Concepts Needed For WFG

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CONCEPTS YOU CAN APPLY TO WAITING FOR GODOT

EXISTENTIALISM: “Existence precedes essence” is Sartre’s infamous dictum. Nothing “out


there” defines or determines us; instead it is our own actions and free will, our own choices,
that are most “fundamental to human existence.” The universe and we human beings in it
aren’t primarily meaningful, orderly, or rational; instead we exist in a primarily “indifferent,
objective, often ambiguous, and “absurd” universe.” Although meaning is not “out there” we
can create in “in here,” within ourselves.

NIHILISM: the world and human existence are “without meaning, purpose, comprehensible
truth, or essential value.” It’s ideas, movements, or historical periods rather than people that
are more likely to be described as nihilistic.

POSTMODERNISM: the follow-up to modernism, which was a period of rebellion, progressive


innovation and change, a time when many cultural conventions and traditions were
abandoned for new modes of expression. “Where modernists hoped to unearth universals or
the fundamentals of art, postmodernism aims to unseat them, to embrace diversity and
contradiction. A postmodern approach to art thus rejects the distinction between low and high
art forms. It rejects rigid genre boundaries and favors eclecticism, the mixing of ideas and
forms. Partly due to this rejection, it promotes parody, irony, and playfulness, commonly
referred to as jouissance by postmodern theorists. Unlike modern art, postmodern art does
not approach this fragmentation as somehow faulty or undesirable, but rather celebrates it. As
the gravity of the search for underlying truth is relieved, it is replaced with 'play'.”

ABSTRACT EXPRESSIONISM: a 20th century artistic movement that emphasized spontaneous


personal expression in large paintings that are abstract or nonrepresentational, meaning
“there’s no recognizable relationship to anything in nature. The style reflects the innermost
feeling of the artist and usually results as an emotional release of the artist’s anger, fear or
frustration. ...” (artinsider.com) The idea is that the artist needed no realistic or even
surrealistic figures in order to evoke emotion. Feeling could be aroused using just lines, shapes,
and colors alone. “Additionally, [this movement] has an image of being rebellious, anarchic,
highly idiosyncratic and, some feel, rather nihilistic.” (wikipedia.org)

THEATER OF THE ABSURD: this is a term first used by critic Martin Esslin to describe the kinds
of plays that explored the absurdity of the human condition. These plays are often
characterized by their striking imagistic tableaus, their highly unconventional style of
characterization, their nonlinear plots, spare or surreal sets, and seemingly irrational or
nonsensical dialogue; they tend to explore the implications of a meaningless universe in which
human values seem irrelevant. Existentialist themes prevail.

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