How To Teach Multi-Literacies: Shampa Biswas
How To Teach Multi-Literacies: Shampa Biswas
How To Teach Multi-Literacies: Shampa Biswas
Shampa Biswas
Shampa Biswas is an Ph.D. Student in Language, Literacy, and Technology (LLT) in the
Department of Teaching and Learning, Washington State University, Pullman and a
graduate writing consultant in the Graduate and Professional Writing Center (GPWC), the
Writing Program at the same university. Her research interests are graduate writing support,
writing tutoring, writing instruction, sustainable literacy development, multiple-criteria
decision-making and teacher education.
Abstract
Teaching multi-literacies has been crucial for preparing students to cope with
the realities of the technological world. However, teacher education programs
are not yet prepared to bridge the gap between traditional literacy and multi-
literacies. This concept paper explores how teaching multi-literacies could
shape future learning practices in schools. The integration of multi-literacies to
classroom pedagogy would help raise standards and reduce literacy gaps in the
classroom.
Teaching Multi-Literacies
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(2011) proposes that teacher education must prepare teachers to teach multi-
literacies in their schools where there is a critical gap between multi-literacies
and classroom pedagogy (Mills, 2009; Hesterman, 2013; Pennington, 2013).
Given globalization and technological change, teaching multi-literacies is
indispensable to literacy teaching and learning in the 21st century. This paper
explores how teachers can teach multi-literacies in schools.
Teachers can motivate learners to discuss and share thoughts about classroom
tasks within a small group of students in the classroom; and to connect with
primary language, culture, and experiences in real life. Situated practice suggests
using students’ life experiences to create meaningful classroom activities within
a community of learners (New London Group, 1996; Jacob, 2012; Newman,
2002; Mills, 2009). For instance, online writing space helps both students and
teachers promote online and offline collaboration. Wiki is a powerful example
of how a collaborative platform and webpage can distribute information, save
time, and manage teaching.
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Teachers can incorporate Word Processors, Facebook, Twitter, Mobile Device,
Wikis, Blogs, and Remixing (e.g., making machinima videos, making movie
trailers, Fanfiction short movies, making music videos, creating fan art, political
remix, etc.) in classrooms (Knobel & Lankshear, 2008; Lankshear & Knobel,
2011; Pennington, 2014). Their informal and formal learning practices with
classmates, friends, and families allow them to practice and understand the
value of classroom activities within a community of learners. Teachers can
potentially help students understand and learn multiple perspectives of their
classmates and teachers.
Both teachers and students can explore possible pedagogies for classroom
activities (Alexander, 2008). For instance, teachers can suggest that students
use ‘graphical concept map features’ for creating an interactive concept-map of
their classroom learning. Afterward, teachers can guide students to clarify what,
why, and how these techniques improve their learning processes in a
technology-integrated environment.
Teaching critical framing guides students to derive their own meanings from
classroom activities, which encourages them to think, understand, observe,
interpret, negotiate, and apply their ideas (Evans, 2005) in problem-solving.
Learners can improve their interpretation skills about specific design under the
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diverse social and cultural context with thoughtful understanding (New
London Group, 1996; Jacob, 2012; Newman, 2002; Mills, 2009). This practice
helps students learn logical interpretation and meaningful expressions of
different learning concepts. Egbert (2007) suggested that analyzing capacity of
students can be built by simply asking, “Why?”
Teachers can teach students in ways that help them realize, comprehend, and
respect diverse knowledge perspectives (i.e., different, dynamic, and conflicting
ideas). Different prospects of critical framing are crucial for 21st century
students to include their pleasure and experience from family, friends, popular
culture, social media, and language in the process of making text. Teachers can
encourage students to notice and analyze practices of communicating
meaningful ideas in schools and communities.
Conclusion
LITERACY
NEW LITERACIES Writing source code, Operating digital operators for different
applications (e.g., text, image, sound, animation, and communication
New “technical function); Creating diverse range of meaningful artifacts, Remixing,
stuff” Machinima animations, Music remix practices, Anime music video
(ANM) remixes.
New “ethos stuff” Mindset 1 (bookspace, textual order); Mindset 2 (digital media space);
Web 1.0 (Britannica online, publishing); Web 2.0. (Flickr, Wikipedia,
Wikis, Google, Facebook).
New literacies on Video gaming, Collaborative writing (Wikis, Blogging, Fanfic writing,
the ground Manga producing), and Memeing.
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References
Cummins, J., Brown, K., & Sayers, D. (2007). Literacy, technology, and diversity:
Teaching for success in changing times. Boston: Allyn & Bacon/Pearson.
Egbert, J. (2004). Two Faces of Technology Use. Essential Teacher, 1(2), 37-40.
Evans, J. (2005). Literacy moves on: Popular culture, new technologies, and critical literacy
in the elementary classroom. : Portsmouth, NH: Heinemann.
Jacobs, G. E. (2012). The Proverbial Rock and Hard Place: The Realities and
Risks of Teaching in a World of Multi-literacies, Participatory Culture, and
Mandates. Journal of Adolescent & Adult Literacy, 56(2), 98-102.
DOI:10.1002/JAAL.00109.
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Knobel, M., & Lankshear, C. (2008). Remix: The art and craft of endless
hybridization. Journal of Adolescent & Adult Literacy, 52(1), 22-33. DOI:
10.1598/JAAL.52.1.3
Lankshear, C., & Knobel, M. (2011). New literacies: Everyday practices and classroom
learning, 3rd Ed. London: Open University Press.
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