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Natural Harmonics Above A Violin A-String: Notated Using The Extended Helmholtz-Ellis JI Pitch Notation

1. The document presents a notation system for describing the natural harmonics produced above a violin A-string. 2. It shows 12 natural harmonics notated using an extended Helmholtz-Ellis pitch notation system with accidentals designed by Marc Sabat and Wolfgang von Schweinitz. 3. The notation depicts the fundamental frequency and 12 overtones produced by a violin A-string, ranging from the lowest at -31.2 cents to the highest at +51.3 cents.

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100% found this document useful (1 vote)
98 views4 pages

Natural Harmonics Above A Violin A-String: Notated Using The Extended Helmholtz-Ellis JI Pitch Notation

1. The document presents a notation system for describing the natural harmonics produced above a violin A-string. 2. It shows 12 natural harmonics notated using an extended Helmholtz-Ellis pitch notation system with accidentals designed by Marc Sabat and Wolfgang von Schweinitz. 3. The notation depicts the fundamental frequency and 12 overtones produced by a violin A-string, ranging from the lowest at -31.2 cents to the highest at +51.3 cents.

Uploaded by

000masa000
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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NATURAL HARMONICS ABOVE A VIOLIN A-STRING

notated using the Extended Helmholtz-Ellis JI Pitch Notation


accidentals designed by Marc Sabat and Wolfgang von Schweinitz, 2004

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NATURAL HARMONICS ABOVE A CELLO A-STRING
notated using the Extended Helmholtz-Ellis JI Pitch Notation
accidentals designed by Marc Sabat and Wolfgang von Schweinitz, 2004

 
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NATURAL HARMONICS ABOVE A VIOLIN G-STRING
notated using the Extended Helmholtz-Ellis JI Pitch Notation
accidentals designed by Marc Sabat and Wolfgang von Schweinitz, 2004

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NATURAL HARMONICS ABOVE A CELLO G-STRING
notated using the Extended Helmholtz-Ellis JI Pitch Notation
accidentals designed by Marc Sabat and Wolfgang von Schweinitz, 2004

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