R.W.S Book Report
R.W.S Book Report
R.W.S Book Report
In
Reading and
Writing Skills
II. Background of the author (reason why she/he wrote the story)
Makoto Shinkai Went the Long Way. Shinkai decided to be different. He had already
expressed the beauty of art and the feeling of being lost in 5 Centimeters Per Second and
Garden of Words. His old films included many monologues. They exist in Your Name, as well,
but much less compared to his old works. Even in Shakespeare the monologues are great but
tiring and the same happens in movies: too many monologues may satisfy the author who
wants to show his opinion, but the audience doesn’t really like it. Your Name, cut down on the
approach and in return feels fresher. In the film the protagonist is aggressively optimistic. If you
think that’s not a valid point, think again: In his old works, the protagonists are living passively.
They don’t fight against their destiny, but the protagonists in Your Name. Struggle to change
their fate. This is a feature highly unusual for the director, and it made it easier for the audience
to feel empathy towards the characters. It is a typical romance albeit in a peculiar setting, and
people like that approach. People often talk about the beautiful art of Makoto Shinkai. This
movie is not an exception, and some say it is worth watching the movie just for the art.
Your Name. (Japanese: 君の名は。 Hepburn: Kimi no Na wa.) is a 2016 Japanese animated
romantic fantasy drama film written and directed by Makoto Shinkai and produced by CoMix
Wave Films. The film was produced by Noritaka Kawaguchi and Genki Kawamura, with music
composed by Radwimps. Your Name tells the story of a high school girl in rural Japan and a
high school boy in Tokyo who swap bodies. The film stars the voices of Ryunosuke Kamiki,
Mone Kamishiraishi, Masami Nagasawa, and Etsuko Ichihara. Shinkai's novel of the same
name was published a month before the film's premiere.
2. Mitsuha Miyamizu (宮水 三葉 Miyamizu Mitsuha) A high school girl living in Itomori, a rural
town. She is dissatisfied with small-town life and wishes to move to Tokyo. She has a
strained relationship with her father and is embarrassed by his often open displays of
control as well as her part as a miko in rituals for her family's shrine creating
kuchikamizake, an ancient traditional way of creating sake involving chewing rice to intake
yeast for fermentation.
3. Miki Okudera (奥寺 ミキ Okudera Miki). A university student, she works in the same
restaurant as Taki. She and Taki have a mutual crush on each other, though Taki does not
want a relationship and Okudera only has feelings for him when Mitsuha is in his body. She
is more commonly referred to as Ms. Okudera (Okudera-senpai) by her colleagues.
6. Sayaka Natori (名取 早耶香 Natori Sayaka). Mitsuha's friend. She is a nervous girl in the
broadcast club in high school that vehemently denies her attraction to Tessie.
7. Tsukasa Fujii (藤井 司 Fujii Tsukasa). One of Taki's friends in high school. He is often
concerned about Taki whenever Mitsuha embodies him.
8. Shinta Takagi (高木 真太 Takagi Shinta). One of Taki's friends in high school. He is
optimistic and jumps to the rescue of his friends.
9. Yotsuha Miyamizu (宮水 四葉 Miyamizu Yotsuha). Mitsuha's younger sister, who lives with
her and their grandmother. She thinks her sister is somewhat crazy but loves her despite
the situation. She participates in creating both kumihimo and kuchikamizake.
10. Toshiki Miyamizu (宮水 俊樹 Miyamizu Toshiki). Mitsuha and Yotsuha's father, who is the
town's mayor. He used to be a folklorist who came to the town for research and met
Mitsuha's mother. He is very strict and jaded from events that occurred in his life.
11. Futaba Miyamizu (宮水 二葉 Miyamizu Futaba). Mitsuha and Yotsuha's deceased mother.
12. Yukari Yukino (雪野 百香里 Yukino Yukari). Tessie, and Sayaka's Japanese literature
teacher. She teaches them the word "Kataware-doki", meaning twilight in the local Hida
dialect, in her class. Yukari was a main character in Shinkai's previous film The Garden of
Words.
3. SUGA SHRINE – TOKYO. Suga Shrine is located in Tokyo and was used for the very last
scene when Mitsuha and Taki pass each other on the stairs.
4. THE UNDERPASS IN SHINJUKU – TOKYO. This underpass or intersection is located in
Nishi-shinjuku and was also used in the first trailer.
5. THE NATIONAL ART CENTER, TOKYO – TOKYO. This is located in Roppongi and was
used for the scene when Taki takes Miki on a lunch date. Miki is a stylish university student
who is also working at the same Italian restaurant as Taki. The name of the restaurant is
“Brasserie Paul Bocuse Le Musée” and it is on the 3rd floor.
7. HIDA-FURUKAWA STATION – GIFU. This station is located in Gifu and was used when
Taki and his friends were traveling to Itomori, Mitsuha’s hometown.
8. HIDA-SANNOGU HIE SHRINE – GIFU. This shrine is located in Gifu and was used as the
model for the Miyamizu Shrine, which is the symbolic shrine in Itomori. This is where
Mitsuha performs a Japanese traditional dance with her little sister. This shrine is actually
used for the Takayama festival, one of biggest Japanese traditional festivals, so you might
be surprised by the difference in size between the real thing and the animated version.
9. LAKE SUWA – NAGANO.This lake is located in Nagano and was used as the symbolic lake
in Itomori. It is important place for Mitsuha and Taki to discover the truth. There are many
sightseeing spots in Suwa other than Lake Suwa. In Suwa City Kohan Park, visitors can enjoy
the spectacular view of the Japan Alps while soaking their feet in a footbath. Tateishi park
overlooks the whole city and it is surprising how much the real scenery and the scene from
the movie resemble each other. There is also Suwa Taisha Shrine and Takashima castle.
Around Lake Suwa there are several hot springs so if walking gets too tiring, visitors can relax
in a bath while looking at Mt. Fuji. During the summer at Lake Suwa there are several firework
shows.
VI. Climax
At twilight, in the film’s climax, Mitsuha and Taki finally meet face-to-face. But the magic fades
before they can write their names on each other’s hands, and their memories of each other
fade as well. When twilight is over, they return to their own misaligned timelines and give up
the most important thing to them—their memories of each other.
VII. Conflict
It is an internal conflict between wanting to uphold tradition by being a miko and living at the
shrine and pleasing family yet at the same time wanting to be your own person. Dreams are
often our conscious thoughts personified, in this instance, the switching of bodies let her have
the means to experience the life she wish she had. This is where dreams and wishes and the
supernatural blends together.
VIII. Resolution
They stop switching bodies.
https://animeharbor.com/guide/the-real-life-locations-from-kimi-no-nawa-your-name/
https://en.wikipedia.org/wiki/your_name
https://www.quora.com/what-lessons-can-be-learned-from-kimi-no-nawa
https://en.wikipedia.org/wiki/makoto_Shinkai