Essay: Jump To Navigationjump To Search
Essay: Jump To Navigationjump To Search
Essay: Jump To Navigationjump To Search
An essay is, generally, a piece of writing that gives the author's own argument — but the definition is
vague, overlapping with those of a paper, an article, a pamphlet, and a short story. Essays have
traditionally been sub-classified as formal and informal. Formal essays are characterized by "serious
purpose, dignity, logical organization, length," whereas the informal essay is characterized by "the
personal element (self-revelation, individual tastes and experiences, confidential manner), humor,
graceful style, rambling structure, unconventionality or novelty of theme," etc.[1]
Essays are commonly used as literary criticism, political manifestos, learned arguments,
observations of daily life, recollections, and reflections of the author. Almost all modern essays are
written in prose, but works in verse have been dubbed essays (e.g., Alexander Pope's An Essay on
Criticism and An Essay on Man). While brevity usually defines an essay, voluminous works like John
Locke's An Essay Concerning Human Understanding and Thomas Malthus's An Essay on the
Principle of Population are counterexamples.
In some countries (e.g., the United States and Canada), essays have become a major part of
formal education. Secondary students are taught structured essay formats to improve their writing
skills; admission essays are often used by universities in selecting applicants, and in the humanities
and social sciences essays are often used as a way of assessing the performance of students
during final exams.
The concept of an "essay" has been extended to other media beyond writing. A film essay is a movie
that often incorporates documentary filmmaking styles and focuses more on the evolution of a theme
or idea. A photographic essay covers a topic with a linked series of photographs that may have
accompanying text or captions.
Contents
1Definitions
2History
o 2.1Europe
o 2.2Japan
3Forms and styles
o 3.1Cause and effect
o 3.2Classification and division
o 3.3Compare and contrast
o 3.4Expository
o 3.5Descriptive
o 3.6Dialectic
o 3.7Exemplification
o 3.8Familiar
o 3.9History (thesis)
o 3.10Narrative
o 3.11Argumentative
o 3.12Process
o 3.13Economic
o 3.14Reflective
o 3.15Other logical structures
4Academic
5Magazine or newspaper
6Employment
7Non-literary types
o 7.1Film
o 7.2Music
o 7.3Photography
o 7.4Visual arts
8See also
9References
10Further reading
11External links
Definitions
John Locke's 1690 An Essay Concerning Human Understanding.
An essay has been defined in a variety of ways. One definition is a "prose composition with a
focused subject of discussion" or a "long, systematic discourse".[2] It is difficult to define the genre
into which essays fall. Aldous Huxley, a leading essayist, gives guidance on the subject.[3] He notes
that "the essay is a literary device for saying almost everything about almost anything", and adds
that "by tradition, almost by definition, the essay is a short piece". Furthermore, Huxley argues that
"essays belong to a literary species whose extreme variability can be studied most effectively within
a three-poled frame of reference". These three poles (or worlds in which the essay may exist) are:
The personal and the autobiographical: The essayists that feel most
comfortable in this pole "write fragments of reflective autobiography
and look at the world through the keyhole of anecdote and
description".
The objective, the factual, and the concrete particular: The
essayists that write from this pole "do not speak directly of
themselves, but turn their attention outward to some literary or
scientific or political theme. Their art consists of setting forth,
passing judgment upon, and drawing general conclusions from the
relevant data".
The abstract-universal: In this pole "we find those essayists who do
their work in the world of high abstractions", who are never personal
and who seldom mention the particular facts of experience.
Huxley adds that the most satisfying essays "...make the best not of one, not of two, but of all the
three worlds in which it is possible for the essay to exist."
The word essay derives from the French infinitive essayer, "to try" or "to attempt". In
English essay first meant "a trial" or "an attempt", and this is still an alternative meaning. The
Frenchman Michel de Montaigne (1533–1592) was the first author to describe his work as essays;
he used the term to characterize these as "attempts" to put his thoughts into writing, and his essays
grew out of his commonplacing.[4] Inspired in particular by the works of Plutarch, a translation of
whose Œuvres Morales (Moral works) into French had just been published by Jacques Amyot,
Montaigne began to compose his essays in 1572; the first edition, entitled Essais, was published in
two volumes in 1580. For the rest of his life, he continued revising previously published essays and
composing new ones. Francis Bacon's essays, published in book form in 1597, 1612, and 1625,
were the first works in English that described themselves as essays. Ben Jonson first used the
word essayist in English in 1609, according to the Oxford English Dictionary.
History
The examples and perspective in this article may not represent
a worldwide view of the subject. You may improve this article, discuss
the issue on the talk page, or create a new article, as appropriate. (January
2011) (Learn how and when to remove this template message)
Europe
English essayists included Robert Burton (1577–1641) and Sir Thomas Browne (1605–1682). In
France, Michel de Montaigne's three volume Essais in the mid 1500s contain over 100 examples
widely regarded as the predecessor of the modern essay. In Italy, Baldassare Castiglione wrote
about courtly manners in his essay Il Cortigiano. In the 17th century, the Jesuit Baltasar
Gracián wrote about the theme of wisdom.[5] During the Age of Enlightenment, essays were a
favored tool of polemicists who aimed at convincing readers of their position; they also featured
heavily in the rise of periodical literature, as seen in the works of Joseph Addison, Richard
Steele and Samuel Johnson. In the 18th and 19th centuries, Edmund Burke and Samuel Taylor
Coleridge wrote essays for the general public. The early 19th century, in particular, saw a
proliferation of great essayists in English – William Hazlitt, Charles Lamb, Leigh Hunt and Thomas
de Quincey all penned numerous essays on diverse subjects. In the 20th century, a number of
essayists tried to explain the new movements in art and culture by using essays (e.g., T.S.
Eliot). Virginia Woolf, Edmund Wilson, and Charles du Bos wrote literary criticism essays.[5]
Japan
Main article: Zuihitsu
As with the novel, essays existed in Japan several centuries before they developed in Europe with a
genre of essays known as zuihitsu — loosely connected essays and fragmented ideas. Zuihitsu
have existed since almost the beginnings of Japanese literature. Many of the most noted early works
of Japanese literature are in this genre. Notable examples include The Pillow Book (c. 1000), by
court lady Sei Shōnagon, and Tsurezuregusa (1330), by particularly renowned Japanese Buddhist
monk Yoshida Kenkō. Kenkō described his short writings similarly to Montaigne, referring to them as
"nonsensical thoughts" written in "idle hours". Another noteworthy difference from Europe is that
women have traditionally written in Japan, though the more formal, Chinese-influenced writings of
male writers were more prized at the time.
Familiar
An essayist writes a familiar essay if speaking to a single reader, writing about both themselves, and
about particular subjects. Anne Fadiman notes that "the genre's heyday was the early nineteenth
century," and that its greatest exponent was Charles Lamb.[14] She also suggests that while critical
essays have more brain than the heart, and personal essays have more heart than brain, familiar
essays have equal measures of both.[15]
History (thesis)
A history essay sometimes referred to as a thesis essay describes an argument or claim about one
or more historical events and supports that claim with evidence, arguments, and references. The text
makes it clear to the reader why the argument or claim is as such.[16]
Narrative
A narrative uses tools such as flashbacks, flash-forwards, and transitions that often build to a climax.
The focus of a narrative is the plot. When creating a narrative, authors must determine their purpose,
consider their audience, establish their point of view, use dialogue, and organize the narrative. A
narrative is usually arranged chronologically.[17]
Argumentative
An argumentative essay is a critical piece of writing, aimed at presenting objective analysis of the
subject matter, narrowed down to a single topic. The main idea of all the criticism is to provide an
opinion either of positive or negative implication. As such, a critical essay requires research and
analysis, strong internal logic and sharp structure. Its structure normally builds around introduction
with a topic's relevance and a thesis statement, body paragraphs with arguments linking back to the
main thesis, and conclusion. In addition, an argumentative essay may include a refutation section
where conflicting ideas are acknowledged, described, and criticized. Each argument of
argumentative essay should be supported with sufficient evidence, relevant to the point.
Process
A process essay is used for an explanation of making or breaking something. Often, it is written in
chronological order or numerical order to show step-by-step processes. It has all the qualities of
a technical document with the only difference is that it is often written in descriptive mood, while a
technical document is mostly in imperative mood.[18]
Economic
An economic essay can start with a thesis, or it can start with a theme. It can take a narrative course
and a descriptive course. It can even become an argumentative essay if the author feels the need.
After the introduction, the author has to do his/her best to expose the economic matter at hand, to
analyze it, evaluate it, and draw a conclusion. If the essay takes more of a narrative form then the
author has to expose each aspect of the economic puzzle in a way that makes it clear and
understandable for the reader
Reflective
A reflective essay is an analytical piece of writing in which the writer describes a real or imaginary
scene, event, interaction, passing thought, memory, or form — adding a personal reflection on the
meaning of the topic in the author's life. Thus, the focus is not merely descriptive. The writer doesn’t
just describe the situation, but revisits the scene with more detail and emotion to examine what went
well, or reveal a need for additional learning — and may relate what transpired to the rest of the
author's life.
Other logical structures
The logical progression and organizational structure of an essay can take many forms.
Understanding how the movement of thought is managed through an essay has a profound impact
on its overall cogency and ability to impress. A number of alternative logical structures for essays
have been visualized as diagrams, making them easy to implement or adapt in the construction of
an argument.[19]
Academic
University students, like these students doing research at a university library, are often assigned essays as a
way to get them to analyze what they have read.
Magazine or newspaper
Main article: Long-form journalism
Essays often appear in magazines, especially magazines with an intellectual bent, such as The
Atlantic and Harpers. Magazine and newspaper essays use many of the essay types described in
the section on forms and styles (e.g., descriptive essays, narrative essays, etc.). Some newspapers
also print essays in the op-ed section.
An 1895 cover of Harpers, a US magazine that prints a number of essays per issue.
Employment
Employment essays detailing experience in a certain occupational field are required when applying
for some jobs, especially government jobs in the United States. Essays known as Knowledge Skills
and Executive Core Qualifications are required when applying to certain US federal government
positions.
A KSA, or "Knowledge, Skills, and Abilities," is a series of narrative statements that are required
when applying to Federal government job openings in the United States. KSAs are used along with
resumes to determine who the best applicants are when several candidates qualify for a job. The
knowledge, skills, and abilities necessary for the successful performance of a position are contained
on each job vacancy announcement. KSAs are brief and focused essays about one's career and
educational background that presumably qualify one to perform the duties of the position being
applied for.
An Executive Core Qualification, or ECQ, is a narrative statement that is required when applying to
Senior Executive Service positions within the US Federal government. Like the KSAs, ECQs are
used along with resumes to determine who the best applicants are when several candidates qualify
for a job. The Office of Personnel Management has established five executive core qualifications
that all applicants seeking to enter the Senior Executive Service must demonstrate.
Non-literary types
Film
A film essay (or "cinematic essay") consists of the evolution of a theme or an idea rather than a plot
per se, or the film literally being a cinematic accompaniment to a narrator reading an essay.[citation
needed]
From another perspective, an essay film could be defined as a documentary film visual basis
combined with a form of commentary that contains elements of self-portrait (rather than
autobiography), where the signature (rather than the life story) of the filmmaker is apparent. The
cinematic essay often blends documentary, fiction, and experimental film making using tones and
editing styles.[21]
The genre is not well-defined but might include propaganda works of early Soviet parliamentarians
like Dziga Vertov, present-day filmmakers including Chris Marker,[22] Michael Moore (Roger &
Me, Bowling for Columbine and Fahrenheit 9/11), Errol Morris (The Thin Blue Line), Morgan
Spurlock (Supersize Me) and Agnès Varda. Jean-Luc Godard describes his recent work as "film-
essays".[23] Two filmmakers whose work was the antecedent to the cinematic essay include Georges
Méliès and Bertolt Brecht. Méliès made a short film (The Coronation of Edward VII (1902)) about the
1902 coronation of King Edward VII, which mixes actual footage with shots of a recreation of the
event. Brecht was a playwright who experimented with film and incorporated film projections into
some of his plays.[21] Orson Welles made an essay film in his own pioneering style, released in 1974,
called F for Fake, which dealt specifically with art forger Elmyr de Hory and with the themes of
deception, "fakery," and authenticity in general. These are often published online on video hosting
services.[24][25]
David Winks Gray's article "The essay film in action" states that the "essay film became an
identifiable form of filmmaking in the 1950s and '60s". He states that since that time, essay films
have tended to be "on the margins" of the filmmaking the world. Essay films have a "peculiar
searching, questioning tone ... between documentary and fiction" but without "fitting comfortably" into
either genre. Gray notes that just like written essays, essay films "tend to marry the personal voice of
a guiding narrator (often the director) with a wide swath of other voices".[26] The University of
Wisconsin Cinematheque website echoes some of Gray's comments; it calls a film essay an
"intimate and allusive" genre that "catches filmmakers in a pensive mood, ruminating on the margins
between fiction and documentary" in a manner that is "refreshingly inventive, playful, and
idiosyncratic".[27]
Music
In the realm of music, composer Samuel Barber wrote a set of "Essays for Orchestra," relying on the
form and content of the music to guide the listener's ear, rather than any extra-musical plot or story.
Photography
"After School Play Interrupted by the Catch and Release of a Stingray" is a simple time-sequence photo essay.
A photographic essay strives to cover a topic with a linked series of photographs. Photo essays
range from purely photographic works to photographs with captions or small notes to full-text essays
with a few or many accompanying photographs. Photo essays can be sequential in nature, intended
to be viewed in a particular order — or they may consist of non-ordered photographs viewed all at
once or in an order that the viewer chooses. All photo essays are collections of photographs, but not
all collections of photographs are photo essays. Photo essays often address a certain issue or
attempt to capture the character of places and events.
Visual arts
In the visual arts, an essay is a preliminary drawing or sketch that forms a basis for a final painting or
sculpture, made as a test of the work's composition (this meaning of the term, like several of those
following, comes from the word essay's meaning of "attempt" or "trial").
See also
Abstract (summary)
Body (writing)
Book report
Essay thesis
Five paragraph essay
Introduction
List of essayists
SAT Essay
Schaffer paragraph
Treatise
References
1. ^ Holman, William (2003). A Handbook to Literature (9 ed.). New
Jersey: Prentice Hall. p. 193.
2. ^ Gale – Free Resources – Glossary – DE Archived 2010-04-25 at
the Wayback Machine. Gale.cengage.com. Retrieved March 23, 2011.
3. ^ Aldous Huxley, Collected Essays, "Preface", London: Harper and
Brothers, 1960, p. v.
4. ^ "Book Use Book Theory: 1500–1700: Commonplace Thinking".
Lib.uchicago.edu. Archived from the original on 2013-08-01.
Retrieved 2013-08-10.
5. ^ Jump up to:a b essay (literature) – Britannica Online
EncyclopediaArchived 2009-12-04 at the Wayback Machine.
Britannica.com. Retrieved March 22, 2011.
6. ^ Chapter 7: Cause and Effect in Glenn, Cheryl. Making Sense: A
Real-World Rhetorical Reader. Ed. Denise B. Wydra, et al. Second ed.
Boston, MA: Bedford/St. Martin's, 2005.
7. ^ Chapter 5: Classification and Division in Glenn, Cheryl. Making
Sense: A Real-World Rhetorical Reader. Ed. Denise B. Wydra, et al.
Second ed. Boston, MA: Bedford/St. Martin's, 2005.
8. ^ Chapter 6: Comparison and Contrast in Glenn, Cheryl. Making
Sense: A Real-World Rhetorical Reader. Ed. Denise B. Wydra, et al.
Second ed. Boston, MA: Bedford/St. Martin's, 2005.
9. ^ "Subject Verb Agreement" (PDF). Nova Southeastern University.
10. ^ Chapter 2: Description in Glenn, Cheryl. Making Sense: A Real-
World Rhetorical Reader. Ed. Denise B. Wydra, et al. Second ed.
Boston, MA: Bedford/St. Martin's, 2005.
11. ^ Section 2.1 of the Simon Fraser University CNS Essay Handbook.
Available online at: sfu.ca
12. ^ "How to Write an Ethics Paper (with
Pictures)". wikiHow. Archived from the original on 2016-08-28.
Retrieved 2016-07-01.
13. ^ Chapter 4: Exemplification in Glenn, Cheryl. Making Sense: A Real-
World Rhetorical Reader. Ed. Denise B. Wydra, et al. Second ed.
Boston, MA: Bedford/St. Martin's, 2005.
14. ^ Fadiman, Anne. At Large and At Small: Familiar Essays. p. x.
15. ^ Fadiman, At Large and At Small, xi.
16. ^ History Essay Format & Thesis Statement, (February 2010)
17. ^ Chapter 3 Narration in Glenn, Cheryl. Making Sense: A Real-World
Rhetorical Reader. Ed. Denise B. Wydra, et al. Second ed. Boston,
MA: Bedford/St. Martin's, 2005.
18. ^ "Examples and Definition of Process Essay". Literary Devices. 2017-
04-04. Retrieved 2018-11-07.
19. ^ "'Mission Possible' by Dr. Mario Petrucci" (PDF). Archivedfrom the
original on 2014-10-26. Retrieved 2014-10-25.
20. ^ Khomami, Nadia (20 February 2017). "Plan to crack down on
websites selling essays to students announced". The
Guardian. Archived from the original on 27 April 2017.
21. ^ Jump up to:a b Cinematic Essay Film Genre Archived 2007-08-08 at
the Wayback Machine. chicagomediaworks.com. Retrieved March 22,
2011.
22. ^ (registration required) Lim, Dennis (July 31, 2012). "Chris Marker, 91,
Pioneer of the Essay Film" Archived 2012-08-03 at the Wayback
Machine. The New York Times. Retrieved July 31, 2012.
23. ^ Discussion of film essays Archived 2007-08-08 at the Wayback
Machine. Chicago Media Works.
24. ^ Kaye, Jeremy (2016-01-17). "5 filmmakers that have mastered the
art of the Video Essay". Medium. Archived from the original on 2017-
08-30. Retrieved 2017-07-05.
25. ^ Liptak, Andrew (2016-08-01). "This filmmaker deep-dives into what
makes your favorite cartoons tick". The Verge. Archivedfrom the
original on 2017-08-30. Retrieved 2017-07-05.
26. ^ Gray, David Winks (January 30, 2009). "The essay film in
action". San Francisco Film Society. Archived from the originalon
March 15, 2009.
27. ^ "Talking Pictures: The Art of the Essay Film". Cinema.wisc.edu.
Retrieved March 22, 2011.
Further reading
Theodor W. Adorno, "The Essay as Form" in: Theodor W.
Adorno, The Adorno Reader, Blackwell Publishers 2000.
Beaujour, Michel. Miroirs d'encre: Rhétorique de l'autoportrait'.
Paris: Seuil, 1980. [Poetics of the Literary Self-Portrait. Trans. Yara
Milos. New York: NYU Press, 1991].
Bensmaïa, Reda. The Barthes Effect: The Essay as Reflective Text.
Trans. Pat Fedkiew. Minneapolis: Univ. of Minnesota Press, 1987.
D'Agata, John (Editor), The Lost Origins of the Essay. St Paul:
Graywolf Press, 2009.
Giamatti, Louis. "The Cinematic Essay", in Godard and the Others:
Essays in Cinematic Form. London, Tantivy Press, 1975.
Lopate, Phillip. "In Search of the Centaur: The Essay-Film",
in Beyond Document: Essays on Nonfiction Film. Edited by Charles
Warren, Wesleyan University Press, 1998. pp. 243–270.
Warburton, Nigel. The basics of essay writing. Routledge,
2006. ISBN 0-415-24000-X, 978-0-415-24000-0
External links
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