AncestralPath BOOKLET 2018 Small
AncestralPath BOOKLET 2018 Small
AncestralPath BOOKLET 2018 Small
TAROT DECK
by Julie Cuccia-Watts
Published by
U.S GAMES SYSTEMS, INC.
Stamford, CT 06902 USA
© 1995, 2013, 2019 U.S. Games Systems, Inc.
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Made in China
Published by:
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WHAT IS TAROT?
A working definition of the Tarot is simple. The Tarot
is a specialized series of 78 symbol-stuffed cards used
for divination (reading the cards) and meditation.
A Tarot deck is divided into two unequal parts:
the MAJOR (GREATER) ARCANA and the MINOR
(LESSER) ARCANA.
More attention is paid to the Major Arcana, a group of
22 cards, usually numbered and bearing titles defining
their metaphysical or archetypal nature.
The second grouping, the 56 Minor Arcana cards,
consists of four suits, usually called Swords, Wands,
Cups and Pentacles. Each suit contains fourteen cards
(Ace through ten, Page, Knight, Queen, and King).
Its structure is similar to that of a modern playing
card deck, except that the playing card Jack fuses the
Page and the Knight.
The Ancestral Path Tarot adheres to the fundamental
structure of Tarot decks. Its Major Arcana sequence of
22 images bears the standard titles (with the exception
that the Hanged Man is now the Hanged One), but an
older ordering is used. The Justice and Strength trumps
exchange position (Justice is the eighth arcanum and
Strength the eleventh).
The suits of the Minor Arcana are named SWORDS,
STAVES (WANDS), CUPS, AND SACRED CIRCLES
(PENTACLES). Numbered cards are to be viewed from
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the Ten to the Ace, reversing the typical hierarchical
structure. Court cards are termed King, Queen, Knight
and Princess for the sake of convenience, as the divine
and legendary figures of the Ancestral Path Tarot do
not easily adapt to static titles.
The four suits depict representative cultures of
four racial groups: Japanese Swords; Egyptian Staves;
British Cups; and Native American Sacred Circles.
Each culture is portrayed during a distinct historical
epoch: the Japanese feudal era; the Egyptian nine-
teenth dynasty of Ramses II; Arthurian Britain; and
post-contact America.
Central myths or legends of these racial groups
serve as a backdrop to each suit and trace paths our
ancestors forged in shaping their world view.
In the Sword suit, a woman’s epic song details the Ainu
peoples’ relationship with their bear god, and defines
relationships between men and women, clans and tribes,
and Ainu and Japanese cultures.
The Osirian myth cycle of death and resurrection
weaves through the Staves. A chapter from the
Egyptian Book of the Dead, entitled “Triumph Over
Darkness,” speaks eloquently of life and death, light
and shadow, and gods and humans.
The Arthurian/Grail mythos sets the stage for the
Cup suit. “Morgana’s Reverie” synthesizes the story of
the Cups as the sister of King Arthur prepares herself
for the role of psychopomp on the path to the King’s
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initiation into the knowledge of his genetic inheritance
and his spiritual responsibilities.
In the suit of Sacred Circles, a Menominee creation
legend of bear and thunder spirit ancestors and a
Winnebago holy (medicine) song support the tale of
the vision quest.
Court card images are deified ancestral figures.
Creator deities Izanagi and Izanami and their children,
Moon God Tsuki Yomi and Sun Goddess Ama Terasu,
grace the Sword Court cards. Staves depict the
brother-sister ruling deities, Osiris and Isis, with their
sister, Nephthys, and son, Horus. The major Arthurian
characters—Arthur, his wife Gwenhwyfar, his friend
Lancelot, and his sister Morgana— comprise the Cup
royalty. And the god/dess forms of the Sacred Circles
are Grandfather Thunder, Grandmother Moon, Father
Sun and Mother Earth.
Aces symbolize the raw elemental power of each
suit: the clear air of the intellect associated with the
Swords; the fiery spirituality of Staves; the watery
emotional nature of the Cups; and the earthy physicality
of Sacred Circles. Each ace is emblazoned with an image
defining its suit. Swords were near-mystical objects in
ancient Japan; they were believed to contain spirits and
were imbued with miraculous powers. The ankh is the
Egyptian staff of life and resurrection, the pre-Christian
cross of a sacrificed god. The Grail quest is a mystical
experience available even to those at the beginning of
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their spiritual path. And the Native American drum
measures the heartbeat of the earth. It carries
messages with the language of its beat, and opens
pathways between the worlds of the living and the
ancestors.
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DEFINITIONS—MAJOR ARCANA
0 THE FOOL: Beginnings; the heady moment before
diving into the future; the state of being untested
(inexperienced); the feeling of quivering anticipation
when arriving at the brink of experience; exploring the
unknown; risking; taking a leap of faith; stepping onto
an untested path, or leaping onto the spiral. Consulting an
oracle; paying attention to omens; using divination to
clear a tangled path.
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intuition or insight. Trivializing the mysteries due to
superficial motives and/or incomplete understanding.
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DEFINITIONS—MINOR ARCANA
Suit of Swords
KING OF SWORDS (IZANAGI): Creative skill, intellectual
prowess. Using the sword as a tool rather than as a
weapon. Emerging from chaos or confusion with a
plan of action; action following thinking and planning.
Weakly aspected, can mean destruction rather than
creation, regression rather than progress, or inversion
rather than extroversion.
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TWO OF SWORDS: A stalemate. A difficult choice
must be made; at this time, however, no decision
resolves the issue or problem. Indecision results from
the lack of satisfactory choices available.
Suit of Staves
KING OF STAVES (OSIRIS): Judgment, measuring,
assaying, weighing. Decisions, law, rules, regulations,
standards; establishing criteria; critical evaluations.
May have something to do with the legal system.
Adversely, can indicate harsh judgment, guilt pinned
on the innocent, or injustices.
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PRINCE OF STAVES (HORUS): Inflamed passion.
Emotion excited by new experiences. Willingness to
fight for what is right. Preparation for battle, a spiritual
rather than physical struggle. Using the fire of the soul
to combat the vagaries of human existence. Training to
reach the peak of one’s spiritual, e motional, intellectual
and physical prowess.
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destruction, desecrating the sacred, or defying a uthority
through destructive acts.
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following a period of withdrawal or inactivity. Inheritance;
passing power, wealth or wisdom to the next generation.
Suit of Cups
KING OF CUPS (ARTHUR): A responsible, learned
person. Interest in the arts and sciences. A person
with powerful emotions who has developed incredible
control over them; this emotional mastery is used to
unleash emotion at appropriate times.
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PRINCE OF CUPS (LANCELOT): The romantic
dreamer—warm, impassioned, attractive, and a ppealing.
Setting out on life’s journey with all the romantic
idealism of youth. An artist–musician, dancer, painter,
poet, or writer. The idealized lover.
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THREE OF SACRED CIRCLES: A craft is mastered
when (1) the body, (2) the materials and (3) the idea
all become one. Ethics and values are consonant with
one’s lifestyle. Work reflects values. Balance between
work, social, family and spiritual responsibilities.
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THE CELTIC CROSS SPREAD
The Celtic Cross spread is the workhorse of the Tarot
world. First appearing in 1910 in The Pictorial Key to
the Tarot by Arthur Edward Waite, it has retained its
popularity through the twenty-first century.
Its popularity is probably due to its utilitarianism.
It is an ideal vehicle for readers to employ, as the
spread contains enough cards for a thorough reading.
Most seekers are satisfied with the content of this
pattern, as well as the amount of time it takes the reader
to interpret the content.
Additionally, the positions cover, in a general sense,
the issues that motivate seekers to participate in a
Tarot reading. Its pattern offers a logical progression
of past and present events building up to likely
future opportunities.
The reading process involves preliminary rituals to
create an appropriate ambiance for both reader and
seeker. The primary ritual is that of shuffling performed
by reader and/or seeker, according to the inclination of
the reader. Most readers evolve a pattern of shuffling
and cutting the cards a requisite number of times
before the reading commences.
Regardless of the ritual(s) employed, the reading
eventually comes down to the reader’s interpretation of
the cards in the spread. The interpretation is dependent
upon a card’s individual meaning, its upright or reversed
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state, its position in the spread, and its proximity to or
distance from the other cards in the spread.
The following page provides a description of each
position in the Celtic Cross spread.
10
5
9
4 S 1 6
2
8
3
7
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Position Meanings
S. Significator.........................The Seeker (Inner World).
1. The Outer World................What is h appening in the
Seeker’s environment.
2. The Mirror............................A reflection of
the Significator.
3. Basis/Foundation..............Issue grounding
the Reading.
4. Past........................................Impacting the Present
(S, 1, 2).
5. Possible Future..................Possibilities
(not probabilities).
6. Immediate Future..............What will happen next.
7. Karmic Implications.........Influence from past lives.
8. Influence of Others..........Opinions and actions
of others.
9. Hopes and/or Fears...........Reaction of the Seeker
to the events of
the Reading.
10. Probable Future..................Most likely future
outcomes.
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