounds to be loaded automatically at start-up

You can have the INTEGRA-7 automatically load specified sound data into the EXPANSION Virtual Slots upon startup.
* With the factory settings, the sound data will be loaded.
Appendix

2. In the MENU screen, choose “SYSTEM” and press the [ENTER] button.
3. Select the desired sound data for Startup Exp Slot A–D.
4. Hold down the [SHIFT] button and press the [EDIT] button to save the settings.
15
05 Creating a Sound Field with Depth
Connection example
Here’s an example of using the INTEGRA-7’s Motional Surround function for 5.1 channel surround output.
Place your speakers as shown in the illustration.
To use the Motional Surround function, press the [MOTIONAL SURROUND] button to turn the Motional Surround function on.
C LFE It’s best to place the subwoofer at the same

distance as the satellite speakers, with the
listening position at the center.
L R
8
7
9
EX
12
6 2 10
3
5 1 4 11
16
13
14
15
Ls Rs
Jack
Explanation
name
L Front left output
R Front right output
C Front center output
Rs Ls R L Ls Rear left output
* Dolby Digital and DTS are not supported. Please LFE C Rs Rear right output
use analog cables to connect five speakers and a LFE Subwoofer output
subwoofer.
If you want to use Motional

Surround with a two-channel
system, connect your
speakers to the A (MIX) L
(MONO)/R jacks.
REFERENCE
• For more about connections, refer to “Rear Panel Connections” (p. 22).
• For more about front center speaker (C jack) and subwoofer (LFE jack) output settings, refer to “Motional Surround Settings (MOTIONAL
SURROUND)” (p. 49) in System Settings.
About the monitoring environment

• An acoustically dead space with minimal reverberation is ideal as a monitoring room.
• You should monitor at the sweet spot of your speaker system.
Concerning perception of a sound image’s location

• The ease with which one can sense where a sound emanates from can differ depending on the sound.
For example, it is difficult to perceive the spatial location of low-frequency sounds or sounds that have relatively little harmonic content
(such as sine waves). Conversely, it tends to be easier to determine the location of sounds having rich harmonic content and a distinct
attack.
• Perception of front/back localization can differ between individuals.
16
Using Motional Surround
Quick Guide
1. Press the [MOTIONAL SURROUND] button.
Motional Surround will turn on, and the MOTIONAL SURROUND screen will appear.
Introduction
2. Use the PART [ ][ ] buttons to select a part.
The selected part number will be highlighted.
3. Use the cursor buttons to specify the sound’s panning (front/rear, left/right).
Detailed settings for Motional Surround

Here’s how to make detailed settings for the ambience effect and for each part.
1. In the MOTIONAL SURROUND screen, press the [ENTER] button.
Use with a Computer

The MOTIONAL SURROUND EDIT screen will appear.
2. Use the cursor [ ] [ ] buttons to select the “COMMON,” “PART,” or “CONTROL” tab, and use the
cursor [ ] [ ] buttons to select a parameter.
3. Use the value dial to edit the setting.
Overall Settings
REFERENCE
For details on the each parameters, refer to p. 35.
What is Motional Surround?

8
The INTEGRA-7 supports two-channel and 5.1 channel surround output. By using the Motional 7
9
Surround function, you can freely and easily control the placement of each part (p. 34). EX 12
6 2 10
3
Appendix
While conventional systems allow sound to be placed only in the left/right direction, this new 1
5 4 11
function adds the front/back dimension, enabling you to play sounds that you’ve freely placed 16
in a soundscape with depth. Additionally, you can specify the type and size of room; this allows 13
14
you to adjust the acoustics as appropriate for your song, ranging from an intimate room to a 15
large concert hall.
17
06 Using SONAR LE to Play Sounds (Windows)
Installing SONAR LE
Install the included SONAR LE in your computer.
For details on installation and main operations, refer to the manual included on the SONAR LE DVD-ROM.
* SONAR LE is for Windows only. If you are a Mac user, you’ll need to obtain DAW software separately.
Audio and MIDI settings

Important!
Before you begin making settings, download the INTEGRA-7’s USB driver from the Roland website and install it (p. 43). When
installing the driver, change the USB Driver setting to “VENDER” (p. 44).
Audio settings
Specify the INTEGRA-7 as the audio input and output.
1. Use a USB cable to connect the INTEGRA-7 to your computer.

Connect the INTEGRA-7 to your computer as shown in “Connection example 1: A compact production setup” (p. 10).
2. Start up SONAR.
3. The “Quick Start” dialog box will appear. Click [Close].
4. Click [Edit] [Preferences] to access the “Preferences” dialog box.
5. From the “Audio” list at the left of the screen, choose [Options]. Choose “ASIO” as the driver mode, and click [Apply].
6. In the “Audio” section of the list at the left of the screen, choose [Select Device]. Clear the check marks from audio devices
you’re not using, and enter a check mark only for the INTEGRA-7.
Input device Output device

INTEGRA-7 IN INTEGRA-7 OUT
* When selecting INTEGRA-7 OUT as the output device, you need to set the “Ext Part Source Select” parameter under “Volume and Pitch
Settings (SOUND)” (p. 48) to “USB AUDIO.”
MIDI settings
Next, you need to specify the INTEGRA-7 as the MIDI input and output device.
7. In the “MIDI” section of the list at the left of the screen, choose [Select Device]. Enter a check mark for the INTEGRA-7, and
clear the check marks from MIDI devices you’re not using.
* When handling ordinary performance data, use “INTEGRA-7.”
Input device Output device
Use “INTEGRA-7 CTRL” (Windows only) when handling control data, such as
INTEGRA-7 INTEGRA-7 that for MOTIONAL SURROUND.
8. Click [Apply].
9. In the “Preferences” dialog box, click [Close].

MEMO
If the INTEGRA-7 is not shown in the list of devices, close SONAR and try the operation again from step 2.
If it is still not shown, the driver installation might not have completed successfully. Uninstall the driver, and then install the driver once again.
18
Recording on a MIDI track
Quick Guide
Connect the INTEGRA-7 to your computer as shown in “Connection example 1: A compact production setup” (p. 10).
* Turn the INTEGRA-7’s USB-MIDI Thru setting (p. 49) ON.
1. In the [File] menu, click [New].

The “Create a New Project” dialog box will appear.
2. In the “Template” area, choose [Normal]; in the “Name” area, enter a name for
your project and then click [OK].
3. Record a MIDI track in SONAR.
Introduction
For details on how to record, refer to SONAR’s help.
4. Play back SONAR.

You’ll hear sound from the INTEGRA-7.
Recording the INTEGRA-7’s sound on an audio track

1. In the [Insert] menu, choose [Audio Track].
One audio track will be added.
2. For the input field of the audio track, choose “Stereo INTEGRA-7 IN.”
Track control list
Input field
Use with a Computer

MEMO
If the input field is not shown, click the track control list and choose “ALL.”
3. Adjust the recording level.

Put the track in recording-standby mode, then get the INTEGRA-7 to start playing. Adjust the input level of the SONAR so that the level meter
reaches approximately -6 during the loudest passages.
* For details on the recording procedure, refer to SONAR’s help.
4. Record.
Overall Settings
Put the track in recording-standby mode, and press the record button of the transport module to begin recording.
Record
Recording-
standby
Level meter
Appendix
5. When the song ends, press the stop button.

Recording will stop, and the recorded sound will be shown as a waveform in the audio track of SONAR.
19
Panel Descriptions
Front Panel
1 2 3 4 5 6 7
9 8 9
Num-
Name Explanation Page
ber
Connect USB flash drive (sold separately) here.
1 USB MEMORY port * Use USB Flash Memory available from Roland. Proper operation cannot be guaranteed if other USB p. 50
device is used.
Adjusts the volume of the output from the A (MIX) L/MONO, R jacks and PHONES jack.
2 [VOLUME] knob p. 21
By pressing the [VOLUME] knob you can audition the tone of the currently selected part.
Shows various information for the operation.
Display * The explanations in this manual include illustrations that depict what should typically be shown by the display. p. 12
Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer
sounds), so what you actually see in the display may not always match what appears in the manual.
3
MIDI indicator This will light when MIDI messages are being received from a MIDI device connected to the MIDI IN connector. –
USB indicator This will light when MIDI messages are being received from the connected computer. –
PEAK indicator This will light when the input signal from the INPUT L/R jacks reaches a level just before clipping. –
Switches you between the screen that lists all parts, the PART VIEW screen, and the top screen.
[PART VIEW] button By holding down the [SHIFT] button and pressing the [PART VIEW] button, you can access the Studio Set select p. 30
screen.
PART [ ][ ] buttons These switch the part shown in the screen. p. 28
[TONE FINDER] button Accesses the TONE FINDER screen. p. 31
TONE [SuperNATURAL] button Changes the tone of the currently selected part to a SuperNATURAL tone, and displays the tone list. p. 31
4
TONE [PCM] button Changes the tone of the currently selected part to a PCM tone, and displays the tone list. p. 31
Turns on motional surround, and displays the MOTIONAL SURROUND screen.
[MOTIONAL SURROUND] button By holding down the [SHIFT] button and pressing the [MOTIONAL SURROUND] button, you can access the p. 34
MOTIONAL SURROUND screen without changing the motional surround on/off setting.
[EFFECTS] button Pressed to access the EFFECTS ROUTING screen. p. 36, p. 41
[SHIFT] button This is used in conjunction with other buttons to access setting screens related to those buttons. p. 29
Cursor [ ][ ][ ][ ] button Move the cursor up/down/left/right. p. 28
5 Use this to edit values.
Value dial p. 28
To make the value change rapidly, operate the value dial while holding down the [SHIFT] button.
Accesses the Menu screen.
[MENU] button By holding down the [SHIFT] button and pressing the [MENU] button, you can access the EXPANSION (VIRTUAL –
SLOT) screen.
Displays the TONE EDIT screen for the currently selected part.
[EDIT] button p. 38
By holding down the [SHIFT] button and pressing the [EDIT] button, you can access the WRITE screen.
6 Use these buttons to edit values. To make the change occur more rapidly, hold down one button and press the
[DEC]/[INC] buttons opposite button. You can also make the value change rapidly by holding down the [SHIFT] button and pressing p. 28
one of these buttons.
Returns you to the previous screen, or closes the window that’s currently open.
[EXIT] button –
In some screens, this cancels the operation currently being executed.
[ENTER] button Press this to confirm a value or execute an operation. –
7 [ ] switch Turns the INTEGRA-7 on/off. p. 21
You can connect a synthesizer or other instrument here.

INPUT L/R jacks (front) p. 47
8 If an instrument is also connected to the INPUT L/R jacks (rear), the sounds of both will be mixed.
PHONES jacks You can connect headphones (sold separately) here. –
Use these when installing the INTEGRA-7 in a 19-inch rack.
For details on how to install the INTEGRA-7 in a rack, refer to the owner’s manual included with the rack you’re
9 Rack-mount bracket using. –
* Do not remove the rack-mount brackets.
20
Panel Descriptions
Turning the INTEGRA-7 On/Off

Once everything is properly connected (p. 22), be sure to follow the procedure below to turn on their power. If you turn on equipment in the wrong
Quick Guide
order, you risk causing malfunction or equipment failure.
Turning the INTEGRA-7 On

Before turning the unit on/off, always be sure to turn the volume down. Even with the volume turned down, you might hear some sound when
switching the unit on/off. However, this is normal and does not indicate a malfunction.
1. Minimize the volume of the INTEGRA-7 and your speakers. 3. Turn on the power of your speakers.
4. Use the [VOLUME] knob to adjust the volume

appropriately.
Introduction
2. Turn the INTEGRA-7’s [ ] switch ON.
NOTE
With the factory settings, the INTEGRA-7 will
automatically be switched off four hours after you
stop playing or operating the unit. If you don’t want
the unit to turn off automatically, change the “Auto Off” setting
to “OFF” as described on p. 55.
* The settings you were editing will be lost when the unit is
turned off. If you want to keep your settings, you must save your
settings before turning the unit off.
* When turning the unit back on after it was turned off by the
This unit is equipped with a protection circuit. A brief interval (a few Auto-Off function, you must wait at least 10 seconds before
seconds) after turning the unit on is required before it will operate turning the unit on. If you do not allow this interval to pass, the
normally. Auto-Off function might not be reset, and the unit might not
turn on normally.
Use with a Computer

Turning the INTEGRA-7 Off
1. Minimize the volume of the INTEGRA-7 and your speakers.
2. Turn off the power of your speakers.
3. Turn the INTEGRA-7’s [ ] switch OFF.

NOTE
If you need to turn off the power completely, first turn off the
unit, then unplug the power cord from the power outlet. Refer
Overall Settings
to Power Supply (p. 5).
Playing the Demo Song

2. Choose “DEMO PLAY” and press the [ENTER] button.
3. Choose a demo song and press the [ENTER] button.
The demo song will play.
Appendix
* The performance data for the demo song will not be output from the MIDI OUT connector.
* If you want sound to be produced from the front center / subwoofer of your 5.1 channel speaker system, turn the 5.1CH Center SP Switch /
Sub Woofer(LFE) Switch “ON.”
MEMO
The DEMO MENU screen can also be accessed by pressing the [EXIT] button while holding down the [SHIFT] button.
21
Panel Descriptions
Rear Panel Connections

AC IN jack
Connect the included AC cord here.
INPUT L/R jacks (rear)

Use audio cables to connect a synthesizer or other instrument here.
If an instrument is also connected to the INPUT L/R jacks (front), the sounds of both will be mixed.
MIDI connectors page 11 OUTPUT jacks page 23

For connecting MIDI device. You can switch the output between
stereo, mono, and 5.1 channel surround.
For details on connections, refer to p. 23.
* Only the A (MIX) L/MONO, R jacks are balanced.
USB COMPUTER port page 44 DIGITAL AUDIO OUT connector

With a USB cable, you can connect the This is a coaxial digital output connector. It complies with S/P
INTEGRA-7 to your computer. DIF specifications. It outputs the same signal as is output from
the OUTPUT A (MIX) jacks.
It provides 44.1/48/96 kHz, 24-bit linear, stereo output.
22
Panel Descriptions
OUTPUT jacks D C B A D C
(When motional surround (p. 34) is OFF)
Quick Guide
A (MIX) L/MONO, R jacks
These jacks output a stereo signal (L/R) to your amp or mixer.
If you want to output in mono, connect to only the L side.
B A
Both XLR type and TRS type jacks are provided; they output
the same audio.
B, C, D L/R jacks
These jacks output a stereo signal (L/R) to your amp or mixer. A
* The [VOLUME] knob on the front panel does not adjust
the volume of these jacks. 87654321
INDIVIDUAL 1–8 jacks
Introduction
These jacks output mono signals to your amp or mixer.
the volume of INDIVIDUAL 3–8 jacks.
* The output destination (A–D, 1–8) can be assigned

independently for each part “Output Assign” (p. 32). 2 1
OUTPUT jacks
(When motional surround (p. 34) is ON)
R L L R
Supports both two-channel and 5.1 channel surround output.
MOTIONAL SURROUND 2 CH L/R jacks
These jacks allow two speakers to output sound with spatial
depth as specified by the motional surround settings.
The same audio will be output from the TRS type and the XLR
type jacks. Motional
Surround
R L
Use with a Computer

MOTIONAL SURROUND 5.1 CH L/R/C/Ls/Rs/LFE jacks Rs Ls R L C
These jacks output 5.1 channel surround as specified by the
LFE C LFE L R
motional surround settings.
Position your speakers as shown in the illustration.
the volume of these jacks.
Ls Rs
Overall Settings
* Two-channel and 5.1 channel surround are output simultaneously.
* To prevent malfunction and equipment failure, always turn down the volume, and turn off all the units before making any connections.
* This instrument is equipped with balanced (XLR/TRS) type jacks. Wiring diagrams for these jacks are shown below. Make connections after first
checking the wiring diagrams of other equipment you intend to connect.
TIP: HOT
Appendix
RING: COLD 1: GND 2: HOT

SLEEVE: GND
3: COLD
* When connection cables with resistors are used, the volume level of equipment connected to the input jacks (front, rear) may be low. If this
happens, use connection cables that do not contain resistors.
23
Getting Acquainted with the INTEGRA-7
Studio Sets
Studio Sets allow you to use multiple tones and drum kits simultaneously.
One studio set contains 16 “parts” for tones and one external part (EXT PART). You can assign a tone or drum kit to each part, allowing you to create an
ensemble or to play rich-sounding layers.
If you’re using an external MIDI device or DAW software, you’ll be able to independently control multiple sounds on a single INTEGRA-7 unit.
How a Tone Is Structured

A “tone” is a unit of sound used when performing. There are “SuperNATURAL tones” and USB AUDIO
“PCM tones,” each containing their own effect (MFX) settings. or
You need to select a tone from the sound library and assign it to a part. You can also INPUT (Front/Rear)
edit a tone and save it in user memory.
SuperNATURAL Tone SOUND LIBRARY

There are three types of SuperNATURAL tones:
“SuperNATURAL acoustic tones,” “SuperNATURAL synth TONE
tones,” and “SuperNATURAL drum kits.”
ACOUSTIC SYNTH DRUM KIT
SuperNATURAL Acoustic Tone (p. 38)
These tones do not merely reproduce the sound of
acoustic instruments, they also use behavior modeling PCM
technology appropriate for the selected tone to SYNTH DRUM KIT
emulate the expressive power distinctive of each
acoustic instrument, such as the phrases performed
by the player and the differences between chords and EXPANSION (VIRTUAL SLOT)
melodic phrases.
SLOT SLOT SLOT SLOT
A B C D
SuperNATURAL Synth Tone (p. 38)
These tones consist of three partials, and allow powerful
synth sounds to be produced by a single tone. LOAD
EXPANSION SOUNDS
SuperNATURAL Drum Kit (p. 39)
These tones consist of 62 partials; they allow you to
sound a different percussion instrument for each key
(note number) that’s played.
A drum kit is provided with six compressor + equalizer
units, allowing you to divide the instruments into
groups so that you can individually adjust the dynamics
of each group or modify its tone quality.
ExSN1 ExSN2 ExSN3 ExSN4 ExSN5 ExSN6

PCM Tone
There are two types of PCM tones: “PCM synth tones”
and “PCM drum kits.”
ExPCM
PCM Synth Tone (p. 39)
These tones consist of four partials. Each partial can
be turned on/off individually, allowing you to choose
which partials will be heard.
PCM Drum Kit (p. 40)

These consist of 88 partials, and allow for the play of a different percussion instrument sound for each key (note number) you press. A drum kit is
provided with six compressor + equalizer units, allowing you to divide the instruments into groups so that you can individually adjust the dynamics
of each group or modify its tone quality.
* The six compressor + equalizer units for a drum kit are applied only to one specified part of the multiple parts to which a drum kit can be assigned.
Make this setting in STUDIO SET COMMON (p. 32).
* Dedicated multi-effect settings are included in each tone (SuperNATURAL tones and PCM tones) built into the INTEGRA-7.
EXPANSION Virtual Slots

EXPANSION Virtual Slots are banks into which you can load “EXPANSION SOUNDS” sound data for use.
“SRX tones,” “SuperNATURAL tones,” or “ExPCM (GM2 compatible) tones” can be loaded into an EXPANSION Virtual Slot. “ExPCM tones” use all
four slots, meaning that they do not allow other tones to be loaded.
For details, refer to “04 Using the Expansion Sounds” (p. 14).
24
How a Studio Set Is Structured

A studio set has sixteen parts; you can assign a tone to each part, allowing you to use sixteen sounds simultaneously.
Quick Guide
STUDIO SET
EXT PART LEVEL
MOTIONAL SURROUND
Introduction
PART 16
MOTIONAL
PART 15 SURROUND
ON/OFF
PART 14
ON
PART 3
PART 2 OFF
PART 1
TONE LEVEL
ASSIGN
INST/PARTIAL MFX EQ
REVERB
CHORUS
PART 10 (DRUM PART)
DRUM KIT
DRUM INST
62 DRUM
INST
ASSIGN OUTPUT LEVEL
ASSIGN
MFX EQ
DRUM INST
01
Use with a Computer

MASTER
COMP+EQ 6 EQ 2 CH/MIX OUT
DRUM
COMP+EQ 5 COMP+EQ
OUTPUT
COMP+EQ 4 ASSIGN
COMP+EQ 3 5.1 CH/INDIVIDUAL OUT
COMP+EQ 2
COMP+EQ 1
Overall Settings
* Although you are free to assign a drum kit to any or all of the parts, we have assigned a drum kit to part 10 and a tone to the
remaining parts as an example.
Bank
Tones are organized into groups called “banks.”
Part
A “part” is a location to which you can assign a tone or drum kit in order to play it on the INTEGRA-7.
Partial
Appendix
A “partial”is a unit of sound within a SuperNATURAL synth tone (p. 38), SuperNATURAL drum kit (p. 39), PCM synth tone (p. 39), or PCM drum kit (p. 40).
These tones consist of multiple partials.
Inst
An “inst” is the smallest unit of sound within a SuperNATURAL acoustic tone (p. 38). Each SuperNATURAL acoustic tone consists of a single “inst.”
25
Effects
The INTEGRA-7 contains the following effects; each effect can be edited independently.
STUDIO SET
PART 1–9, 11–16
TONE MOTIONAL SURROUND
MOTIONAL
INST/PARTIAL MFX EQ SURROUND
ON/OFF 2 CH/
MIX OUT
MASTER
ON EQ
PART 10 (DRUM PART)

OFF
REVERB
DRUM KIT
CHORUS
DRUM INST 1–62 MFX EQ
5.1 CH/
DRUM COMP+EQ INDIVIDUAL
COMP+EQ OUTPUT ASSIGN OUT
1–6
Effects for a Tone Effects for a Studio Set
Multi-effects (MFX) Equalizer (EQ)

These are general-purpose effects that can modify the sound itself, This equalizer is applied to each individual part.
even transforming it into an entirely different type of sound. It allows you to independently adjust the high, mid, and low-
You can choose from 67 types of effects as appropriate for your frequency ranges.
purpose.
There are types that consist of a single effect, such as distortion or
flanger, as well as a wide variety of other types. Although the multi-
MOTIONAL SURROUND
effect types also include chorus, this is a separate processor that is Motional surround allows you to not only position a sound
independent of the chorus unit of a studio set. anywhere between the left and right edges of the sound field, but
also allows you to move it towards the front or rear.
Each tone has one set of multi-effect settings.
Two-channel and 5.1 channel output is supported, allowing you to
place each instrument at the desired depth.
Compressor + Equalizer (COMP + EQ) * When you turn Motional Surround on, reverb/chorus will not be
A drum part allows you to use six compressor + equalizer units. applied.
They can be assigned individually to the drum instruments.
* Although it is possible to assign drum kits to all of the parts, the
six compressor + equalizer sets provided for a drum kit will be
CHORUS
available only for the single part you specify (the Drum COMP + The chorus effect adds depth and spaciousness to the sound.
EQ Assign part). * Motional Surround and chorus cannot be applied at the same time.
REVERB
The reverb effect adds the reverberation that is characteristic of
sounds played in a concert hall.
You can choose from six types of reverb as appropriate for your
needs.
* Motional Surround and reverb cannot be applied at the same time.
MASTER EQ
This equalizer is applied to the overall sound of the entire
INTEGRA-7 sound module.
It allows you to independently adjust the high, mid, and low-
frequency ranges.
26
About Memory
Memory is where data such as the settings for studio sets and tones are held.
Quick Guide
There are three types of memory: “temporary memory” (the temporary area, and the EXPANSION Virtual Slots), “rewritable memory” (user memory,
system memory, and USB memory), and “non-rewritable memory” (preset memory).
INTEGRA-7
Temporary Area
EXPANSION Virtual Slot
Load Select Select Write
Preset Memory User Memory System Memory
Introduction
SuperNATURAL Acoustic Tone Studio Set
System
SuperNATURAL Synth Tone SuperNATURAL Acoustic Tone Setting
SuperNATURAL Drum Kit SuperNATURAL Synth Tone
PCM Synth Tone SuperNATURAL Drum Kit
PCM Drum Kit PCM Synth Tone
PCM Drum Kit

EXPANSION SOUNDS
Restore Backup Import Export
USB Memory
ROLAND Folder
BACKUP Folder SOUND Folder
Backup Sound Data
Use with a Computer

Temporary memory Rewritable memory USB Memory
You can use a USB flash drive to back up
all of the studio sets, tones, and drum kits
Temporary Area System Memory in User Memory, together with the system
parameters from System Memory, as a
This area temporarily holds the data of This is memory that holds the system single collection of data (p. 52).
the studio set or tone that you’ve selected parameter settings that specify how the
from the panel. INTEGRA-7 is to operate. To store the Of the studio sets and tones saved in the
system parameters, execute the System INTEGRA-7, you can select the desired
When you play, the INTEGRA-7 produces sound data and export it to a USB flash
sound according to the settings in the Write operation (p. 48).
drive. You can also select a desired studio
Overall Settings
temporary area. When you edit a studio set or tone from a file that was previously
set or a tone, you’re not directly modifying
the data in that memory; rather, the data
User Memory exported to a USB flash drive, and import
it.
is called into the temporary area, and your This is memory that stores data inside the
editing modifies this data. INTEGRA-7. To store a studio set, execute
Settings in the temporary area are
temporary, and will be lost when you turn
Studio Set Write (p. 34). To store a tone,
execute Tone Write (p. 40). To store a drum Non-rewritable Memory
kit, execute Drum Kit Write (p. 40).
off the unit or call up other settings. If you
want to keep the settings of the temporary * EXPANSION SOUNDS sound data
area, you must execute the Write operation that you’ve edited in the temporary Preset Memory
(p. 29) to save them into rewritable User area can be saved in user memory, The data in preset memory cannot be
Memory. but it will not be audible unless the rewritten.
EXPANSION SOUNDS used by that However, settings loaded from preset
sound data have been loaded into an memory into the temporary area can be
EXPANSION Virtual Slots
Appendix
EXPANSION Virtual Slot. edited and then stored in user memory.

Sound data from EXPANSION SOUNDS can
be loaded into these memory locations to
expand the available sounds.
You can load four titles of SRX or
SuperNATURAL sound data into these
virtual slots.
27
Basic Operation
This section explains the basic button operations used to operate the INTEGRA-7.
[TONE FINDER] button [PART VIEW] button [MENU] button [EDIT] button
Accesses the TONE FINDER screen. Accesses the screen that lists all parts. Accesses the menu screen. Accesses the TONE EDIT screen
Press this button once again to access Accesses settings for the INTEGRA-7 for the currently
the PART VIEW screen for the currently or various functions. selected part. page 38
selected part.
[SHIFT] + [MENU] button [SHIFT] + [EDIT] button
[SHIFT] + [PART VIEW] button
Accesses the data loading screen Accesses the WRITE screen.
Accesses the Studio Set select for the EXPANSION Virtual Slots.
screen.
page 31 page 30 page 15 page 29
TONE [SuperNATURAL] button [MOTIONAL SURROUND] button [EFFECTS] button Cursor buttons
TONE [PCM] button Accesses the MOTIONAL SURROUND Accesses the EFFECTS ROUTING Move the cursor.
These switch the tone of the screen. screen. page 28
currently selected part between
SuperNATURAL or PCM tones, and page 36 Value dial
display a tone list. Edits a value.
page 31 page 34 page 41 page 28
Switching Parts Editing a Value

Here’s how to switch the part that’s shown in the screen or is To edit the value highlighted by the cursor, use either of the
selected (the “current part”). following controllers.
In the top screen, the current part is indicated by a symbol below • Value dial
the part number. • [DEC] [INC] button
PART [ ][ ] buttons Value dial

Press the PART [ ] button to switch to the next part. Press the Turning the value dial toward the right will increase the value, and
PART [ ] button to switch to the previous part. turning it toward the left will decrease the value.
If you hold down the PART [ ] or PART [ ] button, the part will If you hold down the [SHIFT] button while turning the value dial,
change successively. the value will change in larger steps.
The part will switch more rapidly if you press the PART [ ] (or
PART [ ] button) while holding down the PART [ ] button (or
PART [ ] button). [DEC] [INC] buttons
Press the [INC] button to increase the value, or press the [DEC]
Moving the Cursor button to decrease the value.

• If you hold down a button, the value will increase (or decrease)
continuously.
A single screen or window will contain multiple items (parameters)
to edit or select. To edit a parameter’s setting, you must first move • To rapidly increase the value, hold down the [INC] button and
the cursor to that parameter’s value. press the [DEC] button. Conversely, to rapidly decrease the
value, hold down the [DEC] button and press the [INC] button.
The value of the selected parameter is highlighted.
• If you hold down the [SHIFT] button and press the [INC] button
or [DEC] button, the value will change in larger steps.
Cursor buttons
You can move the cursor by pressing the cursor [ ][ ][ ][ ]
buttons.
If you hold down a cursor button, the cursor will continue moving.
If you hold down the cursor button for the desired direction, and
then press the opposite cursor button, the cursor will move more
quickly.
28
Basic Operation
[SHIFT] Button Operations Saving

By holding down the [SHIFT] button and pressing another button, From the top screen, hold down the [SHIFT] button and press the
Quick Guide
you can edit the settings of the button you pressed, or access a [EDIT] button to access the WRITE MENU screen. Select a studio set
specific screen (shortcut). or tone, and save your settings.
If you hold down the [SHIFT] button while editing a parameter’s From the TONE EDIT screen, hold down the [SHIFT] button and
value, the value will change in larger steps. press the [EDIT] button to save the tone.
From the SYSTEM screen, hold down the [SHIFT] button and press
Shortcut list the [EDIT] button to save the system settings.
Shortcut Explanation
Studio Set page 34
Save the Studio Set.
[SHIFT] + [PART VIEW] Accesses the Studio Set select screen.
[SHIFT] + PART [ ] Select the part 1.
Tone/Drum Kit
Introduction
page 40
[SHIFT] + PART [ ] Select the Ext part.
Save the Tone/Drum Kit
[SHIFT] + cursor [ ] Switch between tabs in screens that
[SHIFT] + cursor [ ] contain tabs.
Accesses the Motional Surround setting

System page 48
[SHIFT] + Save overall settings for the INTEGRA-7.
screen without changing the MOTIONAL
[MOTIONAL SURROUND]
SURROUND ON/OFF status.
[SHIFT] + [MENU] Accesses the Expansion Load screen.
[SHIFT] + [EDIT]
Accesses the corresponding WRITE MENU Assigning a Name
screen for each page.
Switches the display type in the top The INTEGRA-7 lets you assign names to the following items.
[SHIFT] + [ENTER]
screen..
• Studio Set
[SHIFT] + [EXIT] Accesses the DEMO MENU screen.
• Tone/Drum Kit
Starts up the INTEGRA-7 without loading
• Sound data to be exported
the expansions.
[EXIT] + [ ] (startup) • Backup file
* Continue holding down [EXIT] button
until the top screen appears. Regardless of what you’re naming, the procedure is the same.
Returns the LCD contrast and LCD
backlight brightness to their factory 1. Press the [ ] [ ] buttons to move the cursor to the
settings, and accesses the LCD contrast location where you wish to input a character.
[MENU] + [ ] (startup) setting screen.
* Continue holding down [MENU] button 2. Turn the VALUE dial, or press the [DEC] [INC] buttons to
Use with a Computer

until the setup screen appears. specify the character.
[SHIFT] + Continues preview playback. Press the You can use the cursor [ ] [ ] buttons to switch between
press the [VOLUME] [VOLUME] knob once again to stop. uppercase and lowercase letters.
3. If you decide to cancel your input, press the [EXIT] button.
[ENTER] Button Operations Inserting or Deleting Characters

The [ENTER] button is used to set a value or to execute an When entering a name, you can insert or delete characters.
operation.
In the various editing screens, pressing the [ENTER] button will 1. While entering a name, press the [MENU] button.
display a parameter list. Select a value and then press the [ENTER]
Overall Settings
The Menu screen will appear.

button once again to confirm your selection.
Pressing the [MENU] button once again will take you back to the
previous screen.
2. Choose “INSERT” or “DELETE,” and press the [ENTER]

button.
Function Explanation
Press the [ENTER] button to insert a space (blank) at the
INSERT
cursor location.
Press the [ENTER] button to delete the character at the cursor
DELETE location; subsequent characters will be moved forward to fill
the gap.
Appendix
29
Playing Sounds
Choosing a Studio Set Viewing the Part Settings
A Studio Set stores the sounds selected for each Part, as well
as various performance-related settings (except for system
(PART VIEW Screen)
parameters). In this screen you can edit the part parameters while focusing on a
By switching studio sets you can change sounds at the beginning of single part.
a song or change large numbers of settings at once.
1. In the top screen, press the [PART VIEW] button twice.
NOTE
If you’re selecting a studio set that uses tones from an
EXPANSION Virtual Slot, you won’t hear anything unless the
corresponding sound data is loaded.
2. Choose “STUDIO SET SELECT” and press the[ENTER]

button. 2. Use the PART [ ][ ] buttons to select the part that
you want to change.
3. Use the cursor buttons to select the item that you want to
edit, and use the value dial to edit the value.
Temporarily Silencing a Part’s Sound

3. Use the value dial to select a Studio Set.

(MUTE)
The studio set will be switched. Here’s how to temporarily mute (silence) the sound of each part.
MEMO 1. In the top screen, move the cursor to “MUTE.”

You can also access the STUDIO SET selection screen by holding
down the [SHIFT] button and pressing the [PART VIEW] button. 2. Use the PART [ ][ ] buttons to select the part that
you want to mute (silence).
3.
Viewing a List of All Parts Use the [DEC] [INC] buttons to turn mute on/off.
(PART VIEW -ALL- Screen)

In this screen you can edit the part parameters while viewing a list
of all parts.
* Some of the part parameters are not shown.
The bar (—) above the part number will disappear to
1. Press the [PART VIEW] button. indicate parts for which Mute is turned on.
Listening to Only One Part (SOLO)

Here’s how you can listen to only the sound of the currently
selected part.
2. Use the cursor buttons to select the item that you want to 1. In the top screen, move the cursor to “SOLO.”
edit, and use the value dial to edit the value.
By holding down the [SHIFT] button and pressing a cursor [ ][ ]
button you can switch between tabs.
Only the selected part will be heard.
2. Use the PART [ ][ ] buttons to select the part that

you want to hear.
3. Use the [DEC] [INC] buttons to turn solo on/off.

MEMO
If you switch parts while solo is on, the soloed part will also
change.
30
Playing Sounds
Choosing a Tone Selecting Drum Kits from a Tone List

In the PART VIEW screen you can select the tone for each part.
1. Press the [SuperNATURAL] or [PCM] button.
Quick Guide
You can view the tone list by category or by type.
The tone list will appear.
Tone Preview function

By pressing the [VOLUME] knob you can audition the tone of the
selected part.
Selecting Tones from a Tone List by

2.
Category Use the cursor buttons to select the drum kit tab.
Select the “SN Drum Kit” tab for SuperNATURAL tones, or the “PCM
Introduction
Drum Kit” tab for PCM tones.
1. Press the [TONE FINDER] button.
The tone list organized by category will appear. 3. Use the value dial or the cursor [ ] [ ] buttons to select
a drum kit, and press the [ENTER] button.
2. Use the cursor [ ][ ] buttons to switch categories.
3. Use the value dial or the cursor [ ] [ ] buttons to select

a tone, and press the [ENTER] button.
MEMO
By holding down the [SHIFT] button and using the cursor
[ ] [ ] buttons, you can switch to the next (or previous)
type/bank.
Selecting Tones from a Tone List by
Use with a Computer

Type/Bank
1. Press the [SuperNATURAL] or [PCM] button.
The tone list will appear.
Overall Settings
2. Use the cursor buttons to switch the type or bank tab.
3. Use the value dial or the cursor [ ] [ ] buttons to select

a tone, and press the [ENTER] button.
Appendix
31
Editing a Studio Set
Studio Set Common Settings Tab Parameter Value
Adjust the volume of each part.
Level This setting’s main purpose is to adjust the volume
Here you can make settings that are common to the entire studio
balance between parts.
set.
Adjust the pan of each part.
1. In the Top screen, press the [MENU] button. Pan “L64” is far left, “0” is center, and “63R” is far right.
* This has no effect if Motional Surround is on.
2. Choose “STUDIO SET COMMON” and press the [ENTER]
Sets the level of the signal sent to chorus for each
button. Cho Send Level part.
Set this to 0 if you don’t want to apply chorus.
Sets the level of the signal sent to reverb for each
Rev Send Level part.
Set this to 0 if you don’t want to apply reverb.
Specifies for each part how the direct sound will be
output.
Output Assign
If Motional Surround is on, surround output will be
3. Use the cursor buttons to select an item, and use the
enabled, and this setting will be ignored.
value dial to edit the value of that item. For each part, specify whether it will receive MIDI
Rx Switch
LEVEL data (ON) or ignore it (OFF).
Rx Channel Specifies the MIDI channel of each part.
COMMON parameter Sets how the Patch’s notes play. The MONO setting is
Mono/Poly
effective when playing a solo instrument Patch such
MEMO (*)
as sax or flute.
For details on the part parameters, refer to “Parameter Guide Turn this parameter “ON” when you want to use the
PDF.” Legato feature and “OFF” when you don’t.
Legato is a feature that works only when the Mono/
Tab Explanation Poly is MONO. When Legato is ON, pressing one key
when another is already pressed causes the currently
Specifies the tempo of the studio set, and the drum part to
GENERAL Legato Switch playing note’s pitch to change to that of the newly
which COMP+EQ will be applied.
(*) pressed key while continuing to sound. This can be
When using tone controls 1–4, specifies the MIDI messages effective when you wish to simulate performance
CONTROL
that will control the parameters. techniques such as a guitarist’s hammering on and
pulling off strings.
PHASE Turn this “on” if you want to minimize discrepancies in timing
LOCK between notes played by parts on the same MIDI channel. * This setting is ignored for parts to which a tone is
assigned.
Specifies the number of voices that reserved for
Voice Reserve
each Part when more than 128 voices are played
Editing the Part Settings

(*)
simultaneously.
EQ Switch Turn this “ (ON)” if you want to use the equalizer,

or “– (OFF)” if you don’t.
A studio set contains 16 parts; you can edit settings such as volume
(Level), equalizer (EQ), and key range (KBD) for each part. EQ Low Freq (*) Specifies the frequency of the low range.
EQ Low Gain Specifies the amount of boost/cut for the low range.
1. In the top screen, press the [PART VIEW] button twice.
EQ Mid Freq (*) Specifies the frequency of the mid range.
EQ
EQ Mid Gain Specifies the amount of boost/cut for the mid range.
Specifies the width of the mid range.
Q (*)
Higher values make the range narrower.
EQ High Freq(*) Specifies the frequency of the high range.
EQ High Gain Specifies the amount of boost/cut for the high range.
This determines what will happen to the tone’s level
2. Use the cursor buttons to select the item that you want to when a note that’s higher than the tone’s specified
keyboard range is played.
edit, and use the value dial to edit the value. Key Fade Upper Higher settings produce a more gradual decrease
By holding down the [SHIFT] button and pressing a cursor [ ][ ] in volume. If you don’t want the tone to sound at all
button you can switch between tabs. when a note outside the keyboard range is played,
set this parameter to “0.”
MEMO Specifies the highest note that the tone will sound
For details on the part parameters, refer to “Parameter Guide for each tone.
PDF.” Key Range * If you attempt to raise the lower key higher than
Upper the upper key, or to lower the upper key below the
KBD
lower key, the other value will be automatically
Parts 1–16 modified to the same setting.
Key Range Specifies the lowest note that the tone will sound for
Tab Parameter Value Lower each tone.
TYPE Displays/selects the tone type. This determines what will happen to the tone’s level
when a note that’s lower than the tone’s specified
BANK Displays/selects the tone bank. keyboard range is played.
TONE
Displays/selects the tone number. Key Fade Lower Higher settings produce a more gradual decrease
Tone Number
The tone name is shown at the right. in volume. If you don’t want the tone to sound at all
when a note outside the keyboard range is played,
set this parameter to “0.”
32
Tab Parameter Value Tab Parameter Value

This determines what will happen to the tone’s level For each part, this adjusts the time delay until the
when the tone is played at a velocity greater than its Vibrato Delay vibrato (pitch modulation) effect begins. Higher set-
OFFSET
specified velocity range. (*) tings will produce a longer delay time before vibrato
Quick Guide
Velo Fade begins, while lower settings produce a shorter time.
Higher settings produce a more gradual decrease in
Upper (*)
volume. If you want to play the keyboard using a tuning
If you want notes played outside the specified key other than equal temperament, you can choose an
Type
velocity range to not be sounded at all, set this to “0.” alternative tuning such as just intonation (major,
minor) or an Arabian scale.
This specifies the upper limit of the velocities that will
sound the tone. When using a tuning other than equal temperament,
choose the tonic that’s appropriate for the key of the
Edit this setting if you want to use velocity to switch
SCALE song you’re playing (i.e., the note corresponding to
Velo Range between tones. Key “C” for major, or “A” for minor).
Upper (*)
* If you attempt to set the Lower velocity limit above If you’re using equal temperament, there’s no need to
the Upper, or the Upper below the Lower, the other select the tonic.
value will automatically be adjusted to the same
setting. For each note, this lets you adjust the pitch in
KBD (Keyboard)
Introduction
steps of one cent (1/100 semitone) relative to the
This specifies the lower limit of the velocities that will (*)
equal-tempered pitch.
Velo Range sound the tone.
Lower (*) PC (Rx Program Specifies whether Program Change messages will be
Edit this setting if you want to use velocity to switch
Change) received (ON) or not (OFF).
between tones.
BS (Rx Bank Specifies whether Bank Select messages will be
This determines what will happen to the tone’s level
Select) received (ON) or not (OFF).
when the tone is played at a velocity lower than its
specified velocity range. BEND (Rx Pitch Specify whether Pitch Bend messages will be
Velo Fade Bend) received (ON), or not (OFF).
Higher settings produce a more gradual decrease in
Lower (*)
volume. PAFT (Rx Poly Specify whether Polyphonic Key Pressure messages
If you want notes played outside the specified key Key Press) will be received (ON), or not (OFF).
velocity range to not be sounded at all, set this to “0.” CAFT (Rx Ch Specify whether Channel Pressure messages will be
Applies an offset to the velocity sensitivity for the Press) received (ON), or not (OFF).
Velo Sens
entire tone, while preserving the differences between MOD (Rx Specify whether Modulation messages will be
Offset (*)
velocity sensitivity values. Modulation) received (ON), or not (OFF).
Adjusts the pitch of the part’s sound up or down in MIDI
Octave Shift VOL (Rx Specify whether Volume messages will be received
units of an octave (over a range of +/-3 octaves). Volume) (ON), or not (OFF).
Adjusts the pitch of the part’s sound up or down in Specify whether Pan messages will be received (ON),
Coarse Tune PAN (Rx Pan)
semitone steps (over a range of +/-4 octaves). or not (OFF).
Adjusts the pitch of the part’s sound up or down in EXP (Rx Specify whether Expression messages will be
Fine Tune
1-cent steps (over a range of +/-50 cents). Expression) received (ON), or not (OFF).
Specifies the amount of pitch change in semitones HOLD (Rx Specify whether Hold 1 messages will be received
(over a range of 2 octaves) that will occur when the Hold-1) (ON), or not (OFF).
Bend Range Pitch Bend Lever is moved. The amount of change
Use with a Computer

when the lever is tilted is set to the same value for Velocity Curve selects for each MIDI channel one
both left and right sides. of the four Velocity Curve types that best matches
VELO CRV (Velo
PITCH the touch of the connected MIDI keyboard. Set this
Specifies whether the portamento effect will be Crv Type)
to “OFF” if you are using the MIDI keyboard’s own
applied (ON) or not (OFF). velocity curve.
* Portamento is an effect which smoothly
Porta Switch (*) changes the pitch from the first-played key to the
(*): Not shown in the PART VIEW -ALL- screen.
next-played key. By applying portamento when the
Mono/Poly parameter is “MONO,” you can simulate * Depending on the sound, some of the part parameters will have
slide performance techniques on a violin or similar no effect.
instrument.
When portamento is used, this specifies the time
Porta Time (*)
over which the pitch will change. Higher settings Ext part
will cause the pitch change to the next note to take
more time. Parameter Explanation
Overall Settings
Adjusts the cutoff frequency for the tone or drum kit Specifies the volume of the part.
Cutoff Offset
assigned to a part.
Level This is used mainly to adjust the volume balance
Adjusts the Resonance for the tone or drum kit set between parts.
Reso Offset
assigned to a part.
Specifies the depth of chorus.
Adjusts the Attack Time for the tone or drum kit Cho Send Level
Attack Offset Set this to 0 if you don’t want to apply chorus.
assigned to a part.
Specifies the depth of reverb.
Adjusts the Decay Time for the tone or drum kit Rev Send Level
Decay Offset Set this to 0 if you don’t want to apply reverb.
assigned to a part.
OFFSET Adjusts the Release Time for the tone or drum kit
Release Offset
assigned to a part.
For each part, adjust the vibrato speed (the rate
at which the pitch is modulated). The pitch will be
Vibrato Rate (*)
modulated more rapidly for higher settings, and
Appendix
more slowly with lower settings.

For each part, this adjusts the depth of the vibrato
Vibrato Depth effect (the depth at which the pitch is modulated).
(*) The pitch will be modulated more greatly for higher
settings, and less with lower settings.
33
Saving a Studio Set Panning the Sound with Depth

Edits you make to a Studio Set are temporary; they will be lost
when you turn off the unit or select another Studio Set. If you want
(MOTIONAL SURROUND Screen)
to keep an edited Studio Set, you must save it. In addition to the left/right panning of each sound, the INTEGRA-7
lets you specify its depth in the sound field.
NOTE
In the MOTIONAL SURROUND screen you can visually specify the
When you execute the Write operation, the existing data at the
left/right panning and depth of each sound.
write destination will be overwritten.
1. From the top screen or the STUDIO SET EDIT screen, hold
1. Press the [MOTIONAL SURROUND] button.
down the [SHIFT] button and press the [EDIT] button. Motional Surround will turn on, and the MOTIONAL SURROUND
screen will appear.
The WRITE MENU screen will appear.
2. Choose “STUDIO SET WRITE” and press the [ENTER]

2. Use the cursor buttons to specify the position (left/right
and depth) of each instrument.
button.
You can use the PART [ ][ ] buttons to switch the part you’re
3. Assign a name for the Studio Set. editing.
For details on how to assign a name, refer to “Assigning a Name” (p. MEMO
29).
• If you want to turn Motional Surround off, press the [MOTIONAL
SURROUND] button once again in the Motional Surround
screen.
5. Use the value dial or the [DEC] [INC] buttons to select the • If you want to return to the previous screen but leave Motional
Surround turned on, press the [EXIT] button.
desired save destination.
• The [MOTIONAL SURROUND] button’s indicator shows whether
6. Press the [ENTER] button. Motional Surround is on (lit) or off (unlit).
A message will ask “Are you sure?” • By holding down the [SHIFT] button and pressing the
[MOTIONAL SURROUND] button, you can access the Motional
7. To execute, choose “OK” and press the [ENTER] button. Surround screen without changing the Motional Surround on/
off setting.
MEMO
If you decide to cancel without saving, press the [EXIT] button. * Motional Surround and reverb/chorus cannot be applied at the
same time.
NOTE
* When you turn Motional Surround on, reverb/chorus will turn
Never turn off the unit while settings are being saved.
off.
34
Editing the Motional Surround Settings Turning Effects On/Off

Here’s how to turn Motional Surround on/off and specify the size of
1.
Quick Guide
the room. In the top screen, press the [EFFECTS] button.
The EFFECTS ROUTING screen will appear.
1. In the MOTIONAL SURROUND screen, press the [ENTER]
button.
When Motional Surround is “off”
MOTIONAL SURROUND EDIT screen will appear.
Introduction
When Motional Surround is “on”
2. Use the cursor buttons to select the item you want to edit,
and use the value dial to edit the value.
You can use the cursor [ ][ ] buttons to switch tabs.
Tab Parameter Explanation

These are overall settings for Motional Surround.
Room Type Specifies the room type.
2. Use the cursor buttons to select the effect that you want
Room Size Specifies the room size.
Motional Specifies the depth of the Motional
to turn on/off.
COMMON
Surround Depth
Ambience Level
Surround effect.
Specifies the volume of ambience.
3. Use [DEC] [INC] button to turn each effect on/off.
Ambience Time Specifies the duration of ambience.

Ambience
Specifies the density of ambience.
Density
Ambience HF Specifies the frequency at which the high
Damp range of the ambience will be cut.
These numerically specify the position of each part’s
instrument.
You can also use MIDI control changes to control the values
Use with a Computer

of these parameters (except for Width).
Specifies the left/right position.
L-R Control change number

• 1–16 Part : CC12
• Ext Part : CC28
Specifies the front/rear (back) position.

PART
F-B Control change number
• 1–16 Part : CC13
• Ext Part : CC29
Specifies the width of the positioned

Width
sound.
Specifies the send level to ambience
Ambience Send Control change number
Overall Settings
Level • 1–16 Part : CC14

• Ext Part : CC30
Specifies the MIDI channel used when

Ext Part Control controlling the front/back/left/right
CONTROL
Ch position and ambience send level of an
Ext part via MIDI.
MEMO
For details on the parameters, refer to “Parameter Guide PDF.”
Appendix
35
Editing the Effects of a Studio Set Editing the REVERB Settings

(EFFECTS ROUTING Screen) To edit Reverb settings, access the Reverb parameter screen.
* Reverb will not be available when Motional Surround is on.
Here’s how to edit a studio set’s effects.
1. Access the EFFECTS SWITCH screen or the EFFECTS
1. In the top screen, press the [EFFECTS] button. ROUTING screen when the Motional Surround function is
The EFFECTS ROUTING screen will appear. “OFF,” move the cursor to “REVERB,” and press the [ENTER]
button.
2. Use the cursor buttons to select the setting that you want
When Motional Surround is “on” to edit, and use the value dial to edit its value.
Adjusting the Overall Tone of the

Audio Output (MASTER EQ)
2. Move the cursor to the effect that you want to edit, and Here’s how to make final adjustments to the overall tone of
press the [ENTER] button. INTEGRA-7’s audio output (OUTPUT A (MIX) jacks and PHONES jack).
3. Use the cursor buttons to select the setting you want to 1. From the EFFECTS ROUTING screen, move the cursor to
edit, and use the value dial to edit its value. “MEQ (MASTER EQ)” and press the [ENTER] button.
Editing the CHORUS Settings

To edit Chorus settings, access the Chorus parameter screen.
* Chorus will not be available when Motional Surround is on.
1. Access the EFFECTS SWITCH screen or the EFFECTS

2. Use the cursor buttons to select the setting that you want
ROUTING screen when the Motional Surround function is
to edit, and use the value dial to edit its value.
“OFF,” move the cursor to “CHORUS,” and press the [ENTER]
button.
2. Use the cursor buttons to select the setting you want to

edit, and use the value dial to edit its value.
36
Initializing a Part Initializing a Studio Set

This operation will initialize the part settings of the current part. Here’s how to initialize the currently selected Studio Set.
Quick Guide
1. From the top screen or the STUDIO SET EDIT screen, press 1. From the top screen or the STUDIO SET EDIT screen, press
the [MENU] button. the [MENU] button.
2. Choose “PART INIT” and press the [ENTER] button. 2. Choose “STUDIO SET INIT” and press the [ENTER] button.
Introduction
A message will ask “Are you sure?” A message will ask “Are you sure?”
3. To initialize, choose “OK” and press the [ENTER] button. 3. To initialize, choose “OK” and press the [ENTER] button.
Initializing the Sound Controls

This operation will initialize the following offset parameters that
affect how each part sounds.
• Cutoff Offset • Release Offset
• Resonance Offset • Vibrato Rate
• Attack Offset • Vibrato Depth
• Decay Offset • Vibrato Delay
1. From the top screen or the STUDIO SET EDIT screen, press
the [MENU] button.
2. Choose “SOUND CTRL INIT” and press the [ENTER] button.
Use with a Computer

3. To initialize, choose “OK” and press the [ENTER] button.
Overall Settings
Appendix
37
Editing a Tone
Editing the Tones Assigned to a Part SuperNATURAL Synth Tone (SN-S)
Here’s how to edit the sound of each part.
1. Select the part that you want to edit. PARTIAL 3

PARTIAL 2
2. Press the [EDIT] button. PARTIAL 1
The tone edit screen will differ depending on the type of tone that’s
selected for the part. LFO
MFX
MEMO AMP
OSC FILTER
For details on the tone parameters, refer to “Parameter Guide
PDF.”
AFTERTOUCH
SuperNATURAL Acoustic Tone (SN-A) MOD LFO
MODIFY
INST MFX
Tab Explanation
COMMON Settings that apply to the entire tone.
Settings for the waveform that is the basis of the
OSC
tone.
Tab Explanation
PITCH Settings related to pitch.
FILTER Settings related to the filter.
Settings for the INST assigned to the tone.
AMP Settings related to the volume.
INST These are detailed settings for the INST that’s
assigned. LFO Settings for the LFO that modulates the sound.
MFX Settings for the multi-effect. MOD LFO Settings for the modulation applied to the sound.
MFX CTRL Settings for controlling MFX via MIDI. AFTERTOUCH Settings related to aftertouch.
MISC Settings for envelopes and portamento time control.
MFX Settings for the multi-effect.
MFX CTRL Settings for controlling MFX via MIDI.
38
Editing a Tone
SuperNATURAL Drum Kit (SN-D) PCM Synth Tone (PCMS)
Quick Guide
PARTIAL 62 PARTIAL 4
PARTIAL 3
PARTIAL 1 PARTIAL 2
MFX
DRUM INST PARTIAL 1
LFO 1
MFX
COMP+EQ 1 COMP+EQ 4 WAVE TVF TVA
COMP+EQ 2 COMP+EQ 5
PITCH TVF TVA
COMP+EQ 3 COMP+EQ 6 ENV ENV ENV
Introduction
LFO 2
STEP LFO
Tab Explanation
DRUM INST Instrument settings for each partial.
COMP Settings for the drum part compressor. Tab Explanation
EQ Settings for the drum part equalizer. COMMON Settings that apply to the entire tone.
MFX Settings for the multi-effect. Settings for the waveform that is the basis of the
WAVE
MFX CTRL Settings for controlling MFX via MIDI. tone.
Settings for how partials are combined, and for key
PMT (Partial Mix Table)
range.
MEMO
Use with a Computer

If a note-on message is received, the partial number you’re
PITCH ENV Settings for the pitch envelope.
editing will change.
TVF Settings related to the filter.
TVF ENV Settings for the TVF envelope.
TVA Settings related to volume.
TVA ENV Settings for the TVA envelope.
OUTPUT Settings related to output.
LFO 1
Settings for the LFO that modulates the sound.
LFO 2
Settings that specify how steps 1–16 will modulate
STEP LFO
the sound.
Overall Settings
CTRL Settings related to controllers.

MTRX CTRL 1
MTRX CTRL 2
Settings related to matrix controls 1–4.
MTRX CTRL 3
MTRX CTRL 4
MEMO
You can’t edit the sounds of the GM2 bank or the ExPCM bank.
Appendix
39
Editing a Tone
PCM Drum Kit (PCMD) Saving a Tone/Drum Kit

Edits you make to a Tone/Drum Kit are temporary; they will be lost
when you turn off the unit or select another Tone/Drum Kit. If you
PARTIAL 88
want to keep an edited Tone/Drum Kit, you must save it.
NOTE
PARTIAL 1
MFX When you execute the Write operation, the existing data at the
WAVE TVF TVA write destination will be overwritten.
PITCH TVF TVA

1. In the TONE EDIT screen, hold down the [SHIFT] button
ENV ENV ENV and press the [EDIT] button.
COMP+EQ 1 COMP+EQ 4
COMP+EQ 2 COMP+EQ 5
COMP+EQ 3 COMP+EQ 6
2. Assign a name to the tone/drum kit.

For details on assigning a name, refer to “Assigning a Name”
(p. 29).
4. Move the cursor to the save destination, and use the

value dial or the [DEC] [INC] buttons to specify the save
destination.
Tab Explanation 5. Press the [ENTER] button.
COMMON Settings that apply to the entire tone. A message will ask “Are you sure?”
Settings for the waveform that is the basis of the
WAVE
tone. 6. To execute, select “OK” and press the [ENTER] button.
WMT (Wave Mix Table) Make settings for velocity-switching between tones..
MEMO
If you decide to cancel without saving, press the [EXIT] button.
PITCH ENV Settings for the pitch envelope.
TVF Settings related to the filter.
NOTE
TVF ENV Settings for the TVF envelope.

Never turn off the unit while data is being written to memory.
TVA Settings related to volume.

TVA ENV Settings for the TVA envelope.
OUTPUT Settings related to output.
Settings for the Drum Comp + EQ Assign part
COMP
compressor.
Settings for the Drum Comp + EQ Assign part
EQ
equalizer.
MEMO
• If a note-on message is received, the partial number you’re
editing will change.
• You can’t edit the sounds of the GM2 bank or the ExPCM bank.
40
Editing a Tone
Editing the Effects of a Tone Editing the COMP (Compressor) and EQ

Here’s how to edit the MFX settings or the settings of the (Equalizer) Settings
Quick Guide
compressor and equalizer used by the drum part.
Here’s how to make compressor and equalizer settings for the drum
1. In the top screen, press the [EFFECTS] button. kit of a Drum COMP + EQ Assign part.
The EFFECTS ROUTING screen will appear. There are six compressor/equalizer sets; for each instrument (DRUM
INST) in the drum kit, you can select the compressor/equalizer set
that will be used.
1. Use the PART [ ][ ] buttons to select the part that is
specified as the Drum Comp+EQ Assign part.
“COMP+EQ” will appear in the screen.
Introduction
When Motional Surround is “on”
MEMO
The Drum COMP + EQ Assign part to which the compressor and
equalizer are applied can be specified in the “GENERAL” tab (p. 32)
of the Studio Set Common screen.
2. Move the cursor to the effect that you want to edit, and 2. In the EFFECTS ROUTING screen, move the cursor to
press the [ENTER] button. “Comp+EQ” and press the [ENTER] button.

value dial to edit its value.
Editing the MFX (Multi-Effect) Settings

Here’s how to make detailed settings for the multi-effect.
MFX settings are handled as part of the tone; your edits are saved
Use with a Computer

as a user tone. value dial to edit its value.
1. In the EFFECTS ROUTING screen, move the cursor to “MFX” MEMO

and press the [ENTER] button. In the EFFECTS ROUTING screen, you can place the cursor at the
location shown in the illustration and press the [ENTER] button
to access the COMP + EQ output setting screen.

Overall Settings
value dial to edit its value.
Settings for COMP + EQ output can be saved as parameters of

the studio set.
Appendix
41
Editing a Tone
Initializing a Tone Copying a Partial

Here’s how you can initialize the settings of the current tone. Here’s how to copy the partial settings of a SuperNATURAL Synth
Tone, SuperNATURAL Drum Kit, PCM Synth Tone, or PCM Drum Kit.
1. Press the [EDIT] button.
The TONE EDIT screen will appear. 1. Press the [EDIT] button.
The TONE EDIT screen will appear.
3. Choose “TONE INIT” and press the [ENTER] button.
3. Choose “PARTIAL COPY” and press the [ENTER] button.
4. To initialize, choose “OK” and press the [ENTER] button. 4. Select the copy-source partial and the copy-destination
If you decide to cancel, press the [EXIT] button.
partial.
When the initialization has been completed, press the [MENU] 5. To execute, choose “OK” and press the [ENTER] button.
button to return to the previous screen.
Initializing a Partial Selecting the Partial to Edit

Here’s how to select the partials of a SuperNATURAL Synth Tone,
Here’s how to initialize the partials of a SuperNATURAL Synth Tone, SuperNATURAL Drum Kit, PCM Synth Tone, or PCM Drum Kit.
SuperNATURAL Drum Kit, PCM Synth Tone, or PCM Drum Kit.
3. Choose “PARTIAL SELECT” and press the [ENTER] button.
3. Choose “PARTIAL INIT” and press the [ENTER] button.
4. Select the partial that you want to edit.

4. Select the partial that you want to initialize.
5. Turn the value dial or use [DEC] [INC] buttons to switch
5. To initialize, choose “OK” and press the [ENTER] button. the partial/wave you’re editing on/off.
If you decide to cancel, press the [EXIT] button. * For a SuperNATURAL drum kit, only one partial can be selected.
When the initialization has been completed, press the [MENU] * You can’t switch all partials off.
button to return to the previous screen.
42
Using the INTEGRA-7 with Your Computer
If you use a commercially available USB cable to connect the USB
COMPUTER port on the INTEGRA-7’s rear panel to your computer’s What is the USB driver?
USB connector, audio or MIDI data played by your MIDI software
The USB driver is software that transfers data between the
(DAW software) can be sounded by the INTEGRA-7.
INTEGRA-7 and the application (e.g., DAW software) on your
Quick Guide
computer when the INTEGRA-7 is connected via USB to your
Computer’s USB port computer.
(Supports USB 2.0 Hi-Speed)
The USB driver sends data from your application to the INTEGRA-7,
and data from the INTEGRA-7 to your application.
USB MIDI (p. 45)

You’ll be able to use the INTEGRA-7 as a MIDI interface with your
DAW software, and use the INTEGRA-7’s sound generator to play
USB cable performance data (MIDI data) that’s played back by your DAW
(Supports USB 2.0 Hi-Speed)
software.
INTEGRA-7
Introduction
USB audio (p. 46)
If you want to use USB audio, you’ll need to use the VENDER driver
(p. 44).
Settings for INTEGRA-7 computer

For details on operating requirements, refer to the Roland website. If the INTEGRA-7 is connected via a USB cable to the application
http://www.roland.com/ (e.g., DAW software) on your computer, the same sound as from the
INTEGRA-7’s MAIN OUT can be recorded into your computer.
NOTE
• For some models of computer, the system might not operate
correctly. Refer to the Roland website for the operating systems
Settings for computer INTEGRA-7
that are supported. Sound from your computer can be played from the audio system
connected to the INTEGRA-7’s OUTPUT jacks.
• Before you make connections to other equipment, turn down
the volume and turn off the power off on all equipment in order If the Motional Surround function is on, the sound from your
to prevent malfunction and/or speaker damage. computer can also be positioned in the front/rear and left/right
directions.
• A USB cable is not included. To purchase one, please contact the
dealer where you purchased the INTEGRA-7.
• Use a USB cable that supports USB 2.0 Hi-Speed.
Use with a Computer

• Use a computer that supports USB 2.0 Hi-Speed.
• Switch on the INTEGRA-7 before you start up the DAW software
on your computer. Do not switch the INTEGRA-7 on/off while
your DAW software is running.
Overall Settings
Appendix
43
USB Driver Connecting the INTEGRA-7 to Your

Here’s how to switch between the dedicated INTEGRA-7 USB driver
and the generic driver provided by the operating system.
Computer
If you want to use USB audio, you’ll need to use the VENDER driver.
1. Install the USB driver on your computer.
1. In the MENU screen, choose “SYSTEM” and press the If you want to use the INTEGRA-7’s USB audio functionality, change
[ENTER] button. the USB Driver setting to VENDER and then install the driver. You
can download the driver from the Roland website.
2. Choose “SETUP” tab and press the [ENTER] button.
3. Specify the USB Driver that you want to use.

Roland website
When you change this setting, a confirmation message will appear.
The procedure for installing the driver will differ depending on your
Driver Explanation system. Before you proceed, you should carefully read the “Readme”
VENDER The dedicated INTEGRA-7 driver provided by Roland will file that was extracted along with the installer.
(MIDI+AUDIO) be used. MIDI and audio will be available.
GENERIC The generic driver provided by the operating system 2. Use a USB cable (sold separately) to connect the
(MIDI only) will be used. Only MIDI will be available. INTEGRA-7 to your computer.
MEMO
This setting will take effect after you’ve carried out a System
Write, and you’ve turned the unit off, then back on again.
4. Choose “WRITE” and press the [ENTER] button to save the

setting.
5. Turn the unit off, then on again.
44
USB MIDI
If you connect your computer and MIDI keyboard to the INTEGRA-7 as shown in the illustration and turn the USB-MIDI Thru ON, you’ll be able to use
Quick Guide
the INTEGRA-7 as a MIDI interface.
This is convenient when you want to use a MIDI keyboard with DAW software on your computer to create song data.
For details about settings on your computer, refer to the owner’s manual of the software you’re using.
Computer
INTEGRA-7
Rear Panel
Introduction
MIDI IN
MIDI Keyboard MIDI OUT
If you want to play the sound generator of the INTEGRA-7 directly from your MIDI keyboard, turn the USB-MIDI Thru OFF.
Use with a Computer

MIDI Signal Flow
USB-MIDI Thru=OFF USB-MIDI Thru=ON
MIDI OUT MIDI IN USB OUT USB IN MIDI OUT MIDI IN USB OUT USB IN
Sound Sound
Generator Generator
Overall Settings
Section Section
INTEGRA-7 INTEGRA-7
Specifying the Output Destination of the Incoming Messages

Here’s how to specify whether the MIDI messages received at MIDI IN will be retransmitted without change to computer (the “ON” setting), or will not
be transmitted (the “OFF” setting).
2. Choose “SYSTEM” and press the [ENTER] button.

Appendix
3. In the “MIDI” tab, choose “USB-MIDI Thru” and specify the ON/OFF setting.
4. Hold down the [SHIFT] button and press the [EDIT] button to save the setting.
45
USB AUDIO
Sound played back by your computer can be output from the INTEGRA-7.
MEMO
If you want to use the INTEGRA-7’s USB audio functionality, change the USB Driver setting to VENDER and then install the driver. You can download
the driver from the Roland website.
Roland website
The procedure for installing the driver will differ depending on your system. Before you proceed, you should carefully read the “Readme” file that
was extracted along with the installer.
Audio Signal Flow

Computer
USB
USB INPUT L USB OUTPUT L

USB INPUT R Ext Part Source USB OUTPUT R
Select (p. 48)
A (MIX)-L (1) 2 CH L
Front INPUT L Motional
Front INPUT R Surround A (MIX)-R (2) 2 CH R
Rear INPUT L B-L (3) 5.1 CH L
Rear INPUT R
or B-R (4) 5.1 CH R
C-L (5) 5.1 CH C

Sound Generator Chorus
C-R (6) 5.1 CH Ls
Part 1–16
D-L (7) 5.1 CH Rs
Reverb
D-R (8) 5.1 CH LFE
INTEGRA-7
Specifying the Sampling Rate for USB Audio

Here’s how to specify the sampling rate of the INTEGRA-7. If you’re using software, you’ll also need to restart your software.
The USB Audio Sampling Rate must be set to match the sampling rate of the software you’re using.
1. In the MENU screen, choose “SYSTEM” and press the [ENTER] button.
2. In the “SOUND” tab, choose “Sampling Rate” and change the setting.
3. Change the “Sampling Rate” setting.

MEMO
If you want to save the setting, hold down the [SHIFT] button in the system setting screen and press the [EDIT] button.
The INTEGRA-7’s audio format

Sampling rate 44.1, 48, 96 kHz
Bit depth 24-bit (fixed)
Number of channels 2 channels (stereo)
46
Applying Motional Surround to Sounds of an External Device
Connection Example
You can assign the sound of the external input as the Ext part, and apply Motional Surround to it.
Quick Guide
It’s best to place the subwoofer at the LFE
same distance as the satellite speakers, C
with the listening position at the center.
Ext part
L 8 R
7
EX 9
12
2 10
6
Introduction
3
5 1 4 11
16
13
14
15
Ls Rs
Computer
Rs Ls R L Jack
Explanation
name
LFE C L Front left output
R Front right output
C Front center output
Ls Rear left output
Use with a Computer

Rs Rear right output
LFE Subwoofer output
MIDI Keyboard/Synthesizer
Overall Settings
MEMO
• In order to use Motional Surround, you must turn Motional Surround on (p. 34).
• If you want to apply Motional Surround to the sound of the external input, set the “Ext Part Source Sel” parameter (p. 48) to “Input.”
• If you want to apply Motional Surround to your PC’s sound, set the “Ext Part Source Sel” parameter (p. 48) to “USB.”
• Depending on the equipment you’ve connected and the sound that is being input, it may be difficult to obtain the Motional Surround effect.
Appendix
47
Overall Settings
Startup Settings (STARTUP)
System Settings
Parameter Value Explanation
Here you can make overall settings that apply to the entire
INTEGRA-7, such as those for tuning and MIDI message reception. Specifies the studio set that will be loaded
LAST-SET, when the unit is turned on.
Startup
(Studio Set
1. In the MENU screen, choose “SYSTEM” and press the Studio Set
number) If you want the most recently selected studio
set to be loaded, choose “LAST-SET.”
[ENTER] button
Startup OFF, (Sound
The SYSTEM screen will appear. Expansion Library
Specifies the sound library that will be loaded
into each RAM slot when the unit is turned on.
SlotA–SlotD name)
Volume and Pitch Settings (SOUND)

Parameter Value Explanation
Master
2. Select the item whose settings you want to edit. Level
0–127 Specifies the overall volume of the INTEGRA-7.
Specifies the overall tuning. The displayed

3. Select the parameter that you want to edit, and edit its Master Tune
415.3–466.2
Hz
value is the frequency of the A4 note (middle
value. “A”).
Adjusts the output gain of the analog output
Output Gain -12–+12 dB
and digital output.
Saving the System Settings Master Key

Shift
-24–+24 Transposes the overall pitch in semitone steps.
System settings will return to their previous state when you turn Sampling 44.1, 48, 96
Specifies the audio sampling rate.
Rate kHz
off the unit. If you want these settings to be retained even after the
unit is turned off, you must save the system settings. Ext Part
USB AUDIO, Selects the input source that will be assigned
Source
INPUT to the Ext part.
1. In the SYSTEM screen, hold down the [SHIFT] button and Select
press the [EDIT] button.

A message will indicate “Completed!” and the settings will be saved.
Synchronization Settings (SYNC/TEMPO)
NOTE
Never turn off the unit while data is being saved. Parameter Value Explanation
MASTER: Choose this setting when using the
INTEGRA-7 by itself.
System Parameter Sync Mode
MASTER,
SLAVE SLAVE: Choose this setting if you want the
INTEGRA-7 to operate in synchronization with
the MIDI clock of an external device.
The operations of the system parameters are explained below,
organized according to the structure of the parameters. If the Sync Mode is set to “SLAVE,” you
Clock can specify whether the INTEGRA-7 will
MIDI, USB
Source synchronize with clock received at the MIDI IN
Setup Settings (SETUP) or with clock received at the USB port.
Specifies the system tempo.
Parameter Value Explanation System * If the Sync Mode is “SLAVE,” this tempo
20–250 value is ignored because the INTEGRA-7 will
LCD Tempo
1–20 Adjusts the contrast of the display. synchronize to clock data received from an
Contrast
external MIDI device.
Adjusts the brightness of the display.
LCD Tempo Specifies whether the tempo will follow the
1–20 The brightness will increase as the value is SYSTEM,
Brightness Assign system setting (System Tempo) or the tempo
raised. STUDIO SET
Source of each studio set (Studio Set Tempo).
TYPE1: A screen that shows the tone of the
current part in large characters
TYPE1, TYPE2: A screen that shows the studio set
Top Screen and tones
TYPE2
* You can also switch this by pressing [SHIFT]
+ [ENTER] in the top screen.
Specifies whether the unit will turn off
OFF, automatically after a certain time has elapsed.
Auto Off 30 [min], (p. 55)
240 [min] If you don’t want the unit to turn off automati-
cally, choose “OFF” setting.
Specifies whether the INTEGRA-7 will use
the dedicated driver provided by Roland
(VENDER) or the standard driver provided by
VENDER the operating system (GENERIC) (p. 44).
(MIDI+AUDIO),
USB Driver If you choose GENERIC, USB operation is
GENERIC
(MIDI Only) limited to MIDI.
* This setting will take effect after you save
the settings and turn the unit off, then on
again.
48
Overall Settings
MIDI Settings (MIDI) Preview Settings (PREVIEW)

Parameter Value Explanation Parameter Value Explanation
Quick Guide
When transmitting and receiving system SINGLE: The notes specified by Preview 1–4
Device ID 17–32 exclusive messages, the device ID numbers of Note Number will be sounded one at a time,
both devices must match. consecutively.
SINGLE,
Specifies the MIDI receive channel on which Preview CHORD: The notes specified by Preview 1–4
CHORD,
MIDI messages (program change/bank select) Mode Note Number will be sounded simultaneously.
PHRASE
Studio Set from an external MIDI device will be received PHRASE: The phrase provided for the
Control 1–16, OFF by the INTEGRA-7 to switch studio sets. corresponding patch type (category) will be
Channel Choose “OFF” setting if you don’t want studio played.
sets to be switched from a connected MIDI Specify the pitches of the four notes that will
device. be sounded if you set the Preview Mode to
Preview
Specifies whether MIDI messages received via 1–4 Note C-1–G9 “SINGLE” or “CHORD.”
the USB COMPUTER port/MIDI IN connector Number * These settings are ignored if Preview Mode
USB-MIDI
OFF, ON will be re-transmitted from the MIDI OUT is set to “PHRASE.”
Thru
Introduction
connector/USB COMPUTER port (ON) or not
be re-transmitted (OFF) (p. 45). Specify the velocities of the four notes that
will be sounded if you set the Preview Mode
When you edit tone or studio set settings, Preview 1–4 to “SINGLE” or “CHORD.”
this specifies whether your edits will be OFF, 1–127
Tx Edit Data OFF, ON Velocity
transmitted as system exclusive messages * These settings are ignored if Preview Mode
(ON) or not be transmitted (OFF). is set to “PHRASE.”
Rx Program Specifies whether program change messages
OFF, ON
Change will be received (ON) or not be received (OFF).
Rx Bank
Select
OFF, ON
Specifies whether bank select messages will
be received (ON) or not be received (OFF).
Control Function Settings (CONTROL)
Specifies whether system exclusive messages Parameter Value Explanation
Rx Exclusive OFF, ON
will be received (ON) or not be received (OFF).
Specify the MIDI messages that will be used as
Rx GM Specifies whether GM System On messages system controls.
OFF, ON
System On will be received (ON) or not be received (OFF).
System Control settings allow you to specify
Rx GM2 Specifies whether GM2 System On messages MIDI messages that will apply in common to
OFF, ON OFF,
System On will be received (ON) or not be received (OFF). the entire INTEGRA-7, and can be used for
CC01–31, controlling volume, tone, etc.
Specifies whether GS Reset messages will be System
Rx GS Reset OFF, ON 33–95,
received (ON) or not be received (OFF). Control You can assign up to four MIDI messages for
PITCH BEND,
Src1–4 this type of control.
AFTER-
TOUCH If you want to make assignments for realtime
control of the sound and effects for each
Motional Surround Settings (MOTIONAL SURROUND) tone independently, use “matrix control” or
“multi-effect control.”
Use with a Computer

Parameter Value Explanation For details, refer to the “Parameter Guide PDF.”
Specifies whether the two-channel surround SYSTEM: “System Control Src 1--4” will be
Control used for tone control.
2CH Out SPEAKER, output will be processed appropriately for SYSTEM,
Source
Mode PHONES listening through speakers (SPEAKER) or STUDIO SET STUDIO SET: Tone Control Src 1--4 (p. 32) of the
Select
headphones (PHONES). Studio Set will be used for tone control.
5.1CH Specifies whether sound will (ON) or will not
Center SP OFF, ON (OFF) be output from the front center speaker
Switch of a 5.1 channel speaker system.
5.1CH Sub
Woofer OFF, ON
Specifies whether sound will (ON) or will not
(OFF) be output from the subwoofer of a 5.1
Viewing the System Version
(LFE) Switch channel speaker system.
Shows the INTEGRA-7’s software version.
1. In the MENU screen, choose “SYSTEM” and press the

Overall Settings
[ENTER] button.
The SYSTEM screen will appear.
2. Use the cursor [ ][ ] buttons to select the “VERSION”

tab.
Appendix
49
Convenient Functions
Basic Procedure for Utility Initializing a USB Flash Drive
Operations (FORMAT USB MEMORY)
This operation will initialize (format) a USB flash drive.
1. In the MENU screen, choose “UTILITY” and press the
[ENTER] button. NOTE
The UTILITY screen will appear. When you execute this operation, all data saved on the USB
flash drive will be lost. If the USB flash drive contains important
data, back it up to your computer before initializing the USB
flash drive.
1. In the UTILITY screen, choose “FORMAT USB MEMORY”

and press the [ENTER] button.
2. Select the function that you want to execute, and press

the [ENTER] button.
Function Explanation Page

Saves (backs up) all settings of the
BACKUP
INTEGRA-7 to a USB flash drive.
p. 52
2. To initialize, choose “OK” and press the [ENTER] button.
Restores data from a backup on a USB
RESTORE
flash drive into the INTEGRA-7.
p. 53 NOTE
Writes sound data of the INTEGRA-7 to a Never turn off the unit while the formatting is in progress.
EXPORT p. 51
USB flash drive.
Loads previously exported data from a
IMPORT p. 51
USB flash drive into the INTEGRA-7.
Returns the INTEGRA-7 to its factory-set
FACTORY RESET p. 55
state.
FORMAT USB
Initializes the USB flash drive. p. 50
MEMORY
Sends the studio set and tone settings in
BULK DUMP the temporary area to an external MIDI p. 54
device.
USB Flash Drive

The settings of the INTEGRA-7, sound data
backups, and data for studio sets and tones
can be exported to a USB flash drive (p. 27).
NOTE
• Never insert or remove a USB flash drive while this unit is
on. Doing so may corrupt the unit’s data or the data on
the USB flash drive.
• Carefully insert the USB flash drive all the way in-until it is
firmly in place.
• Use USB flash drive available from Roland. Proper
operation cannot be guaranteed if other USB device is
used.
• Don’t connect anything other than a USB flash drive to the
USB MEMORY connector.
50
Exporting/Importing Sound Data Importing Sound Data (Import)

From the studio sets and tones saved in the INTEGRA-7, you can
1. In the UTILITY screen, choose “IMPORT” and press the
Quick Guide
select the desired items and export them to a USB flash drive.
[ENTER] button.
You can also select the desired studio sets or tones from a file
The IMPORT screen will appear.
that was exported to a USB flash drive, and import them into the
INTEGRA-7.
When you export a studio set, the tones used by that studio set will
also be exported.
* Connect your USB flash drive to the USB MEMORY port before
you export or import.
Exporting Sound Data (Export) 2. Select the data file from which you want to import, and
Introduction
press the [ENTER] button.
1. In the UTILITY screen, choose “EXPORT” and press the
3. Select the sound data that you want to import.
[ENTER] button.
Select the desired studio set or tone, and press the [INC] button.
The EXPORT screen will appear.
Pressing the [DEC] button will clear the mark.
You can use the tabs to switch between studio sets and different
types of tones.
When you mark an item, an “*” will appear at the left of the Number/
Name. A “+” symbol will automatically appear for the tones used by
sound data marked with an “*” symbol. The “+” symbol cannot be
directly erased.
2. Mark the sound data that you want to export. 4. Press the [ENTER] button.
Select the desired studio set or tone, and press the [INC] button. A screen will appear, allowing you to specify the destination for the
import.
Pressing the [DEC] button will clear the mark.
The names “INIT STUDIO,” “INIT TONE,” and “INIT KIT” will be used
You can use the tabs to switch between studio sets and different when assigning the import destinations; this occurs in order,
types of tones. starting with the lowest number.
When you mark an item, an “*” will appear at the left of the Number/
Name. A “+” symbol will automatically appear for the tones used by NOTE
sound data marked with an “*” symbol. The “+” symbol cannot be If you’ve edited a sound and have saved it with the
directly erased. name “INIT STUDIO,” “INIT TONE,” or “INIT KIT,” it may be
Use with a Computer

automatically selected as the destination for the import.
If you then execute the import, this data will be overwritten
4. Assign a name to the file that will be exported.
and lost. The lost sound data cannot be recovered.
Please save your important sound data using names other than
For details on assigning a name, refer to “Assigning a Name” (p. 29).
“INIT STUDIO,” “INIT TONE,” and “INIT KIT.”
MEMO
The exported sound data will be saved together in a single file
5. If you want to change the destination of the import, clear
the specified mark, and then select and mark the desired
named ***.SVD, located below /ROLAND/SOUND in the USB
flash drive. destination for the import.
For the import destination, select the same number of sound data
5. Press the [ENTER] button. items as you marked in step 3. (Importing is not possible if the
A message will ask “Are you sure?” number is insufficient.)
Overall Settings
You cannot select more import destinations than the number of

6. To export, choose “OK” and press the [ENTER] button. sound data items being imported.
NOTE 6. Press the [ENTER] button.

Never turn off the unit while the export operation is in progress. A message will ask “Are you sure?”
7. To Import, choose “OK” and press the [ENTER] button.

NOTE
Never turn off the unit while the import is in progress.
Appendix
51
Marking Multiple Items of Data Backing Up User Data

You can select multiple consecutive items of sound data, and set or You can back up all of settings in the INTEGRA-7 to a USB flash drive
clear their marks in a single operation. (sold separately), or restore those settings into the INTEGRA-7’s
memory.
1. In the screen where you’re selecting sound data, select
* Connect your USB flash drive to the USB MEMORY port before
the lowest-numbered item of sound data that you want you back up or restore data.
to select.
NOTE
2. Hold down the [SHIFT] button and use the cursor • If you execute the backup operation using a file name that
[ ] [ ] buttons to select the highest-numbered item of already exists, the backup data currently saved on the USB flash
sound data that you want to select. drive will be overwritten. If you want to keep multiple backup
files within a single USB flash drive, you can either back them
up with different file names, or back them up as described in
“Backing Up USB Flash Drive Data to a Computer” (p. 53).
• Never insert or remove a USB flash drive while this unit is on.
Doing so may corrupt the unit’s data or the data on the USB
flash drive.
• Carefully insert the USB flash drive all the way in-until it is firmly
All sounds between the numbers you selected in steps 1 and 2 will in place.
be selected. • Use USB flash drive available from Roland. Proper operation
The number of currently selected data items is shown in the upper cannot be guaranteed if other USB device is used.
right of the screen.
3. Press the [INC] button.

Backing Up to a USB Flash Drive
Pressing the [DEC] button will clear the mark from the sound data.
(BACKUP)
Deleting an Exported File 1. In the UTILITY screen, choose “BACKUP” and press the
In the screen where you select the data file to be imported, you can
[ENTER] button.
delete data files.
2. Assign a name to the backup file.
1. In the UTILITY screen, choose “IMPORT” and press the For details on assigning a name, refer to “Assigning a Name” (p. 29).
[ENTER] button.
2. Select the data file that you want to delete.
4. To execute, choose “OK” and press the [ENTER] button.
NOTE
NOTE
Data that you delete cannot be recovered.
Never turn off the unit while the backup operation is in progress.
Take care not to inadvertently delete important data.
4. Choose “DELETE” and press the [ENTER] button.

5. Choose “OK” and press the [ENTER] button.
Renaming an Exported File

In the screen where you select the data file to be imported, you can
rename the data file.
1. In the UTILITY screen, choose “IMPORT” and press the

[ENTER] button.
2. Select the data file that you want to rename.
4. Choose “RENAME” and press the [ENTER] button.

52
Restoring Backed-up Settings from a USB Renaming a Backup File

Flash Drive (RESTORE) You can rename a data file in the screen where you select a data file
Quick Guide
to be restored.
1. In the UTILITY screen, choose “RESTORE” and press the 1. In the UTILITY screen, choose “RESTORE” and press the
[ENTER] button. [ENTER] button.
The RESTORE screen will appear. The RESTORE screen will appear.
2. Select the data file that you want to rename.
4. Choose “RENAME” and press the [ENTER] button.

Introduction
2. Select the file that you want to restore. 5. Press the [ENTER] button.

A message will ask “Are you sure?” Backing Up USB Flash Drive Data to a
NOTE
When you execute the Restore operation, all settings currently
Computer
saved in the INTEGRA-7 will be lost. If you want to keep the Here’s how to back up the data from a USB flash drive to your
current settings, back them up under a different name. computer.
4. To execute, choose “OK” and press the [ENTER] button. 1. Turn off the INTEGRA-7.
NOTE 2. Disconnect the USB flash drive from the INTEGRA-7, and
Never turn off the unit while the restore operation is in progress. connect it to your computer.
5. Turn the INTEGRA-7 off, and then on again. 3. On your computer, open the USB flash drive.
4. Copy (drag and drop) the entire “ROLAND” folder from the
Deleting a Backup File USB flash drive into a folder on your computer.
You can delete a data file in the screen where you select a data file NOTE
to be restored. • You must copy the entire “ROLAND” folder.
Use with a Computer

• The data will not be backed up correctly if you copy only part of
1. In the UTILITY screen, choose “RESTORE” and press the the files in the “ROLAND” folder.
[ENTER] button.
The RESTORE screen will appear. 5. When the copy is completed, unmount (eject) the USB
flash drive from your computer, and then disconnect it
2. Select the data file that you want to delete. from the computer.
Windows 7/ Windows Vista / Windows XP users:

In My Computer (or Computer), right-click the “removable disk” icon
and choose “Eject.”
Mac OS X users:
Overall Settings
NOTE Drag the USB flash drive icon into the Trash (Eject icon).
Data that you delete cannot be recovered.
Take care not to inadvertently delete important data.
4. Choose “DELETE” and press the [ENTER] button.

5. Choose “OK” and press the [ENTER] button.

Appendix
53
Restoring Backed-up Data from a Transmitting the Temporary Area’s Data

Computer to a USB Flash Drive to an External MIDI Device (BULK DUMP)
1. Connect the USB flash drive to your computer, and open Here’s how to transmit the studio set and tone settings to an
the USB flash drive. external MIDI device. This operation is called “bulk dump.” You can
use this operation when you want to connect another INTEGRA-7
2. Copy (drag and drop) the entire backed-up “ROLAND” unit and play it using identical settings, or when you want to save
your studio set and tone settings on an external MIDI device as a
folder from your computer into the USB flash drive.
precaution against data loss.
NOTE Connect the INTEGRA-7 to your external MIDI device as shown in
• When you copy the backed-up data to the USB flash drive, the the illustration before you proceed.
“ROLAND” folder that previously existed on the USB flash drive INTEGRA-7
will be overwritten, and its data will be lost.
• You must copy the entire “ROLAND” folder. The system will not
operate correctly if you copy only some of the files from the
“ROLAND” folder.
3. Disconnect the USB flash drive from your computer as

described in step 5 of “Backing Up USB Flash Drive Data to Computer
a Computer” (p. 53).
Sequencer
software such
as SONAR
1. In the UTILITY screen, choose “BULK DUMP” and press the

[ENTER] button.
2. To execute the bulk dump, choose “OK” and press the

[ENTER] button.
54
Restoring the Factory Settings Making the Unit Automatically Turn

(FACTORY RESET) Off After a Time (Auto Off)
Quick Guide
This “FACTORY RESET” operation will restore all settings of the With the factory settings, the INTEGRA-7 will automatically be
INTEGRA-7 to their factory-set state. switched off 4 hours after you stop playing or operating the unit.
If you don’t need the unit to turn off automatically, set “Auto Off” to
NOTE
the “OFF” setting as described below.
When you execute the Factory Reset operation, all data in the
INTEGRA-7 will be lost. If there is any data that you want to keep, 1. In the MENU screen, choose “SYSTEM” and press the
back it up to a USB flash drive (p. 52). [ENTER] button.
1. In the MENU screen, choose “UTILITY” and press the The SYSTEM screen will appear.
[ENTER] button. 2. Use the cursor [ ][ ] buttons to select the “SETUP” tab.
The UTILITY screen will appear.
Introduction
3. Use the cursor [ ] [ ] buttons to select “Auto Off,” and
2. Choose “FACTORY RESET” and press the [ENTER] button. change the setting.
3. To execute the factory reset, choose “OK” and press the
Value Value
[ENTER] button.
OFF The unit will not turn off automatically.
NOTE The unit will automatically turn off if no operation is
30 [min]
Never turn off the unit before the factory reset has been performed for 30 minutes.
completed. 240 [min] The unit will automatically turn off if no operation is
(default) performed for 240 minutes (4 hours).
4. Turn the INTEGRA-7 off, and then on again.
4. Hold down the [SHIFT] button and press the [EDIT]

button.
A message will indicate “Completed!” and the settings will be saved.
Use with a Computer

NOTE
• Never turn off the unit while data is being saved.
• When turning the unit back on after it has been shut down due
to the Auto Off function, always make sure to allow at least ten
seconds to pass after the unit has been shut off before you turn
the unit back on. If you turn it back on too rapidly, the Auto Off
function will not have had enough time to reset itself, and you
may not be able to turn on the unit in the normal way.
Overall Settings
Appendix
55
Troubleshooting
Problem Items to check Action Page
Overall problems
Check the “Auto Off” system setting. The INTEGRA-7 will
The unit turns off automatically be turned off when no operation has been If you want the INTEGRA-7 to stay on, change the “Auto Off”
p. 55
unexpectedly performed for a certain length of time. (At the factory settings, system setting to “OFF.”
the power will be turned off after 4 hours.)
Make sure that the AC power cord is connected correctly.
Is the included AC power cord correctly connected to an outlet
Unit won’t turn on Do not use anything other than the included AC power cord; p. 22
and to the INTEGRA-7?
otherwise, you risk causing a malfunction.
Is the connected amp or speaker powered up? Turn on the power of the connected amp or speaker.
Could the volume of a connected device have been lowered? Adjust the volume of the connected equipment.
p. 21
Could the [VOLUME] knob be set to the minimum level? Adjust the [VOLUME] knob.
Are your amp, speakers, headphones, etc., connected correctly? Correctly connect your amp, speakers, and headphones. p. 23
No sound If you hear sound through your headphones, it may be that there
is a broken connection cable, or that your amp or mixer have
Can you connect headphones and hear sound through them? p. 20
malfunctioned. Check your connection cables and equipment
once again.
Make sure that the MIDI transmit channel of the connected device
Does the MIDI receive channel match? p. 32
matches the MIDI receive channel (Rx Channel) of the INTEGRA-7.
Could you be using a connection cable that contains a resistor? Use a connection cable that does not contain a resistor. p. 23
Problems with the Synthesizer sound
Could the tone’s partials be turned off? Turn on the “Partial Switch.” p. 42
Could the level setting be too low? In the “SOUND” system settings, check “Master Level.” p. 48
Check the effect on/off settings. Also check settings such as the
Are the effect settings correct? p. 36, p. 41
effect levels.
If the settings of the sound use a tone, wave, or instrument of an
Has the expansion sound data been loaded correctly? expansion sound, make sure that the corresponding expansion p. 15
sound data is loaded correctly.
No sound Adjust the Level setting to raise the volume of the part that you
Could the volume have been lowered by a MIDI message don’t hear.
(volume message or expression message) received from an p. 32
external MIDI device? Check the expression messages that are being transmitted by your
external MIDI device.
If USB-MIDI Thru is on, MIDI messages received at MIDI IN will
be re-transmitted without change from USB OUT, so the sound
Could the USB-MIDI Thru setting be ON? generator will not produce sound. p. 45
If you want to play the sound generator via the MIDI IN connector,
turn USB-MIDI Thru off.
Adjust the Level to raise the volume of the part that you don’t
Could the volume level of the part have been lowered? p. 32
hear.
No sound from a specific
part Could the part be muted? Change the mute setting to “-”. p. 30
Could the Rx Switch of the part be turned off? Turn the Rx Switch on. p. 32
No sound from a specific If you don’t hear sound from a specific range of keys, check the key
Could a key range be set? p. 32
range of keys range settings.
Can’t hear the audio signal Could the audio signal from the computer be at a different Change the Sampling Rate setting of the INTEGRA-7 so that it
p. 48
from the computer sampling rate than the sampling rate of the INTEGRA-7 itself? matches the sampling rate of the audio signal.
Could the [VOLUME] knob be set too high? If the overall sound is distorted, lower the [VOLUME] knob. p. 21
Could the Output Gain be raised excessively? In the “SOUND” system settings, check the “Output Gain” setting. p. 48
Sound is distorted
The PEAK indicator on the front panel will light if the input level
Could the INPUT (front or rear) input signal be too high? clips. Adjust the volume of the connected device to an appropriate –
level so that the PEAK indicator does not light.
Could the INTEGRA-7’s tuning be incorrect? In the “SOUND” system settings,” check the “Master Tune” setting. p. 48
Could the pitch be wrong because of a pitch bend message Check the pitch bend messages that are being transmitted by your
Pitch is wrong –
received from an external MIDI device? external MIDI device.
Could the Coarse Tune or Fine Tune parameters be set? Check the Coarse Tune and Fine Tune settings. p. 33
Reduce the number of layers in the Live Set you’re using. Increase
Notes will be interrupted if more than 128 notes are sounded
Notes are broken off the voice reserve setting for layers in which notes must not drop p. 32
simultaneously.
out.
Since the INTEGRA-7’s internal effects are stereo, applying an insert
Sound is still heard from Could effects be applied? effect will allow effect sound to be heard from the opposite side p. 36, p. 41
the opposite side as well even if the source sound is panned all the way to one side.
even when panned all the
way to one side PAN will not work if Motional Surround is on. Turn MOTIONAL
Could Motional Surround be turned on? p. 34
SURROUND off.
When you play high notes on the INTEGRA-7, you might hear
This is usually because you have exceeded the highest note that
Notes played in a high notes that fail to sound, whose pitch fails to rise, or a noise that
the INTEGRA-7 is able to produce, and won’t occur with the notes –
register sound funny changes depending on the note you play (a warbling, chirping,
you would normally use. This does not indicate a malfunction.
rustling, beeping, etc.)
56
Troubleshooting
Problem Items to check Action Page

Delay time does not
Could the system setting “USB Song Sync Mode” have been set If “Sync Mode” is set to “SLAVE,” change the tempo of the external
change when you change p. 48
to “SLAVE”? device that is transmitting MIDI clock data.
the tempo
Quick Guide
When the Legato Switch (p. 32) is “ON” and Legato Retrigger is
“OFF,” and you hold down a low note and play a high note to
produce a legato effect, the pitch might stop at a certain point If you want to make large changes in the pitch, you should turn
Pitch sometimes fails to rise and fail to rise as far as you expect because the upper limit of Legato Retrigger “ON.” p. 39
when playing legato the wave data has been exceeded. For details on the parameters, refer to “Parameter Guide PDF.”
If the tone uses multiple waves, and each of these waves has a
different upper limit, the result might no longer sound mono.
Problems with the Synthesizer effects
Could the effect switch be off? Check the on/off setting of each effect. p. 36, p. 41
The effect won’t be obtained if the send level to that effect is set
Effect not applied at 0. Even if the send levels to the effect is set above 0, the effect
Check the send level to each effect. p. 36
won’t be applied if the multi-effect level, or reverb level are set to
Introduction
0. Check each of these settings.
You specified a delay time Increase the System tempo.
value (for example for multi
effect DELAY) as a note Since the delay time has an upper limit, specifying the delay time
Check the delay time setting. as a note value and then slowing down the tempo may reach this p. 48
value, but there’s a limit
beyond which the delay upper limit. The maximum delay time is the highest value that can
time will not change be specified numerically (i.e., other than in terms of a note value).
Problems with external MIDI devices

No sound from an external Does the INTEGRA-7’s MIDI transmit channel match the Match the INTEGRA-7’s transmit channel and your connected
p. 32
MIDI device connected device’s MIDI receive channel? device’s receive channel.
Could Rx Exclusive be turned “OFF”? Turn Rx Exclusive “ON.” p. 49
Exclusive messages are not
received Does the transmitting unit’s Device ID number match the
Set the Device ID numbers. p. 49
INTEGRA-7’s Device ID number?
Problems with an external device you’re recording
The volume level of the Could you be using a connection cable that contains a resistor? Use a connection cable that does not contain a resistor. p. 23
instrument connected to
Is the volume of the external device adjusted correctly? Adjust the volume of your external device to an appropriate level. –
INPUT jacks (Front, Rear) is
too low. Did you adjust the Level of Ext Part? Adjust Level of Ext Part. p. 33
Problems with the USB flash drive
Format the USB flash drive on the INTEGRA-7.
The INTEGRA-7 can use a USB flash drive that’s formatted as FAT.
USB flash drive is not (Normally, a USB flash drive will be formatted as FAT when you
Check the format of the USB flash drive. p. 50
Use with a Computer

recognized purchase it, so you can use it as is.) USB flash drives with a format
other than FAT (such as NTFS) will not be recognized by the
INTEGRA-7.
Could a strong physical shock have been applied to the USB
Data on the USB flash drive flash drive?
Format the USB flash drive on the INTEGRA-7. p. 50
was damaged Could the unit have been turned off while accessing the USB
flash drive?
Is there sufficient free space on the USB flash drive? Use an USB flash drive that has sufficient free space. –
Can’t back up to USB flash
drive Check the format of the USB flash drive. The INTEGRA-7 can use
Format the USB flash drive on the INTEGRA-7. p. 50
USB flash drive that are formatted in FAT format.
Problems with a USB connection
The INTEGRA-7 is not
The USB port of the computer connected to the INTEGRA-7 must
recognized by your Does your computer’s USB port support USB 2.0 Hi-Speed? –
Overall Settings
support USB 2.0 Hi-Speed.

computer
Appendix
57
Error Message List
If an incorrect operation is performed, or if processing could not be performed as you specified, an error message will appear.
Refer to the explanation for the error message that appears, and take the appropriate action.
Message Meaning Action

An import destination has not been selected. Select the import destination
Cannot Import! Sound data cannot be imported.
(p. 51).
File Not Selected! No file is selected. Select a file.
Do not use a file name that starts with “.” or contains a character that may not
Incorrect File Name! The file name is invalid.
be used (¥ / ; * ? “ < > |) in a file name.
An unusually large amount of MIDI data was received, and could not
MIDI Buffer Full! Reduce the amount of MIDI messages that are being transmitted.
be processed.
Check that there is no problem with the MIDI cable connected to the
MIDI Offline! The MIDI IN connection was broken.
INTEGRA-7’s MIDI IN, and that the MIDI cable was not disconnected.
The operation could not be performed because the read-only attribute
Permission Denied! Use your computer to clear the read-only attribute of the file or folder.
is set for the folder or file.
The INTEGRA-7 was unable to start up.
Use the correct program to perform the update once again.
Program Error! The program could not be read correctly. Alternatively, the system
If this does not solve the problem, contact your dealer or customer support.
update program may be invalid.
Make sure that USB flash drive is correctly connected (p. 5).
Data could not be read from the USB flash drive.
Read Error! Also make sure that you’re using a USB flash drive sold by Roland.
The file is damaged. Do not use this file.
System Memory Execute the factory reset operation (p. 55).

The contents of system memory may be damaged.
Damaged! If this does not solve the problem, contact your dealer or customer support.
USB Memory Full! There is insufficient space on the USB flash drive. Delete unneeded data (p. 52, p. 53).
The USB flash drive is not inserted, or is inserted incompletely.
Turn off the unit, firmly insert the USB flash drive, and then turn on the unit
USB Memory Not The USB flash drive was removed after you selected data that was on once again (p. 5, p. 21).
Ready! the USB flash drive.
The format of the USB flash drive is invalid. Use the INTEGRA-7 to format the USB flash drive (p. 50).
Make sure that USB flash drive is correctly connected (p. 5).
Data could not be written to the USB flash drive.
Write Error! Also make sure that you’re using a USB flash drive sold by Roland.
The format of the USB flash drive is invalid. Use the INTEGRA-7 to format the USB flash drive (p. 50).
58
MIDI Implementation Chart
Date : Jun. 1, 2012
Model INTEGRA-7 Version : 1.00
Function... Transmitted Recognized Remarks
Quick Guide
Basic Default x 1–16
Channel Changed x 1–16
Default x Mode 3
Mode Message x Mode 3, 4 (M=1) *2
Altered **************
Note x 0–127
Number : True Voice ************** 0–127
Note On x o
Velocity Note Off x o
After
Introduction
Key’s x o *1
Touch Channel’s x o *1
Pitch Bend x o *1
0, 32 x o *1 Bank select
1 x o *1 Modulation
2 x o Breath type
4 x o Foot type
5 x o Portamento time
6, 38 x o Data entry
7 x o *1 Volume
10 x o *1 Panpot
11 x o *1 Expression
12 x o (Part L-R) *4 Effect control 1
Control Change 13 x o (Part F-B) *4 Effect control 2
14 x o (Part Ambience Send) *4
16 x o (Tone Modify 1) General purpose controller 1
28 x o (Ext Part L-R) *4
29 x o (Ext Part F-B) *4
30 x o (Ext Part Ambience Send) *4
64 x o *1 Hold 1
65 x o Portamento
66 x o Sostenuto
67 x o Soft
68 x o Legato foot switch
71 x o Resonance
72 x o Release time
x o
Use with a Computer

73 Attack time
74 x o Cutoff
75 x o Decay time
76 x o Vibrato rate
77 x o Vibrato depth
78 x o Vibrato delay
80 x o (Tone Variation 1) General purpose controller 5
84 x o Portamento control
91 x o (Reverb) General purpose effect 1
93 x o (Chorus) General purpose effect 3
1–31, 33–95 x o General purpose controller
96, 97 x x Increment, Decrement
98, 99 x x NRPN LSB, MSB
100, 101 x o RPN LSB, MSB
102, 119 x x
Overall Settings
Program x o *1
Change : True Number ************** 0–127 Program Number 1–128
System Exclusive o *3 o *1
: Song Position x x
System
: Song Select x x
Common : Tune x x
System : Clock x o
Realtime : Commands x x
: All Sound Off x o
: Reset All Controllers x o
Aux : Local On/Off x x
Messages : All Notes Off x o (123–127)
Appendix
: Active Sensing x o
: System Reset x x
*1 O X is selectable.
Notes *2 Recognized as M=1 even if M 1.
*3 Transmitted only when “Transmitted Edit Data” is ON or RQ1 is received.
*4 Motional Surround setting; valid when Motional Surround is on.
Mode 1: Omni On, Poly Mode 2: Omni On, Mono o: Yes

Mode 3: Omni Off, Poly Mode 4: Omni Off, Mono x: No
59
Specifications
Roland INTEGRA-7: SuperNATURAL Sound Module
Sound Generator Section Others
Maximum Display 256 x 80 dots graphic LCD (with backlit)
128 voices (varies according to the sound generator load)
Polyphony
• PHONES jack (stereo 1/4-inch phone type)
Parts 16 parts • INPUT jacks (L, R) (1/4-inch phone type, Front)
SuperNATURAL Acoustic • INPUT jacks (L, R) (1/4-inch phone type, Rear)
SuperNATURAL Synth • OUTPUT A (MIX) jacks (L, R) (1/4-inch TRS phone type)
SuperNATURAL Drum Kit • OUTPUT A (MIX) jacks (L, R) (XLR type)
Tones
PCM Synth • OUTPUT B jacks (L, R) (1/4-inch phone type)
PCM Drum Kit Connectors • OUTPUT C jacks (L, R) (1/4-inch phone type)
* GM2 compatible sounds are included. • OUTPUT D jacks (L, R) (1/4-inch phone type)
4 Slots • DIGITAL AUDIO OUT jack (COAXIAL)
* The following titles are loaded from the internal memory into • MIDI Connectors (IN, OUT, THRU)
the virtual slots. • USB COMPUTER port (Audio/MIDI)
• USB Memory port
SRX Series (12 titles)
• AC IN jack
• SRX-01 Dynamic Drum Kits
Power
• SRX-02 Concert Piano 18 W
Consumption
• SRX-03 Studio SRX
481 (W) x 262 (D) x 89 (H) mm
• SRX-04 Symphonique Strings Dimensions
18-15/16 (W) x 10-3/8 (D) x 3-9/16 (H) inches
• SRX-05 Supreme Dance
3.9 kg
• SRX-06 Complete Orchestra Weight
8 lbs 10 oz
• SRX-07 Ultimate Keys
• SRX-08 Platinum Trax • Owner’s Manual
• SRX-09 World Collection Accessories • DVD-ROM (SONAR LE)
• SRX-10 Big Brass Ensemble • Power Cord

Expansion
• SRX-11 Complete Piano USB Flash Memory
Virtual Slots Options (sold
• SRX-12 Classic EPs separately) * Use USB Flash Memory sold by Roland. We cannot guarantee
operation if other products are used.
Expansion SuperNATURAL Sounds (6 titles)
• ExSN1 Ethnic * In the interest of product improvement, the specifications and/or appearance of
• ExSN2 Wood Winds this unit are subject to change without prior notice.
• ExSN3 Session
• ExSN4 A. Guitar
• ExSN5 Brass
• ExSN6 SFX
Expansion Hi-Quality PCM Sounds (1 title)

• ExPCM HQ GM2 + HQ PCM Sound Collection
* The SRX Series and the Expansion SuperNATURAL Sounds use

one virtual slot per title.
* The Expansion Hi-Quality PCM Sounds use all four virtual slots.
• Multi-Effects: 16 systems, 67 types
• Part EQ: 16 systems
• Drum Part COMP+EQ: 6 systems
Effects • Motional Surround
• Chorus: 3 types
• Reverb: 6 types
• Master EQ
60
Index
Symbols [EXIT] button . . . . . . . . . . . . . . . . . . . . 20 [PART VIEW] button . . . . . . . . . . . . . . 30 T
2CH Out Mode . . . . . . . . . . . . . . . . . . 49 Expansion Sound Data . . . . . . . . . . . 14 [PCM] button . . . . . . . . . . . . . . . . . . . . 31 Tempo Assign Source . . . . . . . . . . . . 48
5.1 channel surround . . . . . . . . 16, 47 EXPANSION Virtual Slot . . . . . . 14, 27 PCM Drum Kit . . . . . . . . . . . . . 9, 13, 24 Temporary Area . . . . . . . . . . . . . . . . . 27
5.1CH Center SP Switch . . . . . . . . . . 49 ExPCM sounds . . . . . . . . . . . . . . . . . . . 15 PCM Synth Tone . . . . . . . . . . . 9, 13, 24 Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Quick Guide
5.1CH Sub Woofer (LFE) Switch . . . 49 EXPORT PCM Tone . . . . . . . . . . . . . . . . . . . . . 9, 24 Edit . . . . . . . . . . . . . . . . . . . . . . . . . 38
[ ] switch . . . . . . . . . . . . . . . . . . . . . . 21 Sound Data . . . . . . . . . . . . . . . . . . 51 PEAK indicator . . . . . . . . . . . . . . . . . . . 20 Initialize . . . . . . . . . . . . . . . . . . . . . 42
Exported File Permission Denied! . . . . . . . . . . . . . . 58 Save . . . . . . . . . . . . . . . . . . . . . . . . . 40
A Delete . . . . . . . . . . . . . . . . . . . . . . . 52 PHONES jacks . . . . . . . . . . . . . . . . . . . 20 [TONE FINDER] button . . . . . . . . . . . 31
AC IN jack . . . . . . . . . . . . . . . . . . . . . . . 22 Rename . . . . . . . . . . . . . . . . . . . . . 52 Preset Memory . . . . . . . . . . . . . . . . . . 27 Tone List
Assigning a Name . . . . . . . . . . . . . . . 29 Ext Part Source Select . . . . . . . . . . . . 48 Preview 1–4 Note . . . . . . . . . . . . . . . . 49 Bank . . . . . . . . . . . . . . . . . . . . . . . . 31
Auto Off . . . . . . . . . . . . . . . . . . . . . 48, 55 Preview 1–4 Velo . . . . . . . . . . . . . . . . 49 Category . . . . . . . . . . . . . . . . . . . . 31
F Preview Mode . . . . . . . . . . . . . . . . . . . 49 Drum Kit . . . . . . . . . . . . . . . . . . . . 31
B FACTORY RESET . . . . . . . . . . . . . . . . . 55 Program Error! . . . . . . . . . . . . . . . . . . . 58 Type. . . . . . . . . . . . . . . . . . . . . . . . . 31
BACKUP File Not Selected! . . . . . . . . . . . . . . . . 58
Top Screen . . . . . . . . . . . . . . . . . . . . . . 48
Computer . . . . . . . . . . . . . . . . . . . 53 FORMAT USB MEMORY. . . . . . . . . . . 50 R
Tx Edit Data . . . . . . . . . . . . . . . . . . . . . 49
USB Flash Drive . . . . . . . . . . . . . . 52 Rack-mount bracket . . . . . . . . . . . . . 20
Backup File I Read Error! . . . . . . . . . . . . . . . . . . . . . . 58 U
Introduction
Delete . . . . . . . . . . . . . . . . . . . . . . . 53 IMPORT Rename USB Audio . . . . . . . . . . . . . . . . . . . 43, 46
Rename . . . . . . . . . . . . . . . . . . . . . 53 Sound Data . . . . . . . . . . . . . . . . . . 51 Backup File . . . . . . . . . . . . . . . . . . 53 USB COMPUTER port. . . . . . . . . . . . . 22
Bank . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 [INC] button . . . . . . . . . . . . . . . . . . . . . 28 Exported File . . . . . . . . . . . . . . . . 52 USB Driver . . . . . . . . . . . . . . . . 43, 44, 48
Behavior Modeling Technology . . . 8 Incorrect File Name! . . . . . . . . . . . . . 58 RESTORE USB Flash Drive . . . . . . . . . . . . . . . . . . 50
BULK DUMP . . . . . . . . . . . . . . . . . . . . . 54 Initialize USB Flash Drive . . . . . . . . . . . . . . 53 Backup . . . . . . . . . . . . . . . . . . . . . . 52
Part . . . . . . . . . . . . . . . . . . . . . . . . . 37 REVERB . . . . . . . . . . . . . . . . . . . . . . 26, 36 Initialize . . . . . . . . . . . . . . . . . . . . . 50
C Partial . . . . . . . . . . . . . . . . . . . . . . . 42 Rx Bank Select . . . . . . . . . . . . . . . . . . . 49 Restore . . . . . . . . . . . . . . . . . . . . . . 53
Cannot Import! . . . . . . . . . . . . . . . . . . 58 Sound Control . . . . . . . . . . . . . . . 37 Rx Exclusive . . . . . . . . . . . . . . . . . . . . . 49 USB Flash Drive Data
CHORUS. . . . . . . . . . . . . . . . . . . . . 26, 36 Studio Set . . . . . . . . . . . . . . . . . . . 37 Rx GM2 System On . . . . . . . . . . . . . . 49 Backup . . . . . . . . . . . . . . . . . . . . . . 53
Clock Source . . . . . . . . . . . . . . . . . . . . 48 Tone . . . . . . . . . . . . . . . . . . . . . . . . 42 Rx GM System On . . . . . . . . . . . . . . . . 49
USB indicator . . . . . . . . . . . . . . . . . . . . 20
COMP . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 USB Flash Drive . . . . . . . . . . . . . . 50 Rx GS Reset . . . . . . . . . . . . . . . . . . . . . . 49 USB Memory . . . . . . . . . . . . . . . . . . . . 27
Compressor . . . . . . . . . . . . . . . . . . . . . 41 INPUT L/R jacks Rx Program Change. . . . . . . . . . . . . . 49 USB Memory Full! . . . . . . . . . . . . . . . . 58
Compressor + Equalizer . . . . . . . . . . 26 Front . . . . . . . . . . . . . . . . . . . . . . . . 20
USB Memory Not Ready! . . . . . . . . . 58
Computer . . . . . . . . . . . . . . . . . . . . . . . 43 Rear . . . . . . . . . . . . . . . . . . . . . . . . . 22 S
USB MEMORY port . . . . . . . . . . . . . . . 20
Backup . . . . . . . . . . . . . . . . . . . . . . 53 Insert Sampling Rate . . . . . . . . . . . . . . . 46, 48
USB MIDI . . . . . . . . . . . . . . . . . . . . 43, 45
Connection example Character . . . . . . . . . . . . . . . . . . . . 29 Save
USB-MIDI Thru . . . . . . . . . . . . . . . . . . . 49
Compact production setup . . 10 Inst. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Drum Kit . . . . . . . . . . . . . . . . . . . . 40
User Memory . . . . . . . . . . . . . . . . . . . . 27
For live performance . . . . . . . . . 11 Studio Set . . . . . . . . . . . . . . . . . . . 34
L Utility . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Motional Surround. . . . . . . . . . . 16 System . . . . . . . . . . . . . . . . . . . . . . 48
Motional Surround (external LCD Tone . . . . . . . . . . . . . . . . . . . . . . . . 40
Brightness . . . . . . . . . . . . . . . . . . . 48
V
device) . . . . . . . . . . . . . . . . . . . . . . 47 Setting Value dial. . . . . . . . . . . . . . . . . . . . . . . . 28
Control Source Select . . . . . . . . . . . . 49 Contrast . . . . . . . . . . . . . . . . . . . . . 48 System . . . . . . . . . . . . . . . . . . . . . . 48 [VOLUME] knob . . . . . . . . . . . . . . . . . 20
Copy [SHIFT] Button . . . . . . . . . . . . . . . . . . . 29
M
Use with a Computer

Partial . . . . . . . . . . . . . . . . . . . . . . . 42 Shortcut list . . . . . . . . . . . . . . . . . . . . . 29 W
MASTER EQ . . . . . . . . . . . . . . . . . . 26, 36
Cursor buttons . . . . . . . . . . . . . . . . . . 28 SOLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Write Error! . . . . . . . . . . . . . . . . . . . . . . 58
Master Key Shift . . . . . . . . . . . . . . . . . 48
SONAR LE . . . . . . . . . . . . . . . . . . . . . . . 18
D Master Level . . . . . . . . . . . . . . . . . . . . . 48
Sound Control
[DEC] button . . . . . . . . . . . . . . . . . . . . 28 Master Tune . . . . . . . . . . . . . . . . . . . . . 48
Initialize . . . . . . . . . . . . . . . . . . . . . 37
Delete [MENU] button . . . . . . . . . . . . . . . . . . 20
Sound Data
Backup File . . . . . . . . . . . . . . . . . . 53 MFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Export . . . . . . . . . . . . . . . . . . . . . . . 51
Character . . . . . . . . . . . . . . . . . . . . 29 MIDI Buffer Full!. . . . . . . . . . . . . . . . . . 58
Import . . . . . . . . . . . . . . . . . . . . . . 51
Exported File . . . . . . . . . . . . . . . . 52 MIDI connectors . . . . . . . . . . . . . . . . . 22
SRX series sounds. . . . . . . . . . . . . . . . 15
Demo Song . . . . . . . . . . . . . . . . . . . . . 21 MIDI indicator . . . . . . . . . . . . . . . . . . . 20
Startup Exp SlotA–SlotD . . . . . . . . . 48
Device ID . . . . . . . . . . . . . . . . . . . . . . . . 49 MIDI Offline! . . . . . . . . . . . . . . . . . . . . . 58
Startup Studio Set . . . . . . . . . . . . . . . 48
DIGITAL AUDIO OUT connector. . . 22 Motional Surround . 9, 17, 26, 34, 47
Studio Set . . . . . . . . . . . . . . . . . . . . . . . 25
Display . . . . . . . . . . . . . . . . . . . . . . . . . . 20 [MOTIONAL SURROUND] button . 34
Edit . . . . . . . . . . . . . . . . . . . . . . . . . 32
Drum Kit Multi-Effect . . . . . . . . . . . . . . . . . . 26, 41
Initialize . . . . . . . . . . . . . . . . . . . . . 37
Overall Settings
Save . . . . . . . . . . . . . . . . . . . . . . . . . 40 MUTE . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Save . . . . . . . . . . . . . . . . . . . . . . . . . 34
E O Studio Set Control Channel . . . . . . 49
Edit Output Gain . . . . . . . . . . . . . . . . . . . . . 48 SuperNATURAL . . . . . . . . . . . . . . . . . . . 8
Effect . . . . . . . . . . . . . . . . . . . . 36, 41 OUTPUT jacks SuperNATURAL Acoustic
A (MIX) L/MONO, R jacks . . . . . 23 Tone . . . . . . . . . . . . . . . . . . . . . . 8, 13, 24
Partial . . . . . . . . . . . . . . . . . . . . . . . 42
B, C, D L/R jacks . . . . . . . . . . . . . . 23 [SuperNATURAL] button . . . . . . . . . 31
PCM Drum Kit (PCMD) . . . . . . . 40
INDIVIDUAL 1–8 jacks . . . . . . . . 23 SuperNATURAL Drum Kit. . . 8, 13, 24
PCM Synth Tone (PCMS) . . . . . . 39
RSS L/R jacks. . . . . . . . . . . . . . . . . 23 SuperNATURAL Synth Tone 8, 13, 24
Studio Set . . . . . . . . . . . . . . . . . . . 32
SURROUND L/R/C/Ls/Rs/LFE SuperNATURAL Tone . . . . . . . . . . . 8, 24
SuperNATURAL Acoustic Tone
(SN-A) . . . . . . . . . . . . . . . . . . . . . . . 38 jacks . . . . . . . . . . . . . . . . . . . . . . . . 23 Switching Parts . . . . . . . . . . . . . . . . . . 28
SuperNATURAL Drum Kit Sync Mode . . . . . . . . . . . . . . . . . . . . . . 48
(SN-D) . . . . . . . . . . . . . . . . . . . . . . . 39 P System
SuperNATURAL Synth Tone Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Setting . . . . . . . . . . . . . . . . . . . . . . 48
(SN-S) . . . . . . . . . . . . . . . . . . . . . . . 38 Initialize . . . . . . . . . . . . . . . . . . . . . 37 System Control Src1–4 . . . . . . . . . . . 49
Appendix
Tone . . . . . . . . . . . . . . . . . . . . . . . . 38 PART [ ][ ] buttons . . . . . . . . 28 System Memory . . . . . . . . . . . . . . . . . 27

Effect. . . . . . . . . . . . . . . . . . . . . . . . 26, 41 Partial . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 System Memory Damaged! . . . . . . 58
Edit . . . . . . . . . . . . . . . . . . . . . . . . . 36 Copy . . . . . . . . . . . . . . . . . . . . . . . . 42 System Setting
[ENTER] button . . . . . . . . . . . . . . 20, 29 Edit . . . . . . . . . . . . . . . . . . . . . . . . . 42 Save . . . . . . . . . . . . . . . . . . . . . . . . . 48
EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Initialize . . . . . . . . . . . . . . . . . . . . . 42 System Tempo . . . . . . . . . . . . . . . . . . . 48
Equalizer . . . . . . . . . . . . . . . . . . . . 26, 41 System Version . . . . . . . . . . . . . . . . . . 49
Error Message List . . . . . . . . . . . . . . . 58
61
Block Diagram
62
Quick Guide Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix
63
MEMO
MEMO
64
Quick Guide Introduction Playing/Creating Sounds Use with a Computer Overall Settings Appendix
65
MEMO
For EU Countries
For C in
66
Quick Guide
INTEGRA-7
Sound Module
Roland Corporation U.S.
5100 S. Eastern Avenue Los Angeles, CA 90040-2938
(323) 890-3700
For EU Countries
This product complies with the requirements of EMCD 2004/108/EC and LVD 2006/95/EC.
Introduction
For t e U
FE E C U C C
F E UE C E FE E CE E E
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
This equipment requires shielded interface cables in order to meet FCC class B limit.
Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s
authority to operate the equipment.
Use with a Computer

For C n
CE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
For C U ro osition
Overall Settings
This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.
Appendix
67
Information When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
TAIWAN ECUADOR POLAND KUWAIT
AFRICA ROLAND TAIWAN ENTERPRISE Mas Musika EUROPE ROLAND POLSKA SP. Z O.O. EASA HUSAIN AL-YOUSIFI &
CO., LTD. Rumichaca 822 y Zaruma ul. Kty Grodziskie 16B SONS CO.
9F-5, No. 112 Chung Shan Guayaquil - ECUADOR 03-289 Warszawa, POLAND Al-Yousifi Service Center
EGYPT North Road Sec. 2 Taipei 104, TEL: (593-4) 2302364 BELGIUM/FRANCE/ TEL: (022) 678 9512 P.O.Box 126 (Safat) 13002,
Al Fanny Trading Office TAIWAN R.O.C. KUWAIT
TEL: (02) 2561 3339 EL SALVADOR HOLLAND/ PORTUGAL TEL: 00 965 802929
9, EBN Hagar Al Askalany Street,
ARD E1 Golf, Heliopolis, OMNI MUSIC LUXEMBOURG Roland Systems Group EMEA, S.L.
Cairo 11341, EGYPT THAILAND 75 Avenida Norte y Final Alameda Roland Central Europe N.V. Branch Office Porto LEBANON
TEL: (022)-417-1828 Theera Music Co. , Ltd. Juan Pablo II, Houtstraat 3, B-2260, Oevel Edifício Tower Plaza Chahine S.A.L.
100-108 Soi Verng Nakornkasem, Edificio No.4010 San Salvador, (Westerlo) BELGIUM Rotunda Eng. Edgar Cardoso 23, George Zeidan St., Chahine Bldg.,
REUNION New Road,Sumpantawong, EL SALVADOR TEL: (014) 575811 4-B Achrafieh, P.O.Box: 16-5857
MARCEL FO-YAM Sarl Bangkok 10100, THAILAND TEL: 262-0788 4400-676 Vila Nova de Gaia, Beirut, LEBANON
25 Rue Jules Hermann, TEL: (02) 224-8821 BOSNIA AND PORTUGAL TEL: (01) 20-1441
Chaudron - BP79 97 491 GUATEMALA HERZEGOVINA TEL: (+351) 22 608 00 60
Ste Clotilde Cedex, VIET NAM Casa Instrumental Mix-AP Music OMAN
REUNION ISLAND VIET THUONG CORPORATION Calzada Roosevelt 34-01,zona 11 78000 Banja Luka, Veselina RUSSIA TALENTZ CENTRE L.L.C.
TEL: (0262) 218-429 386 CACH MANG THANG TAM ST. Ciudad de Guatemala, Maslese 3, Roland Music LLC Malatan House No.1
DIST.3, HO CHI MINH CITY, GUATEMALA BOSNIA AND HERZEGOVINA Dorozhnaya ul.3,korp.6 Al Noor Street, Ruwi
SOUTH AFRICA VIET NAM TEL: (502) 599-2888 TEL: 65 403 168 117 545 Moscow, RUSSIA SULTANATE OF OMAN
Paul Bothner(PTY)Ltd. TEL: (08) 9316540 TEL: (495) 981-4967 TEL: 2478 3443
Royal Cape Park, Unit 24 HONDURAS CROATIA
Londonderry Road, Ottery 7800 Almacen Pajaro Azul S.A. de C.V. ART-CENTAR SERBIA QATAR
Cape Town, SOUTH AFRICA BO.Paz Barahona Degenova 3. Music AP AL-EMADI TRADING &
TEL: (021) 799 4900 OCEANIA 3 Ave.11 Calle S.O
San Pedro Sula, HONDURAS
HR - 10000 Zagreb, CROATIA Sutjeska br. 5 XS - 24413 PALIC, CONTRACTING CO.
TEL: (1) 466 8493 SERBIA P.O. Box 62, Doha, QATAR
TEL: (504) 553-2029 TEL: (0) 24 539 395 TEL: 4423-554
AUSTRALIA/ CZECH REP.
ASIA MARTINIQUE CZECH REPUBLIC DISTRIBUTOR SLOVAKIA SAUDI ARABIA
NEW ZEALAND Musique & Son s.r.o DAN Acoustic s.r.o. Adawliah Universal Electronics
Roland Corporation Z.I.Les Mangle Pod Bání 8 Povazská 18. APL
Australia Pty.,Ltd. 97232 Le Lamentin, 180 00 Praha 8, CZECH REP. SK - 940 01 Nové Zámky,
CHINA 38 Campbell Avenue MARTINIQUE F.W.I. TEL: 266 312 557 SLOVAKIA
Behind Pizza Inn
Roland Shanghai Electronics Prince Turkey Street
Dee Why West. NSW 2099, TEL: 596 596 426860 TEL: (035) 6424 330 Adawliah Building,
Co.,Ltd. AUSTRALIA DENMARK/ESTONIA/ PO BOX 2154,
5F. No.1500 Pingliang Road MEXICO LATVIA/LITHUANIA SPAIN
Shanghai 200090, CHINA Al Khobar 31952,
For Australia Casa Veerkamp, s.a. de c.v. Roland Scandinavia A/S Roland Systems Group EMEA, S.L.
TEL: (021) 5580-0800 SAUDI ARABIA
TEL: (02) 9982 8266 Av. Toluca No. 323, Col. Olivar Skagerrakvej 7 Postbox 880 Paseo García Faria, 33-35 TEL: (03) 8643601
For New Zealand de los Padres 01780 Mexico D.F., DK-2100 Copenhagen, 08005 Barcelona, SPAIN
Roland Shanghai Electronics
Co.,Ltd. (BEIJING OFFICE)
TEL: (09) 3098 715 MEXICO DENMARK TEL: 93 493 91 00 SYRIA
TEL: (55) 5668-6699 TEL: 39166222 Technical Light & Sound Center
3F, Soluxe Fortune Building SWEDEN PO Box 13520 Bldg No.49
63 West Dawang Road, Chaoyang NICARAGUA FINLAND Roland Scandinavia A/S Khaled Abn Alwalid St.
District, Beijing, CHINA
TEL: (010) 5960-2565
CENTRAL/LATIN Bansbach Instrumentos Roland Scandinavia As, Filial SWEDISH SALES OFFICE Damascus, SYRIA
Musicales Nicaragua
HONG KONG
AMERICA Altamira D'Este Calle Principal
Finland
Vanha Nurmijarventie 62
Mårbackagatan 31, 4 tr.
SE-123 43 Farsta, SWEDEN
TEL: (011) 223-5384
Tom Lee Music

de la Farmacia 5ta.Avenida 01670 Vantaa, FINLAND TEL: (0) 8 683 04 30 TURKEY
1 Cuadra al Lago.#503 TEL: (0) 9 68 24 020 ZUHAL DIS TICARET A.S.
11/F Silvercord Tower 1 ARGENTINA Managua, NICARAGUA SWITZERLAND
30 Canton Rd Galip Dede Cad. No.33
Tsimshatsui, Kowloon,
Instrumentos Musicales S.A. TEL: (505) 277-2557 GERMANY/AUSTRIA Roland (Switzerland) AG Beyoglu, Istanbul, TURKEY
Av.Santa Fe 2055 Roland Elektronische Landstrasse 5, Postfach, TEL: (0212) 249 85 10
HONG KONG
(1123) Buenos Aires, ARGENTINA PANAMA CH-4452 Itingen, SWITZERLAND
TEL: 852-2737-7688 Musikinstrumente HmbH.
TEL: (011) 4508-2700 SUPRO MUNDIAL, S.A.
Oststrasse 96, 22844 Norderstedt, TEL: (061) 975-9987 U.A.E.
Parsons Music Ltd. Boulevard Andrews, Albrook, Adawliah Universal Electronics
GERMANY
8th Floor, Railway Plaza, 39 BARBADOS Panama City, REP. DE PANAMA
TEL: (040) 52 60090
UKRAINE APL
Chatham Road South, T.S.T, A&B Music Supplies LTD TEL: 315-0101 EURHYTHMICS Ltd. Omar bin alkhattab street, fish
Kowloon, HONG KONG 12 Webster Industrial Park
PARAGUAY GREECE/CYPRUS P.O.Box: 37-a. round about, nayef area, deira,
TEL: 852-2333-1863 Wildey, St.Michael, BARBADOS STOLLAS S.A. Nedecey Str. 30 Dubai, U.A.E.
TEL: (246) 430-1100 Distribuidora De Instrumentos UA - 89600 Mukachevo, UKRAINE
Music Sound Light TEL: (04) 2340442
INDIA Musicales
155, New National Road
TEL: (03131) 414-40
Rivera Digitec (India) Pvt. Ltd. BRAZIL J.E. Olear y ESQ. Manduvira
411, Nirman Kendra Mahalaxmi Roland Brasil Ltda. Asuncion, PARAGUAY
Patras 26442, GREECE UNITED KINGDOM
TEL: 2610 435400
Flats Compound Off. Dr. Edwin Rua San Jose, 211
Parque Industrial San Jose
TEL: (595) 21 492147 Roland (U.K.) Ltd.
Atlantic Close, SWANSEA SA7 9FJ,
NORTH AMERICA
Moses Road, Mumbai-400011,
PERU HUNGARY/ROMANIA
INDIA Cotia - Sao Paulo - SP, BRAZIL UNITED KINGDOM
Roland East Europe Ltd.
TEL: (022) 2493 9051 TEL: (011) 4615 5666 Audionet Distribuciones TEL: (01792) 702701
Musicales SAC
2045. Törökbálint, FSD Park 3. ép., CANADA
CHILE Budapest, HUNGARY
INDONESIA Av. 2 de Mayo 562 TEL: (23) 511 011
Roland Canada Ltd.
PT. Citra Intirama Comercial Fancy II S.A. Miraflores (Head Office)
Ruko Garden Shopping Arcade Rut.: 96.919.420-1 Lima, PERU IRELAND MIDDLE EAST 5480 Parkwood Way Richmond B.
Unit 8 CR, Podomoro City Nataniel Cox #739, 4th Floor TEL: (511) 447-0691 C., V6V 2M4, CANADA
Roland Ireland
Jl.Letjend. S.Parman Kav.28 Santiago - Centro, CHILE TEL: (604) 270 6626
E2 Calmount Park, Calmount
Jakarta Barat 11470, INDONESIA TEL: (02) 384-2180 TRINIDAD Avenue, Dublin 12, BAHRAIN
TEL: (021) 5698-5519/5520 AMR Ltd Republic of IRELAND Roland Canada Ltd.
COLOMBIA Ground Floor
Moon Stores
(Toronto Office)
TEL: (01) 4294444 No.1231&1249 Rumaytha
KAZAKHSTAN Centro Musical Ltda. Maritime Plaza
Building Road 3931, 170 Admiral Boulevard
Alatau Dybystary Cra 43 B No 25 A 41 Bododega 9 Barataria TRINIDAD W.I. ITALY Mississauga On L5T 2N6,
Manama 339, BAHRAIN
141 Abylai-Khan ave, 1st floor, Medellin, COLOMBIA TEL: (868) 638 6385 CANADA
Roland Italy S. p. A. TEL: 17 813 942
050000 Almaty, KAZAKHSTAN TEL: (574) 3812529 TEL: (905) 362 9707
Viale delle Industrie 8,
TEL: (727) 2725477 URUGUAY 20020 Arese, Milano, ITALY IRAN
FAX: (727) 2720730 COSTA RICA Todo Musica S.A. U. S. A.
TEL: (02) 937-78300 MOCO INC.
JUAN Bansbach Instrumentos Francisco Acuna de Figueroa Roland Corporation U.S.
Jadeh Makhsous Karaj (K-9),
KOREA Musicales 1771 MACEDONIA Nakhe Zarin Ave. 5100 S. Eastern Avenue
Cosmos Corporation Ave.1. Calle 11, Apartado 10237, C.P.: 11.800 MK MJUZIK Los Angeles, CA 90040-2938,
Jalal Street, Reza Alley No.4
1461-9, Seocho-Dong, San Jose, COSTA RICA Montevideo, URUGUAY Alekso Demnievski-Bauman 9-3, U. S. A.
Tehran 1389716791, IRAN
Seocho Ku, Seoul, KOREA TEL: 258-0211 TEL: (02) 924-2335 1400 Veles, MACEDONIA TEL: (323) 890 3700
TEL: (021)-44545370-5
TEL: (02) 3486-8855 TEL: 70 264 458
CURACAO VENEZUELA ISRAEL
MALAYSIA/ Zeelandia Music Center Inc. Instrumentos Musicales MONTENEGRO Halilit P. Greenspoon & Sons
SINGAPORE Orionweg 30 Allegro,C.A. MAX-AP Ltd.
Roland Asia Pacific Sdn. Bhd. Curacao, Netherland Antilles Av.las industrias edf.Guitar import Przno, Kamenovo bb., 86000 8 Retzif Ha'alia Hashnia St.
45-1, Block C2, Jalan PJU 1/39, TEL: (305) 5926866 #7 zona Industrial de Turumo Budva, MONTENEGRO Tel-Aviv-Yafo ISRAEL
Dataran Prima, 47301 Petaling Caracas, VENEZUELA TEL: 68 050 112
Jaya, Selangor, MALAYSIA
DOMINICAN REPUBLIC TEL: (212) 244-1122
TEL: (03) 6823666
TEL: (03) 7805-3263 Instrumentos Fernando Giraldez NORWAY JORDAN

Calle Roberto Pastoriza #325 Roland Scandinavia Avd. MUSIC HOUSE CO. LTD.
PHILIPPINES Sanchez Naco
Kontor Norge FREDDY FOR MUSIC
G.A. Yupangco & Co. Inc. Santo Domingo,
Lilleakerveien 2 Postboks 95 P. O. Box 922846
339 Gil J. Puyat Avenue DOMINICAN REPUBLIC
Lilleaker N-0216 Oslo, Amman 11192, JORDAN
Makati, Metro Manila 1200, TEL: (809) 683 0305
NORWAY TEL: (06) 5692696
PHILIPPINES TEL: 2273 0074
TEL: (02) 899 9801
As of July. 1, 2012 (ROLAND)
5 1 0 0 0 2 9 2 2 6 - 0 2

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The lightning flash with arrowhead symbol, within an

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

For the U.K.

Copyright © 2012 ROLAND CORPORATION

About WARNING and CAUTION Notices About the Symbols

ALWAYS OBSERVE THE FOLLOWING

WARNING WARNING WARNING

Use with a Computer

• Dusty or sandy; or are This unit, either alone or in

liquid on this product. Never allow

WARNING WARNING CAUTION

Manage cables for safety

Use with a Computer

the vicinity of such receivers. • Do not allow USB flash drives to

Intellectual Property Right

• Do not use this product for purposes that

Use with a Computer

Selecting Drum Kits from a Tone List . . . . . . . . . . . . . . . . . . . . . .31

Initializing a Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

SuperNATURAL Acoustic Tones

SuperNATURAL Synth Tones

SuperNATURAL Drum Kits

What is Behavior Modeling Technology?

PCM Synth Tones

PCM Drum Kits

Multi-effects Usable for 16 Parts Simultaneously

Use with a Computer

What is Motional Surround?

Connecting your computer via USB

To use USB audio functionality

Use with a Computer

Part level meter

Playing SuperNATURAL tones Playing PCM tones

Connecting a MIDI keyboard and performing

SuperNATURAL Acoustic Tone (SN-A)

SuperNATURAL Synth Tone (SN-S)

Use with a Computer

SuperNATURAL Drum Kit (SN-D)

Eliminates boring uniformity even for repeated attacks

Ambience control for the entire kit

PCM Synth Tone (PCMS) / PCM Drum Kit (PCMD)

Sound data (expansion)

SRX series (all 12 titles)

SRX-04 SRX-05 SRX-06

SRX-07 SRX-08 SRX-09

SRX-10 SRX-11 SRX-12

Expansion SuperNATURAL sounds High-quality GM2 sounds/Diverse synth sounds

A. Guitar (SuperNATURAL Acoustic Tone : 12) HQ PCM (ExPCM)

SFX (SuperNATURAL Drum Kit : 7)

EXPANSION Virtual Slots Slot A Slot B Slot C Slot D

Sound banks (example)

PRESET USER SRX-01 ExSN3 SRX-11 SRX-05

2. Choose “EXPANSION” and press the [ENTER] button.

4. Move the cursor to “LOAD” and press the [ENTER] button.

5. To execute, choose “OK” and press the [ENTER] button.

Using SRX series sounds

Using SuperNATURAL sounds