What Is Quality Journalism and How Can It Be Saved.

REUTERS
INSTITUTE for the

STUDY of
JOURNALISM
REUTERS INSTITUTE FELLOWSHIP PAPER

UNIVERSITY OF OXFORD
WHAT IS QUALITY JOURNALISM

AND HOW IT CAN BE SAVED
BY JOHANNA VEHKOO
MICHAELMAS, HILARY AND TRINITY 2009–2010
SPONSOR: HELSINGIN SANOMAT FOUNDATION, FINLAND

W H A T I S Q U A L I T Y J O U R N A L I S M A N D H O W I T C A N B E S AV E D
I
TABLE OF CONTENTS
1. Introduction .............................................................................................1
2. What is quality journalism?................................................................................. 4

2.1. Merrill's survey ........................................................................... 6
2.2. High activity equals high quality ................................................ 7
2.3. Bogart's survey ............................................................................ 9
2.4. Circulation & quality ................................................................ 10
2.4.1. Lacy & co .................................................................................. 11
2.5. Investing in newsrooms ............................................................ 13
2.6. Meyer's Influence model .......................................................... 14
2.7. Journalistic standards ................................................................ 15
2.8. Self-regulation ........................................................................... 17
2.9. Towards my own definition:
Quality and democracy go hand in hand ................................... 18
3. Journalism and democracy - the current debate ...................................... 23

3.1. Big Media versus bloggers – a false dichotomy........................ 23
3.2. The democratic potential of the Internet .................................. 26
3.3. The failings of professional media ........................................... 28
3.4. From a bundle to DailyMe ........................................................ 30
4. Analysis of the interviews ................................................................................. 33

4.1. From cuts to underinvestment ................................................... 33
4.1.1. Staff cuts and the economic model............................................ 34
4.1.2. Dumbing down is increasing online.......................................... 35
4.1.3. Yesterday's news tomorrow....................................................... 37
4.1.4. Underinvestment is the biggest threat ....................................... 38
4.1.5. Newsroom integration - better late than never .......................... 40
4.1.6. Crisis of trust ............................................................................. 40
4.2. To charge or not to charge? The question of pay-walls ............ 42
4.2.1. The Times as the guinea pig...................................................... 42
4.2.2. The Guardian believes in a mutual future ................................. 44
4.2.3. Some for free, some for a fee .................................................... 47
4.2.4. Can tablets save newspapers? ................................................... 48
II
TABLE OF CONTENTS
4.3. Future of newspapers................................................................. 49

4.3.1. From product to service............................................................. 50
4.3.2. Not for profit but for independent reporting ............................. 51
4.3.3. Donations from readers and foundations................................... 53
4.3.4. Unbundling the bundle .............................................................. 54
4.3.5. Much talk about Google ............................................................ 56
4.3.6. Keeping citizens informed......................................................... 58
4.3.7. Do newspapers need saving?..................................................... 60
4.3.8. Niche products for elite audiences ............................................ 61
4.3.9. Civic Commons online.............................................................. 63
4.4. Quality criteria........................................................................... 64
4.4.1. Context is everything................................................................. 65
5. Conclusions: Seven ways to save quality journalism ..................................... 68

5.1. The crisis of traditional media is also an opportunity to
go back to the core purpose of journalism ............................... 68
5.2. Content must come before business models ............................. 69
5.3. Unbundle the bundle ................................................................ 70
5.4. Make your journalism indispensable and relevant again ......... 71
5.5. Journalists must specialise ........................................................ 73
5.6. Invest in quality - it is the key .................................................. 75
5.7. Stop being afraid of the Web .................................................... 76
Acknowledgements ................................................................................................ 78
List of interviewees ................................................................................................. 79
Bibliography ........................................................................................................... 80
1
1 INTRODUCTION
“So, what’s the subject of your research at Oxford?”

“Ehm... the future of quality journalism.”
“Oh. That’s... a big subject. What is quality journalism?”
“Do you want the short or the long answer?”
Above is a most typical bit of conversation between me and countless numbers

of people who I met during my time as a Journalist Fellow at the Reuters
Institute. I am still working on the short answer, but I think it will be something
like this: “Quality journalism is something a democracy cannot do without.”
The long answer is this paper.
I am not that worried about the survival of newspapers, but I am deeply

concerned about the survival of journalism. I chose this admittedly vast subject
because I was becoming increasingly frustrated about the debate on the future
of journalism. To me, it seemed like everyone was fixated on finding a new
business model that would save the old newspaper industry. At the same time
news organizations were laying off people and squeezing budgets for specialist
and investigative reporting. While I too would, of course, like to see someone
come up with a panacea, I am not at all sure that it will happen. It seems that
the business model is not the only thing that is broken, but it is the product as
well. The difference is that the business model was broken from the outside.
The product, namely quality content, is being eroded from the inside of news
organizations.
The general understanding of the crisis of the traditional media, especially

newspapers, goes like this: When the Internet started spreading among the
masses, the advertisers fled from the printed press. Classified ads particularly
were cheaper – or indeed free – to put up online where they could also easily
target the right people. Pressures of declining advertising revenues, plummeting
circulations and investing in online operations have led to massive lay-offs all
over Europe and the USA.
All of the above has led to a vicious circle: cuts in the newsroom are likely to
INTRODUCTION
2
cause weakening of the quality of journalism, which alienates the audience,

which in turn puts further pressure on the maximising of revenues, which again
leads to further staff cuts, and so on... This spiral points downward, and it is
potentially dangerous for the survival of high quality journalism, and with it,
functioning democracy.
In addition to these worrying trends there is also a core of evidence which

states that the press might not have actually been doing its job well enough.
At least part of the crisis seems to be self-inflicted. The apotheosis of this view
is best portrayed in Nick Davies’ book Flat Earth News (2009).
But this is not a gloom-and-doom predicting paper about the looming demise
of serious news, nor does it give yet another detailed account of declining
circulations and lay-offs. This paper reaches out to the people who want to
save journalism and make it better.
I begin this study with an overview of how previous research has attempted
to define and measure quality in journalism. I will extract a definition of high
quality journalism from this literature and out of my own assessment of it. My
study also draws from 11 interviews with academics as well as practising
journalists and editors.
In addition to defining quality journalism, my aim is to tackle some of the

topical issues surrounding journalism’s role in democracy. These debates
include the juxtaposition of professional and amateur media, the democratising
effects of the Web, the perils of the traditional media and the ramifications of
targeted contents and fragmented audiences on the Internet.
This study is not about newspapers as ink on paper, but it is about the functions
that have been traditionally associated with them – informing the public and
the watchdog role. Nevertheless, I have mainly focused on newspapers as a
medium, both in print and online, for several reasons. First of all, so far the
crisis has hit print media worst, and therefore there is already an extensive
scholarship about the perils facing newspapers. Secondly, I decided not to
include other media in my interviews or the literature I’ve read, because that
would have blown my already big subject out of proportion. Public service
3
broadcasting, and especially its core purpose, is sometimes referred to, but its
role in the information society is not fully analysed. Thirdly, my own career
has been in newspapers, so I have been able to use my own experience and
knowledge of what it is like to work in one.
When I tell people about my research subject, they very often ask me about
‘the business model’. It is, luckily, not my job to find a new business model
for newspapers. This paper is not about that. I am sure that somewhere out
there a multitude of astute business people are already being paid to think about
business models. I can hardly fill in my tax return. Journalists, like me, are
usually better equipped to think about journalism, and what it should be like
if they got to decide. This study is my attempt to figure out what needs to be
done in terms of saving quality content and making it better.
Actually, the crisis of traditional news organizations could turn out to be a

good thing. It should force us to reinvent our journalism, to figure out our core
purpose again. In order to achieve that, it is important to define what we mean
when we talk about quality.
I am fully aware of choosing a vast subject and that in this limited time of an
academic year I can merely scratch the surface of quality in journalism and
explore only some of the possible ways it could be saved. However, I aim to
give some basis for further discussion and, hopefully, action among my fellow
journalists, editors and newspaper owners who share the same concern about
the survival of high quality journalism.
4
2 WHAT IS QUALITY JOURNALISM ?
Trying to define what quality journalism means is a bit like unwittingly

taking part in the age-old debate about what is art and what is not. At first
look, quality seems to be a very subjective thing, depending on one’s own
interests, knowledge and preferences, even politics. Some people in the UK
would never trust the centre-left Guardian, and others would doubt what the
conservative Daily Telegraph prints. Yet both of them are widely considered
to be quality newspapers. Thinking of this, it is getting difficult to avoid
another trap: the never-ending dispute about objectivity, public trust and the
quest for truth in journalism.
There are no universal quality criteria carved in stone. Judgments of quality

are often culture-specific, or related to one’s socio-economic background,
level of education and so on. Interestingly, not even the Pulitzer Prize – the
world’s best-known award for journalistic excellence – has a set of criteria
for judging what makes a piece of journalism distinguished enough to win
the Prize.
It is possible to look at quality from three main perspectives: It can be viewed

through the public – how well does the media inform, educate and entertain
its audience? What does the public think of the media’s performance? There’s
no doubt that newspaper companies want to know what their readers want
or need. Many newspapers conduct reader surveys to find this out. Of course,
editors and journalists themselves have formed their own quality criteria and
rules of conduct. Most publications have their own ethical code. To study
quality, one could also measure the time and other resources, such as money,
used to produce a certain piece of journalism. Many scholars have been
interested in the relationship between newsroom investment and quality.
The two perspectives I mainly draw on – the journalistic and the academic
perspective – represent views that aren’t necessarily reflected in audiences
who often prefer tabloids to broadsheets and X-Factor to Newsnight.
It can be argued, that condemning populist tabloid style as bad journalism

is just plain elitist. Tabloid editors do often state that their popularity
W H AT I S Q U A L I T Y J O U R N A L I S M ?
5
guarantees that their journalism is what the public wants - and therefore it
is good. We have also seen how upmarket broadsheets have adopted styles
of presentation and story contents from tabloids (see Bob Franklin: Newszak
& News Media, 1997). Trevor Kavanagh, The Sun’s former chief political
correspondent, has said that it is not the proportion of a paper that is dedicated
to serious news that matters, but the size of its readership.
‘‘ “In short, in terms of its impact upon political events, it could be

argued that popular journalism can be even more significant
than the so-called ‘quality’ or ‘highbrow’ journalism and needs
‘‘ therefore to be treated just as seriously.”
(Anderson & Ward 2007, 5)
However, there still remains a significant audience whose appetite for news
and high quality journalism is ever-growing. This digital age of ours can
offer an abundance of news and commentary for all kinds of audiences. The
problem is that hardly anyone is willing to pay for it.
I am not attempting to measure quality or prove its correlation with any

business models. I am merely trying to define what quality means in a way
that would be acceptable to most journalists, if not all. There are standards
and also codes of conduct that are essential to quality journalism. These
factors have a lot to do with the role of the free press in democratic societies,
as described in more detail later in this chapter and also in chapter 3. If this
kind of quality journalism disappears, we are all in serious trouble. A
functioning democracy needs an informed public. In order to vote and
participate in public life, the citizens need to know what is going on in
society, and to a larger extent, in the world. Journalism is the most accessible
and, hopefully, most trustworthy source to obtain this knowledge.
It may turn out that some of the quality criteria that were developed and
adopted during the history of the printed press need reassessment in a digital
era. Or, it may well be that they are still valid, perhaps even more important
than ever before.
6
Of course, one must remember that not exactly the same ideals are shared
all over the world. What I am talking about is a broad European/North
American idea of high quality journalism that is essential to a democratic
society as we know it.
There have been a number of attempts to define quality journalism. In this

chapter I shall take a look at texts by Merrill, Picard, Bogart, Lacy & others,
Meyer, Kovach & Rosenstiel, Rosenstiel & Mitchell, and Scheuer.
2.1. MERRILL’S SUR VEY
Survey research of quality in journalism can be traced back to John C.

Merrill’s book The Elite Press. Great Newspapers of the World (1968),
where Merrill gives the following indicators of quality press: it is a free,
courageous, reliable, independent, news-views-oriented journal that is
responsible to its readers.
Merrill comes to a definition of a leading quality newspaper out of his own

surveys. These are his five rather large categories that constitute the quality
newspaper:
1) Independence; financial stability; integrity; social concern; good

writing and editing.
2) Strong opinion and interpretive emphasis; world consciousness;

non-sensationalism in articles and makeup.
3) Emphasis on politics, international relations, economics, social

welfare, cultural endeavours, education, and science.
4) Concern with getting, developing and keeping a large, intelligent,

well-educated, articulate, and technically proficient staff.
5) Determination to serve and help expand a well-educated, intellectual

readership at home and abroad; desire to appeal to, and influence,
opinion leaders everywhere.
7
Is that all?, one might ask. After this somewhat idealistic definition Merrill
goes on to describe profiles of 40 elite newspapers, including Helsingin
Sanomat of Finland, The Scotsman, The Yorkshire Post, The Guardian and
The Times of Britain. Now, The Scotsman and The Yorkshire Post are no
longer considered to represent the highest quality in the British newspaper
market.
Merrill thinks that all quality papers share an “obvious emphasis on idea-
oriented news – stories that bear a significance beyond the straight facts (or
bits of information) which they carry” (1968, 20).
‘‘ A quality paper’s popularity is not built on voyeurism,

sensationalism, or prurience. It offers its readers facts (in a
meaningful context), ideas, interpretation; in short, it presents
a continuing education. It gives its reader the feeling that he is
‘‘ getting a synthesized look at the most significant happenings
and thinking of the day. (1968, 20)
2.2. HIGH ACTIVITY EQUALS HIGH QUALITY
In journalism literature it is common to roughly divide newspapers to classes

such as ‘tabloid’ and ‘quality’, without really explaining what these categories
actually mean. For instance, The Times in the UK is considered to be a
quality paper even though its size is ‘compact’ (euphemism for tabloid).
‘Tabloid’ in this sense isn’t just a format, just like ‘quality’ doesn’t simply
mean that the paper is printed in broadsheet. These are divisions of content,
varying from sensational, gossipy and even untrue headlines to very elitist,
highbrow style of writing. In reality, there is a lot of dark matter in between
these two extremes.
I’ve often heard journalists and academics of the field define quality like
this: You know quality in journalism when you see it. Or rather; you will
certainly know when it’s not there. This is the notion that Robert G. Picard
(2000) employs.
8
‘‘ Difficulties in defining quality are especially problematic because

the issue of the quality of journalism is not merely a question of
increasing the value of a product to consumers. Rather, quality
is a central element in achieving the social, political, and cultural
‘‘ goals asserted for journalism in democratic societies.
(2000, 97)
He thinks that the only way to measure journalistic quality is by judging

journalistic activity. The activities that can be measured are:
1) interviews,
2) telephone gathering of information, arranging interviews,
3) attending events about which stories are written,
4) attending staff meetings, discussions, and training,
5) reading to obtain background material and knowledge,
6) thinking, organising material, and waiting for information and

materials and
7) travelling to and from locations of where information is gathered

(Picard 1998, 2000).
Picard argues that since activity is the basis for quality, higher levels of
journalistic activity raise quality. In other words: the more time dedicated
to interviews and other information gathering, the better the result.
‘‘
‘‘
Thus journalistic time use becomes a means of assessing quality
because good time use increases activity and consequently
quality. Poor time use on the other hand decreases activity and
quality. (Picard 2000, 101)
Although resources, either time or money, are a crucial concern to those

who have studied the state of journalism lately, Picard’s idea is still an
attempt to quantify an inherently qualitative concept.
9
2.3. BOGART’S SURVEY
Leo Bogart (2004) has also asked if and how quality of journalism could be
measured. He starts by arguing that the quality of any ‘product or service
can be judged by its creator or producer’, and refers to his own 1977 survey
of American newspaper editors, in which the 746 editors interviewed rated
accuracy as the most important attribute of quality reporting.
In his study Bogart found these top three measures for quality in newspapers:
1) high ratio of staff-written articles as opposed to wire service copy, 2) high
amount of editorial (non-advertising) content and 3) high ratio of interpretation
and background of news. Many scholars have later used Bogart’s survey
findings as a basis for their own research concerning quality, as they can be
easily measured using content analysis.
Although Bogart in this more recent article does not give his own definition
of journalistic quality, he seems to think that neither the judgment of the
audience nor circulation has much to do with it. He points out that “The
Times, because its seriousness and authority, provides its public with far
better entrée into the complex and ugly realities that The Sun helps its readers
to avoid” (2004, 43).
‘‘ Product quality is different from value – the individual consumer’s

judgment of the benefit relative to the cost. Value is always a
matter of subjective judgment. Almost any improvement in quality
comes at a price, and for many products, small improvements
‘‘ come at what consumers may consider to be an excessive price
(Bogart 2004, 40).
Bogart goes on to say that the assessment of editorial excellence is “as murky
as critical judgment of poetry, chamber music or architecture”. The
achievements of journalism, just like any form of art, are intangible. Journalism
only has power if it is capable of arousing “passion and empathy”.
10
2.4. CIRCULATION & QUALITY
Working in the culture department of a daily newspaper I’ve often heard

some of my bosses argue that art criticism is elitist and futile. In their opinion,
a film review should reflect the popularity of the film in question. Too often,
they say, our critic only gives one miserable star to the blockbuster that
attracts the biggest audience. The big audience knows best, just as the market
knows best, they might argue.
Many people think, according to the same kind of reasoning, that newspapers
whose circulations drop cannot have produced a good enough paper. So does
high circulation equal high quality? If circulation size was accepted as the
sole indicator of excellence, The Sun would be by far the best newspaper in
the UK. To its most devoted readers it might actually be so, but tabloid
readers are often fully aware that the paper is not to be trusted when it comes
to accurate information on current affairs. Reasons for reading sensationalist
tabloids are different to the reasons for reading a serious broadsheet. Adrian
Monck (2008) gives an example of The Sun fabricating a story about a Great
White shark seen off the coast of Cornwall. Other media contradicted the
‘sighting’, but this didn’t cause any worries to The Sun or its readers. In
fact, there was a moderate spike in the paper’s sales during the shark stories
in the summer of 2007.
‘‘
‘‘
No significant research conclusively links drops in readership
(or listening or viewing) to specific issues of credibility. In other
words, shark stories carry no financial penalty. In fact, readers
reward them. (2008, 19)
Moreover, gains or losses in the circulation of a nationwide newspaper cannot

be compared to changes in circulation of a small local newspaper, simply
because their markets are completely different. Many local newspapers have
died out in the UK because they funded their journalism by selling classified
adverts. These adverts have rapidly moved to the Internet. A newspaper’s
death caused by this development has little or nothing to do with the paper’s
journalistic standards.
11
In reality, as we have seen in the past few years, and especially during the
global recession, declining advertising revenues and circulation rarely have
much to do with the newspaper’s content – except in cases where the paper
has cut too many expenses in news gathering and staff. Alex S. Jones (2009)
lists heartbreaking stories of such short-sighted measures in many American
newspapers, although even he has to acknowledge that it is not easy to show
a link between high quality and business success.
‘‘ The unhappy truth is that newspapers that sought to retain readers

by investing in their newsrooms have not been able to show
that this strategy pays off with a surge in circulation. The argument
that quality will keep readers is not one that can easily be
‘‘ demonstrated. It appears that newspaper readership is a habit
and one that is predictably generational.
‘‘
‘‘
Part of the news crisis is finding a solution that will pay the
significant costs of generating the accountability news that is
essential to our democracy and still allow an acceptable profit.
(Jones 2009, 25)
Yet many scholars have argued that journalism of high quality and good
business do go hand in hand. Most of these studies are American, so it is
good to remember that the US lacks the UK’s culture of big national tabloids.
If The Sun can sell three million copies, why can’t The Guardian? Finding
a strong enough link between high quality and profitable business would
certainly be like finding the Holy Grail. Every journalist, every editor, even
most publishers would wish this dream would come true.
2.4.1. LACY & CO
‘‘ Ask any newspaper editor if money guarantees quality journalism,

and the editor will likely deny it. Yet, ask that same editor if
money can help him or her improve the quality of news reporting,
...
12
and the answer will be “of course.” The relationship between

financing newsrooms and content quality is complex: Money is
not sufficient for content quality, but for a news organisation to
‘‘ produce high quality content consistently over time, sufficient
financial support is crucial. (Lacy 2000, 25)
Stephen Lacy, a well-known scholar of media economics, has consistently

argued that content quality is linked to circulation. Lacy and Fico conducted
a study in 1984 of 114 randomly selected American daily newspapers. The
study used eight content measures based on Bogart’s survey of editors. These
measures were:
1) a high ratio of staff-written copy to wire and syndicated copy,
2) total amount of non-advertising space,
3) high ratio of in-depth copy to hard news,
4) number of wire services carried,
5) high ratio of illustration to text,
6) length of average news story,
7) high ratio of non-advertising to advertising content in the news

sections,
8) and the number of byline writers divided by the square inches of

total staff copy (Lacy & Martin, 2004).
Lacy & Fico’s study found that about 22 percent of the variation in circulation
in the year 1985 was related to the studied newspapers’ quality in 1984.
Lacy and Fico found that circulation correlated with quality a third of the
time, but once quality hits a certain level, the effect starts to fade. Cyr, Lacy
and Guzman-Ortega have argued that circulation increases follow investment
in newsrooms, although this is not a guaranteed result of investment
(Newspaper Research Journal, Vol. 26, No. 4, Fall 2005). In another paper,
Lacy & Martin (Newspaper Research Journal, Winter 2004) argue that this
requires a long-term commitment.
13
‘‘
‘‘
It may take months or years for readers to reshape their reading
habits to reflect changes in quality. This works both for
improvements and declines in content quality. (Lacy & Martin
2004, 23)
They think that competition in the newspaper business not only forces the
newspaper to spend money on improving content but also pushes reporters
to do their work better.
On the website Grade the News Lacy writes: “Circulation is related to

content. Circulation is not exclusively related to content, but most research
supports some relationship. If newspaper managers don’t believe this, I
suggest they fill their newspapers with wire-service copy and see what
happens to circulation.”
2.5. INVESTING IN NEWSROOMS
Bogart, Lacy and many others have considered resources put into a newspaper’s
content as a possible way to measure quality. On this approach, called the
financial commitment theory, Rosenstiel and Mitchell (2004) have reported
more recent findings. According to the theory, first introduced by Litman
& Bridges in 1986, financial commitment can be used as a surrogate measure
for content quality.
Rosenstiel & Mitchell wanted to find out “if it were possible to quantify
with contemporary data whether good journalism was still good business”.
According to Rosenstiel and Mitchell, it would be possible for researchers
to provide the industry with economic models that show how much investing
in a newsroom will help a newspaper to grow its revenues and circulation.
This would require analysing several years of data from a newspaper.
Rosenstiel and Mitchell point out that many journalists might hesitate to
measure the value of their newsroom since it is also possible that the results
may damage their case. However, the study shows that investing more in
the newsroom (newshole, staffing, etc.) appears to have a more powerful
14
association to growing revenues than investing in circulation and advertising

departments.
2.6. MEYER’S INFLUENCE MODEL
Philip Meyer attempts to define quality as credibility in his famous book

The Vanishing Newspaper (updated 2nd edition, 2010). He doesn’t exactly
give a definition of quality journalism, but thinks that some aspects of it,
such as credibility, can be measured.
‘‘ But if we can agree on enough interesting elements of quality

that are measurable, and if there is statistical evidence that they
are driven by some common underlying force not directly
‘‘ measured, we can make a good claim that the underlying force,
even though it might be latent, is in fact quality. (2010, 68)
Meyer sets out to build a strong, empirically tested case for the link between
quality journalism and profitability. As he points out, most studies that show
a link between higher quality and higher circulation, are correlation studies.
They show a causality, but not which is the primary cause and which the
effect. Meyer thinks there is probably a “reinforcing loop, where quality
produces business success which enables more quality” (2010, 78). Even
Meyer’s painstaking efforts do not produce a certainty that “quality journalism
is the cause of business success rather than its byproduct” (2010, 5). However,
his book does give news organizations a practical way of looking at their
business from the point of view of good quality and public trust.
Meyer argues that journalistic quality does have its visible manifestations
that can be measured. Also consequences can be measured by studying
reader’s reactions to reporting. Meyer looks specifically at credibility and
influence in local communities, accuracy in reporting, readability and the
importance of editing.
Meyer’s main conclusion is what he calls the Influence model. This theory
claims that high quality in journalistic content increases societal influence
and credibility of news. Both drive growth of circulation and thus profitability.
15
‘‘ If online entrepreneurs learn anything from newspaper history,

it should be that trust has economic value, and that trust is gained
through quality content. If the influence model works, the successful
‘‘ transitions will be by newspapers that use the savings in production
and transportation to improve their content. (2010, 188)
2.7. JOURNALISTIC STANDARDS
In their book, The Elements of Journalism, Bill Kovach and Tom Rosenstiel
list nine principles that are embedded in the practice of journalism. This
theory of high quality journalism came out of a three year study conducted
by the Project for Excellence in Journalism. These principles are at the core
of quality journalism; they are something that all journalists can agree on,
and, more importantly, something that the “citizens have a right to expect”
from journalism. (Kovach & Rosenstiel, 2001, 12). This list of principles
is now considered to be the industry standard in Western countries.
For journalism to ‘provide people with the information they need to be free
and self-governing’, it must fulfil the following tasks:
1. Journalism’s first obligation is to the truth.
2. Its first loyalty is to citizens.
3. Its essence is a discipline of verification.
4. Its practitioners must maintain an independence from those

they cover.
5. It must serve as an independent monitor of power.
6. It must provide a forum for public criticism and compromise.
7. It must strive to make the significant interesting and relevant.
8. It must keep the news comprehensive and proportional.
9. Its practitioners must be allowed to exercise their personal conscience.

16
This list doesn’t include words like objectivity, fairness or balance, because
the authors came to the conclusion that these terms are much too vague and
disputable for everyone to agree on. They feel that this list, even though it
might seem obvious to many journalists, is necessary in order to clarify the
core values of journalism. Journalists are often expected to apply this theory
of journalism, yet it is rarely articulated. Kovach and Rosenstiel feel that the
lack of deeply studied and clearly outspoken theory has weakened both
journalism and democratic society.
Kovach and Rosenstiel argue that the survival of the independent press
depends on the journalist’s ability to communicate what the press is for and
why – and whether the citizens care about it.
When The Elements of Journalism was first published in 2001, the author’s
greatest worry was the emergence of commercialism posing as journalism.
They weren’t yet fully aware of the terrifying challenges that the Internet
poses to mainstream journalism, or the unfixable business model. This makes
me see their conclusion about the survival of the free press in a different
light. The citizens who do care are now challenging the press by producing
content themselves and fact-checking news done poorly by time-pressured
journalists working in mass media. The press has been doing a bad job, and
it has been slovenly with repairing the damage. Journalists generally think
that the citizens need us and that they know what journalists are for. But
what if they don’t? I will have further look at the challenge of citizen
journalism and bloggers in the next chapter.
Bill Kovach has long been an advocate of what he calls ‘journalism of

verification’. In the era of Internet and warp-speed blogging, traditional
media are under pressure to publish breaking news faster and faster. Some
newspapers have adopted the habit of publishing news/rumours on their
website before the information can be confirmed – ‘because it’s already out
there’ – even though they wouldn’t do the same in their printed edition. This
has seriously undermined their credibility, because reliability has been the
hallmark of quality media.
17
‘‘ Today we live in a media world in which competing interests

are creating realities designed to encourage communities of
consumers, communities of belief, and communities of allegiance.
It is in this environment that a journalism of verification must find
‘‘ its place by using these new technologies to support communities
of independent thought. (Kovach, 2005)
Kovach now thinks that the process of verification can be assisted by citizens.
Journalists need to open the processes and tools of news gathering to the
public.
‘‘
‘‘ As citizens become more proactive consumers, journalism must
help equip them for that role and not continue to see them as
a passive audience. (Kovach, 2005)
2.8. SELF-REGULATION
Another source for defining quality could be looking at journalists’ own

rules. Journalists all over the world tend to have a code of conduct or some
kind of an ethical code, whether or not it is published in writing. It is stated
very often that self-regulation does not work because not everyone subscribes
to the rules defined by their peers. Knowing the rules does not prevent a
journalist from breaking them. Rules or no rules, bad journalism thrives all
around the world. The Project for Excellence in Journalism links to ethics
codes of different journalistic companies and organizations on their website
(www.journalism.org/resources/ethics_codes). These codes, be it the BBC,
AP or New York Times, are very similar in content.
In Finland, where more than 90 percent of all journalists are members of the
Union of Journalists, self-regulation does actually seem to work pretty well.
This is because not only almost all journalists are members of the Union but
also almost all publications and journalistic television and radio programmes
are members of the Finnish equivalent of the UK’s Press Council, the Finnish
Council for Mass Media. Journalistic ethics are taught in universities and
18
other media schools, and there is a strong sense of professionalism among

Finnish journalists.
The Finnish Guidelines for Journalists are listed by the Union and adopted
by the Council for Mass Media. These guidelines begin as follows: “Freedom
of speech is the foundation of a democratic society. Good journalistic practice
is based on the public’s right to have access to facts and opinions.” The
guideline then proceeds to set rules and principles about the journalist’s
professional status; obtaining and publishing information; rights of both the
interviewer and the interviewee; corrections and the right to reply, and the
distinctions between the private and the public.
The Council receives complaints from the public. If a newspaper, for instance,
gets a notice for bad journalistic practice, it has to print the Council’s decision
(in full length) in the paper. Among Finnish journalists, a notice from the
Council is widely thought as a public embarrassment, and discussing notices
read from the Union paper, The Journalist, is a form of collegial gossip.
2.9. TOWARDS MY OWN DEFINITION: QUALITY AND DEMOCRACY

GO HAND IN HAND
As academic research and the previous discussion show, quality journalism

is difficult to define and impossible to measure precisely. In my opinion,
however elusive and multiple these definitions may be, there is a common
ground and strong agreement to be found.
Out of the principles, rules and definitions I’ve listed here, we can see a
consistent picture forming. In this we must include, firstly, journalism’s role
as the independent monitor of power and the servant of citizens. There is a
strong consensus among both journalists and academics that journalism is
essential to a functioning democracy. This notion is well represented in
Kovach & Rosenstiel’s list of nine standards, even though the word
‘democracy’ is not mentioned in them. But they do talk about holding power
to account and providing a public forum for discussion, two basic functions
that journalism has been thought to perform.
19
Journalism does not need democracy in order to exist in some form or other.
There is underground reporting in authoritarian countries, and many articles
in pre-censored newspapers can still deliver news and disseminate information,
even though the result can be seen as a limited and inferior form of journalism.
Democracy, however, does need journalism. Citizens will not be informed
without relentless reporting and critical analysis of government, councils,
courts and all other public institutions. For this we need journalistic institutions
that guarantee continuous scrutiny of power. As citizens, we need to know
about the decisions that are taken in our name. We need journalists who
have the stamina to sit through countless city council meetings, and we also
need skilled investigative journalists, who look into things that are hidden
– for things tend to be hidden for a reason.
It is said that a democracy is only as good as its press. Jeffrey Scheuer makes
a strong case for high quality journalism as a core democratic value.
‘‘ If journalism serves a core democratic function, without which

democracy itself is all but inconceivable, then journalistic
excellence must also factor into the quality of democracy.
‘‘ Journalistic excellence – and not just freedom of speech and the
press – must be a basic democratic value. (Scheuer 2008, xi)
While Scheuer acknowledges that moral, political and intellectual differences

may prevent us from agreeing on a single incontestable definition of high
quality journalism, we should be able to see eye to eye on at least three basic
components of journalistic excellence. These are “the moral imperative of
truth, the intellectual imperative of context, and the institutional/political
imperative of independence” (2008, 44–45). Truth is a tricky thing, but it
is the most important feature of journalism. It differentiates journalism from
fiction, PR, propaganda, gossip and political spin. Truth is a necessary
precondition for quality journalism, but it is not enough to simply answer
questions ‘who, when, what, and where’. We also need to explain ‘how’ and
‘why’: put the news in context.
20
‘‘ For our purposes, the idea of “context” itself has several distinct
contexts or applications. First, “connecting the dots” by answering
questions such as “why” and “how” is central to journalism,
and to journalistic excellence. Second, history is the temporal
context for the news, a background for what happened yesterday,
and for the entire journalistic enterprise. The two meld; today’s
news is tomorrow’s history. Third, journalism itself, in addition
to having history as a temporal context, has a moral context
‘‘ that gives it authority and responsibility, and that context is
democracy. (Scheuer, 2008, 47–48)
Scheuer’s third form of excellence, independence, is modally connected to

truth and context; it is crucial for achieving the two. Independence in
journalism means freedom from outside influence or control.
In his book, Why Democracies Need an Unlovable Press (2008), Michael

Schudson lists six functions journalism is generally thought to serve in
democratic societies, in different combinations and with different emphasis:
I) information: the news media can provide fair and full information
so citizens can make sound political choices;
II) investigation: the news media can investigate concentrated sources

of power, particularly governmental power;
III) analysis: the news media can provide coherent frameworks of

interpretation to help citizens comprehend a complex world;
IV) social empathy: journalism can tell people about others in their
society and their world so that they can come to appreciate the
viewpoints and lives of other people, especially those less advantaged
than themselves;
V) public forum: journalism can provide a forum for dialogue among

citizens and serve as a common carrier of the perspectives of varied
groups in society;
VI) mobilization: the news media can serve as advocates for particular
political programs and perspectives and mobilize people to act in
support of these programs. (2008, 12)
21
Definitions of journalism as servant of democracy are usually found in the

outlined purposes of public service broadcasting. For instance, The BBC’s
first public purpose is “sustaining citizenship and civil society”. The BBC
Trust has divided this remit into five specific priorities, after public consultation:
G Provide independent journalism of the highest quality.
G Engage a wide audience in news, current affairs and other topical

issues.
G Encourage conversation and debate about news, current affairs

and topical issues.
G Build greater understanding of the parliamentary process and

political institutions governing the UK.
G Enable audiences to access, understand and interact with different

types of media.
Similar remits can be found in newspapers’ written purposes as well. The

Guardian and its owner, The Scott Trust, famously state that “the ethos of
public service has been part of the DNA of the newspaper” ever since the
early 19th century.
Usually, research does not define that quality journalism should be of any
given subject matter. Sometimes the studies listed above talk about news
journalism, and they may mention politics, but the somewhat dated terms
‘hard’ and ‘soft’ news do not feature. This, it seems, can be interpreted so
that a journalist can produce high quality by adhering to certain quality
criteria and ethical codes, practically regardless of what they are writing
about. The criteria I’ve found do not exclude such things as entertainment
and humour. Quality journalism can be a serious report on, say, legislation
or misuse of power, but it can also be arts criticism, feature writing, sports
– almost anything and everything, as long as it serves public interest and
follows standards of verification and good writing. If I were to draw my own
subjective set of quality criteria, I would certainly include this: “Don’t be
dull”.
My own view is, that much like good literature, good journalism tries to
22
make sense of the chaotic world around us. It gives context and background
to events. It interprets, analyses, and strives to give meaning to all the
babbling that’s going on. It looks beyond the obvious and behind the trickery,
but also forward, to where we are being led by the ones who are in power.
23
3 JOURNALISM AND DEMOCRACY:

THE CURRENT DEBATE
‘‘
‘‘ A free and independent press is essential to the health of a
functioning democracy. It serves to inform the voting public on
matters relevant to its well-being. Why they’ve stopped doing
that is a mystery. Jon Stewart: America (2005, 131)
A lot has been said about the democratic functions of the press. We journalists
tend to think that a democratic society simply cannot survive without us. In
this digital age we face people who dare to think the opposite: they see the
Internet as a democratizing force that makes everyone a journalist and a
publisher, and some believe that this will make professional journalism and
‘Big Media’ obsolete.
During the over 300-year long history of the printed newspaper, the debate
about democracy and freedom of speech has been at its core. The press, or the
media, in turn, is at the core of the public sphere – where, according to Jürgen
Habermas, private people come together as a public (McNair, 2000). In this
chapter I aim to give an overview of some of the current pressing issues
concerning the relationship between journalism and democracy. These debates
include the juxtaposition of professional and amateur media, the democratising
effects of the Web, the perils of the traditional media and the ramifications of
targeted contents and fragmented audiences on the Internet.
I am asking where is the traditional press failing? What does the possible
demise of newspapers mean to democracy? Where is the serious debate about
politics moving to? How is it different from before? And most importantly:
how will the society be informed?
3.1. BIG MEDIA VERSUS BLOGGERS – A FALSE DICHOTOMY
Blogging is about passion, which is something that mainstream journalism

could do with more often. But, blogging is almost always a part-time activity,
J O U R N A L I S M A N D D E M O C R A C Y: T H E C U R R E N T D E B AT E
24
and the blogger very rarely gets any money out of it. Even though some may
still believe that bloggers can replace professional (employed) journalists, this
idea has mostly been abandoned as a product of overly enthusiastic hype created
by the emergence of the first blogs that gained visibility in the traditional
media.
It is also worth stating that the emergence of blogs has meant the return of the
partisan press. Conservative bloggers link to other conservatives, and liberals
to other liberals. Many bloggers who portray themselves as press critics against
bias in the media have an agenda of their own. It is often said that journalism
is suffering from a crisis of trust, but bloggers certainly do have credibility
problems of their own.
The inescapable truth is, however, that the Internet and the blogosphere provide
alternative sources of news and views. Social media and the blogosphere open
up the public sphere to a wider participation than ever before. The Internet is
not only a new medium but a completely new ecosystem of information
distribution. The Internet has made publishing open to everyone. There are no
more costs of reproduction and distribution.
Clay Shirky points out in his book Here Comes Everybody: How Change
Happens When People Come Together (2008), that journalistic privilege was
based on scarcity of publishing. Not everyone could just write something and
publish it themselves. Now that scarcity is gone.
‘‘ Sometimes, though, the professional outlook can become a

disadvantage, preventing the very people who have the most
at stake – the professionals themselves – from understanding the
major changes to the structure of their profession. In particular,
when a profession has been created as a result of some scarcity,
as with librarians or television programmers, the professionals
are often the last ones to see it when that scarcity goes away.
‘‘ It’s easier to understand that you face competition than
obsolescence. (Shirky, 2008, 59)
25
Shirky wouldn’t call bloggers journalists – because “mass professionalization

is an oxymoron, since a professional class implies a specialized function,
minimum tests for competence, and a minority of members”. The term Shirky
uses is mass amateurization. Weblogs are not just alternative platforms for
publishing; they are an alternative to publishing itself.
But who should enjoy journalistic privilege, for example the right to protect
one’s sources? There is no easy answer. Anyone can publish, and therefore
anyone can be a ìjournalistî. Still, it is difficult to imagine that millions of
bloggers could be protected by similar laws as professional journalists are. As
Shirky says, that would lead to impossible situations – like the kind where
people would refuse to testify about their friends’ shady business because
they’ve blogged about it.
‘‘
‘‘
Journalistic privilege has to be applied to a minority of people,
in order to preserve the law’s ability to uncover and prosecute
wrongdoing while allowing a safety valve for investigative
reporting. (Shirky, 2008, 71)
In his book, Watching the Watchdog (2006), Stephen D. Cooper names the
blogosphere as the ‘Fifth estate’. Cooper identifies four genres of media
criticism practiced in the blogosphere: accuracy, framing, agenda-
setting/gatekeeping and journalistic practices.
‘‘ Blog criticism of accuracy concerns factual evidence mentioned

in reporting. Framing concerns the interpretations or meanings
of facts and events. Agenda-setting/gatekeeping concerns the
newsworthiness or importance of particular events and issues.
‘‘ Criticism of journalistic practices concerns the working methods
of professional journalists and news outlets. (2006, 18)
Blogs and citizen journalism are a valuable addition to public conversation,

and sometimes they pick up news that mainstream media miss. Still it is not
26
imaginable that they would replace professional media. As David Kline says,
it is a “well known truth that it is often easier to criticize mainstream media
for the way it covers the news than it is actually to cover all the news in the
way it should be covered.” (2005, 13)
Daniel w. Drezner and Henry Farrell discuss the influence of blogging in

American media in the book Blog! How the newest media revolution is changing
politics, business, and culture (2005). While it is clear that Big Media no longer
has a monopoly over what political news and opinion is delivered to the people,
bloggers seem to still need Big Media to gain attention to their reporting.
‘‘ All bloggers, even those at the top of the hierarchy, have limited
resources at their disposal. For the moment, they are largely
dependent upon traditional media for sources of information.
Furthermore, bloggers have become victims of their own success:
As more mainstream media outlets hire bloggers to provide
content, they become more integrated into politics as usual.
Inevitably, blogs will lose some of their novelty and immediacy
as they start being co-opted by the very institutions they purport
to critique, as when both major U.S. political parties decided
‘‘ to credential some bloggers as journalists for their 2004
nominating conventions. (2005, 95)
I conclude this brief review with a quote from the blogger Wonkette aka Ana
Marie Cox: “A revolution requires that people leave their house”. This applies
not only to the stereotypical bloggers sitting home in their pyjamas, but also
to the ‘Big Media’ journalists who are more and more tied to their computers,
churning out more and more stories in less time.
3.2. THE DEMOCRATIC POTENTIAL OF THE INTERNET
The hopes and dreams invested in the possibilities of the Internet are numerous
and highly optimistic. It is not only about democratising dissemination of news
and views. According to many true believers, the Internet not only reinforces
Western democracy but also spreads its gospel to authoritative countries all
27
around the world, thus curing dictatorships from evil. The Internet will make
governing transparent and bring citizens and decision-makers together in the
same big discussion.
While it is true that the World Wide Web has given opportunities of self-
expression to many people living under oppressive regimes, the experiences
of, for example, protestors in Iran using Twitter are hardly enough to fulfil the
huge expectations. There is still too much hype and too little empirical knowledge
about the Internet and its impact.
The Internet can potentially be a democratising medium in authoritarian

countries, but in western democracies it seems to have different effects. When
advertising fled from newspapers to the Web, it broke the business model that
made newspapers so prosperous for a long time. As some Internet enthusiasts
wait for the last newspaper to die, perhaps we should be asking whether
democracy needs mass media. The Internet is not a broadcasting medium.
In many countries, such as Egypt, where censorship of newspapers is

commonplace, the Internet is not (yet) being censored. Political dissidents,
human rights activists and NGOs have been able to publish online such
information that would have been censored in local newspapers. However, for
example, the Chinese government has learned so much about restricting the
Internet use of its citizens that it now teaches the same tricks to other authoritarian
regimes, like the leaders of Ethiopia. In 2001, the Taliban regime banned the
Internet altogether in Afghanistan. There are no bloggers in North Korea, as
Internet access is reserved to political elites and foreigners only.
Daniel w. Drezner and Henry Farrell, in their essay on the Web of influence,
discuss the power of the blogosphere:
‘‘ The blogosphere also acts as barometer for whether a story

would or should receive greater coverage by the mainstream
media. The more blogs that discuss a particular issue, the more
‘‘ likely that the blogosphere will set the agenda for future news
coverage. (2005, 91)
28
This counts also for the foreign news coverage of the press in democratic
countries. Blogs emerging in countries where there are no or few other outlets
for political expression have a possibility of affecting the news agenda of
international media. But can blogs affect regimes in their own countries? This
is yet to be seen. To be sure, bloggers can become an alternative source for
information, news, and commentary in countries without a free press.
3.3. THE FAILINGS OF PROFESSIONAL MEDIA
There is nothing new in saying that there is a crisis of political journalism. Jay
Blumler and Michael Gurevitch accused political journalism of tabloidisation,
commercialisation and ‘dumbing down’ in their book The Crisis of Public
Communication (1995). Brian McNair explains the crisis firstly with economic
causation: contemporary journalism is seen as a commodity that is being sold
in a media marketplace. Journalists and editors must compete for market share
(ratings, circulation, advertising revenue), which makes them “prioritise the
popular over the pertinent, the racy over the relevant, the weird over the
worthy". (Mc Nair 2001, 7)
Secondly, the crisis is caused by the negative impact of new technologies: the
need for speed in gathering and presentation of news. All this has also contributed
to the rise of political spin, and political media more vulnerable to manipulation.
For all the reasons listed above, it can be seen that rather than supporting the
democratic process, journalism may sometimes have an opposite effect on the
public sphere. Bad political journalism can alienate people and create a cynical
outlook on citizenship. On the other hand, “it can be argued that their commercial
need for audiences, and for the raw material from which journalism can be
fashioned, are creating new spaces for the accessing and meaningful
representation of non-elite voices, as well as greater diversity in the styles and
agendas employed by journalists” (McNair 2000, 172).
Michael Schudson argues in his book, Why Democracies Need an Unlovable

Press (2008), that it is the features that press critics generally attack that actually
guarantee public discussion and promote democracy.
29
‘‘ The focus of the news media on events, rather than trends and
structures; the fixation of the press on conflict whenever and
wherever it erupts; the cynicism of journalists with respect to
politics and politicians; and the alienation of journalists from the
communities they cover make the media hard for people to love
but hard for democracies to do without. These are precisely the
‘‘ features that most regularly enable the press to maintain a
capacity for subverting established power. (2008, 50)
Nick Davies provides a grim account on the production of journalism today

in his book Flat Earth News (2009). He argues with powerful evidence that
newsrooms have turned into factories where journalists, chained to their
computers, churn out so many articles per day that they simply do not have
time for basic fact-checking, let alone critical thinking and judgment. This
leads to what Davies calls ‘churnalism’, and we can see its mark on “all local
and regional media outlets in Britain”, both print and broadcast.
‘‘ This is churnalism. This is journalists failing to perform the simple

basic functions of their profession; quite unable to tell their
readers the truth about what is happening on their patch. This
is journalists who are no longer out gathering news but who are
reduced instead to passive processors of whatever material
‘‘ comes their way, churning out stories, whether real event or PR
artifice, important or trivial, true or false. (2009, 59)
If Nick Davies has a case in Britain, there is an even bigger pile of evidence
in America, where the newspaper crisis is at its deepest. Since 2003, about one
third of American newspaper journalists have lost their jobs. Some notable
newspapers (San Francisco Chronicle, LA Times, Baltimore Sun) have cut
their newsroom staff in half. Many American newspapers still make a profit,
but they keep very high profit margins (around 20 percent) to keep Wall Street
happy. This has led to vicious cuts in newsroom staff.
Alex S. Jones (2009) describes a managerial practice called ‘harvesting’. This

means stripping the newsroom to a bare minimum, so that the paper is still
30
produced but as cheaply as possible. After a while the readers will go elsewhere,
and so will the advertisers. But until then the dying newspaper would have
made big profits for its owner.
3.4. FROM A BUNDLE TO DAILYME
Nicholas Negroponte predicted already back in 1996 that “being digital will
change the economic model of news selections, make your interest play a
bigger role, and, in fact, use pieces from the cutting-room floor that did not
make the cut on popular demand.” (1996, 153)
Yet I can’t remember anyone worrying about any of this at all when I began
my journalism studies at the University of Tampere in the year 1999. All of
what Negroponte says above is now very much a reality.
Personalised news is here now. Many newspapers (for example The Daily
Telegraph, Wall Street Journal) offer a digital newspaper designed ‘just for
you’. The reader can pick and choose the type of news she is interested in, and
disregard the rest. The news aggregator website Google News sums up the
idea this way: “No one can read all the news that’s published every day, so
why not set up your page to show you the stories that best represent your
interests?”
Targeted contents and the fragmentation of audiences have been major trends
even before the masses adopted the Internet, but the web has sped up this
development by enabling everyone to search for content optimized for
themselves, and only read about their own specific interests. Many have argued
that online, one can easily interact only with people who already share the
same views. This reinforces the way one thinks, and it doesn’t subject to
alternative opinions.
This can have a negative impact on civil society, argues Cass Sunstein (2007),
as it can lead to extremism and polarisation, even terrorism.
31
‘‘ Group polarisation is unquestionably occurring on the Internet.

From the evidence thus far, it seems plain that the Internet is
serving, for many, as a breeding group for extremism, precisely
because like-minded people are deliberating with greater ease
and frequency with one another, and often without hearing
contrary views. Repeated exposure to an extreme position, with
the suggestion that many people hold that position, will predictably
‘‘ move those exposed, and likely predisposed, to believe in it.
(2007, 69)
The old-fashioned newspaper was, and still is, a bundle of information about
all sorts of things: politics, economics, international affairs, local issues, sports,
culture, arts, and so on. A newspaper could force the reader to see news that
they didn’t know they should be interested in – at least glimpse through the
headlines.
In his book Republic.com 2.0 Sunstein worries about the growing power of
consumers to filter what they see combined with the reducing / decreasing
importance of what he calls “general-interest intermediaries”, i.e. newspapers,
magazines, and broadcasters.
Sunstein thinks that people should be exposed to content that they haven’t
chosen beforehand, “partly to ensure against fragmentation and extremism,
which are predictable outcomes of any situation in which like-minded people
speak only with themselves.” (2007, 6)
Secondly, citizens should have common experiences:
‘‘ Without shared experiences, a heterogeneous society will have

a much more difficult time in addressing social problems. People
may even find it hard to understand one another. Common
experiences, emphatically including the common experiences
‘‘ made possible by the media, provide a form of social glue.
(2007, 6)
32
This is not to say that the Internet and freedom of choice is a bad thing. On
the contrary, Sunstein wants to distance himself from any nostalgia towards
a world without the Internet. Catering for all kinds of niches is mostly a
wonderful thing. But he argues that there can be no true assurance of freedom
in a communications system committed to countless editions of the ‘Daily
Me’, Negroponte’s vision of the future of news. This is because in a proper
understanding of freedom there has to be “the ability to have preferences
formed after exposure to a sufficient amount of information and also to an
appropriately wide and diverse range of options.” (2007, 45)
The Internet’s version of Habermas’ public sphere is a networked one, and we

have seen it at work on platforms like Facebook, MySpace and Twitter.
Nevertheless, group polarization happens easily on these networking sites. I
post links to news that interest me to my Facebook page and my like-minded
friends agree with my comments.
The one permanently important question is how will society be informed. The
newspaper used to be a pretty good answer to this. In an age where mass
audiences disappear into cosy little niches of cyberspace, we must keep asking
how can the public sphere be forged in this new environment.
33
4 ANALYSIS OF THE INTERVIEWS
This chapter is based on the eleven interviews I conducted for this study. The
issues addressed here are topics that emerged from the interviews. I chose to
interview people who are experts either as academics who study media (Bob
Franklin, Natalie Fenton, Stephen Coleman, Robert Picard) or practising
journalists and editors (Alan Rusbridger and Charlotte Higgins of the
Guardian, Christopher McKane of the Times). Among the interviewees were
also people who have changed their careers in journalism to careers in universities
(Charlie Beckett, George Brock) and media consultancy (Juan Senor). One
editor-in-chief, Tony Curzon Price, runs an online operation called
openDemocracy.net. For a full list of the interviewees and their affiliations,
see the end of this paper.
The questions tackled in this chapter turned out to be the most prominent in
my interviews.
• Firstly, we’ll discuss some of the errors the traditional media seems
to be making. These include cuts in the newsroom, underinvestment,
‘dumbing down’ of content, and poorly managed integration of digital
and print operations.
• Second, we move on to different views on charging for journalistic

content online.
• Thirdly, we’ll take a look on some of the possible future scenarios

for newspapers.
• The review ends with my interviewees’ take on the quality criteria

of journalism, as described in Chapter 2.
4.1. FROM CUTS TO UNDERINVESTMENT
For an appropriate beginning of the first part of this analysis, let us start with
the words of Stephen Coleman, professor of political communication at Leeds
University, an expert on e-democracy. He thinks that the press is failing in
almost all of its duties:
ANALYSIS OF THE INTERVIEWS
34
‘‘ It fails to report politics well, it trivializes politics, it fails to report

international, global forces well – particularly business – and
it fails to offer analysis at this quality level, this penetrating level
of depth, that is intended to educate those who don’t start out
with a lot of prior information. It talks to insiders and it is very
happy to do so. There is a lot of complacency about a lot of
‘‘ quality journalism. In terms of mission for journalism in a
democratic society it makes me uneasy.
4.1.1. STAFF CUTS AND THE ECONOMIC MODEL
I asked Alan Rusbridger, editor of the Guardian, if he thinks that part of the
general decline in newspapers’ circulations is due to the press failing in its job.
‘‘ Probably a bit, yeah. It is a good question to ask ourselves.

Papers who were making very high profit margins didn’t want
to get used to lower profit margins, so they cut editorial costs
to the extent where they couldn’t do a proper job anymore. Then
people stop buying the paper, and it creates a spiral. So that’s
a clear example of where people stop doing the thing they are
‘‘ supposed to. Maybe you are asking if we have in some way
forgotten what our core purpose is anyway.
Rusbridger believes that the crisis of news organizations may give the profession
a good reason to find its purpose again. Meanwhile, even the trust-owned
Guardian has laid off some of its staff in order cut its cost base. According to
Rusbridger, the paper had grown larger that it needed to be. The Guardian and
its Sunday sister paper the Observer moved to new premises at King’s Place,
London, and joined their newsrooms in December 2008.
‘‘ In the old building we had web operation on one floor, newspaper

on another, and the Sunday paper operation elsewhere, and
35
each bit was growing big. We were growing a mirror culture

department, mirror politics department and so on... You can get
greater efficiency by working in a more integrated way. Also,
we have to face it that the cost structure of the organizations
who are taking us on in digital space are much lower. They
‘‘ haven’t got the print bit to worry about. They are just doing the
digital bit. And that’s a much lower cost business than print.
Like Rusbridger, Professor Bob Franklin of Cardiff University takes on the

issue of high profit margins. He says that local and regional papers in the UK
had been running on 35–40 percent profit margins. Now many of these papers
are in dire straits, if not dead and buried.
‘‘
‘‘
Turn them into workers co-ops and you immediately have 40
percent more money each year to invest, to hire more journalists...
But it’s all been bled off to the boardrooms and shareholders,
and in that process journalism has got desperately impoverished.
Juan Senor, a consultant who has helped many newspapers increase their
circulation, thinks cutting staff is a knee-jerk reaction that will only lead to
“bleeding a death of a thousand cuts”. Cuts lead to weaker quality, which in
turn damages the brand. He believes ‘dumbing down’ and celebrity news are
not the way forward for newspapers.
‘‘
‘‘ Look at Apple. They have built a fantastic business based on
quality and design. The question is, do you want to be one more
of the same or to be in your own league?
4.1.2. DUMBING DOWN IS INCREASING ONLINE
In his seminal book, Newszak and News Media (1997), Bob Franklin argues
that four major changes have resulted into what is often called the ‘dumbing
36
down’ of quality news media:
1) Broadsheet papers contain less news, especially foreign news, parliamentary

news and investigative stories.
2) Views have replaced news.
3) There is more tabloid-like stories in broadsheets.
4) Broadsheets have assumed many editorial features which previously were

exclusive to tabloids (problem pages, dating). (1997, 7)
‘‘ Journalism’s editorial priorities have changed. Entertainment has

superseded the provision of information; human interest has
supplanted the public interest; measured judgement has succumbed
to sensationalism; the trivial has triumphed over the weighty; the
intimate relationships of celebrities from soap operas, the world
of sport or the royal family are judged more ‘newsworthy’ than
the reporting of significant issues and events of international
‘‘ consequence. Traditional news values have been undermined
with new values; ‘infotainment’ is rampant. (1997, 4)
Franklin argues that, in the quest for higher circulations, stories of public
interest have been replaced with “stories that interest the public”. Arguably,
this development continues online, where newspapers compete in attracting
clickstream to their websites. Natalie Fenton believes that the Internet has
further increased the ‘dumbing down’ element in professional journalism.
‘‘ I think what you’ve got is an enormous amount of comment and

opinion on stuff, and that’s all fine, but the counter to that is
you’ve had a dilution of that actual solid reporting and investigative
journalism. That’s been a huge problem, the real flattening of
the news and a real tendency – because this has to happen
‘‘ very fast and you have to fill an awful lot of space – just to take
it from readymade sources.
37
Robert Picard told me that newspapers cannot continue on the path of

entertainment and celebrity gossip. He thinks that the content structure has to
be completely rethought in all newspapers. Picard compares news organizations
to airline companies.
‘‘ It’s the same thing that British Airways is having trouble with
now. They can’t figure out if they want to be Ryanair or an
airline known for high quality and good service. Newspapers
have bounced between whether to be a quality paper or a free
newspaper. To get mass audience they do stuff that attracts
people who aren’t interested in serious news. Still, they are
trying to get all customers, and that’s not working. To keep
‘‘ chasing the ones who don’t want to read the newspaper seems
like a ridiculous thing to me, from a business point of view.
Yet quality broadsheets have been increasing the amount of tabloid-like content.
There is a strong body of empirical evidence of this in journalism studies.
Robert Picard says:
‘‘ They’re still stuck in the mentality that they have to serve everybody.
It’s the social engineering perspective from the 19th century:
we’re here to educate the public, provide social control, to help
them through their lives... There’s this real paternalism in that
view of journalism. On the one hand they want that, and on the
other level they want mass audiences. It’s hopeless. There is no
‘‘ evidence that it works for over a quarter of a century. That
audience has TV, the Internet, the tabloids and free newspapers.
4.1.3. YESTERDAY ’S NEWS TOMORROW
Most newspapers seem to still think that they are in the business of breaking
news. They print the same headlines that were known to the avid news consumers
on the day before. The stories very rarely have much more information compared
to the stories that were published online on the previous evening. News is no
38
longer exclusive to newspapers, radio and television. The Internet brings news
to everyone who wants it, and it brings it at an unforeseen speed. This should
force newspapers to thoroughly renew their content.
‘‘ It’s not exclusive any more, people read it 12 hours before or

more. I’m tired of reading the same stories again in print. I open
up the paper, and the news section has about 60 percent stories
I’ve read before, because I’m a heavy news consumer. But there
has to be something wrong with the formula. There has got to
‘‘ be something special in the paper. They have to rethink the
whole product line. (Picard)
4.1.4. UNDERINVESTMENT IS THE BIGGEST THREAT
Goldsmith’s University’s study New media, old news: journalism & democracy
in the digital age comes to the conclusion that the biggest threat to journalism
is underinvestment. Natalie Fenton, editor of the fore-mentioned book, explains
how certain simultaneous developments created what has been called the
perfect storm of the news business.
‘‘ You have the history of marketisation and deregulation, the shift

towards new technological forms that have lead to a position
where you have decoupling of advertising from newspapers,
an economic model that’s falling apart and at the same time
‘‘ more investment in technology, more space to fill and the only
way for the industry to square that circle is to sack journalists.
Huge redundancies of journalists and a significant move to far more insecure

job contracts have resulted in the remaining journalists having to do far more
in far less time. In their study, Fenton et al found out that some journalists had
to file 15–16 stories a day.
39
‘‘ OK, they’re at the general news hell, so they’ve always had to

do more than the specialists with more autonomy, but it was
quite startling how little time they had to check on facts, to go
back over things... I mean inevitably that leads to a particular
type of journalism. The economics had a major impact because
‘‘ it led to more investment in technology and less investment in
journalists.
By laying off so many journalists that it makes the rest perform worse, the
newspaper managers may in fact be damaging their brand and hurting the
very business they are trying to save by making these cuts. Natalie Fenton
says:
‘‘ What they may be failing to realise – and some of them may

come round to understanding it – is that what people want to
buy quality journalism for is quality news coverage. Good,
solid, trustworthy news service. If they stop doing that, then it
actually is bad business sense. Because, if you have to define
it in their terms, it’s their unique selling point that they are
eroding. There was a noticeable difference between the Guardian
and other newspapers, because they could afford a different
style and type of work. They knew they could always fall back
on the Scott Trust; even though it has to work as a business they
still have a different remit – it is not just about business, it has
‘‘ to be about providing certain type of news as well. That is sort
of fulfilling a public interest model.
‘‘
‘‘
The Telegraph had over 20 journalists work on the expenses
story, and it paid off for them in the end. But at the same time
they were sacking their staff and putting people on fixed term
contracts, so it’s a contradiction in terms.
40
4.1.5. NEWSROOM INTEGRATION – BETTER LATE THAN NEVER
Christopher McKane, managing editor of the Times, acknowledges that

newsroom integration has been too slow and that for many years the online
news production was considered a secondary operation, “an inferior product
mainly put together by children or nerds”. What McKane says here is not the
current situation in the Times but it depicts well a familiar scene in most
newsrooms just a few years ago.
‘‘ When the website and the paper were completely separate,

which was about a year ago, the stuff that went on the website
was put up together very quickly by, to my mind, very
inexperienced reporters. Speed was everything. They wrote little
stories, got a bit of wire copy, and there was little quality control.
Basically if you wrote something it went straight up there. They
had a system they called another pair of eyes. Somebody else
‘‘ might glance at it. On the print side everything that ends up in
the paper has to be looked at by 8 or 10 different people.
At the same time when the Times and the Sunday Times were launching their
exclusive new paysites, they were also cutting around 80 staff while looking
to reduce editorial budgets by ten percent. The Times and the Sunday Times
made losses of around £240,000 per day. The question is, can they produce
high quality journalism both for print and for the new, very demanding website,
with fewer staff?
4.1.6. CRISIS OF TRUST
The issue of public trust is central to journalism, and perhaps even more so in
a complex, networked society where more ‘speakers’ are being heard than ever
before. As Adrian Monck puts it, in his book Can You Trust the Media: “as
our attention has moved online, so the quest for trust has moved there too”
(2008, 65).
An Ipsos Mori survey from the year 2009 shows that 9 people in 10 who are
41
readers of the Guardian, The Daily Telegraph or The Times, trust their own
newspaper to tell the truth. Two thirds of Mail and Express readers think the
same, as do 55 % of Mirror readers. Only three in 10 of News of the World
and Sun readers say that they trust their newspaper to tell the truth at least
“somewhat”. These results are an interesting comparison to another Ipsos Mori
survey that says only 19 percent of the people in the UK trust journalists to
tell the truth.
Natalie Fenton points out that while people often say that they don’t trust the
media, they will still say that for the most trustworthy news they go to the
BBC, for instance. The public may not trust the news, but they want to trust
the news. It is an ambivalent relationship, and thus not easily explained with
survey results.
‘‘ It’s good in many ways that the audience is having a critical

relationship with the news. Part of that is because we’re coming
into a post-enlightenment period where that whole idea of the
truth is being undercut and reformulated in many ways. So
‘‘ people still have this, they want facts even they don’t believe in
the truth anymore.
‘‘ What news organizations have got to do is take account of that

by increasing the range of views and opinions that they include
in their news. Rather than restricting them, which is happening
now. Because of the speed they have to work and space they
have to fill, they’re drawing on a restricted source of news rather
than an expanded one. And that will only further aggravate
distrust. In a digital age where you can get hundreds, possibly
thousands of responses to any individual news story – which
will all counter the line that was taken – you have to draw on
a much greater pool of sources to establish what you’re saying
‘‘ has some ground in reality. Precisely the opposite is going on
right now.
42
Onora O’Neill, professor of philosophy at Cambridge University, talked about

trust in her BBC Reith Lectures in 2002. “If we can’t trust what the press
report, how can we tell whether to trust those on whom they report?” she asked.
‘‘ What we need is reporting that we can assess and check: what

we get often can’t be assessed or checked by non-experts. If the
media mislead, or if readers cannot assess their reporting, the
wells of public discourse and public life are poisoned. The new
information technologies may be anti-authoritarian, but curiously
they are often used in ways that are also anti-democratic. They
‘‘ undermine our capacities to judge others’ claims and to place
our trust.
4.2. TO CHARGE OR NOT TO CHARGE? THE QUESTION OF PAY-WALLS
The debate about pay-walls has been dominating the discussion about the
future of journalism for quite some time, and with the new pay-wall schemes
of Rupert Murdoch’s empire, I suspect that it will remain in the focus for a
while longer.
4.2.1. THE TIMES AS THE GUINEA PIG
The Times and the Sunday Times are currently acting as guinea pigs for the
whole newspaper industry. On 15th of June 2010 the paper closed their old
free website Times Online and launched their new websites thetimes.co.uk
and thesundaytimes.co.uk on a free trial period. The organization started
charging for the access to these websites from 2 July onwards. Users can buy
a digital subscription to both websites for 24 hours (£1) or for one week (£2).
The iPad application costs £9.99 a month.
The obvious problem is that the potential reader doesn’t know what is behind
the pay-wall, and whether it is worth the money. The Times knows that they
will lose a big proportion of their online readers, so I thought that someone
43
must have calculated exactly how many subscribers would be enough to make
the website sustainable. I asked The Times’ managing editor Christopher
McKane how much audience the paper was prepared to lose because of the
pay-wall. He didn’t quite answer.
‘‘ We don’t always call it a pay-wall, we call it something like the

view gate. It’s a bit more accessible and so on. This is a big
gamble, it really is. The commercial reality is that we have to
make something from this. We don’t think our content is valueless,
so we’re not going to give it away. It costs us an enormous
‘‘ amount to produce, and we’ve got to try and get something out
of it. And I think the rates we’re setting are very reasonable.
‘‘ The Times has never made a profit since 1785. We are cross-
subsidised from the Sun, the Sunday Times and to a lesser extent
the News of the World. And we’re being told now that we’ve
got to get closer to breaking even. So we’ve got to put our house
in order. We’ve spent a lot of money on the website, the new
‘‘ one is much better than the old one. Whether people will sign
up we don’t know.
Many have argued that charging for content online only works for specialist
papers, such as the Financial Times, who have a niche product for an audience
who needs it. General news is available for free from an abundance of places,
and in the UK we have to remember that even if all quality papers went behind
pay-walls, the BBC will not. So what does the Times offer online that is worth
paying for? Their brand, thinks Christopher McKane:
‘‘ I think one of our biggest sales points will be the comment, the
analysis, during the day, and instant analysis. Everybody has
news, but we have good news – and we have particularly strong
foreign news because we have more correspondents abroad
than any other newspaper. But the daily news is not what people
are going to buy it for, I’m quite sure. And we have to hope that
44
‘‘ the educated, intelligent, classic ideal Times reader who is really

interested in engaging with our opinion makers and leader
writers will pay for that, we hope.
The Times promises its online subscribers deeper coverage, direct access to
its journalists (daily live Q&A), interactive graphics, exclusive photography
and video. But what the Times will lose is the hyperlink, which is, one might
argue, deeply important and intrinsic to the Internet. Others will not be able
to link to the Times – and The Times will not want to direct its readers back
outside the pay-wall, once it has lured them in.
‘‘ This is going to be a problem, how do we link to everyone else.

It’s an unknown territory. The Wall Street Journal, our sister
paper, is making a lot of money on its website, and it has a lot
‘‘ of subscribers. That is Murdoch’s thinking; having made it work
in America, maybe he can make it work here.
I signed up for the Times’ free trial period, and after that, subscribed to the
website in order to continue monitoring its development. The first weeks of
the new pay-site look good, journalistically speaking. The website holds a lot
of exclusive material, and while at least to my eye, the print version of the
Times looks a bit grey and dreary, the website is actually full of interesting
features and fresh ideas. The problem is, of course, how can people know
whether they might enjoy the content if they cannot see what’s inside the pay-
wall. Time will tell if the Times is able to gain enough subscribers to sustain
its journalism online.
4.2.2. THE GUARDIAN BELIEVES IN A MUTUAL FUTURE
Among the British newspapers, the Guardian is known for its firm belief in
the Internet being free for all, but actually, its editor Alan Rusbridger is not
absolutely married to the idea. He says that for now, guardian.co.uk will not
charge for any content, but he doesn’t exclude the possibility of charging for
something in the future. The Guardian has recently launched a new service
called Guardian Extra, a membership scheme that offers live events, discounts
45
and offers from various commercial partners and newsroom visits. Membership
of Guardian Extra costs £25 a year, after a free trial period during the summer
of 2010.
Rusbridger believes in the idea of ‘mutualisation’, that the future of journalism

is much more interactive and open than it has ever been before. In mutualised
journalism, the journalist recognizes that many readers know more than she
does and asks for their input. The Guardian has many convincing examples
of big, influential stories that came out of co-operation between the newspaper
and the audience – such as the death of Ian Tomlinson during the G20
demonstrations in London.
‘‘ How much better are you than what’s out there for free?
Uncomfortable question, and I think we know the answer. So,
try and work out what it is that ties it all together and can still
leverage the brands and attributes we have as journalists and
to work out some glue that is going to stick all that together and
make people come back to you. I still think we have the opportunity
‘‘ to do that but I don’t think it will be by creating lots of barriers
between us and the people.
Alan Rusbridger and his team at the Guardian have come up with a list that
encompasses the paper’s approach to working together with other contributors.
Here are Rusbridger’s Ten Principles of Mutualisation:
1. It encourages participation.
2. It is not an inert, ‘us’ to ‘them’, form of publishing.
3. It encourages others to initiate debate, publish material or make

suggestions. We can follow, as well as lead. We can involve others in
the pre-publication processes.
4. It helps form communities of joint interest around subjects, issues

or individuals.
5. It is open to the web and is part of it. It links to, and collaborates
with, other material (including services) on the web.
46
6. It aggregates and/or curates the work of others.
7. It recognises that journalists are not the only voices of authority,

expertise and interest.
8. It aspires to achieve, and reflect, diversity as well as promoting shared

values.
9. It recognises that publishing can be the beginning of the journalistic

process rather than the end.
10. It is transparent and open to challenge – including correction,

clarification and addition.
The Guardian publishes everything online, and print readers will get the exact
same content that was available free online already the night before. So why
should one buy the paper?
‘‘ Out of habit or because the paper is different, maybe you like

the experience of browsing and being surprised of what you
read, or the tactile feel of paper and how it can display photos
‘‘ and graphics, the order of things... There are still 285,000
people a day who do it, it’s still a business.
‘‘ Maybe at some point we might hold something for the paper.

But if you become obsessed with the idea that your newspaper
is the only model, then you don’t do the website with complete
conviction. And I think you have to. If people want to read the
Guardian online, or on tablets, then you have to support a
‘‘ model that allows them to do that. There’s no point in me saying
I’m going to keep it off that, and you just have to buy the paper.
For Rusbridger, a pay-wall for all content is a strategy that lets newspapers
“sleepwalk into oblivion”. It removes them from the way most of the Western
world is now interacting with each other. While it may work from a business
point of view, in editorial terms it is not a good move. Newspapers can no
longer control distribution or create scarcity without isolating themselves from
47
the networked world, he argues. When it comes to business models, Rusbridger

says that finding one is not his job. The Scott Trust allows him to concentrateon
editorial lines. In the meantime, Rusbridger believes in experimenting with
anything and everything.
‘‘
‘‘ I think that’s a better way to find a business model than say we’ll
throw up the big barriers now, and insist that people pay even
if that impoverishes our journalism.
Rusbridger thinks that there has never been a better time to be a journalist,
because the digital era offers all kinds of exciting new opportunities.
4.2.3. SOME FOR FREE, SOME FOR A FEE
Tony Curzon Price of openDemocracy, a former economist, predicts that

newspapers will start charging for some of their content online. He says that
he “can’t wait for the New York Times and Murdoch to go behind a pay-wall”,
as it will just make openDemocracy more distinctive. Curzon Price is convinced
that advertising will never pay for the costs of newspapers’ online operations.
‘‘ For the Guardian the pay-wall is actually commercially interesting.

If it ends up with 100,000–200,000 subscribers, that’s extremely
valuable and will make commercial sense. Of course they should
give up some of their audience for revenue. Their cost structure
requires it. Most of the people doing this kind of work do it
‘‘ because they think it’s important to have the influence, not to
make money.
‘‘ I guess what will end up happening is to have a rather degraded

free web experience with a non-degraded premium experience.
The touch platforms are going to allow that to happen because
of the integration of payment within them. A simple way of
degrading is intrusive advertising. The FT is trying to have its
‘‘ cake and eat it because if you subscribe you still get these
horrible flash advertisements.
48
Juan Senor, a consultant whose company, Innovation, has revamped several

newspapers, thinks that the biggest blunder the newspaper industry ever made
was to give it all out for free. He admits that the newspaper business model
is broken, but argues that so is the open and free Internet model as well.
‘‘ One has to extract value from the news that we give for free
and begin to charge for some content. You can still do all the
sharing and linking and participatory things, but you have to
start closing some doors. Or, I don’t like to call it closing doors
but opening ‘salon exclusives’. The entry to the British Museum
‘‘ is free but special exhibits cost 10 pounds. They will also make
money when people go out through the shop.
4.2.4. CAN TABLETS SAVE NEWSPAPERS?
I asked all my interviewees what they thought about Apple’s iPad and other
tablets as new platforms for newspapers. Almost everyone was equally hesitant.
Tablets are seen as interesting ideas, but not as a panacea for the news industry.
Their development is only in the beginning stages, and several new launches
from different manufacturers are expected within a year or two. The price will
eventually come down and they will be much more widespread than today.
Tablets do provide an interesting opportunity for display ads because visually
they work much better than computer screens.
George Brock thinks that tablets may help to fund news to an extent, but news
organizations will have to adapt to a different form of doing journalism.
‘‘
‘‘ No consumer is just going back to a digital reproduction of
journalism as it was 20 years ago. If newspapers think that it
enables them to reconstruct their business model, they will be
disappointed.
49
Robert Picard is apprehensive about the size, weight and usability of different
tablets. For instance, Apple’s iPad does not have the features of a laptop, a
phone or a camera – so would one cram all of these in a bag along with an
iPad?
‘‘ For reading news it works. There’s a comfort factor, you can

turn pages. But competing newspapers want to adopt competing
platforms... The current business arrangements are terrible. The
hardware providers are putting themselves between the newspaper
and the customer, and the customer is going to be their customer.
In marketing strategy you need direct access to your customers,
you need to know what they’re reading et cetera. Also, a number
of manufacturers want to dictate your price. If you give up your
‘‘ customer and your price then what are you in business for? We
don’t know yet how they will work for retail advertisers.
4.3. FUTURE OF NEWSPAPERS
The discussion on the future of journalism has been more about the survival
of newspapers as a business than about the survival of the kind of serious
journalism traditional ‘quality’ papers provide. Charlie Beckett thinks that the
debate about the death of newspapers is a silly one – he predicts that newspapers
will provide much more read-in-a-minute service journalism online and the
more serious content will drift into magazines. Newspapers might reinvent
themselves as magazines.
Most of my interviewees are not too bothered about the survival of the printed
newspaper – as long as its functions are preserved on other platforms. The
move towards the Internet, mobile and tablets is generally seen as inevitable.
Around 70 percent of an average newspaper’s budget goes into things to do
with ‘dead wood’, i.e. printing and distribution. When these costs are cut, and
operations moved into ones and zeros, a lot of money could be saved. Alas,
the problem is not as simple as that. As long as display advertising works –
and pays – markedly better in print, newspapers cannot simply ‘stop the
presses’.
50
On the other hand, Christopher McKane points out that News International
has recently spent some £600 million in new printing presses. McKane himself
worked on this project.
‘‘ It was an enormous investment. All I say to people who say this

is crazy, I say look, Rupert Murdoch is one of the cleverest, a
very astute businessman. If he thinks we can make those prints
still pay for themselves in 20 years’ time, anybody can. I would
‘‘ never have thought that we would print our biggest rival the
Daily Telegraph, but we do now.
4.3.1. FROM PRODUCT TO SERVICE
Charlie Beckett, director of Polis at London School of Economics, thinks that

news is not a product in the same way it used to be. It is now a service, and
it needs added value. This value can be found in quality reporting that puts
events in context and gives them meaning.
‘‘ You can’t put a price on news. Events happen, they are nobody’s
property. It’s difficult to get journalists to understand that. Just
because you went to the crash site or the press conference, it’s
not yours. The little bastards can find out. You add value: report
‘‘ it well, accurately, quickly, put it in context, add pictures and
comments. They’ll pay for the packaging.
Beckett believes in ‘networked journalism’, where traditional journalism opens

itself up to the public. Just like in Alan Rusbridger’s idea of mutualisation,
networked journalism shares the production process with the citizen from start
to finish: from news-gathering to production and publication.
Networks will provide a forum where we have both information and debate.
This, as Beckett sees it, will be a new kind of a public sphere, whether we
want it or not. He is not convinced that the old media institutions are going to
51
be able to cope with the new networked sphere. Actually, he thinks that the
newspapers’ ability to provide a public sphere was always “grossly exaggerated”
anyway.
‘‘
‘‘
Product of the nature of institutionalized journalism is that it saw
itself in a power struggle with democratic institutions. I’m not
saying that the network changes it into everyone holding hands
together, I don’t want that. I want a robust contestable discourse.
I think networks allow better accountability through more openness.
I think public sphere gets redefined as we become increasingly
an information society – if we can have more information that’s
accessible. The function of journalism will be to interrogate those
flows of information as opposed to the more personalized politics
‘‘ of clashing institutions. Journalists will help you get access to
information and then act upon it.
4.3.2. NOT FOR PROFIT BUT FOR INDEPENDENT REPORTING
At the moment, the most prominent academic paper published the United States
on possible ways of funding journalism is Len Downie & Michael Schudson’s
report, The Reconstruction of American Journalism. It has received a lot of
criticism, mainly because the US media finds it difficult to accept a need for
government intervention, even in the form of tax breaks. Downie & Schudson
propose a variety of ways “to help assure that the essential elements of
independent, original, and credible news reporting are preserved”. They suggest,
for example, a bigger role for philanthropy and foundations, increased funding
for public service broadcasters, creating a national fund for local news, and
that universities become specialised news outlets.
Downie & Schudson promote a non-profit status for news organizations, as

it would help “assure contributors and advertisers that they are primarily
supporting news reporting rather than the maximisation of profits”.
Bob Franklin suggests that the ownership structure of news media should be
52
changed thoroughly. For example, Cardiff University’s School of Journalism

was part of a bid to become an independently funded news consortium (IFNC).
They also had a plan to buy the local newspaper, “if it goes bust”. However,
Franklin says that these plans are now put on hold, because the new Lib-Con
government has rejected the ideas of IFNCs in favour of ultra local television
and relaxing the ownership regulation for local and regional news media.
Franklin would like to see other players, such as trade unions, NGO’s and
community organisations, invest in not-for-profit journalism.
‘‘ As soon as you make it non-profit it means you have a third

more resource in your armoury. You don’t have to make journalists
unemployed, or send them off writing stories that may be popular
– although it’s not wrong to give people what they want, but it
shouldn’t be the driver. So it liberates you in many ways...
Without journalistic functions, societies don’t exist very well. You
‘‘ have got to make a way of delivering that in some way, so the
communities can reclaim that activity for themselves.
Also Charlie Beckett sees that there is a greater role for foundations and other
civil society organisations that can create various hybrids.
‘‘ There needs to be an investment in the kind of institutions we

want. Technological innovation does have an impact in media
and society, but it’s difficult to predict and control those effects.
‘‘ Lessons of the past tell us that we need to invest in policy terms
and also resource terms.
What about co-operative newspapers? Could that be something to try?
‘‘
‘‘ That’s never worked. Dream on, baby! There was one called
News on Sunday, check it out. It was the biggest disaster ever.
(Beckett)
53
I did check it out. News on Sunday, a left-wing tabloid, only lived for a few
months during the year 1987. It had a catchy slogan: “No tits but a lot of balls.”
I am not thoroughly convinced, though, that this should remain the only known
experiment of co-operative newspapers.
In the end, the question boils down to whether one believes that the market
can support the free and independent quality press or not. Some, like Rupert
Murdoch and his powerful corporation News International, often argue that
only markets can provide a truly independent press. On the other hand we have
public service broadcasting such as the BBC, whose scrutiny of the government
is very consistent compared to most other media.
‘‘ The more journalism has been a financial success, the less it has
fulfilled what one might call the democratic requirements that
one hopes journalism will do, and we always mutter about the
public sphere, the fourth estate, the notions of critical accountability,
responsibility of government, and spreading information so that
citizens choices are wise and informed rather than based on
nonsense and hearsay. It seems to me that (journalistic) quality
‘‘ is tied up with that. And that at times of resource scarcity corners
get cut. (Franklin)
4.3.3. DONATIONS FROM READERS AND FOUNDATIONS
OpenDemocracy, established in 2001, is an online organization that depends

on philanthropy and reader donations. Its editor-in-chief since 2006, Tony
Curzon Price, says that it is in openDemocracy’s ethos to be free, but it needs
donations to sustain the free model. The goal is to fund the publication entirely
on reader donations.
In the beginning openDemocracy was basically a London-based magazine that

just happened to be published on the web. According to Curzon Price, it was
“staffed like a magazine, and had the ethos and the cost structure of a magazine”.
54
Since 2006 the aim has been to turn it into a “much ‘webbier’ organization,
more flexible, much more lightweight”. Curzon Price says that the funding
has been dramatically cut as some of the previous funders have moved on.
OpenDemocracy is currently spending under £200,000 a year. Around 20
percent of this comes from small donations of under £200 or US$200. On a
typical day openDemocracy publishes around 20 edited pieces.
‘‘ A few loyal supporters, like the Potter Foundation, have stayed

with us and they understand what we’re doing. The goal is to
transfer to reader donations. Now, there are 1,000–2,000
‘‘ people who are giving. I think it should be possible to get it up
to 5,000–10,000. Our authors typically write for nothing.
4.3.4. UNBUNDLING THE BUNDLE
New technology not only adds to the ongoing fragmentation of audiences but
it leads to the fragmentation of newspapers – unbundling the bundle that used
to be the newspaper. By ‘bundle’ I mean that the newspaper holds a collection
of different kinds of content: from foreign news to sports and arts, from lifestyle
and fashion to the weather. The editors could take revenue from display ads
placed by car salesmen and real estate agents and use it to cover different
aspects of civic life. The old business model made the bundle happen, but the
Internet destroyed the logic of the bundle. Why should one flick through all
these sections to get to the comics when one can just go directly to the comics?
‘‘ If you started doing something 70 years ago because it made

sense at the time, might not make sense today, or it can be better
done by some other organization. Newspapers are not yet at
the point where they think that maybe we need to change the
product. You’ve got to decide whether or not we need to do all
‘‘ those functions. I’m constantly amazed of the amount of time
and effort that goes into lifestyle and listings. (Picard)
55
State of the News Media 2010, an annual report on American journalism,

recognizes the unbundling of news as one of the major trends of online
journalism. On the Internet, consumers are not coming to newspapers for their
broad coverage of various issues.
‘‘ Online, it is becoming increasingly clear, consumers are not

seeking out news organizations for their full news agenda. They
are hunting the news by topic and by event and grazing across
multiple outlets. This is changing both the finances and the culture
of newsrooms. When revenue is more closely tied to each story,
what is the rationale for covering civic news that is consequential
but has only limited interest? The data also are beginning to
show a shift away from interest in local news toward more
national and international topics as people have more access
‘‘ to such information, which may have other effects on local
dynamics. (State of News Media 2010, Major Trends)
George Brock, of City University, says that news organisations need to stop
thinking in a print habit. The most important thing now is to find a way of
sustaining journalism in a different context. He thinks that odds are against a
pay-wall for all content, but to have some content free and some behind a pay-
wall might work for some papers.
‘‘ I think there will be more people willing to pay than we generally

think. I think experiments will show that people are prepared
to pay for some things, just not for the slightly devalued particular
sort of packages they’ve come to associate with newspapers.
That was a very successful economic formula for a very long
time but that particular formula doesn’t work anymore, partly
because the digital technology disaggregates the bundle, splits
‘‘ up the content. There is information on the web for which people
are prepared to buy, but it’s not the bundle.
56
Perhaps surprisingly, Google’s CEO Eric Schmidt does see a future for the
bundle:
‘‘ As for the very idea of paid subscriptions: How can they have
a future in the Google-driven world of atomized spot information?
“It is probable that unbundling has a limit,” Eric Schmidt said.
Something basic in human nature craves surprise and new
sources of stimulation. Few people are “so monomaniacal,” as
he put it, that they will be interested only in a strict, predefined
list of subjects. Therefore people will still want to buy subscriptions
to sources of information and entertainment – ”bundles,” the
head of the world’s most powerful unbundler said – and advertisers
‘‘ will still want to reach them. (James Fallows: How to Save the
News, Atlantic Monthly, June 2010)
4.3.5. MUCH TALK ABOUT GOOGLE
Stephen Coleman believes that at least a short-term business model can be

found by working together with web organizations like Facebook and Google.
However, Coleman fears that in the long-term these companies will swallow
up news organizations and reshape them, whereas “we as a society want them
to exist in something like their current form”. The local press, especially, needs
improvement and public money.
‘‘
‘‘ I think once you cross that line, when you accept that the only
way you can have a public policy that stimulates quality journalism
is getting people to pay for it through taxation. I don’t think there
is another way. Then you can start thinking of ways how to do it.
Google might actually come up with a plan. Quality journalism and reliable
information is crucial to Google, because without it there isn’t much relevant
and valuable content to link to.
57
James Fallows writes in Atlantic Monthly (6/10) about Google’s efforts to help
the news business find its path in the online world. At Google, print is widely
ignored. Google’s people believe that online news can be made sustainable
when display ads online become more valuable and advertisers learn how to
use the more targeted advertising potential of the Internet. Eventually people
will spend more time on news websites, and this will bring in more display
ads. For now, the ‘per eyeball’ revenue from display ads online is much lower
than in print, but it should increase when the transition period is over and things
settle. This idea is more or less what the newspaper industry has come to know
as the ‘Rusbridger cross’.
Google has another thing in common with Alan Rusbridger and the Guardian:
continuous experimenting. Google’s concept of ‘permanent beta’ is closely
related to the Guardian’s principle of constantly trying new things out online.
‘‘ The other implicitly connecting theme is that an accumulation

of small steps can together make a surprisingly large difference.
The forces weighing down the news industry are titanic. In
contrast, some of the proposed solutions may seem disappointingly
small-bore. But many people at Google repeated a maxim from
Clay Shirky, of New York University, in an essay last year about
‘‘ the future of the news: “Nothing will work, but everything might.”
(Fallows 2010)
Google has practical experiments going on with hundreds of news organizations,

such as the Associated Press, the (American) Public Broadcasting System, The
New York Times, and local TV stations and papers. One of these ideas is called
Living stories, “essentially a way to rig Google’s search results to favor serious,
sustained reporting”. All articles about an important topic, like the war in
Afghanistan, can be grouped on one page with links to all of the paper’s
coverage on the issue. The Google Living stories source code is now available
free online for any organization to use.
Another project is the Fast Flip, “an attempt to approximate the inviting aspects
of leafing through a magazine”. It loads the contents of a magazine as highly
58
detailed photos of pages as a whole, so that the reader can leaf through them,
imitating the experience of turning paper pages. A third Google experiment
that may well prove to be useful for newspapers is building a YouTube Direct
video channel on the website. Rather than attracting revenue, the purpose of
this idea is to create engagement among the audience.
‘‘ The three pillars of the new online business model, as I heard

them invariably described, are distribution, engagement, and
monetization. That is: getting news to more people, and more
people to news-oriented sites; making the presentation of news
more interesting, varied, and involving; and converting these
larger and more strongly committed audiences into revenue,
through both subscription fees and ads. Conveniently, each calls
on areas of Google’s expertise. “Not knowing as much about
the news business as the newspapers do, it is unlikely that we
can solve the problems better than they can,” Nikesh Arora told
me. “But we are willing to support any formal and informal
‘‘ effort that newspapers or journalists more generally want to
make to come up with new sources of money.” (Fallows 2010)
4.3.6. KEEPING CITIZENS INFORMED
I asked my interviewees whether or not they are worried about how to keep
citizens informed online, and whether people are better or worse informed
online. We also talked about the role of the press in a democracy and the trends
of fragmentation and specialized or targeted content, as described in Chapter 3.
Everyone I interviewed completely agreed with the notion that journalism is
central to democracy, but the question about fragmentation on the Internet
divided opinions.
‘‘ I think that is partly true but I also think people get multiple
sources and viewpoints on the web, I think people are more
likely to see what the Daily Mail says about the election, not just
‘‘ the Guardian. It’s not just an echo chamber of looking for people
who share your views. (Rusbridger)
59
‘‘ If it were the only story it would be greatly detrimental to

democracy. The loss of the single public, universal information...
But the story of the Internet is not quite as depressing as that.
There is a lot of empirical evidence. People do stumble across
a lot of information, often through other people, and links. The
early adopters were more isolated online, but now the reverse
is undoubtedly the case. If you go online a lot, you know more
people etc. It doesn’t happen because of the bundle of news
but it does happen through what sociologists call weak links.
Through those weak links you stumble on things. The information
route is far more complicated than we usually think. It’s very
bumpy. You’ll be just as disturbed and shocked out of your
‘‘ prejudices online as you were offline, it just goes in a different
manner. (Coleman)
Tony Curzon Price of Open Democracy knows that his website naturally
appeals to a group of people who are not disengaged. He says:
‘‘ It’s not difficult to go on YouTube and find the channels that

probably do appeal to the disengaged. They will probably
spend their time there rather than on a public broadcaster
channel that feeds them some paternalistic view of what they
should be seeing. The long tail is energising some groups of
politically engaged people and it’s offering the disengaged
‘‘ people the opportunity never to be involved in political processes.
There we go.
Fragmentation of audiences may produce huge knowledge gaps between people

who are interested in news and know how to use the Internet to find the best
sources available, and people who don’t have the will, the know-how or the
time. But, we have to ask what did we know about those knowledge gaps
before the Internet?
60
‘‘ There was the comforting idea of the newspaper, and that people
are not just flicking over scanning the headlines for any notion
of sex and then going to the sports pages. We know so much
more about people’s information browsing habits now that we’re
measuring them. Probably a lot of quality newspapers have
been shocked to know how little their serious pieces are being
read. A serious piece on (The Guardian’s) Comment is Free is
read by 3,000 people, what kind of an audience is that? It’s
leisure, lifestyle and sports that people actually read about. It’s
a sad realisation, which brings us back to the point where we
started from. What’s the role of the intelligentsia? Intelligentsia
‘‘ has been able to live in a comforting bubble of its own importance.
Google analytics has done terrible things! (Curzon Price)
4.3.7. DO NEWSPAPERS NEED SAVING?
An important question related to the above discussion is whether traditional

media organizations should be saved if and when they are on the brink of
extinction. Do newspapers need bailing out because they do an irreplaceable
job in informing citizens on matters they didn’t know they needed to know?
Institutions like newspapers can allow journalists to investigate. They protect
their employees in dangerous situations and in courtrooms. Freelancers rarely
have this protection, and bloggers or citizen journalists don’t have it at all.
‘‘ I don’t think that measures of support should be aimed at propping

up broken business models that are clearly past their shelf life.
They should do it (subsidise) in a platform-agnostic way so that
‘‘ the best experiments on most suitable platforms are most likely
to succeed. (Brock)
Like George Brock, Robert Picard and Tony Curzon Price think that old
organizations should not be saved. Picard points out that we don’t need the
press, but the functions of the press. So the question is whether new forms of
providing these functions will surface before the old ones keel over? There is
61
no evidence of this happening yet. So the key question still remains: who is
going to protect journalists if we lose the old institutions?
‘‘ The newspaper was an economic unit, a unit of production. We

know that the models of production are changing and being
massively transformed by technology, so there’s no point in
preserving the newspaper. I think that there are journalistic
cultures, journalistic ethics et cetera that are very important and
one wouldn’t want them to go. Important thing to think about
is how that culture and ethic gets transferred from newspapers
to the new ecology. I’m not particularly worried about where
‘‘ that money’s going to come from because I think that need is
generally widely recognized. (Curzon Price)
Many are placing their hopes on the old institutions finding a way to adapt so
that they can continue providing journalism and its democratic functions in a
new, commercially sustainable way. But some, like Stephen Coleman of Leeds
University, think that public funding is the only way to save quality journalism.
‘‘ The Guardian was first to take the Internet seriously, but it can’t
survive economically. You then have to come up with quite
different policies, not market driven, because the market cannot
solve the problem. For maintaining spaces online and offline
where one can do quality journalism, I think the bottom line is
that you have to have public funding. But that’s unpopular. No
political party is going to argue for it. The public might argue
‘‘ for it, if they actually recognize what they’re in danger of losing.
(Coleman)
4.3.8. NICHE PRODUCTS FOR ELITE AUDIENCES
Many of my interviewees think that the newspaper of the future is a niche

product for small elites. In 10–15 years’ time there will still be newspapers,
and “luxury niche might be a way of describing what they will become”, says
62
George Brock. They will have older, smaller audiences, and they will cost
more per copy. They will no longer be a mass medium.
‘‘ I think newspapers are going to get more specialized. The

generalized is not working. It’ll go for an even more niche
audience, maybe 20–25 percent of the population. It’s not
happening over night but over 10–15 years we’ll see the change.
There’s no way of doing something for everyone. You can’t
afford to waste so many pages. If stock tables take up to seven
pages, and there’s one paid ad – kill them. Kill them if they’re
not paying for it. Reduce the size of the paper, make it more
‘‘ focused. And frankly, the person who needs stock tables will go
to the financial publications. (Picard)
Many have argued that charging for content online only works for specialist
publications such as the Financial Times. However, also general newspapers
could develop a niche for themselves by doing something infinitely better than
anyone else. It would be silly to try and charge for celebrity gossip, because
there is an abundance of it available for free. The niches that people are willing
to pay for are likely to be found at the high-brow end of newspaper content.
Natalie Fenton thinks that a lot of (British) quality journalism is already elitist,
and it does speak to a certain well-educated class of people:
‘‘ The BBC doesn’t have that elitism because it tries very hard not
to. So I keep coming back to public service broadcasting,
because if you could translate something like that into print you
would have a quality journalism that could do both things. It’s
a mistake to say that quality journalism is elite journalism, you
can have quality journalism that speaks to a mass audience and
brings in a wide range of people, but it has to be re-imagined
from what it is now. Not just about getting the same old crusty
elite experts giving the standard elite views all the time, that’s
more of the same. Opening that up and say: we do accept there
are more views and we do want to get people involved and
63
interested. Actually saying that we are going to preserve a

certain proportion of this paper for news that is for the public
‘‘ good and public interest I think is critical because that is getting
squeezed all the time.
‘‘ Evaluative point of view, not elitist – the distinction between what

people need and what people want. They may need a lot of
background to understand the current situation. And they won’t
necessarily seek that out because they don’t have time and the
inclination but if it’s there in a newspaper it will filter through.
Even if you’re watching a news program on TV, you get the
range. Screen and mouse, easy come easy go. Newspapers
will eventually move to charging for some online content, which
‘‘ will shut off those specialist sections for a vast range of people,
and that’s hugely problematic.
4.3.9. CIVIC COMMONS ONLINE
Stephen Coleman has, together with Jay Blumler, suggested a ‘civic commons’
of the cyberspace. He explains:
‘‘ I would like to see a space online in which citizens can do

certain things like talk to one another and talk to their
representatives, but representatives not only can do but they
have to do that, it’s part of their functional accountability. It’s
part of the requirement to answer people’s questions, to engage
in debate. Actually most of those requirements are already there
but in a fragmented and incoherent fashion. We think that this
needs to be institutionalized, we think that just as the BBC in
many respects has institutionalized the best of what radio and
TV can do, we think that there is now a scope to institutionalize
‘‘ the best that the Internet can do. It’s not to replace all the other
things but to supplement them.
64
Some critics have argued that the online civic commons would be an attempt
to create a homogenized public sphere in a radically multi-voiced modern
system. Coleman accepts the critique.
‘‘ I think they’re right, but Jay and I came up with this very old-
fashioned institutionalized model of a single public. And I still
believe that you have to have a single public, notion of a public,
how would you know what you’re talking about... however, it
is multi-vocal, networked, diffused. The notion of the CC as we
developed it has got to reflect much more this idea of not only
what the public has to say but also who the public is, who’s in
or out. It’s more complicated than we originally thought. The
principle, the strategic argument for the CC is still the same,
however you do it, whatever is right for the 21st century, you
cannot have this absolute fragmentation, where nobody gets to
enter the public space, in relation to democracy that’s just got
‘‘ to be wrong. That would be like having a parliament in every
street corner.
Coleman calls for establishing an agency that would be funded by the government
but independent and accountable to the public – much like the BBC. Coleman
and Blumler have not developed technical solutions as to how this project
would work in practice. They are only arguing for the principle.
4.4. QUALITY CRITERIA
In my list of questions for the interviews, I included this following set of quality
criteria, drawn from the previously reviewed studies (see chapter 2).
a) accuracy
b) independence
c) credibility
d) high ratio of staff-written articles as opposed to wire service copy
e) high amount of editorial (non-advertising) content
f) high ratio of interpretation and background of news
65
The first three are more or less in common for all research on quality that I’ve
read. The last three are Leo Bogart’s three top measures of quality in journalism.
I chose them because they have been included in several studies (such as Lacy
et al) after Bogart. I asked the interviewees to tell me which ones they think
are most important to the quality of journalism in a new media ecosystem. Are
the quality criteria developed during the history of printed newspapers still
valid in the era of Internet?
My interviewees are surprisingly unanimous about these criteria. Most of them

would raise context to the top – or, high ratio of interpretation and background
of news, as Bogart formulated it. The amount of editorial content compared
to advertising doesn’t seem to be a valid point anymore. Everyone leaves it
towards the bottom of the list.
Beckett would add transparency and Juan Senor wants to include exclusivity
or original reporting. Alan Rusbridger and Bob Franklin are both apprehensive
about comparing staff-written articles to wire service copy and other content
produced outside the newsroom. Rusbridger doesn’t want to think that only
staff journalists can do quality journalism. In Franklin’s view, a freesheet filled
wire copy is a better quality newspaper than a red-top tabloid.
Bob Franklin pointed out that good writing is not among the list, which made
me realise how little concern there is for the standard of language in the research
I’ve read about quality. I can only assume that this is because it is taken as a
given.
4.4.1. CONTEXT IS EVERYTHING
George Brock puts it like this: “There should be a difference between journalism
and information.” Until very recently, all news media did a lot of selection.
They distilled the news from masses of information. In the world of the Internet
and digital news operations, in which space is no longer limited, selection
doesn’t work in quite the same way anymore. The traditional media are rapidly
losing their role as gatekeepers when new sources for news emerge on the
Internet. During political elections, for instance, parties and candidates can
now have direct access to the voting public via their own websites and social
66
media communities. Nevertheless, we still live in a world where there is more

news than ever to be consumed within the same 24 hours as ever. There is still
room for selection, editing and interpretation.
‘‘ Defence of quality journalism is much better conducted if journalists

are upfront about the fact that yes, they are relaying news to
people but, that intrinsic to that, is what I like to call sense-
making. They make judgments about what is important for
‘‘ people to know. Selection is what journalists do, so to defend
journalism, we might as well be open about it. (Brock)
What professional journalists ought to be doing is giving context to news. This

means analysis, interpretation, criticism – creating understanding and knowledge.
Any medium can adhere to fairness, accuracy, balance and so on, but that does
not guarantee high quality journalism.
‘‘ Newspapers are packed with information but very little knowledge

and understanding. Journalists know how to say things well et
cetera, but unless they have special skills, they don’t know
anything. There are medical or science sites talking straight to
the public. Journalists will have to become much more specialized.
They’ve got to be experts on South East Asia, the banking
industry et cetera in order to ask the right questions and do the
‘‘ comprehensive stories and background so that what they’re
conveying is knowledge.
‘‘ In the US there is a good study of all the stories of the sub prime.
The media was lauding it. The only person raising this issue was
a blogger in Ohio, who was a mortgage specialist. Those are
the questionable areas, and there are not enough people looking
‘‘ at the background. There was not a single critical article about
Bernie Madoff. Nobody was asking the right questions. (Picard)
67
Charlie Beckett sees new possibilities for context in the digital era.
Hypertextuality has “potential for an extended context”. Online, it may not be
enough to just offer a two-dimensional description of an issue. An article can
contain links to other points of view, or to other sources, and previous stories
on the issue in addition to video and audio streams.
‘‘ It’s a stream rather than an object. It can be constantly updated

and provisional. The way people write online is different, and
I suspect some people find it disturbing. On news channels there
is the phrase ‘this is what we know so far’ or ‘never wrong for
long’. The idea is to tell a bit of a story and then correct and
add. What I was told when I joined the BBC, was to get all the
‘‘ facts and report them. It’s a stream now. Inevitably that will affect
your authority. (Beckett)
68
5 CONCLUSIONS:
7 WAYS TO SAVE QUALITY JOURNALISM
5.1. THE CRISIS OF TRADITIONAL MEDIA IS ALSO AN OPPORTUNITY

TO GO BACK TO THE CORE PURPOSE OF JOURNALISM. News
organizations need to reinvent themselves, and they need to start by
defining the purpose of their journalism. Are they going to commit to
high quality journalism and public service or not? Are they serving the
public or shareholders? Is serving democracy a defining value for the
organization? Or will they treat the journalism they produce as a mere
commodity?
‘‘ In the new century, one of the most profound questions for

democratic society is whether an independent press survives.
The answer will depend on whether journalists have the clarity
and conviction to articulate what an independent press means,
‘‘ and whether, as citizens, the rest of us care.
Kovach & Rosenstiel: The Elements of Journalism (2001, 14)
The need to articulate the values of an independent press to the general public
is even more pressing now than almost a decade ago, when Kovach &
Rosenstiel’s seminal book was published. Professional high quality journalism
is now under threat both from the outside (the Internet, the broken business
model) and the inside (staff cuts, impoverished newsrooms).
A democracy can do without newspapers, but it cannot exist without quality

journalism. The problem at the moment is, as Clay Shirky puts it, that “the old
stuff gets broken faster than the new stuff is put in its place”. We need to make
sure that during the revolution of journalism we don’t lose its most important
standards and values.
“We are seeing for the first time the rise of a market-based journalism increasingly
divorced from the idea of civic responsibility”, Kovach & Rosenstiel wrote in
2001. In 2010, there is hope yet that the perils of traditional media will force
C O N C L U S I O N S : 7 WAY S T O S AV E Q U A L I T Y J O U R N A L I S M
69
news organizations understand what really matters. I sincerely think that

journalism needs to renew its core purpose as a public service, because if it
fails to do so, it may well become obsolete. Furthermore, we need to communicate
this purpose to the public.
Without a democratic mission journalism will be reduced to a mere commodity

– like much of it is right now.
5.2. CONTENT MUST COME BEFORE BUSINESS MODELS. The discussion

concerning the future of journalism has been revolving around the broken
business model and the desperate search for a new one. I’m afraid it may
well be that there isn’t a profitable model for the same old product
anymore.
‘‘ Round and round this goes, with the people committed to saving
newspapers demanding to know ‘If the old model is broken,
what will work in its place?’ To which the answer is: Nothing.
Nothing will work. There is no general model for newspapers
to replace the one the internet just broke. With the old economics
destroyed, organizational forms perfected for industrial production
‘‘ have to be replaced with structures optimized for digital data.
(Clay Shirky: Newspapers and thinking the unthinkable, 2009)
Content must come before business models, for business reasons too. If you
claim to offer high quality, then you need to invest in it. If you are thinking
of charging for content, then you have to have the kind of content that people
are willing to pay for. The Internet does not have reader loyalty like newspapers
used to have. If you are not providing the high quality that you promised, you
are in danger of eroding your brand, which in turn will damage your business.
Print subscribers will forgive lapses in quality for a while before they abandon
you – especially in local markets – but online readers will just click on to the
next website, not thinking twice about it.
The Sun does celebrity gossip better than the Daily Telegraph. Why go after
the readers who are not interested in serious news, and alienate your core
70
audience? Readers decide to buy or subscribe to a newspaper for its editorial

content. If they think they’re buying a smart quality paper, they are going to
be disappointed if they get gossip and lazy journalism instead.
We make a newspaper for the readers, and we sell the space in the paper for
advertisers who want to reach our readers. We want to keep both, the readers
and the advertisers, happy. If we alienate the readers, there is no business.
Therefore content and its quality should be of highest importance to the
management of news media.
5.3. UNBUNDLE THE BUNDLE. There is a significant change in how content

is arranged (by search engines) when we move from print to online. The
bundle that is known as the general newspaper doesn’t work online. It
doesn’t work for advertisers, hence it doesn’t generate enough revenue
to sustain online news organizations. It doesn’t work for readers either,
because the bundle is not the way they search for information on the
Web.
A point of view to consider is that newspapers were never in the business of

selling journalism, but in the business of selling classified ads. That business
is now gone. The old newspaper business was highly profitable for a long time.
The newspaper as we know it is a mixture of all sorts of things that don’t
necessarily have to appear in the same product. It is rather arbitrary when you
think about it: why should a newspaper have everything from news to sports
to comics to horoscopes to weather? Simply because advertisements made this
bundle possible. Newspapers should rethink how they portray their content
both online and in print. Is it time to cut something out? Do we need to produce
the stock table or the weather anymore, or are people looking for these things
elsewhere? What are they looking for on our website?
There is no way back to the remarkably high profit margins that newspaper
owners got used to. Maybe accepting smaller profits, or indeed no profits at
all, is the way forward, as many people in the US – the epicentre of the crisis
of traditional media – now believe. Changing the structures of ownership may
well work for some organizations.
71
Find something that your medium can do really well, and it may still pay for
the news coverage of local politics and other important things that will not pay
for themselves. Quality coverage was always subsidised anyway. The Times
is subsidised by The Sun. The Baghdad bureau is subsidised by other kinds of
news that attract advertising. Newspapers who want to continue to have broad
coverage of news will have to find a completely new way to cross-subsidise.
They may try partnerships with other organizations (see Guardian Extra and
Times Plus) or develop other products to sell in addition to news. A good Web
archive may generate some revenue.
‘‘ And, before anyone makes the obvious point that we are trust-
owned and loss-making, let me make the equally obvious point
that all the Scott Trust does is to enable the Guardian to compete
on the same more or less level playing field as a host of other
loss-making papers, whether their own cross-subsidies come
from large international media businesses, Russian oligarch
‘‘ billions or unrelated companies within the same ownership or
group. (Alan Rusbridger: Does journalism exist?)
Consider what it is that your medium does the best and concentrate on that.
Is it something the audience might be willing to pay for? If your paper is well
known for its outstanding arts writing, then do that even better. You may be
able to charge for that and leave the rest of your online content free. Perhaps
you can find a new way of bundling and cross-subsidising by finding your
own quality niche.
5.4. MAKE YOUR JOURNALISM INDISPENSABLE AND RELEVANT

AGAIN. Here’s a tricky question: What do professional media do that
others cannot? It no longer has a monopoly on news events, press releases
or even scoops. Anyone can publish anything online at any given time.
Access to an abundance of information is now easily available for
everyone, and mostly free of charge. How can news media compete with
news aggregators, bloggers, citizen journalists and social media?
72
‘‘ The new journalist is no longer deciding what the public should

know. She is helping audiences make order out of it. This does
not mean simply adding interpretation or analysis to news
reporting. The first task of the new journalist/sense maker, rather,
‘‘ is to verify what information is reliable and then order it so
people can grasp it efficiently. (Kovach & Rosenstiel 2001, 24)
George Brock put it this way in my interview: “There should be a difference

between journalism and information”. If you can offer your readers something
they cannot just simply ‘google’ for, then you have something to sell. This
requires that your journalism is something more than just an answer to ‘who,
what, where and when’. The more important questions to answer are ‘why’
and ‘how’ and ‘what next’. We can call this context, background, interpretation
or analysis. It should be surprising, interesting, and smart. By no means should
it ever be dull.
This is already the direction that some newspapers are taking as they are
becoming more magazine-like. The Independent has named its pullout second
part ‘Viewspaper’ – in the paper’s editor-in-chief Simon Kelner’s definition,
“a daily magazine supplement which includes Britain's most wide-ranging
opinion, award-winning commentary, more space for your letters, the finest
writing on cultural matters, a daily essay and in-depth features on the environment,
media, science, technology and history”. The Observer now has a thick second
section called ‘Review’, a name that has connotations of the London or New
York Review of Books. The French newspaper Libération now publishes long-
form, in-depth articles with emphasis on background and analysis of news
every day.
Many quality newsmagazines – The Economist, The Spectator, The Atlantic

Monthly – are doing well despite the recession. Perhaps the style of magazines
is the way forward for newspapers. Many of them already publish glossy
magazine supplements on weekends. Some newspapers may actually reinvent
themselves as magazines, providing more long-form, in-depth stories instead
of lots of news in brief.
“It’s very late, so why pretend to call it a newspaper, why not a review?” asks
73
Charlie Beckett. “Newspapers haven’t been in the breaking news business for
about ten years.”
I am not saying that a blogger, for instance, is incapable of providing context

for news as well as a professional journalist. However, professional media
should be relentless and continuous in its news coverage and analysis whereas
citizen journalists normally have a day job elsewhere and only write about
things they happen to be enthusiastic about. They can provide great analysis,
but it will be occasional rather than comprehensive. There is also another thing
that news organizations can do that individual bloggers seldom have: financial
and legal protection against libel charges and political pressure.
Citizens and media professionals can work together, and indeed they should.
Journalism is more and more a conversation rather than a lecture. Old media
needs to give up the patronising attitude and open up their journalism to citizens;
invite them in. Nevertheless, in all the excitement caused by ‘mutualisation’
and sharing, it’s probably good to remember that the number of people who
actually want to contribute to journalism is tiny compared to those who just
want to sit back and read what the writer has come up with. I suspect that we
will soon see a backlash against the use of user-generated-content in professional
media amongst the most knowledgeable readership. They will choose the
medium which has the most interesting original content to offer.
5.5. JOURNALISTS MUST SPECIALISE. Who are the people who can produce
the kind of journalism that will make your medium stand out? They will
probably know how to use tools of audiovisual multimedia, and they
will a have a set of skills that allows them to be truly – to use a fashionable
phrase – platform-agnostic in their work. But this is not the most important
requirement of the new journalist. She will have to be an expert, someone
who knows something really well. She’ll be able to use the wisdom of
the crowds and the power of networks better than most people, because
the crowds will respect her expertise. She will create a following, perhaps
even a community around her stories.
74
The people I have talked to at The Times, The Guardian, and the BBC, all
have told me that specialists will be needed more than ever. The Times and
the BBC say their journalists are mostly specialists, and they have just a few
general reporters.
‘‘ To people who want to become journalists I say study a science,

maths, accountancy, a language – know something really well.
In a world of complex information, one of the problems of
journalism is that we’re just not literate enough. It’s been like
that for a long time, but we just got away with it! I think there’s
a fantastic opportunity, it’s a demand of the market that journalists
‘‘ become much more specialized and knowledgeable about stuff.
(Charlie Beckett)
Since 2001, roughly a third of American journalists have lost their jobs. Staff
cuts come particularly in specialty beats like science and the arts, suburban
government and statehouse coverage (State of the News Media 2010, Key
Findings). To me it seems that this is exactly the wrong way to go. I would
choose the opposite direction and see how many people in the newsroom are
just churning out recycled stories from other mediums. I would let them go –
or free them from their desks to find out if they could create some original
content.
I asked the Guardian’s chief arts writer Charlotte Higgins how worried she is
about the future of her profession. She puts her trust in the value of specialist
knowledge:
‘‘ Expertise is a real property that can’t easily be replicated. I have

this value that is that I know a hell of a lot about this tiny not
very significant subject. So I cling on to the hope that expertise
‘‘ will always be a valued commodity and people will be pay
money to have a bit of it.
75
5.6. INVEST IN QUALITY – IT IS THE KEY. It is difficult to prove that

quality keeps readers, let alone that it brings in revenue. However, I
predict a longer life for the respected news organization whose brand is
valued and trusted than for the paper that takes the route of tabloidisation.
Gossip, celebrity news, and links to cute animal videos are everywhere,
but smart and interesting journalism is harder to find. If you don’t have
quality what do you have? Just more of the same as everyone else has.
I believe that the market alone cannot guarantee high quality journalism.
Newspapers’ huge profitability of recent decades was an anomaly. Circumstances
have changed, and so should newspapers. For quality papers, lowering the
standards of reporting will only alienate the core audience who are used to
expecting high quality.
Political scientist Robert M. Entman has a useful categorisation of the media:

1) traditional journalism, 2) tabloid journalism, 3) advocacy journalism, and
4) entertainment. These categories have different levels of commitment to five
key journalistic standards.
‘‘
‘‘ The first four are accuracy, balance, holding government
accountable, and separation of news from editorial and
advertising. The fifth standard is the degree to which there is a
determination to maximise profit. (Jones 2009, 43)
‘‘ Indeed, the financial success of the news organization is essential

to the journalistic mission. But traditional news organizations
have operated with the belief that seeking to maximize profit
would be both bad and wrong – bad, in the long term, for
business, as news was thought to be a key drawing card for
their audience, and wrong, in a moral sense, because the
‘‘ traditional news organizations had a social role as well as a
commercial one. (Jones 2009, 45)
76
News organizations have to renew their journalism radically, rearrange

newsrooms and perhaps change ownership structures – but without losing the
‘‘
most important principles of traditional media.
There are numerous complex reasons as to why the business of journalism is

in trouble. One of them, surely, is that what we are providing is no longer
enough to satisfy our most devoted – and hence most critical – audience. High
quality journalism must provide much more than breaking news. Quality papers
will have to abandon copy-pasting and start making their own news.
5.7. STOP BEING AFRAID OF THE WEB. Journalism will be digital, and
a huge part of it already is. This doesn’t mean the ‘death of print’ – as
long as touch pads and other devices cannot compete with the comfortable
reading experience that one gets from newspapers, magazines and books,
there will be journalism as ink on paper.
As for the future of printed newspapers, I believe that they will still be around
for quite some time. They will no longer be about breaking news, and they
will have a smaller audience and circulation. But they can still have influence.
They can hold power to account, and they should focus on just that. They
should invest in investigative journalism, try and get stories and scoops that
no one else has. When the investigation pays out, the story will be quoted
everywhere on the web. Newspapers can still maintain their agenda-setting
role if they hold on to their watchdog role.
I am no mathematician, but even I can see that there are some interesting
calculations to be made concerning the costs of print. Typically, the costs of
paper, printing and distribution constitute around 70 percent of the costs of a
newspaper operation. At the moment, print usually provides most of the revenue
as well, so cutting print is not an option for most. But if the print advertising
market doesn’t pick up after the recession, some news organizations might
benefit from printing only from Thursdays to Sundays, or just on weekends
– or even going completely digital. How about not shaving off editorial costs,
like staffing and content production, but cutting down on ‘dead wood’ instead?
77
Journalists need to stop thinking that the Internet is destroying journalism. The
effect is quite the opposite: never before have so many people been able to
access news in such speed and volume. The appetite for news is ever-growing.
‘‘
‘‘
“If you think about journalism, not business models, you can
become rather excited about the future. If you only think about
business models you can scare yourself into total paralysis.”
(Alan Rusbridger: Does journalism exist?)
There is no straightforward correlation between the growth of Internet penetration

and declining newspaper circulation. For example, the Nordic countries all
have very high levels of Internet penetration but also some of the highest
readership numbers in the world. However, readership in these countries is
descending as well, albeit slowly compared to the US and the UK.
Everyone knows that journalism is in crisis. But, journalism was always in

crisis. There was always a golden age of journalism, and it was always in the
past – around the time when the person pining for it came into the profession.
Whatever we may feel about the predicament that the broken business model
has put us in, we have to acknowledge one thing: there has never been such
an abundance of journalism, both good and bad. It’s everywhere and in every
format, and mostly it’s free and easy to find. New technological tools have
made publishing easier and cheaper and journalism more accessible to more
people everywhere. Surely this is a good thing for democracy.
78
ACKNOWLEDGEMENTS
I have spent a fundamentally life-changing year in Oxford. This was made

possible for me by the Helsingin Sanomat Foundation, who offered me the
Fellowship. The Foundation has also kindly agreed to help me proceed with
my research and stay in Oxford to write my book on the future of quality
journalism. The book is due to be published in the autumn of 2011. I would
like to thank the Foundation for this opportunity and financial support.
Secondly, I am extremely grateful to the Reuters Institute for the Study of

Journalism and the people who make it such a marvellous place to be a part
of: David Levy, James Painter, Sara Kalim, Alex Reid, Kate Hanneford-Smith
and Amanda Armstrong. You told us Fellows to treat the Institute like our
home, and we certainly took advantage of this promise. I would also like to
thank my employer, the newspaper Aamulehti, for granting me a leave of
absence for the duration of the Fellowship and also for the time it takes for me
to finish my book.
I am indebted to all my interviewees, who kindly gave me a slice of their

valuable time. To all my dear fellow Fellows, I would like to say that it was
you who made this year in Oxford a truly unforgettable experience. I hope that
we all stay in touch. I could mention each and everyone, but suffice to say that
my very special thanks go to Gabriela Jacomella, Zubair Dar, Abiye
Teklemariam, Liisa Vihmanen and Jussi Niemeläinen for inspiring talks in
Oxonian pubs and homes.
There are two people who I owe an even bigger debt of gratitude than everyone
else. The irreplaceable John Lloyd, who acted as my supervisor, gave so many
invaluable insights and astute comments, that my paper would have been of
far worse quality without him. Lastly, the most deserving acknowledgement
belongs to my partner Marsh Norris, who listened to my ramblings and read
my unfinished texts. Marsh designed the layout of this paper. He also helped
me in numerous ways, for example bywith providing discussion, critique and
ideas – and cooked supper and did the washing up when I was too busy writing
to do my share in our mutual Oxford home.
79
LIST OF INTERVIEWEES
Charlie Beckett, director of Polis, a journalism and society think-tank at the

London School of Economics’ Media and Communications Department. Author
of the book Supermedia – Saving Journalism So It Can Save The World.
George Brock, Professor and Head of Journalism at City University, London.

Former editor at the Times.
Stephen Coleman, Professor of Political Communication and Director of

Research at the University of Leeds. Expert in e-democracy and digital
citizenship.
Tony Curzon Price, editor-in-chief of openDemocracy.net.
Natalie Fenton, Professor of Media and Communications at Goldsmiths

University, London. Editor of the book New Media, Old News: Journalism
and Democracy in the Digital Age.
Bob Franklin, Professor of Journalism Studies at Cardiff University. Author

of the book Newszak and News Media.
Charlotte Higgins, chief arts writer of the Guardian.
Christopher McKane, managing editor of the Times.
Robert Picard, Professor of Media Economics at Jönköping International

Business School.
Alan Rusbridger, editor of the Guardian.
Juan Senor, Partner at Innovation Media Consulting Group based in London.

Media consultant who helps news operations to re-invent their products.
80
BIBLIOGRAPHY
Anderson, Peter J. & Ward, Geoff: The Future of Journalism in Advanced

Democracies. Ashgate 2007.
Beckett, Charlie: Supermedia. Saving journalism so it can save the world.

Blackwell 2008.
Bogart, Leo: Reflections on Content Quality in Newspapers. In Newspaper

Research Journal, Vol. 25, No. 1, Winter 2004.
Jay Blumler and Michael Gurevitch: The Crisis of Public Communication.

1995.
Cooper, Stephen D.: Watching the Watchdog. Marquette Books 2006.
Davies, Nick: Flat Earth News. Vintage 2009.
Fenton, Natalie (ed.): New media, old news : journalism & democracy in the
digital age. Sage 2010.
Franklin, Bob: Newszak & News Media. Arnold 1997.
Guzman-Ortega, Susana, Lacy, Stephen & St Cyr, Charles: Circulation

Increases Follow Investments in Newsrooms. In Newspaper Research Journal,
Vol. 26, No. 4, Fall 2005.
Jones, Alex S.: Losing the News. Oxford University Press 2009.
Kline, David & Dan Burnstein, Dan: Blog! How the newest media revolution
is changing politics, business, and culture. CDS Books 2005.
Kovach, Bill & Rosenstiel, Tom: The Elements of Journalism. 2001. Guardian
Books 2003.
Lacy, Stephen: Commitment of financial resources as a measure of quality.

(In the book Measuring media content, quality and diversity. Approaches and
issues in content research). Turku School of Economics and Business
Administration 2000.
Lacy, Stephen & Martin, Hugh J.: Competition, Circulation and Advertising.
In Newspaper Research Journal, Vol. 25, No. 1, Winter 2004. Pages 18–39.
McNair, Brian: Journalism and democracy: an evaluation of the political

public sphere. Routledge 2000.
Merrill, John C.: The Elite Press. Great Newspapers of the World. Pitman
1968.
81
Meyer, Philip: The Vanishing Newspaper. Saving journalism in the information

age. University of Missouri Press 2010.
Monck, Adrian with Hanley, Mike: Can You Trust the Media? Thriplow
2008.
Negroponte, Nicolas: Being Digital. Vintage Books 1996.
Rosenstiel, Tom & Mitchell, Amy: The Impact of Investing In Newsroom

Resources. In Newspaper Research Journal, Winter 2004
Picard, Robert G.: Measuring quality by journalistic activity (In the book
Measuring media content, quality and diversity. Approaches and issues in
content research). Turku School of Economics and Business Administration
2000.
Scheuer, Jeffrey: The big picture: why democracies need journalistic excellence.
Routledge 2008.
Schudson, Michael: Why democracies need an unlovable press. Polity Press

2008.
Schudson, Michael & Downie, Leonard Jr: Reconstruction of American

journalism. Columbia Journalism Review, October 2009.
Shirky, Clay: Here comes everybody: how change happens when people come
together. Penguin 2009.
Stewart, Jon; Karlin, Ben & Javerbaum, David: America: a citizen's guide
to democracy inaction. Allen Lane 2005.
Sunstein, Cass: Republic.com 2.0. Princeton University Press 2007.
INTERNET SOURCES
BBC public purposes

http://www.bbc.co.uk/aboutthebbc/purpose/public_purposes/citizenship.shtml
Lacy, Stephen: Newspapers can’t cut their way back into Wall Street investors’
hearts. On the website Grade the News (28 September 2005).
http://www.gradethenews.org/commentaries/lacy.htm
Guardian Extra
http://www.guardian.co.uk/extra/about-extra
82
Fallows, James: How to Save the News. In Atlantic Monthly.

http://www.theatlantic.com/magazine/archive/2010/06/how-to-save-the-
news/8095/
The Independent
http://www.independent.co.uk/news/media/press/the-newlook-print-edition-
a-newspaper-and-a-viewspaper-1948988.html
Finnish Council for Mass Media (Julkisen sanan neuvosto). Guidelines for
journalists.
http://www.jsn.fi/Content.aspx?d=48
Kovach, Bill: Toward a New Journalism with Verification. In Nieman Reports.

http://www.nieman.harvard.edu/reportsitem.aspx?id=100292
O’Neill, Onora: A Question of Trust. BBC Reith lectures 2002.

http://www.bbc.co.uk/radio4/reith2002/
Project for Excellence in Journalism, links to several ethics codes of

journalistic companies and organizations.
http://www.journalism.org/resources/ethics_codes
Rusbriger, Alan: The Hugh Cudlipp lecture: Does journalism exist?

http://www.guardian.co.uk/media/2010/jan/25/cudlipp-lecture-alan-rusbridger
Scott Trust values

http://www.gmgplc.co.uk/ScottTrust/TheScottTrustvalues/tabid/194/Default.aspx
State of the News Media 2010. Annual report on American journalism by

Pew Project for Excellence in Journalism.
http://www.stateofthemedia.org/2010/index.php
Shirky, Clay: Newspapers and thinking the unthinkable

http://www.shirky.com/weblog/2009/03/newspapers-and-thinking-the-
unthinkable/
Times Plus
http://www.timesplus.co.uk/welcome/tp_faq_pg.htm

What Is Quality Journalism and How Can It Be Saved.

Uploaded by

Copyright:

Available Formats

What Is Quality Journalism and How Can It Be Saved.

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

What Is Quality Journalism and How Can It Be Saved.

Uploaded by

Copyright:

Available Formats

REUTERS

INSTITUTE for the

REUTERS INSTITUTE FELLOWSHIP PAPER

WHAT IS QUALITY JOURNALISM

MICHAELMAS, HILARY AND TRINITY 2009–2010

SPONSOR: HELSINGIN SANOMAT FOUNDATION, FINLAND

2. What is quality journalism?................................................................................. 4

3. Journalism and democracy - the current debate ...................................... 23

4. Analysis of the interviews ................................................................................. 33

4.3. Future of newspapers................................................................. 49

5. Conclusions: Seven ways to save quality journalism ..................................... 68

List of interviewees ................................................................................................. 79

“So, what’s the subject of your research at Oxford?”

Above is a most typical bit of conversation between me and countless numbers

I am not that worried about the survival of newspapers, but I am deeply

The general understanding of the crisis of the traditional media, especially

cause weakening of the quality of journalism, which alienates the audience,

In addition to these worrying trends there is also a core of evidence which

In addition to defining quality journalism, my aim is to tackle some of the

Actually, the crisis of traditional news organizations could turn out to be a

2 WHAT IS QUALITY JOURNALISM ?

Trying to define what quality journalism means is a bit like unwittingly

There are no universal quality criteria carved in stone. Judgments of quality

It is possible to look at quality from three main perspectives: It can be viewed

It can be argued, that condemning populist tabloid style as bad journalism

‘‘ “In short, in terms of its impact upon political events, it could be

I am not attempting to measure quality or prove its correlation with any

There have been a number of attempts to define quality journalism. In this

2.1. MERRILL’S SUR VEY

Survey research of quality in journalism can be traced back to John C.

Merrill comes to a definition of a leading quality newspaper out of his own

1) Independence; financial stability; integrity; social concern; good

2) Strong opinion and interpretive emphasis; world consciousness;

3) Emphasis on politics, international relations, economics, social

4) Concern with getting, developing and keeping a large, intelligent,

5) Determination to serve and help expand a well-educated, intellectual

‘‘ A quality paper’s popularity is not built on voyeurism,

2.2. HIGH ACTIVITY EQUALS HIGH QUALITY

In journalism literature it is common to roughly divide newspapers to classes

‘‘ Difficulties in defining quality are especially problematic because

He thinks that the only way to measure journalistic quality is by judging

2) telephone gathering of information, arranging interviews,

3) attending events about which stories are written,

4) attending staff meetings, discussions, and training,

5) reading to obtain background material and knowledge,

6) thinking, organising material, and waiting for information and

7) travelling to and from locations of where information is gathered

Although resources, either time or money, are a crucial concern to those

2.3. BOGART’S SURVEY

‘‘ Product quality is different from value – the individual consumer’s

2.4. CIRCULATION & QUALITY

Working in the culture department of a daily newspaper I’ve often heard

Moreover, gains or losses in the circulation of a nationwide newspaper cannot

‘‘ The unhappy truth is that newspapers that sought to retain readers

2.4.1. LACY & CO

‘‘ Ask any newspaper editor if money guarantees quality journalism,

and the answer will be “of course.” The relationship between

Stephen Lacy, a well-known scholar of media economics, has consistently

1) a high ratio of staff-written copy to wire and syndicated copy,