Elmer Borlongan

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(1967-present)

The Manila-based artist often refers to Filipino culture in his paintings, drawing from everyday scenes of
local urban life, which sharply depict an imperfect world. Borlongan’s work is a favorite among collectors
and at auctions. In his first major work, Rehimen (1988), he uses bold brushwork to manipulate the
Marlboro emblem, which is guarded by a pack of dogs as an emaciated figure lays in despair in the
foreground. The painting represents the marginalized Filipino people who are living in poverty, with no
way of moving forward. In February 2018, Borlongan celebrated a retrospective of 25 years in art,
showcasing more than 150 paintings and 50 drawings featured in the Metropolitan Museum of Manila.
He is a prominent contemporary Filipino painter best known for his distinctive use of figurative
expressionism.

(1942-present)
Fondly known as ‘BenCab’ in the Philippines, Cabrera is the best-selling commercial painter of his
generation and a prominent head of the local contemporary art scene and was awarded National Artist
of the Philippines for Visual Arts (Painting) in 2006. He studied under José Joya at the University of the
Philippines and received his degree in Fine Arts in 1963. His fruitful career has spanned five decades,
where his paintings, etchings, sketches, and prints have been exhibited across Asia, Europe, and the US.
He currently resides in the chilly northern hill station of Baguio, where he established his own four-level
BenCab Museum on Asin Road that features an eclectic selection of indigenous artifacts, personal
works, and an overwhelming collection of paintings from contemporary Filipino artists.

(1953-present)
Born in Caloocan City, Manila, Villamiel is a multimedia artist known for his large-scale installations
consisting of objects found in local communities. His art career may have started later in life, but his
installations have enthralled audiences for the past decade. He initially worked as a set designer for
television, a leather bag craftsman and a successful t-shirt company entrepreneur before holding his
first solo exhibition in 2006.

He once filled a room with thousands of bullhorns in his show Mga Damong Ligaw (‘Wild Weeds’) in
2014, at the Light and Space Contemporary in Fairview, Manila. The bullhorn installation was made to
look like a terrain of weeds when viewed at a certain angle. Villamiel’s work reflects the current socio-
political situation in the country, highlighting elements of poverty, consumerism, and religion. His
massive installation Payatas, which features thousands of doll heads, was chosen to represent the
Philippines in the Singapore Biennale exhibition in 2013. It took him two-and-a-half years to finish this
work.

(source: The Culture Trip, https://theculturetrip.com/asia/philippines/articles/the-10-most-famous-


filipino-artists-and-their-masterworks/ )

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