Offertory Chant Guidelines

OFFERTORY CHANT • General Instruction on the Roman Missal
2002 • “Universal” Edition of the GIRM English Translation of 2002 “Universal” GIRM
74. Processionem, qua dona afferuntur, cantus ad offertorium co- 74. The procession bringing the gifts is accompanied by the pre-
mitatur (cf. n. 37, b), qui protrahitur saltem usquedum dona super altare sentation chant (cf. n. 37, b), which continues at least until the gifts have
deposita sunt. Normae de modo cantandi eaedem sunt ac pro cantu ad been placed on the altar. The rules for this song are the same as those for
introitum (cf. n. 48). Cantus potest semper ritus ad offertorium sociare. the entrance song (no. 26). Singing may always accompany the rite at the
Offertory.
2003 • United States Adaptation of the GIRM 2011 • USA Adaptation of the GIRM
74. The procession bringing the gifts is accompanied by the Of- 74. The procession bringing the gifts is accompanied by the Offer-
fertory chant (cf. above, no. 37b), which continues at least until the gifts tory Chant (cf. no. 37 b), which continues at least until the gifts have been
have been placed on the altar. The norms on the manner of singing are the placed on the altar. The norms on the manner of singing are the same as
same as for the Entrance chant (cf. above, no. 48). Singing may always for the Entrance Chant (cf. no. 48). Singing may always accompany the
accompany the rite at the offertory, even when there is no procession with rite at the Offertory, even when there is no procession with the gifts.
the gifts.
1975 • “Universal” Edition of the GIRM English Translation of 1975 “Universal” GIRM
50. Processionem, qua dona afferuntur, cantus ad offertorium comi- 50. The procession bringing the gifts is accompanied by the presen-
tatur, qui protrahitur saltem usquedum dona super altare deposita sunt. tation song, which continues at least until the gifts have been placed on
Normae de modo cantandi eaedem sunt ac pro introitu (n. 26). Si non the altar. The rules for this song are the same as those for the entrance
cantatur, antiphona ad offertorium omittitur. song (no. 26). If it is not sung, the presentation antiphon is omitted.
1975 • United States Adaptations of the GIRM

50. OFFERTORY SONG
The choice of texts for the offertory song is governed by the same rule as the entrance song, with the several options described above (no. 26).
If there is no offertory song, the offertory antiphon is omitted.
With regard to texts not from the Psalter that may be used as the offertory song, the following criterion was adopted by the National Confer-
ence of Bishops in November, 1969:
The offertory song need not speak of bread and wine or of offering. The proper function of the offertory song is rather to accompany and
celebrate the communal aspects of the procession. The text, therefore, may be an appropriate song of praise or of rejoicing in keeping with the
season. Those texts are not acceptable that speak of the offering completely apart from the action of Christ.
In general, during the most important seasons of the Church year, Easter time, Lent, Christmas and Advent, it is preferable that most songs
used during the offertory be seasonal in character. During the remainder of the Church year, however, topical songs may be used during the offerto-
ry procession provided that these texts do not conflict with the paschal character of every Sunday (“Constitution on the Liturgy,” arts. 102,106).
With regard to the offertory song, the statement of the Bishops’ Committee on the Liturgy of 1968 (“The Place of Music in Eucharistic Cel-
ebrations”) gives additional comments:
The procession can be accompanied by song. Song is not always necessary or desirable. Organ or instrumental music is also fitting at this
time. The song need not speak of bread or wine or offering. The proper function of this song is to accompany and celebrate the communal aspects
of the procession. The text, therefore, can be any appropriate song of praise or of rejoicing in keeping with the season. (See approved criterion
above.) The song need not accompany the entire preparation rite. (The song, if any, continues at least until the priest has placed the bread and wine
on the altar, while saying the accompanying prayers quietly; see no. 50 of the “General Instruction,” nos. 19-21 of the “Order of Mass.”)
If there is no singing or organ or instrumental music, this may be a period of silence (see no. 23 of the “General Instruction”). In fact, it is
good to give the assembly a period of quiet (that is, while the gifts are prepared and placed on the altar, until the introduction to the prayer over the
gifts: “Pray, brethren. . .”) before demanding, at the preface, their full attention to the Eucharistic prayer.
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OFFERTORY CHANT • General Instruction on the Roman Missal

1975 • United States Adaptations of the GIRM

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