Artist Research

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LILIANA GIGOVIC (unknown)  

Liliana Gigovic was born in a very


creative family so it was natural for her to
take an interest in art. Since moving to
Australia she fell in love with its beaches
which have become her all-time favourite
subject to paint.

She started painting when she was really


young, but she postponed it due to work
commitments. She took it seriously from
2014 onwards, the moment at which she started to won many awards at group art shows.

Liliana G. believes her paintings possess “a zest for life” and hopes to give a glimpse of joy
and happiness through her art, which at the same time provides it to her. She expresses not
knowing in which genre her art will lead her but assures it will always be inspired by nature.

This artist loves to experiment with different colour tones. She refers having paintings in a
split complementary colour (purple and yellow) but also using a palette knife for every
painting, sometimes just for the finishing touches whilst other pieces are done with only a
palette knife.

We have chosen this artist for painting such vivid landscapes, which transmit the joy,
happiness and calm of the painted place. Moreover, we really like the texture that can be
seen in them, and how the colour spectrum is adapted to each of the landscapes she paints.

 
VALENTÍ FARGNOLI ANNETTA (1885 - 1944)  

Valentí Fargnoli was a photographer who became,


with his technique and sensitivity, a testimonial of
the first forty years of the 20th century, moving
from town to town with his bicycle and a camera in
his hand. He Immortalized landscapes, towns,
cities, portraits, trades and industries.

His first documented photography dates from


1901; the photography is from the old wall of Pes
de la Palla in Girona. Shortly afterwards, on April
8, 1904, he would photograph the visit of King
Alfonso XIII to Barcelona, ​becoming a provider of
the royal house and documenting in 1906 the
marriage of the king with Victoria Eugenia. In 1910 he left to Argentina to try to establish as a
photographer, but after a year he returned to Catalonia. where he would begin to publish his
photos to the Autonomous Literary Supplement.

His work system was based on taking photographs during the day, going back to Girona at
evening, revealing the photos during the night, leaving them 24 hours in soaking and, then,
drying them. Much of their photographs have been kept in a very good state of conservation
until today. It is said that he used his own production materials; he created his developer,
fixer and others. Finally, we must highlight that his photographies are easily recognizable
since he is one of the few photographers of that time that dated and signed the negative.

We decided to choose this artist as he appreciated the landscape and people that
surrounded him. He knew the beautifulness of the little details and immortalized them by
taking photographies. We believe that is good quality on an artist that, apart from being
critical, he/she should consider the goddess.
GEORGIA O’KEEFFE(1877-1986) 

Georgia O'Keeffe was one of the great artists of the


twentieth century, a pioneer of American modernism and
she was clearly ahead of her time. She is known
worldwide for three recurring themes in her work:
augmented flowers, New York skyscrapers and the
desert of her beloved New Mexico.

Born into a family of farmers, she knew what hard work


was. She was passionate about art, but she worked
other jobs for many years, including as an art teacher at
the University of Virginia. In 1918, at the age of
thirty-five, O'Keeffe moved permanently to New York to
devote herself to painting and nothing else.

She is recognized as the painter of female sexuality. Her works invites to play with the
scales, to contemplate the interior shapes and textures of the giant size flowers and their
correlation with those of the sexual organs of women, and this relationship is also
established as a symbol of fertility in the plant world.

“Someone else’s vision will never be as good as your own vision of yourself. Live and die
with it ’cause in the end it’s all you have. Lose it and you lose yourself and everything else. I
should have listened to myself.”

We have chosen this painter because we believe she is a clear representative of the
constant struggle that women that woman face every day to fight the gender roles in this
society. She was a pioneer in her time, as well as the courage that she had to leave
everything and devote herself only to art. We are very inspired by her and her work, which is
transcendental.

 
AXEL ERLANDSON (1884 - 1964) 

Axel  Erlandson  was  a  farmer  in  California who taught 


himself  how  to  grow  trees  in  various,  unnatural 
designs  through  slowly  modifying  their roots position 
through  horticultural  techniques.  In  1947,  he  opened 
a  tree  thematic  park  called  “The  Tree  Circus:  See  the 
World’s Strangest Trees Here” 

In  all,  Erlandson  coaxed  more  than  70  trees  into  the 
shapes  of  ladders,  valentines,  honeycombs,  spirals, 
zigzags,  bird  cages,  phone  booths  and  more.  They 
went  by  names  like  “Hourglass  Tree,”  “Needle  and 
Thread” or “Lightning Bolt.” 

He  considered  it  to  be  only  a  hobby  and did it mostly 


for  the  entertainment  of  his  life.  Over  the  span  of 
several  decades,  Erlandson  perfected  his  craft.  When 
his  children asked how he was able to get trees to grow in such peculiar shapes, he gave 
the  simple  answer,  “I  talk  to  them.”  Nowadays,  we  know  that  these  methods  were  all 
unharming  to  the  trees  and  involved  wire,  tape,  steel  and  guides,  and  his  trees  took 
years to assume their final shapes.  

In  later  life,  he  said  he  grew  to  regret  never  having  taken  on  an  apprentice  because  as 
he  grew  older  he was unable to attend and care for his trees, whom he loved very much 
so. 

In  our personal opinion, this artist is great because he never even considered himself an 
artist even if he was entirely one. Moreover, the fact that he took so many years to finish 
each  one  of  his  projects  shows  he  cared  deeply  about  nature  and  respected  it 
thoroughly.  Finally,  we  believe  his  work  must  have  inspired  thousands  of  people  to  do 
the same and therefore plant trees and take care of them. 

 
OLAFUR ELIASSON (1967 - NOW) 
 
Olafur  Eliasson  was  born  in  Copenhagen in 1967 
and  his  early  life  was  between  Denmark  and 
Iceland.  He  is  ​known  for  sculptures  and 
large-scale  installation  art  employing  elemental 
materials  such  as  light,  water,  and  air 
temperature to enhance the viewer’s experience.  
 
“Art,  for  him,  is  a  crucial means for turning thinking 
into  doing  in  the  world.  Eliasson’s  works  span  sculpture,  painting,  photography,  film,  and 
installation.  Not  limited  to  the  confines  of  the  museum  and  gallery,  his  practice  engages  the 
broader  public  sphere  through  architectural  projects,  interventions  in  civic  space,  arts 
education, policy-making, and issues of sustainability and climate change.” 
 
He  has  had  lots  of  projects  all  around  the  world  with  the  topics  of  light,  nature, 
movement  and  water.  But  the  project  that  catch  our  eyes  was  the  “Ice  watch  one”.  In 
this  project  he  and  ​Minik  Rosing  decided  to  put  ​twelve  large  blocks  of  ice  cast  off  from 
the  Greenland  ice  sheet  are  harvested  from  a  fjord  outside  Nuuk  and  presented  in  a 
clock  formation  in  a  prominent  public  place.  The  work  raises  awareness  of  climate 
change by providing a direct and tangible experience of the reality of melting arctic ice. 
 
We  decided  to  include  him  in  our  artist  research  because  he  uses  his  art  to  claim  a 
reality  that  we  all  know  (the  importance  of  climate  change)  and  we  believe  that  art  has 
to  be  also  the  voice  to  change  the  world.  Moreover,  with  this  specific  project  we  could 
see  that  art  it  doesn’t  have  to be always in the museums, if we want people to be aware 
of  it  we  have  to  find  other  places  to  give  the  message.  When  we think about artists, we 
tend  to  go  to  museums  and  galleries,  with  paintings  and  sculptures  but  abstract  art 
doesn’t have to follow these rules and it is still art and it has a powerful message.  
 
 
 
 
 
 
 
 

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