William Wordsworth

From New World Encyclopedia

William Wordsworth, English poet

William Wordsworth (April 7, 1770 - April 23, 1850) was a major English poet

who, with Samuel Taylor Coleridge, helped launch the Romantic movement in
English literature with their 1798 joint publication, Lyrical Ballads. Romanticism
emerged in the late eighteenth century in reaction to the rationalism of the
Enlightenment. Wordsworth and other Romantics emphasized the vitality of everyday
life, the importance of human emotions, and the illuminating power of nature.
Romanticism also stressed the power of imagination, which encouraged freedom from
classical conventions in art and sometimes provocatively overturned social
conventions.

Originally inspired by the French Revolution and the social changes it brought,

Wordsworth tried to create a poetry of the people, in the language of the common
man. In both in his poems and his prose, Wordsworth was expressly concerned with
discovering a sort of spiritual ecstasy that, for him, could be found only in nature and
the innocence of childhood. With a mind ever wandering after the wonders of nature
and the emotions of the heart, Wordsworth was initially criticized for his sentiment
and the informality of his verse by his contemporaries.
Wordsworth's early, near-pantheistic reverence for nature matured into a more
orthodox perspective of the relations between God, man, and nature. In his
"Intimations of Immortality," Wordsworth plaintively suggests a loss of romantic
innocence, writing that "The things which I have seen I now can see no more."
Reflecting on the importance of religious faith in 1815, Wordsworth affirmed that
"poetry is most just to its own divine origin when it administers the comforts and
breathes the spirit of religion."

In later years, Wordsworth attained preeminence among poets of the Romantic

movement and served as poet laureate of England from 1843 until his death in 1850.
Wordsworth, more than any English writer, influenced the Victorian poets of the
subsequent half of the nineteenth century.

Life
Early years and education

The second of five children, William Wordsworth was born in Cumberland—part of

the scenic region in northwest England called the Lake District. His father was a
lawyer and the solicitor for the Earl of Lonsdale (a man much despised in the area).
With the death of his mother in 1778, his father sent him to Hawkshead Grammar
School, and in 1783 his father also died, leaving the orphaned children under the
guardianship of their uncles. Although many aspects of his boyhood were positive, he
recalled bouts of loneliness and anxiety. It took Wordsworth many years, and much
writing, to recover from the death of his parents and his separation from his siblings.
The estate consisted of around £5,000, most of it in claims upon the Earl, who
thwarted the claims until his death in 1802. The Earl's successor, however, settled the
claims with interest.

Wordsworth began attending St John's College, Cambridge in 1787. In 1790, he

visited Revolutionary France and supported the Republican movement and the
following year graduated from Cambridge without distinction.

In November 1791, Wordsworth returned to France and took a walking tour of Europe
that included the Alps and Italy. He fell in love with a French woman, Annette Vallon,
who in 1792 gave birth to their child, Caroline. Because of lack of money, and
growing tensions with France, Wordsworth returned alone to England that year. The
separation from the woman and child left him with a sense of guilt, however, that was
later evident in the theme of bereft womanhood in much of his poetry. The
French Reign of Terror estranged him from the Republican movement, and war
between France and Britain prevented him from seeing Annette and Caroline again for
several years. Wordsworth supported Vallon and his daughter as best he could in later
life, but there are also strong indications that Wordsworth may have been depressed
and emotionally unsettled in the mid-1790s.

First Publication and Lyrical Ballads

Tintern Abbey, 1993

Wordsworth's poetry was first published in 1793 with the collections An Evening
Walk and Descriptive Sketches. He received a legacy of £900 from Raisley Calvert in
1795 so that he could pursue writing poetry. That year, he also met Samuel Taylor
Coleridge in Somerset. The two poets quickly developed a close friendship and in
1797, Wordsworth and his sister, Dorothy, moved to Somerset, just a few miles away
from Coleridge's home in Nether Stowey. Together, Wordsworth and Coleridge (with
insights from Dorothy) produced Lyrical Ballads (1798), a landmark work in
emergence of the English Romantic movement.

The volume had the name of neither Wordsworth nor Coleridge as author, and it
included Coleridge's "The Rime of the Ancient Mariner" as well as one of
Wordsworth's most famous poems, "Tintern Abbey,” a meditation inspired by the
lonely stone ruins of the ancient abbey:

FIVE years have past; five summers, with the length

Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.—Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.

The poem follows the poet's inner journey from simple enjoyment of nature to an
exalted perception of the cosmic grandeur of nature, and then descent into doubt
whether this transcendent vision may not be instead a romantic delusion. The poem
closes on a subdued affirmation of nature's healing power. More generally, the poet's
subjective impressions lead to generalized speculations whose validity are grounded
in subjective feeling, a central expression of the romantic temper.

The second edition, published in 1800, had only Wordsworth listed as author. A third
edition of "Lyrical Ballads," published in 1802, contained more poems by
Wordsworth, including a preface to the poems. This preface is considered a central
statement of Romantic literary theory, in which Wordsworth discusses the elements of
a new type of poetry, evoking the common yet deeply experienced feelings of
ordinary people, based on the "real language of men" and which avoids the formalized
poetic diction of much eighteenth-century poetry.

Wordsworth, Dorothy, and Coleridge then traveled to Germany. During the harsh
winter of 1798-1799, Wordsworth lived with his sister in Goslar, and despite extreme
stress and loneliness, he began work on an autobiographical piece later titled The
Prelude, and completed a number of famous poems, including "the Lucy poems."
Wordsworth and his sister then moved back to England, now to Grasmere in the Lake
District, near fellow poet Robert Southey, who, with Wordsworth and Coleridge,
came to be known as the "Lake Poets." Through this period, many of his poems
revolve around themes of death, endurance, separation, and grief.

Marriage

In 1802, he and Dorothy traveled to France, where he arranged a friendly separation

with Annette and their child. Wordsworth's travels confirmed his disillusionment with
the French Revolution and its aftermath. Later that year, Wordsworth married a
childhood friend, Mary Hutchinson. Dorothy did not appreciate the marriage at first,
but lived with the couple and later grew close to Mary. The following year, Mary gave
birth to the first of five children, John.

Coleridge by now was almost totally dependent upon opium for pain relief, straining
their friendship and leaving both to contemplate the stark contradiction between their
visionary ideals and the harsh realities. WithNapoleon's rise as emperor of France,
Wordsworth's last wisp of liberalism fell, and from then on he identified himself as a
conservative. His poetry increasingly looked to his native country and its institutions,
which he saw as a more emblematic of genuine freedom than France's revolutionary
turmoil. His renewed nationalism led to works such as the two "Memorials of a Tour
in Scotland" (1803, 1814) and the group entitled "Poems Dedicated to National
Independence and Liberty."
Portrait, 1842, by Benjamin Haydon.

Later life and works

Wordsworth had for years been making plans to write a long philosophical poem in
three parts, which he intended to call The Recluse. In 1798-99, he started an
autobiographical poem, which he never named but called the "Poem to Coleridge," to
serve as an appendix to The Recluse. In 1804, he began expanding this
autobiographical work, deciding to make it a prologue rather than an appendix to the
larger planned work. By 1805, he had completed it, but death of his brother John that
same year affected him strongly and Wordsworth refused to publish so personal a
work until completing the whole of The Recluse.

In 1807, his Poems in Two Volumes was published, including "Ode: Intimations of

Immortality from Recollections of Early Childhood." Up to this point, Wordsworth
was known publicly only for Lyrical Ballads and he hoped this collection would
cement his reputation. It received only lukewarm attention however.

Two of Wordsworth's children, Thomas and Catherine, died in 1812, and Wordsworth
and Coleridge were further estranged over the latter's opium addiction. In 1813
Wordsworth was appointed to the office of distributor of stamps for Westmoreland,
which provided a secure income, but also influenced his growing Tory sentiments and
orthodox Anglican faith. The following year, he moved to Rydal Mount, Ambleside,
where he spent the rest of his life.

In 1814, Wordsworth published The Excursion as the second part of the three-part

work, The Recluse. He had not completed the first and third parts, and never would
complete them. However, he did write a poetic Prospectus to The Recluse, in which he
lays out the structure and intent of the poem. The Prospectus contains some of
Wordworth's most famous lines on the relation between the human mind and nature:
 My voice proclaims
How exquisitely the individual Mind
(And the progressive powers perhaps no less
Of the whole species) to the external World
Is fitted:—and how exquisitely, too,
Theme this but little heard of among Men,
The external World is fitted to the Mind…

Some modern critics recognize a decline in his works beginning around the mid-
1810s. But this was perhaps more a change in his lifestyle and beliefs, since most of
the issues that characterize his early poetry (loss, death, endurance, separation,
abandonment) were resolved in his writings. But, by 1820 he enjoyed the success
accompanying a reversal in the contemporary critical opinion of his earlier works.

Dorothy suffered from a severe illness in 1829 that rendered her an invalid for the
remainder of her life. The government awarded him a civil list pension amounting to
£300 a year in 1842. A year later Wordsworth was appointed poet laureate, a position
he retained until his death in Rydal Mount in 1850. Wordsworth was buried at St.
Oswald's Church in Grasmere.

His widow, Mary, published his lengthy autobiographical "poem to Coleridge" as The
Prelude several months after his death. Though this failed to arouse great interest in
1850, it has since come to be recognized as his masterpiece.

Poetry
Wordsworth's poetry is characterized by two cardinal features that he explicitly
outlines in his preface to the Lyrical Ballads. There is, first and foremost, the use of
what Wordsworth calls "the language really used by men." Contemporaneous readers
might beg to differ, as Wordsworth's diction little resembles the guttural, uneducated
jargon of farmers and country folk whom Wordsworth praises so highly. To properly
understand what Wordsworth means—and the revolutionary nature of his work in
comparison to the poetry of his time—one must consider the poetic conventions
immediately prior to Romanticism; specifically, the classical and highly ornate poetry
of eighteenth century poets such as Alexander Pope. Viewed in this light,
Wordsworth's verse uses relatively direct phrasings, uncomplicated syntax, and few
allusions. From this perspective his work can be seen for what it was in its time: a
refreshingly straight-forward style of poetry that harks back to much earlier English
poetic style, but unlike, for instance, the poetry of Milton, still manages to remain
musically pleasant and prosaically clear.
The second prominent feature of Wordsworth's poetry is its preoccupation with
emotion, and in particular what Wordsworth called "the spontaneous overflow of
powerful feelings from emotions recollected in tranquility." This sort of recollection
of emotions in a state of tranquility was, for Wordsworth, the very definition of
poetry. For him the job of the poet was, in some way, to delve into the self in order to
recall the powerful emotions of one's life, and then to recast those emotions (including
the events that inspired them, or the thoughts they engendered) into the language of
poetry. This is the most noticeable aspect of Wordsworth's poetry, resulting in both
trite and sentimental verse and stunningly moving poetic meditations. A fine example
of the latter is Wordsworth's early sonnet, Composed Upon Westminster Bridge in
which the narrator of the poem, a sentimental enthusiast of nature like Wordsworth,
gazes out over the massive, industrial city of London and sees, of all things, arresting
beauty there:

Earth has not anything to show more fair:

Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth, like a garment, wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendour, valley, rock, or hill;
Ne'er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! the very houses seem asleep;
And all that mighty heart is lying still!

Wordsworth's two most important works are his early volume written with Coleridge,
the Lyrical Ballads, and his posthumous long poem, The Prelude. They are indicative
of the two very distinct styles that characterize the young Wordsworth and the old
Wordsworth. In the Lyrical Ballads, Wordsworth writes verses flush with emotional
vibrancy and natural scenes; in The Prelude, a much older and disillusioned poet
writes exhaustive and ponderous meditations on the nature of life and the poet's
connection to it, characterized by the late Wordsworth's didactic, almost instructional
style of writing. Though frequently difficult, this later verse became some of the most
influential writings in the English-speaking world in the immediate aftermath of
Wordsworth's death. Tennyson, among other major Victorian poets, would cite
Wordsworth and The Prelude in particular as a singular influence. The epic poem's
famous opening lines exemplify the late, stern style of Wordsworth:
 OH there is blessing in this gentle breeze,
A visitant that while it fans my cheek
Doth seem half-conscious of the joy it brings
From the green fields, and from yon azure sky.
Whate'er its mission, the soft breeze can come
To none more grateful than to me; escaped
From the vast city, where I long had pined
A discontented sojourner: now free,
Free as a bird to settle where I will.
What dwelling shall receive me? in what vale
Shall be my harbour? underneath what grove
Shall I take up my home? and what clear stream
Shall with its murmur lull me into rest?
The earth is all before me. With a heart
Joyous, nor scared at its own liberty,
I look about; and should the chosen guide
Be nothing better than a wandering cloud,
I cannot miss my way. I breathe again!

Assessment
The Romantics, and preeminently William Wordsworth, expressed a devout love of
nature and reverence for the human imagination, which could discern beauty and truth
in nature. This Romantic sensibility coincided with the Industrial Revolution in
England, which effectively diminished nature and often crushed human creativity in
the machinery of progress. A profoundly introspective thinker, Wordsworth expressed
an enduring regard for the natural environment and influenced later Victorian poets
and novelists with his deep sympathy for common people and identification with
universal human experiences and emotions.

Wordsworth's love and respect for nature would awaken more forcefully and
programatically among later generations of environmentalists, who enacted laws
protecting the environment and began a worldwide movement to establish national
parks. The Romantic affirmation of subjective feeling and experience would also be
renewed in modernist literature, which would advance a more radical skepticism of
established religious and social institutions and explore experience through subjective,
often existential perception.

Although Wordsworth was revered in the nineteenth century, his reputation had
declined in the twentieth century. His poetry was criticized as sentimental and self-
indulgent. In recent years, however, Wordsworth's reputation has again risen and he is
widely recognized as a great English poet and original thinker whose stylistic and
thematic innovations have had lasting influence on later literature.