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    Sara Torres. Poema. Kamchatka

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    yunlector
    This document provides biographical information about Sara Torres, a Spanish poet and writer. It notes that she has studied Spanish language and literature, receiving advanced degrees from universities in Spain and England. Her work focuses on themes of desire, textuality, psychoanalysis, feminism, and queer and disability studies. She has published two books of poems and is currently working on a doctoral dissertation and forthcoming book called Phantasmagoria.

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    Sara Torres. Poema. Kamchatka

    Uploaded by

    yunlector
    207 views4 pages
    This document provides biographical information about Sara Torres, a Spanish poet and writer. It notes that she has studied Spanish language and literature, receiving advanced degrees from universities in Spain and England. Her work focuses on themes of desire, textuality, psychoanalysis, feminism, and queer and disability studies. She has published two books of poems and is currently working on a doctoral dissertation and forthcoming book called Phantasmagoria.

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    Poema inédito

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    Sara Torres. poema. Kamchatka

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    This document provides biographical information about Sara Torres, a Spanish poet and writer. It notes that she has studied Spanish language and literature, receiving advanced degrees from universities in Spain and England. Her work focuses on themes of desire, textuality, psychoanalysis, feminism, and queer and disability studies. She has published two books of poems and is currently working on a doctoral dissertation and forthcoming book called Phantasmagoria.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    207 views4 pages

    Sara Torres. Poema. Kamchatka

    Uploaded by

    yunlector
    This document provides biographical information about Sara Torres, a Spanish poet and writer. It notes that she has studied Spanish language and literature, receiving advanced degrees from universities in Spain and England. Her work focuses on themes of desire, textuality, psychoanalysis, feminism, and queer and disability studies. She has published two books of poems and is currently working on a doctoral dissertation and forthcoming book called Phantasmagoria.

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    At a glance
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    The text describes a woman in front of a mirror with objects in a bag that crunch when touched, and mentions a lake, brambles and rocks being more real than pain.

    A woman is described as being placed with her back to an opaque mirror, covered from the legs down with dark blue velvet, and wearing a triangular yellow shirt.

    Small metal objects that crunch when touched are described being held and crushed in the woman's hand.

    Sara Torres (Gijón, 1991) estudió Lengua Española y sus Literaturas en la Universidad

    de Oviedo y en la Universidad Queen Mary de Londres, especializándose después con un


    Máster en Critical Methodologies en el King's College de Londres. Estudia deseo y
    textualidad a través de un aparato teórico interdisciplinar que combina el psicoanálisis,
    los feminismos y los estudios posthuman, crip y queer. Con su libro La otra genealogía
    (Madrid: Torremozas) ganó el Premio Gloria Fuertes de Poesía. Fue becada por la
    Fundación Antonio Gala con el proyecto de escritura de una novela; Vida mínima. Su
    segundo libro de poemas, titulado Conjuros y cantos, fue publicado en 2016 por Kriller
    71, Barcelona. Actualmente realiza estudios de doctorado con una beca de la Universidad
    Queen Mary de Londres. Su próximo libro Phantasmagoria aparecerá en el 2018 con la
    editorial La bella Varsovia.
    de Phantasmagoria

    [...]

    está colocada de espaldas al espejo opaco. un bandín de terciopelo azul oscuro le cubre
    las piernas. viste una camisa con forma triangular de un amarillo intenso

    si se concentra. atrás escucha sus pulsaciones. y esto le da pánico

    a su izquierda hay un saquito. en él sumerge la mano. trata de situarse en torno a la


    textura de unos objetos pequeños. crujen como si al tocarlos. se les diese cuerda

    el camino empieza donde los matorrales y las rosas. era la casa de alguien anciano
    alguien de la familia

    desde allí a un lago

    llegaban figuras. se iban


    ****

    continúa
    son dos y están de rodillas
    frente a la ilustración de unas ratas azules
    y una bandeja con huevos hervidos

    ¿quién arrancó la pata al escarabajo


    atravesándole el pecho con ella?
    yace así

    sobre una mesa de cerámica


    cucharas de madera

    una se tumba y la otra le cruza una vara de roble


    desde el hombro hasta la ingle

    el número dos. sin actualidad. se respeta


    en la antigua fábrica de conservas
    botes de cristal. líquido nublado
    contiene lo revuelto
    encuéntrame cerca del lago
    encuéntrame cerca del lago
    allí estaré
    allí estaré

    parece que la masa de agua lleva ondas y mareas


    ****

    por supuesto. duda. el relato compartido genera la posibilidad de un nuevo


    acoplamiento. la memoria ejerce una persuasión

    no llegará otra vez al placer. ni por representarlo

    aunque

    durante un momento el lago el matorral la roca del archivo parecieron más veraces que
    el dolor. la virtualidad del archivo pareció más real que la actualidad del dolor. de su
    mano al apretar pequeños objetos de lata que crujen

    el tiempo de la duda. sin embargo. tiene una estela muy corta.

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