The Ghosting of Lady Quay PDF

©2019 Frog God Games.
All rights
Author: Lance Hawvermale reserved. Reproduction without the written
permission of the publisher is expressly
Producer: Bill Webb forbidden. Frog God Games and the Frog
Project Manager: Zach Glazar and Edwin Nagy God Games logo is a trademark of Frog
God Games. All characters, names, places,
Editor: Jeff Harkness items, art and text herein are copyrighted
by Frog God Games, Inc. The mention of
Fifth Edition Coordinator: Edwin Nagy or reference to any company or product
in these pages is not a challenge to the
Art Director: Casey W. Christofferson trademark or copyright concerned.
Product Identity: The following items
Layout: Suzy Moseby are hereby identified as Frog God Games
LLC’s Product Identity, as defined in the
Cover Design: Charles A. Wright Open Game License version 1.0a, Section
1(e), and are not Open Game Content:
Front Cover Art: CJ Marsh product and product line names, logos
Interior Art: CJ Marsh and identifying marks including trade
dress; artifacts; creatures; characters;
Cartography: Robert Altbauer stories, storylines, plots, thematic
elements, dialogue, incidents, language,
Playtesters: Shane and Danielle Shirley, Kathy Christofferson, artwork, symbols, designs, depictions,
likenesses, formats, poses, concepts,
Clint Bennett, Bill Webb, and Steve Meyer themes and graphic, photographic and
other visual or audio representations;
names and descriptions of characters,
spells, enchantments, personalities, teams,
personas, likenesses and sptecial abilities;
places, locations, environments, creatures,
equipment, magical or supernatural
abilities or effects, logos, symbols, or
graphic designs; and any other trademark
or registered trademark clearly identified
as Product Identity. Previously released
Open Game Content is excluded from the
above list.
Adventures
Frog God Games is: Worth

Winning
Bill Webb, Matthew J. Finch, Zach Glazar, Frog God Games

Charles A. Wright, Edwin Nagy, Mike Badalato ISBN: 978-1-62283-748-9
T able of C ontents
The Ghosting of Lady Quay........................................................................................... 3
Aboard the Lady Quay.................................................................................................... 5
Voyage to the Isle............................................................................................................ 9
Aegis Isle.........................................................................................................................10
Concluding the Adventure.............................................................................................. 12
Appendix A: Creatures.................................................................................................... 13
Appendix B: New Magic Items......................................................................................18
Appendix C: Player Maps..............................................................................................19
Legal Appendix............................................................................................................... 20
2|T he G hosting of L ady Q uay

T he G hosting of L ady Q uay
By Lance Hawvermale
An adventure for 5e
The Ghosting of Lady Quay is a story of tragedy on the high seas rose up as undead horrors, did she finally realize what had happened.
and is designed for a party of four Tier 2 characters. Though the action Teeming with the dark chemistry of essence ingots, soul nibblers,
takes place in the Domain of Hawkmoon, it can easily be relocated to dead sailors, and acts of sedition, the Night Heron was a crucible of
the ocean of any fantasy campaign setting. Adjust the names of people, negative energy. It became a draug ship, its sailors now brine zombies
places, and gods as appropriate. and lacedons (see Appendix A for details on these creatures).
Captain Miro and her faithful boson were the only living people
Adventure Background aboard the haunted vessel. Though nearly driven mad by the
experience, the captain finally recovered enough of her wits to embark
upon a daring plan. She cloaked the entire vessel in a powerful mirage
Any mariner can tell you that ghosting is a nautical term used arcane to make it appear as a bright and glistening vessel rather than
to describe how a ship sometimes sails in a calm when the wind is the seaweed-clogged, tattered, and charred wreck that it truly is. She
apparently absent. One vessel particularly prone to this mysterious renamed it the Lady Quay and vowed to set its undead crew to rest by
occurrence recently put into dock at the wharf of Swordport, a city on delivering its cursed cargo to the sorcerer on Aegis Isle. She rightly
the shore of the Moonsilver Sea. Though she appears quite well rigged believes that by completing her original contract and offloading the
and a fair sight to the eye of any able seaman, the Lady Quay is actually essence ingots, she can unravel the dark forces that bind her crewmates
a ship in terrible straits. Her captain is tormented by liquor-washed to their current undead state.
nights of self-reproach, her crew whispers mutiny, and her cargo hold
conceals a freight that spells disaster for any who look upon it.
Captain Winnifer Miro, 52 years old on the day the adventure begins,
has spent more of her days at sea than on dry land. She is as seasoned
Adventure Synopsis
to the ways of Mother Ocean as any sailor hailing from any port. A Boson Rekello hires the characters to serve aboard the Lady Quay
master navigator and intuitive leader, Captain Miro has made a name during the short journey to Aegis Isle. If the characters are experienced
for herself and with it a small fortune; indeed, merchants bid on her sailors, Rekello employs them as such. Otherwise, they are hired
services and pay premium wages for her time. They know their goods for their strength at arms, as every vessel sailing into the perilous
are practically guaranteed to arrive at the destination on schedule, as Moonsilver Sea is wise to man itself with sturdy marines. Soon the
long as Winnifer Miro commands the helm. Though her personal life characters learn that not everything on the ship is as it first seems.
has always been a thing open to rampant speculation and barroom Further investigation reveals various layers of the story detailed above.
prattle, one piece of her myth known to be true is that she recently The heroes must deal with the undead crew while simultaneously
lost her one true love. Captain Miro has had many ephemeral romantic fending off the normal aquatic predators. In the end, they have the
affairs in her time, as is a sailor’s wont, but young Thispin Venroth chance to help the captain complete her quest, but only after conveying
was the only captain of her heart. Sadly, rumor has it that Thispin the volatile essence ingots through a colony of crabfolk to the doorstep
was murdered by pirates in a distant buccaneer town. The pirates also of the evil sorcerer who is subjugating them.
pillaged and burned the ship that Captain Miro was commanding, the
robust Night Heron. Since then, she’s used her considerable wealth to
purchase and outfit the Lady Quay. She is now at Swordport to fill out
her crew complement for a quick voyage to deliver medical supplies
Adventure Hooks
to a small island in the Moonsilver Sea. The characters can find themselves at Captain Miro’s disposal
Or so she claims. The truth is, several months ago, Winnifer Miro in several ways. These adventure hooks are suitable for nearly any
and her lover Thispin Venroth were hired to deliver a fell cargo of campaign with an appropriate coastal town or dock:
essence ingots to a sorcerer on Aegis Isle. They loaded the essence * The heroes are looking for work, and Boson Rekello approaches
ingots into the hold of their beautiful ketch, the Night Heron, unaware them with an offer after they exhibit their martial skill. This is the least
that these dangerous black bricks contained the trapped souls of obtrusive means of inserting the characters into the quest and allows
once-living creatures. The ubiquitous ship rats gnawed on the crates you to seamlessly insert this material in between other adventures.
and eventually were infected after consuming portions of the tainted * A wizard requires a rare material component and hires the
ingots. The rats transformed into malevolent creatures known as soul characters to bring it back. The component is actually the small,
nibblers. When the soul nibblers began biting the crew, the fatalities hardened ball of sand produced as waste material by crabfolk. Word
quickly mounted, and the frightened sailors declared an all-out mutiny. around the docks is that the Lady Quay is bound for crabfolk waters.
The ensuing fight was savage and bloody, and the Night Heron caught * A relative of the deceased Thispin Venroth asks the heroes to
fire during the fray. To save their own lives, Captain Miro, Thispin, investigate the exact manner of his death.
and boson Rekello slew a dozen of their own men. But Thispin was
mortally wounded and died as the ship was sinking.
Fully expecting to drown clinging to the body of her beloved,
Captain Miro was startled to find her ship rise from the clutches of
the cold sea. Instinctively she felt a new presence aboard, a phantom
atmosphere that chilled her blood. Only days later, when her crewmates
T he G hosting of L ady Q uay |3

Beginning the Adventure
The characters first come to Rekello’s attention after skillfully trip to the island should take no more than three days. He promises to
fighting off a band of dockside brigands. These scalawags try to have them back in Swordport within one week, whereupon he’ll pay
shanghai the heroes to work aboard one of the grimy vessels moored the remaining half of whatever he owes them. If questioned about the
along the wharf’s notoriously licentious South Point. For reasons of voyage, he parts with the following details, ever careful not to divulge
their own, the characters are visiting the Swordport harbor, perhaps too much information.
in between adventures or en route to another destination. Regardless * Captain Winnifer Miro’s last ship, the Night Heron, met with a
of their reason for being here, they are suddenly beset upon by four bad end, and this is her first expedition since losing her consort, the
ruffians (use the statistics of a bandit captain, except the ruffians use dashing Thispin. Rekello waxes poetic about the captain’s exploits,
clubs in place of scimitars) who attempt to beat them into submission. her previous commands, and her high standing among those in her
profession.
* Today is Captain Miro’s birthday. Rekello has come ashore to
They say that few coastal towns cater to so diverse a enlist a crew for the Lady Quay and to procure a butt of fine ale to
crowd as that of Swordport, otherwise known as the City of celebrate the occasion. He’s hoping that a birthday soiree will help the
Shrouds. The city takes its moniker from the considerable captain get her mind off the dark thoughts that continually trouble her.
number of ships that crowd its harbor, each one a tangle * The goal of the voyage is the safe delivery of medicinal herbs and
of shrouds, ropes, and sail lines. In fact, rope-making healing draughts, to be signed over to a missionary-sorcerer working
and sail-mending are two of the principal vocations on Aegis Isle. The island is home to a large colony of crabfolk, a race
practiced here. But the taverns are also a mainstay of of humanoid crustaceans about which very little is known.
public life, and it’s to the largest and most notorious * Rekello is recruiting the characters because the Moonsilver Sea
teems with pirates and natural predators. The heroes are to serve as the
of these that you’re heading when trouble breaks out.
ship’s defenders against such adversaries.
On the left side of the wharf stands the Dead Reckoning,
All of what the boson says is true. If the characters ask around the
an alehouse without equal. On the right, where the
docks concerning Captain Miro, Rekello’s story is confirmed, and all
boardwalk meets the water, is a group of ruffians, weapons the old salts praise the captain’s name, though they lament her recent
in hand. The biggest of them smiles with black, rotted blight of bad luck, namely the loss of Thispin, her lover. The only oddity
teeth. Tapping their clubs against their palms, the four the characters discover is the rumor of the Lady Quay’s propensity for
men advance. ghosting. It seems that several people on shore have noticed that the
Lady moves pointedly in the harbor, even in the complete absence
of wind. Ghosting is not uncommon, however, as ships of all types
Parley With Boson Rekello experience such an event once in a blue moon. The old salts just shrug
it off. On the open seas, anything can happen and usually does.
If the characters agree to the boson’s terms, he advises them to
As boson of the Lady Quay, Rekello (use the statistics of a provision themselves for a weeklong journey on the open sea. He
gladiator, except Rekello also has proficiency with navigator’s tools) asks them to “sign articles” and withdraws from his doublet a lengthy
is one of only two surviving members of the doomed Night Heron. He document detailing their business arrangement. When all is ready, he
knows the full history of that vessel, including the love affair between invites them into his dinghy and rows out to meet the Lady, which is
Winnifer Miro and the swashbuckling Thispin Venroth. He knows of moored in the harbor and shining like a floating palace upon the water.
the essence ingots and Captain Miro’s obsession with delivering them
to Aegis Isle and dispelling the curse on her ship. In fact, Rekello is
one of the captain’s oldest friends, having been at her side through
dozens of waterborne campaigns. Though he believes his captain has
gone slightly mad during recent events, his loyalty remains true. He Roleplaying the Boson
has come ashore in a dinghy to recruit able-bodied sailors and marines Rekello’s small store of trust for his fellow man
for the final voyage of the ghost ship Night Heron, now disguised as has been given entirely to his captain, Winnifer
the radiant Lady Quay. Miro. Though amicable with the characters, if
The Lady requires a minimum crew of 16 to maneuver at full somewhat stern as a taskmaster aboard ship, he
effectiveness. Rekello takes heart when he sees the characters dispatch never extends to them any measure of faith. Too
the wharf bullies and tries to recruit them as a result of their martial often his friends have betrayed him. But what
display. He’s already trolled the pubs and enlisted a dozen sailors of Rekello fails to invest in the rest of mankind he
varying skill levels. If the characters are knowledgeable sailors, he devotes entirely to Captain Miro. He willingly
asks to hire them as such. If they possess no nautical talents, he offers
defends her every action, no matter how blurred by
to take them aboard as marines, as the Moonsilver is a dangerous sea.
drink that action might be. Perhaps in his secret
Rekello is rather desperate, and he offers the characters enough wages
in pure gold coins that they should find it difficult to decline. Set the heart he has always loved her, though he would never
final figure high enough to tempt the characters, the exact amount put this feeling into words.
depending upon the general affluence of your campaign world. In
campaigns where money is rare or if the characters are down on
their luck, as little as 100 gp each might be enough to persuade them,
while in other worlds, a sum of ten times that is more appropriate.
Whatever the ultimate offer, Rekello explains that the Lady Quay is
an extremely fast vessel (supernaturally fast, as it turns out), and the

Aboard the Lady Quay
The Lady Quay is a ghost ship in disguise. In reality, she is a wrecked and women are a rather disparate lot, representing all nationalities and
bulk of planks and torn sails, of rotten shrouds and sagging yardarms. backgrounds. Rekello gives everyone a tour of the belowdecks area,
Her keel is irreparably split, her rudder nothing but a splintered stub. then commands that the crew make ready to put to sea. There is little
Fetid seaweed clings to her warped bulkheads like rotting flesh. By all time to waste, as the medical supplies must reach Aegis Isle as soon
rights she should be resting on the bottom of the brine. However, due as possible. The boson offers no details of certain sealed parts of the
to the power of the resident draug (see Appendix A), the ship is held ship, telling the characters that any door held fast with one of the large
together with foul magic and propelled by a motive force from one iron locks is considered none of their business. They are being paid to
of the Lower Planes. The draug is actually the Night Heron’s former protect the medical supplies, not to inspect them. All such areas are
quartermaster, Poshkin the Tame, who led the mutiny that brought marked Locked in the descriptive text; only Rekello and the captain
about the ship’s destruction. Upon his death, Poshkin transformed hold keys for these doors. After he’s finished with his speech and his
into a draug, and it is his powerful yet dreadful presence that keeps hasty tour, he introduces the sailors to their captain, the incomparable
the vessel afloat. Thus, Poshkin and Captain Miro maintain a delicate Winnifer Miro. For a full description of the captain, refer to Area 6.
and dangerous truce: without Poshkin, the ship sinks, and without Other than the locked rooms, the ship is the characters’ to explore as
the captain, the essence ingots cannot be offloaded so the undead they choose.
can find eternal rest. Everyone agrees the ingots must be removed.
When the characters board the ship, the draug and his undead cohorts
are skulking in the vessel’s dark crannies to avoid detection. Captain Ship Features
Miro and Boson Rekello are fully aware of the undead beings lurking
throughout the vessel, but they are powerless to expel them. Doors. Though much of the original ship is in disrepair and hidden
Captain Miro masks the ship’s true appearance by using a potent beneath the illusion, the doors of the ship are sturdy wood with an AC
magic item known as the sextant of seeming. Hidden within the privacy 15, 20 hit points, and a damage threshold of 10.
of the captain’s quarters, the sextant produces an illusory field that Lighting. The rooms and lower decks of the ship are dimly lit by
makes the Lady appear whole and hale, as per the spell mirage arcane. lanterns hanging on the walls, unless otherwise noted.
For more details on the sextant of seeming, refer to Appendix B Locks. Several rooms throughout the ship are locked with stout, iron
When the characters board the ship, give them time to mingle locks. A locked door can be opened with a successful DC 20 Dexterity
with the rest of the 16 crew members, all of whom have been hired check using thieves’ tools.
straight off the Swordport dock within the last few hours. These men

1. Sterncastle 6. Master Stateroom
Captain Miro is often seen here, hands on the ship’s mighty wheel, The door to this room is locked.
as she guides the Lady Quay through the water. As the highest point on This lush cabin serves as the quarters for the ship’s owner and
the vessel, the sterncastle offers a dazzling view of the sea. A catapult captain, Winnifer Miro (see Appendix A).
stands just behind the helm.
2. Forecastle The ship’s master cabin is a study in shadows and

elegance. Though the expansive bay windows looking out
over the stern are covered in heavy burgundy drapes, the
Hanging from the foremast is an ominous, black leather bag. The glow from a single candle provides just enough light to
bag contains the boson’s much-feared cat-o’-nine-tails, which he takes discern the massive writing desk and its clutter of maps
out whenever a sailor needs punishing. and navigation gear. A birdcage on a tall steel pole towers
over the desk, though the cage’s tiny door is open and there
3. Boson’s Quarters is no bird inside. The bed is cloaked in the gloom, but its
silhouette reveals that it is a large canopied affair, piled
with quilts and pillows. An exotic perfume permeates the
The door to this room is locked. cabin. The floor is covered in discarded clothing and empty
Rekello calls this spartan cabin his home. His cot is tidy, and his few rum bottles.
personal effects are stored neatly in his footlocker. Like the captain,
Rekello keeps his personal wealth in certain strongboxes ashore.
Logbook. Rekello also keeps a detailed ship’s log in which he Captain Winnifer Miro is striking in appearance, especially for a
chronicles the vessel’s daily progress and position, as well as a concise woman of 52 years of age. Her short, spiked hair is the color of her
and rather objective account of all shipboard events. If the characters cutlass blade, a vibrant silver, and she is seldom seen without a sweat-
peruse this journal, they learn the true fate of the Night Heron and stained strip of red silk tied around her head. Her headband matches
the identity of the undead down in the cargo hold. Rekello also states her waistcoat, which has buttons made of pure gold, like the hoops
matter-of-factly that Captain Miro’s lover was killed by mutineers that dangle from her ears. Like many sailors, the captain has spent
who handled the “black bricks” and subsequently rose as undead. her life barefoot, the better to tread the canting deck and navigate the
Finally, the boson reports on the captain’s steady decline into a state shrouds. She dons boots only when battle is imminent. In her youth,
of melancholia. she was an arresting beauty, and, though the rigors of her trade have
Nautical Charts. Rekello’s collection of nautical charts is second left their mark in the wrinkles at her eyes and in the coarseness of
to none and could fetch as much as 2,500 gp if sold to the right buyer. her skin, she has matured into a handsome, if unrefined, woman.
Treasure. The captain keeps little of value in her cabin, storing
4. Galley the bulk of her wealth at Swordport and other cities. She released the
songbird from its cage on the morning after Thispin’s death, setting
it free to the open sky. One of the desk drawers contains a purse of
The ship’s cook prepares meals for the crew in this room. four diamonds (500 gp each). The sextant of seeming (see Appendix
The current cook, only recently hired, is a dwarf who goes by B) lies innocuously atop the desk among several other navigational
the name of Scutlind (use the statistics of a thug). Scutlind is very instruments.
superstitious and admits to having heard strange sounds from below
decks. He eagerly imparts all manner of tales concerning the captain,
most of which is baseless hearsay, but some small measure of it has
the ring of truth. Roleplaying the Captain
Winnifer Miro lives with sadness. Her next of kin
5. Arms Magazine is the rum bottle, and she long ago bequeathed it the
better part of her soul. Though she considers herself
damned for the life she’s lived, she’s still quite full
The door to this room is locked. of vigor and a lust for derring-do. She vacillates
This small locker holds 15 shortswords, 10 cutlasses (treat as from bouts of dour melancholia to fits of reckless joy.
scimitars), 12 harpoons, 20 shortbows, 500 arrows, and a single,
She is cunning in combat and as full of artifice as any
dented greatsword. One of the cutlasses, unremarkable in appearance
illusionist, but she is also dependable in battle and a
from the others, is actually a scimitar of speed.
stalwart defender of anyone she calls her friend.

7. Line and Anchor Storage 10. Brig
Ropes, hawsers, lines, and every other type of shipboard tiedown The door to this room is locked.
is stored here, usually in neat and precise coils, along with blocks The door to this room is iron-shod oak with an AC of 16, 22 hit
(pulleys) and other devices that outfit the sails and masts. An extra points, and a damage threshold of 10. The interior reeks of sweat,
anchor, weighing 1,000 pounds, sits against one wall. feces, and desperation. The bulkheads are clawed and scraped with
lewd aphorisms and ribald shanties. Before docking at Swordport,
Rekello and Captain Miro trapped a lacedon (see Appendix A) here,
8. Crew Quarters one of the ship’s former crew members that was transformed into an
undead creature upon that last, fateful voyage. This aquatic ghoul still
Each of these rooms is strung with hammocks to accommodate wears the tattered raiment of a sailor. It tries to avoid the characters
dozens of crewmen. There are also many footlockers, pegs, hooks, and seeks to kill the boson or the captain. Astute characters might note
and other places to store a sailor’s dunnage. Characters hiring on as the ghoul’s odd behavior and its single-minded intent.
sailors, rather than as marines, are billeted here. When off duty, the
sailors (use the statistics of a thug, except for two of the sailors who
use the statistics of a scout — these sailors were hired for crow’s nest 11. Carpenter’s Stores
duty) play cards, dice, and other games, at varying levels of gaiety and
inebriation, depending on the nature of the night. There are 16 sailors Stacks of lumber, barrels of pitch, and buckets of nails fill this room,
aboard the Lady Quay. along with other equipment used to mend the ship.
9. Marine Quarters 12. Upper Hold

This room appears much like the standard crew quarters, if This appears much like any ship’s hold and is stacked with crates,
somewhat cleaner. If the characters are employed as ship’s defenders, boxes, barrels, and other containers. Typically, this hold includes
they are quartered here, sleeping in hammocks and stowing their gear barrels of rare spices, bolts of fabric, sacks of flour and potatoes, and
in the accompanying footlockers. exotic lumber. The characters can easily spend hours rummaging
around through the boxes, and none of the sailors hassle them if they
do. However, for every 1 minute they spend searching the hold, the
characters have a 50% chance of disturbing five brine zombies (see
Appendix A). These undead were once members of the Night Heron
but drowned when the ship burned and sank.
13. Lower Hold

The door to this room is locked and the room is covered in darkness.
The trapdoor that opens onto the stairs leading to the lower hold is
stoutly locked. Everyone is told the medical supplies are stored here.
In actuality, the door is sealed to keep the newly-hired crew out and
to keep the undead in. This large storage room contains the dreaded
essence ingots and is haunted by the former quartermaster, Poshkin the
Tame, and his fellow mutineers.
Though one might expect this hold to be crowded with crates of all
sizes, most of the space is unused. Only four small crates are lashed
to the deck. Strangely enough, the crates are made of lead. Thick iron
chains are wrapped about them, held fast with locks of exceptional
quality. The lead chests have AC 15, 30 hit points, and a damage
threshold of 5. The locks can be picked with a successful DC 22
Dexterity check using thieves’ tools.
Before the Night Heron fell, ship rats gnawed through one of
the containers and chewed on the essence ingots inside, eventually
spreading the corruption that cursed the crew. A suffusion of necrotic
energy transformed the rats into soul nibblers.
Creatures. Poshkin is now a draug and his mutineers are four brine
zombies (see Appendix A for both). He doesn’t wait long before
attacking anyone other than Captain Miro or Rekello who enters this
area, leading his brine zombies into the fray.
Treasure. Other than the four lead crates, the cargo hold is empty.
Each chest contains 30 small, black bricks, each about six inches long.
The bricks appear to be made of smooth, glistening stone. A successful
DC 15 Wisdom (Perception) check notices faint impressions in the
bricks, as if the ghostly images of tortured, screaming faces have been
engraved in the stone.

Essence Ingot
If the characters crack open the crates and find the such machines. Necrotic energy contained within the
bricks, they’ll likely expend some energy trying to machine is used to consume the trapped soul, and the
divine the purpose of the stones. Each essence ingot force created from this reaction causes gears to turn
contains the soul of a humanoid. It appears as a black and wheels to spin.
brick as smooth and glossy as obsidian; in fact, it is An essence ingot has AC 19, 10 hit points, and a
often mistaken as such. An ingot weighs 2 pounds. damage threshold of 5. An imprisoned soul can be
Rippling faintly across the brick’s surface are the released from one of these bricks by targeting the ingot
barely visible images of screaming faces. An essence with the remove curse spell, which allows the spirit to
ingot is a distilled spirit, condensed from the body and move on to the afterlife or return to its body, as long
unable to pass into the afterlife. In this form, the spirit as its body is within 50 feet of the ingot. If the brick is
can be used as a type of energy to power certain rare broken, the soul is forever destroyed. A creature that
and fabulous mechanical devices. Necromancers with holds an essence ingot for 1 minute must succeed on
advanced schooling in the art of engineering have been a DC 15 Constitution saving throw or gain 1 level of
known to construct machines to carry out a variety exhaustion.
of purposes. An essence ingot serves as the fuel for
14. Ship’s Stores Confronting the Captain

The room is covered in darkness. If the characters obey the boson and stay away from the cargo hold
This small room is crammed with crates of provisions, including and other areas, odds are they spend the journey unaware of the nature
six casks of pickled cabbage and radishes, eight 400-pound bales of of their true cargo. If you’d like, one of the brine zombies can escape
ship’s biscuits, a hogshead of sugar, and one 400-pound cask of dried the hold and wander up to the main deck to attack one of the sailors,
peas, which are a favorite treat among the crew. There are several rat thus alerting the characters that something might be amiss below
carcasses here, the remains of normal rats being feasted upon by the decks.
three soul nibblers (see Appendix A) that inhabit this room. If the characters discover the weird black bricks that are the essence
ingots and question Rekello, he tells them nothing. Not even under
duress does the boson betray his captain’s trust. If the characters
15. Wet Stores confront Captain Miro about the draug, the ingots, and related events,
she simply reminds them that they’re not being paid to ask questions.
The door to this room is locked, and the room is covered in darkness. If they persist, she sighs, but eventually acquiesces. After all, there’s
Inside are two butts of grog (watered-down rum), fifteen bottles of little to be gained by withholding information. She invites the
mediocre wine, and three baskets of fresh apples. characters into the master stateroom and breaks out her best bottles of
rum. She drinks copiously and expects the characters to do the same.
Though Captain Miro slowly sinks into inebriation, she is cold and
reserved in her drunkenness; the drink loosens her tongue but does
nothing to lighten her spirits. Sorrow has its own decorum, and even
in her cups she strictly maintains it.
Characters who act the part of sailor-comrades and drink the rum
can expect the captain to disclose everything about the history of the
Lady Quay and the doomed enterprise that befell her. If the characters
are standoffish, refusing to share the captain’s liquor, or — even worse
— they insist on being incorrigible landlubbers, then Captain Miro
reveals only scraps of information. In truth, she’s been looking for a
way to pump some of the bilge from her soul, and her conversation
with the characters proves to be a catharsis. She knows the essence
ingots are dangerous, and she suspects that they were the cause of her
crew’s downfall. At the conclusion of her story, she vows to deliver the
ingots to the sorcerer on Aegis Isle, collect her payment of 5,000 gp
in pearls, and by doing so lay to rest the undead that haunt her vessel.

Voyage to the Isle A Woman in Need
Refer to the Hawkmoon map, specifically that part designated as the Select a character at random to witness the following sight:
Moonsilver Sea, to find the location of Aegis Island.
Anything can happen to the Lady Quay during the trip. Though you
may beleaguer the ship with any kind of inclement weather, aquatic No more than fifty yards off the port bow floats a giant
marauder, or other obstacle of your choice, the vessel generally travels patch of seaweed. A homely mermaid struggles to escape
at the speed of the standard sailing ship, modified by wind speed and the tangle of seaweed wrapped around her. Catching sight
other factors. Insert any of the following events during the course of of the ship, she cries out for help.
the three-day trip to the island.
Gone Fishing Though it appears to the casual observer that this merfolk has found
herself in a spot of trouble, the entire scene is a ruse. The mermaid is
not a merfolk at all, but rather a sea hag who is in disguise and who
The Moonsilver Sea is rich in a variety of aquatic life, both mundane has cultivated a patch of keel kelp (see Appendix A) to help her lure
and magical. Characters trolling the waters, casting nets, or swimming unsuspecting sailors to their doom. The keel kelp has a mild fondness
around the ship can expect to encounter all manner of creatures, such for the sea hag who it views as a provider of food. When the ship gets
as a pack of sahuagin who leap onto the boat from the backs of hunter close enough, the keel kelp latches onto the hull and the sea hag climbs
sharks or a gulper eel (see Appendix A) looking for a meal. You can on deck, revealing her true form. If the characters convince the Lady
also choose an appropriate creature or creatures from the new monsters Quay to steer toward the keel kelp and the mermaid, the ship’s pilot
in Appendix A, such as a school of blue-finned vants, a mated pair of has disadvantage on the check against the keel kelp’s Ship Hunter trait.
deck devils, a glowflume swarm, or a crested nisp and its shark pets. Treasure. The sea hag and keel kelp have successfully performed
If the characters haven’t yet discovered the truth about the Lady this ruse dozens of times. If the characters search the tangle of keel
Quay, you can hint at the peculiarity of the ship with a sail moth or kelp once they defeat it, they find the skeletons of several humanoids
tirmanha swarm (both found in Appendix A) attacking the illusion- along with a necklace of coral and pearl worth 750 gp, a jeweled
shrouded ship then veering off after being unable to eat the sails (non- dagger worth 400 gp, and an amulet of proof against detection and
existent) or wood (rotten and coated in sea slime). A successful DC 15 location.
Intelligence (Nature) check knows the true nature of the creatures and
recognizes their sudden halt of feasting as odd behavior.
Buried at Sea
Dead Sailors Unbeknownst to anyone aboard, a mummy of the deep (see
Appendix A) has managed to cling to the ship’s keel and is slowly
At some point during the trip to or from Aegis Isle, the lookout pulling itself up one of the trailing ropes. This creature, all that
in the crow’s nest descries the flotsam of a scuttled vessel, perhaps remains of an evil man buried at sea, uses its ability to control water
the remains of a recent battle in which one of the combatants was to create a whirlpool under the ship. This throws the crew into a state
pulverized by siege engines. Random bits of cargo float among the of alarm. All hands rush to the gunwales to gauge the trouble. At least
smashed spars and hull sections. The largest crate is held afloat by a few of them spy the mummy and could very easily fall prey to its
a large sheet of planks that were once the deck of the ruined ship’s Dreadful Glare. Until it is destroyed, the mummy makes life difficult
cargo hold. Even still, the crate is half submerged and obviously won’t for everyone.
remain above the surface much longer. The crate weighs nearly 1,000
pounds for purposes of hauling it aboard the Lady Quay. The crate’s
original contents have been discarded and it now serves as the home
of four lacedons (see Appendix A). The lacedons attack immediately.
Treasure. Characters who ardently search the wreckage for drifting
Master of the Fathoms
booty recover the following after 1d4 hours of plucking items from A giant octopus attacks the ship. At one point when the winds are
the clutches of the sea: five bottles of grog, two bottles of premium sparse and the Lady Quay has slowed, the octopus attaches itself to
rum worth 20 gp each, a +1 shield emblazoned with the symbol of the bow and assaults up to eight different targets at once. The creature
an infamous orc tribe, a decorative oar inlaid with mother-of-pearl does not linger to trade blows with the characters but dives as soon as
and engraved with mermaid images worth 100 gp, a buoyant and it successfully grabs one of them. The octopus then moves as rapidly
waterproof scroll tube containing a spell scroll of conjure animals, as possible straight down into the sunless depths, taking its captive to
and a waterlogged painting in a gilded frame worth 500 gp if dried a watery grave.
sufficiently. The portrait depicts Burgrave Malva, the current
administrator of the city of Hawkmoon.

Aegis Isle The Master’s Lair
Eventually the Lady Quay weighs anchor in one of the lagoons at The walls of this building are made of stone, and the door opening
Aegis Isle. The island is very small, being less than 5 miles across, and into Area 1 is barred from the inside. No one answers if the characters
abundant in jungle flora. It is otherwise uninhabited by any sentient knock on the door or hail the sorcerer. Incidentally, the knocker in the
beings save the crabfolk, who live in a partially-submerged sea cave center of the door is a heavy piece of brass shaped like a coiled snake.
on the northern side of the island. A missionary-sorcerer also lives The design of the knocker is no coincidence. The master of the
here, dwelling in a simple stone cottage in the center of the island. The house is not a human sorcerer at all but a medusa. Through her natural
Lady moors several hundred yards off the dangerous reefs surrounding knack for voice mimicry and carefully-crafted disguises, the medusa
the island. Rekello sees that the crates from the lower hold are put into has been able to dupe the crabfolk into believing that she is something
a dinghy. He and Captain Miro take the oars of this craft, while the other than what she truly is — a horrible monster bent on obtaining the
characters are instructed to follow in a second dinghy, just in case their ruinous essence ingots. Years ago, a sorcerer built and inhabited this
sword arms and spells are needed along the way. No map of the island small stone cottage, but he hadn’t dwelled here long before the medusa
is provided, as it’s simply a small stretch of jungle. Sketch a quick map penetrated his house and turned him to stone. The medusa now uses
as necessary. this place as her base of operations, with the crabfolk providing a
buffer between her and the outside world.
Dealing with the Crabfolk The medusa’s actions and location depend entirely upon whether
or not she is aware of the characters’ presence on the island. If one of
the crabfolk has warned her of intruders or if she hears the characters,
Upon orders from the local sorcerer, the crabfolk receive all visitors such as from the characters making noise outside or breaking down
to the island. The crabfolk are accustomed to dealing with sailors, often the door in Area 1, she positions herself behind the door in Area 2.
trading their own artistic creations in exchange for whatever oddities The moment the first character enters that room, the medusa presents
the sailors happen to have with them. Sometimes the sorcerer gives the herself, hoping to petrify as many of the intruders as possible. If she
crabfolk specific instructions, and such is the case today. The crabfolk hasn’t been informed of the characters’ presence or if they sneak into
are to alert the sorcerer whenever a cargo of boxes arrives on shore. her house without her noticing, she is lounging on her pillows in Area
Captain Miro isn’t expecting to be met by these giant crustaceous 5.
humanoids, and a fight may ensue. There are forty crabfolk (see
Appendix A) in total on the island, though a third of them are either
too young or too old to fight. The crabfolk patrol the island in groups of
five to seven. Though the crabfolk are not combative by instinct, they
readily fight if threatened. In the end, it doesn’t matter if the characters What the Medusa Wants
attack the crabfolk, attempt to communicate with them, or try to avoid The medusa is part of a shadowy network of
them altogether; Captain Miro’s only goal is to get the crates to the villains working on behalf of a mysterious entity
sorcerer at the island’s center. known only as Ribcage. As part of some far-reaching,
The crabfolk are here to help her achieve that goal. Once the crabfolk tenebrous scheme, Ribcage seeks to acquire two
inform the sorcerer that merchants have arrived bearing crates, the magical (and malign) substances. One of these
sorcerer instructs the crabfolk’s elderly sage, who knows the Common materials is something called dreadium. The other
language, to speak with the captain and her entourage. During the is a load of essence ingots. Hoping to curry favor
ensuing dialogue, the crabfolk say they are to pay 5,000 gp in pearls with Ribcage, the medusa has contrived to take
in exchange for the four chests. If the characters agree (Captain Miro delivery on a large quantity of ingots to be handed
strongly advises them to accept the terms of the exchange), a small over to her crabfolk servants by the unsuspecting
contingent of crabfolk hurry back to the sorcerer’s cottage to fetch the Captain Winnifer Miro. After learning though
payment, returning 10 minutes later with the payment and thanks from
her web of informants that a group of adventurers
the sorcerer. Captain Miro, believing her undead crew have received
had discovered essence ingots in a place called
eternal rest now that the ingots are in the hands of the sorcerer, insists
the Factory in the Miasmoor Swamp, the medusa
on leaving the island and returning to Swordport, where she plans to
repair her ship and sail the seas with her new crew. contracted with Captain Miro to transport the ingots
If the characters insist on dealing with the sorcerer themselves, the to Aegis Isle. Unfortunately for everyone involved,
crabfolk are clearly distraught, but they don’t attack unless visibly the ingots spelled disaster for the crew of the Night
threatened. If one of the characters draws a weapon, the crabfolk attack Heron. Ironically, by helping the captain complete
in groups of eight, pulling the elderly sage away from the characters. her contract, the characters are assisting a villain in
The crabfolk know little of the sorcerer himself, only that he is a the acquisition of a mighty element of evil.
recluse who sometimes favors them with a few baubles in exchange If the characters arrive at the island and simply
for the completion of simple tasks. A thick jungle surrounds the offload the cursed ingots after communicating with
sorcerer’s home, but the crabfolk have made several winding paths the crabfolk, the medusa is pleased, paying the
leading through the trees. A successful DC 15 Wisdom (Survival) agreed amount. She promptly spirits the ingots away
check is required to navigate the jungle without following one of the and receives a substantial boon from the enigmatic
crabfolk’s paths. When the characters reach the cottage, refer to the Ribcage. However, if the heroes insist on handing
Master’s Lair Map. over the ingots in person, the medusa is forced to
confront them.

1. Living Room 3. Ruined Lab
This room appears as a comfortable living area, with a rich rug This chamber was once the office and research room of the
spread across the floor and several comfortable chairs. The medusa sorcerer who was slain by the medusa who now inhabits this place.
seldom lingers in this chamber, preferring the secure comfort of her The room is a chaotic mess of wrecked beakers and shards of glass,
lair in Area 5. Though the characters can spend time searching this broken chemical gear and tattered books. The medusa thoroughly
room, there is nothing here of interest. ransacked the room and sold the most valuable items to sailors,
Trap. The floor directly in front of the door on the east is a 30-foot using her crabfolk servants as middlemen in the trade. Though the
deep hidden pit trap. The trap can be detected with a successful DC characters may search the clutter for quite some time, nothing of
15 Wisdom (Perception) check. A creature that triggers the trap falls value is to be found.
and takes 10 (3d6) bludgeoning damage. A successful DC 15 Strength There is, however, the kiln. Underneath a pile of wood and other
(Athletics) check allows a creature to climb up the dirt walls of the pit. debris is a large stoneware oven, used to fire and harden alchemical
Treasure. The skeletal remains of one of the trap’s victims from long supplies. The kiln weighs 800 pounds and has a hinged lid that is
ago lie at the bottom of the shaft. The skull was cracked on impact, as eight inches thick. A fire elemental is trapped within the kiln, and it
were several bones. Oddly enough, one of the skeleton’s ribs is pure attacks as soon as the lid is opened.
gold and worth 300 gp. Alchemical Odor.
A putrid smell
permeates the entire
2. False Boudoir room, the accidental
result of the
Formerly the bedroom of the cottage’s original owner, this room medusa’s ransacking
is now little more than a repository of dust. All the furniture is dirty of the laboratory. If
and has obviously been unused for quite some time. The medusa long a creature stays in
ago removed anything of value from this chamber. Leaning against this area for more
one wall is the statue of a disheveled man in night clothes; this is the than 5 minutes, it
sorcerer who was turned to stone by the medusa when the creature first must succeed on a
arrived. One of the statue’s legs is broken off at the knee. DC 15 Constitution
If the medusa has prepared a reception for the characters, she saving throw or be
positions herself so as to be hidden behind the door when the heroes incapacitated with
push it open. She intends to catch them off-guard, forcing them to face nausea and watering
her Petrifying Gaze. eyes until it leaves
the room.

4. Hidden Vault Concluding the
The vault’s interior is totally dark and heaped with crates, five in all,
each bearing a decrepit iron lock. The chests are quite large, almost too
big to fit through the narrow doorway. The moment the first character
Adventure
enters the room, four terrifying creatures known as darkmantles drop The outcome of the adventure hinges upon whether or not the essence
upon them from the ceiling. These darkmantles are a litter of siblings ingots are removed from the Lady Quay. The draug ship cannot be
brought here by the medusa from her previous residence. released from its curse until the ingots are taken from its cargo hold. It
Secret Door. This vault is hidden behind a secret door. A successful isn’t necessary for the ingots to be given to the “sorcerer” of Aegis Isle,
DC 20 Wisdom (Perception) check finds the outlines of the door in the because the curse is lifted the moment the last ingot is taken ashore.
wooden slats of the hallway, and a successful DC 20 Strength check Thus, Captain Miro is only partially correct in her understanding of
breaks open the door. Alternatively, a lever in Area 5 opens the door. events. To lay to rest the spirits of the undead that haunt her vessel,
Trapped Crate. The lid of one of the crates is protected by a poison she believes she must fulfill her original contract to deliver the ingots.
needle trap. It can be detected with a successful DC 15 Intelligence In truth, all she must do is get them well away from her ship. If the
(Investigation) check and disarmed with a successful DC 15 Dexterity characters help her to accomplish this, she is grateful.
check using thieves’ tools. If the crate is opened without the trap having However, without the dark power of the draug to keep her afloat, the
been disarmed, the needle extends 3 inches straight out from the lock. Lady slowly begins to sink. There is nothing Captain Miro can do to
A creature within range takes 1 piercing damage and 11 (2d10) poison stop this from occurring. If she is aboard the vessel when this happens,
damage, and must succeed on a DC 15 Constitution saving throw or she willingly cleaves to the old mariner’s code that demands a captain
be poisoned for 1 hour. go down with her ship. If she is not aboard when the last of the ingots
It contains a long and somewhat frayed woolen cloak, a shudderer’s are removed, she is clearly distraught by the sight of her once-mighty
cowl (see Appendix B). vessel being dragged beneath the waves. She is despondent for quite
Locked Crates. The other four crates are locked. A successful DC some time, even though her heart feels at peace with the passing of
15 Dexterity check using thieves’ tools unlocks a crate’s lock. The the curse.
first crate contains 5,000 gp worth of pearls, the payment intended for If the characters already destroyed the draug and all the brine
Captain Miro upon delivery of the essence ingots. If the characters zombies aboard, removing the curse might seem superfluous; after all,
have already received this payment, this crate is not in this room. The there are no longer any undead aboard to torment the captain. But she
second crate contains 750 gp. The third crate contains 1,842 sp and will never rest easily until the dark shadow of the curse is undone.
pipes of the sewers. The fourth crate contains 2,387 cp and a +1 chain Dreams of her lover, Thispin Venroth, torment her until she completes
shirt. the final piece of her quest.
If the characters hand the ingots over to the crabfolk, the adventure
5. True Lair is over. The crabfolk trade them 5,000 gp in pearls from Area 4 in
exchange for the ingots. The medusa takes command of the ingots,
which eventually end up in the hands of the faceless Ribcage, who uses
If the medusa isn’t aware of the characters’ presence on her island, them as but one more piece in a grand and ever-developing gambit.
she is coiled here among her pillows, languidly plotting her next In a gesture of appreciation, Captain Miro offers to split this fee into
scheme. Modify the following text according to conditions at the time five equal parts, keeping 1,000 for herself and Rekello and giving the
of the characters’ entry into the room. rest to the characters. She has enough money stored in the Swordport
banks to purchase and outfit another ship, which she fully intends to
do. But if the curse is over and the Lady sank, the captain and the
This small room is heaped with pillows of all shapes and characters find themselves in a quandary, as they are at least 100
sizes. Thick rugs cover most of the floor. A thin copper miles from the mainland with only two dinghies between them. The
lever protrudes from the northern wall. Strangely, the characters’ next challenge is simply getting off the island...
room stinks of something reminiscent of reptile flesh.
The lever mounted on the wall opens the secret door to Area 4. A
successful DC 18 Wisdom (Perception) check finds what appear to be
tiny snake scales scattered underneath the pillows. A broken statue leg
is in the corner and once belonged to the sorcerer. It is now a decoration
in the medusa’s lair and a reminder of her power on the island.
Treasure. A successful DC 20 Wisdom (Perception) check discovers
a derelict’s chartbooks (see Appendix B) under one of the pillows.
The chartbook contains charts and maps which greatly detail the
Moonsilver Sea.

A ppendix A: C reatures of the
G hosting of L ady Q uay
The following creatures appear in this adventure, though they can be used in any sea-based adventure.
Blue-Finned Vant Undead Fortitude. If damage reduces the zombie to 0 hit

points, it must make a Constitution saving throw with a DC of
Small beast, unaligned 5 + the damage taken, unless the damage is radiant or from a
critical hit. On a success, the zombie drops to 1 hit point instead.
Armor Class 13
Hit Points 22 (5d6 + 5)
Speed 0 ft., swim 40 ft.
Actions
Scimitar. Melee Weapon Attack: +4 to hit, reach 5 ft., one target.
STR DEX CON INT WIS CHA Hit: 5 (1d6 + 2) slashing damage.
8 (–1) 17 (+3) 13 (+1) 1 (–5) 12 (+1) 2 (–4) Slam. Melee Weapon Attack: +4 to hit, reach 5 ft. one target. Hit:
9 (2d6 + 2) bludgeoning damage.
Skills Perception +3
Damage Resistances cold
Senses darkvision 60 ft., passive Perception 13
Languages — Crabfolk
Challenge 1 (200 XP) Large monstrosity, neutral
Water Breathing. The blue-finned vant can breathe only Armor Class 13 (natural armor)
underwater Hit Points 37 (5d10 + 10)
Actions
STR DEX CON INT WIS CH
Bite. Melee Weapon Attack: +5 to hit, reach 5 ft., one target. Hit: 16 (+3) 11 (+0) 15 (+2) 10 (+0) 10 (+0) 8 (–1)
6 (1d6 + 3) piercing damage.
Pressure Shift (recharge 6). While underwater, the blue- Skills Perception +4
finned vant suddenly discharges water Senses darkvision 60 ft., passive Perception 14
around it. Each creature within 10 feet of Languages Crabfolk, some speak Common
it must make a DC 13 Strength saving Challenge 2 (450 XP)
throw. On a failure, a creature takes Amphibious. The crabfolk can breathe air and water.
10 (3d6) bludgeoning damage and is
pushed up to 10 feet away from the Actions
vant. On a success, a creature takes
half the damage and is not pushed. Multiattack. The crabfolk makes
two attacks with its pincers.
Pincers.
Brine Zombie Melee
Weapon
Medium undead, neutral Attack: +5 to hit,
evil reach 10 ft., one
target. Hit: 10
Armor Class 11 (natural (2d6 + 3) slashing
armor) damage. The
Hit Points 27 (5d8 + 5) target is grappled
Speed 20 ft., swim 30 (escape DC 13)
ft. if it is a Large
or smaller
STR DEX CON INT WIS CHA creature and
14 (+2) 8 (–1) 13 (+1) 2 (–4) 10 (+0) 10 (+0) the crabfolk
doesn’t have
Damage Resistances fire
another creature
Damage Immunities poison
grappled already.
Condition Immunities poisoned
The target is
restrained until the
Challenge 1 (200 XP)
grapple ends.

Crested Nisp Actions
Medium fey, chaotic neutral
Bite. Melee Weapon Attack: +5 to hit, reach 5 ft., one target. Hit:
13 (3d6 + 3) piercing damage, and the target is grappled (escape
Armor Class 13
DC 13). Until this grapple ends, the target is restrained, and the
Hit Points 27 (6d8)
deck devil can’t bite another target.
Tail. Melee Weapon Attack: +5 to hit, reach 5 ft., one target. Hit:
STR DEX CON INT WIS CHA 10 (2d6 + 3) bludgeoning damage.
10 (+0) 16 (+3) 11 (+0) 4 (–3) 14 (+2) 8 (–1)
Skills Perception +4, Stealth +5 Draug

Senses darkvision 60 ft., passive Perception 14 Medium undead, chaotic evil
Languages —
Challenge 2 (450 XP) Armor Class 15 (armor scraps)
Innate Spellcasting. The nisp’s innate spellcasting ability is Speed 30 ft., swim 30 ft.
Wisdom (spell save DC 12). It can innately cast the following
spells, requiring no material components. STR DEX CON INT WIS CHA
At will: animal friendship, speak with animals 12 (+1) 16 (+3) 13 (+1) 14 (+2) 10 (+0) 8 (–1)
3/day each: entangle, faerie fire, locate animals or plants
1/day: conjure animals Saving Throws Wis +2
Limited Amphibiousness. The nisp can breathe air and water, Skills Athletics +3, Perception +2
but it needs to be submerged at least once every 4 hours to avoid Damage Resistances fire
suffocating. Damage Immunities poison
Sea Friend. Beasts with an Intelligence of 3 or lower that Condition Immunities exhaustion, poisoned
have the Amphibiousness or Water Breathing traits have Senses darkvision 60 ft., passive Perception 12
disadvantage on ability checks and saving throws against being Languages Common
charmed by the nisp. Challenge 4 (1,100 XP)
Actions Helmsman. The draug can control the movements of a seafaring

vessel if it is within 30 feet of the vessel’s helm. It doesn’t need
Multiattack. The crested nisp makes two attacks with its Claws. to directly interact with the vessel’s wheel, sails, or oars to move
Claws. Melee Weapon Attack: +5 to hit, reach 5 ft., one target. the vessel, though it can’t move the vessel any faster than the
Hit: 5 (1d6 + 2) slashing damage. vessel’s normal pace.
Innate Spellcasting (1/day). The draug can innately cast call
lightning (spell save DC 12). It’s innate spellcasting ability is
Deck Devil Intelligence.
Turn Resistance. The draug has advantage on saving throws
Medium monstrosity, unaligned
against any effect that turns undead.
Undead Nature. The draug doesn’t require air, food, drink, or
Armor Class 12
sleep.
Actions
STR DEX CON INT WIS CHA
17 (+3) 14 (+2) 12 (+1) 4 (–3) 13 (+1) 7 (–2) Multiattack. The draug makes two Cutlass attacks and one Claw
attack.
Skills Perception +3 Cutlass. Melee Weapon Attack: +5 to hit, reach 5 ft., one target.
Senses darkvision 120 ft., passive Perception 13 Hit: 6 (1d6 + 3) slashing damage.
Languages understands Aquan but can’t speak Claw. Melee Weapon Attack: +5 to hit, reach 5 ft., one target.
Challenge 2 (450 XP) Hit: 5 (1d4 + 3) slashing damage plus 4 (1d8) necrotic damage.
Hold Breath. The deck devil can hold its breath for 30 minutes.
Trampling Glide. If the deck devil is flying and moves at least
20 feet straight toward a creature then hits it with a tail attack
on the same turn, that target must succeed on a DC 13 Strength
saving throw or be knocked prone. If the target is prone, the
deck devil can make one bite attack against it as a bonus action.
Water Leap. The deck devil can fly up to 30 feet each round, but
it must start its movement in water. If it is flying at the end of its
turn, it falls and takes falling damage.

Glowflume Swarm Gulper Eel
Large swarm of Tiny plants, unaligned Large beast, unaligned
Armor Class 13 Armor Class 14 (natural armor)

Hit Points 82 (11d10 + 22) Hit Points 112 (15d10 + 30)
Speed 0 ft., swim 30 ft. Speed swim 50 ft.
STR DEX CON INT WIS CHA STR DEX CON INT WIS CHA
3(–4) 17 (+3) 14 (+2) 1 (–5) 8 (–1) 1 (–5) 17 (+3) 15 (+2) 14 (+2) 2 (‒4) 12 (+1) 2 (–4)
Damage Resistances bludgeoning, piercing, slashing Skills Perception +3, Stealth +4

Condition Immunities blinded, charmed, deafened, frightened, Senses blindsight 60 ft., passive Perception 13
grappled, paralyzed, petrified, prone, restrained, stunned Languages —
Senses blindsight 60 ft., passive Perception 9 Challenge 3 (700 XP)
Languages —
Challenge 4 (1,100 XP) Keen Smell. The eel has
advantage on Wisdom
Hypnotic Illumination. When a creature that can see the (Perception) checks that rely
glowflume’s glow starts its turn within 30 feet of the glowflume, on smell.
the glowflume can force it to make a DC 13 Wisdom saving Water Breathing. The eel can only breathe
throw if the glowflume isn’t incapacitated. underwater.
On a failed saving throw, a creature is incapacitated and charmed
by the glowflume as long as it can still see the glowflume. If the Actions
charmed creature is more than 5 feet away from the glowflume,
the creature must move on its turn toward the glowflume by Bite. Melee Weapon Attack: +5 to hit, reach 5 ft., one target.
the most direct route, trying to get within 5 feet. It doesn’t Hit: 20 (5d6 + 3) piercing damage, and the target is grappled
avoid opportunity attacks, but before moving into damaging (escape DC 13). Until this grapple ends, the eel can bite only the
terrain, such as lava or a pit, and whenever it takes damage from grappled creature and has advantage on attack rolls to do so.
a source other than the glowflume, the target can repeat the Swallow. The eel makes one bite attack against a Medium
saving throw. A charmed target can also repeat the saving throw or smaller target it is grappling. If the attack hits, the target
at the end of each of its turns, ending the effect on itself on a is swallowed, and the grapple ends. The swallowed target is
success. blinded and restrained, it has total cover against attacks and
Unless surprised, a creature can avert its eyes to avoid the saving other effects outside the eel, and it takes 10 (3d6) acid damage
throw at the start of its turn. If the creature does so, it can’t at the start of each of the eel’s turns. The eel can have only one
see the glowflume until the start of its next turn, when it can target swallowed at a time.
avert its eyes again. If the creature looks at the glowflume in the If the eel takes 25 damage or more on a single turn from
meantime, it must immediately make the save. the creature inside of it, the eel must succeed on a DC 12
Swarm. The glowflume swarm can occupy another creature’s Constitution saving throw at the end of that turn or regurgitate
space and vice versa, and the swarm can move through any the swallowed creature, which falls prone in a space within 10
opening large enough for a Tiny plant. The swarm can’t regain feet of the eel. If the eel dies, a swallowed creature is no longer
hit points or gain temporary hit points. restrained by it and can escape from the corpse using 15 feet of
Water Breathing. The glowflume swarm can breathe only movement, exiting prone.
underwater.
Actions
Multiattack. The glowflume swarm makes two Consume Flesh
attacks.
Consume Flesh. Melee Weapon Attack: +5 to hit, reach 0 ft.,
one creature in the swarm’s space. Hit: 10 (4d4) acid damage,
or 5 (2d4) acid damage if the swarm has half of its hit points or
fewer. The target must succeed on a DC 13 Constitution saving
throw or take 5 (2d4) acid damage at the start of its next turn as
the glowflume’s acid momentarily lingers, dissolving more of the
target’s flesh.

Keel Kelp Actions
Gargantuan plant, unaligned
Claws. Melee Weapon Attack: +3 to hit, reach 5 ft., one target.
Hit: 7 (2d4 + 2) slashing damage. If the target is a creature other
Armor Class 13 (natural armor)
than an elf or undead, it must succeed on a DC 10 Constitution
Hit Points 100 (8d20 + 16)
saving throw or be paralyzed for 1 minute. The target can repeat
the saving throw at the end of each of its turns, ending the effect
on itself on a success.
Spined Fins (recharge 6). The lacedon flexes the spined fins
18 (+4) 12 (+1) 14 (+2) 2 (–4) 10 (+0) 7 (–2)
on its arms and swings its arms outward. Up to three creatures
Damage Resistances fire within 10 feet of the lacedon must make a DC 12 Dexterity
Damage Immunities cold saving throw, taking 7 (2d6) piercing damage on a failed save,
Condition Immunities blinded, deafened, frightened or half as much damage on a successful one. If a creature is
Senses blindsight 60 ft., passive Perception 10 paralyzed because of the lacedon’s claws, the creature must
Languages — succeed on a DC 10 Constitution saving throw or also take 4
Challenge 5 (1,800 XP) (1d8) poison damage.
Amphibious. The keel kelp can breathe air and water. Mummy of the Deep
False Appearance. While the keel kelp remains motionless, it is Medium undead (aquatic), neutral evil
indistinguishable from normal kelp.
Ship Hunter. When a ship moves within 10 feet of keel kelp, the Armor Class 14 (natural armor)
ship’s pilot must succeed on a DC 15 Intelligence or Wisdom Hit Points 52 (8d8 + 16)
check using navigator’s tools or the keel kelp sticks to the ship, Speed 20 ft., swim 20 ft.
halving its speed until the kelp is removed. While stuck to a
ship, the keel kelp can grapple only two creatures at a time. STR DEX CON INT WIS CHA
Siege Monster. The keel kelp deals double damage to objects 17 (+3) 10 (+0) 14 (+2) 6 (–2) 14 (+2) 15 (+2)
and structures.
Saving Throws Con +3, Wis +4
Actions Skills Athletics +7, Perception +6, Stealth +2
Damage Resistances fire; bludgeoning, piercing, and slashing
Multiattack. The keel kelp makes four Kelp Strand attacks. from nonmagical weapons
Kelp Strand. Melee Weapon Attack: +7 to hit, reach 15 ft., one Damage Immunities necrotic, poison
target. Hit: 7 (1d6 + 4) bludgeoning damage, and the target is Condition Immunities charmed, exhaustion,
grappled (escape DC 15). Until this grapple ends, the target is frightened, paralyzed, poisoned
restrained. Senses darkvision 60 ft., passive Perception 16
Squeeze. Each creature grappled by the keel kelp must make Languages the languages it knew in life
a DC 15 Strength saving throw, taking 14 (4d6) bludgeoning Challenge 5 (1,800 XP)
damage on a failed save, or half as much damage on a successful
one. Amphibious. Mummies of the deep can
breathe air and water.
Innate Spellcasting (1/day). The mummy
Lacedon can innately cast control water, requiring
no material components. Its innate
Medium undead, chaotic evil
spellcasting ability is Wisdom
Armor Class 11
Hit Points 27 (6d8) Actions
Multiattack. The mummy can use its Dreadful Glare and makes
STR DEX CON INT WIS CHA one Rotting Fist attack.
15 (+2) 12 (+1) 10 (+0) 7 (–2) 10 (+0) 6 (–2) Necrotizing Strike. Melee Weapon Attack: +5 to hit, reach 5ft.,
one target. Hit: 10 (2d6 + 3) bludgeoning damage plus 10 (3d6)
Damage Immunities poison necrotic damage. If the target is a creature, it must succeed on
Condition Immunities charmed, exhaustion, poisoned a DC 12 Constitution saving throw or be cursed with necrotic
Senses darkvision 60 ft., passive Perception 10 fever. The cursed target can’t regain hit points, and its hit point
Languages Common maximum decreases by 10 (3d6) for every 24 hours that elapse.
Challenge 1 (200 XP) If the curse reduces the target’s hit point maximum to 0, the
target dies, and its body turns to pluff mud. The curse lasts until
Amphibious. The lacedon can breathe air and water. removed by the remove curse spell or other magic.

Dreadful Glare. The mummy targets one creature it can see
within 60 feet of it. If the target can see the mummy, it must
Soul Nibbler
succeed on a DC 12 Wisdom saving throw against this magic Tiny monstrosity, unaligned
or become frightened until the end of the mummy’s next turn.
If the target fails the saving throw, by 5 or more, it is also Armor Class 13
paralyzed for the same duration. A target that succeeds on the Hit Points 22 (5d4 + 10)
saving throw is immune to the Dreadful Glare for all mummies Speed 30 ft.
(but no mummy lords) for the next 24 hours.
Drowning Breath. Melee Weapon Attack: +5 to hit, reach 5 ft., STR DEX CON INT WIS CHA
one target. Hit: The creature is grappled (escape DC 13). If the 7 (–2) 17 (+3) 14 (+2) 2 (–4) 10 (+0) 4 (–3)
creature has not broken the mummy’s grapple by the start of the
Skills Stealth +4
mummy’s next turn, the mummy uses its next action to press
Damage Resistances necrotic
its lips against the creature’s and regurgitates seawater into the
creature’s lungs. The creature immediately begins suffocating
Languages —
(see player’s guide for more information on suffocation). During
Challenge 2 (450 XP)
these rounds, the creature can only use its actions to try and
cough the seawater up with a successful DC 12 Constitution
Keen Smell. The soul nibbler has advantage on Wisdom
saving throw.
(Perception) checks that rely on smell.
Necromancy Resistance. The soul nibbler has advantage on
saving throws against spells from the necromancy school of
Sail Moth Swarm magic.
Medium swarm of Tiny beasts, unaligned Pack Tactics. The soul nibbler has advantage on attack rolls
against a creature if at least one of the soul nibbler’s allies is
Armor Class 13 within 5 feet of the creature and the ally isn’t incapacitated.
Speed 5 ft., fly 30 ft. Actions
STR DEX CON INT WIS CHA Bite. Melee Weapon Attack: +5 to hit, reach 5 ft., one target. Hit:
10 (+0) 17 (+3) 12 (+1) 1 (–5) 8 (–1) 1 (–5) 5 (1d4 + 3) piercing damage plus 7 (2d6) necrotic damage.
Skills Stealth +5
Damage Resistances bludgeoning, piercing, slashing
Tirmanha Swarm
Condition Immunities charmed, frightened, grappled, Medium swarm of Tiny beasts, unaligned
paralyzed, petrified, prone, restrained, stunned
Senses darkvision 60 ft., passive Perception 9 Armor Class 14
Languages — Hit Points 82 (15d8 + 15)
Challenge 3 (700 XP) Speed 0 ft., swim 60 ft.
Salt Sense. The sail moth swarm can pinpoint, by scent, the STR DEX CON INT WIS CHA
location of large concentrations of dry salt, such as salt-cured 10 (+0) 18 (+4) 13 (+1) 1 (–5) 8 (–1) 1 (–5)
meat or a salt-soaked sail, within 120 feet of it.
Siege Monster. The sail moth swarm deals double damage to Damage Resistances bludgeoning, piercing, slashing
objects and structures. Condition Immunities charmed, frightened, grappled,
Swarm. The swarm can occupy another creature’s space and paralyzed, petrified, prone, restrained, stunned
vice versa, and the swarm can move through any opening large Senses darkvision 60 ft., passive Perception 9
enough for a Tiny insect. The swarm can’t regain hit points or Languages —
gain temporary hit points. Challenge 4 (1,100 XP)
Water Breathing. The tirmanha swarm can breathe only

Actions underwater.
Bites. Melee Weapon Attack: +5 to hit, reach 0 ft., one target in Wood Consumer. The tirmanha swarm deals double damage to
the swarm’s space. Hit: 21 (6d6) piercing damage, or 10 (3d6) objects and structures made of wood, and it ignores the damage
piercing damage if the swarm has half of its hit points or fewer. threshold of objects and structures made of wood.
Wood Sense. The sail moth swarm can pinpoint, by scent, the
location of large concentrations of wood, such as a dock or a
ship, within 120 feet of it.
Actions
Bites. Melee Weapon Attack: +6 to hit, reach 0 ft., one target in
the swarm’s space. Hit: 28 (8d6) piercing damage, or 14 (4d6)
piercing damage if the swarm has half of its hit points or fewer.

Winnifer Miro
Medium humanoid (human), neutral A ppendix B:
Armor Class 16 (studded leather)
Hit Points 130 (20d8 + 40)
Speed 30 ft.
N ew M agic I tems
These magic items are from the adventure
12 (+1) 18 (+4) 15 (+2) 13 (+1) 16 (+3) 14 (+2) Derelict’s Chartbook
Wondrous item, rare
Saving Throws Con +5, Cha +5
Skills Acrobatics +7, Perception +6, Persuasion 5, Survival +6
Damage Resistances text This large chartbook contains maps, charts, and notes penned
Senses passive Perception 16 ages ago by sailors since lost to time. It is waterproof,
Languages Aquan, Common suffering no ill effects from being submerged or stored in a
Challenge 7 (2,900 XP) humid location. If a page is damaged, destroyed, or removed,
it is magically repaired by the next dawn. If you reference
Brave. Winnifer Miro has advantage on saving throws against this book while navigating a ship, you have advantage on the
being frightened. ability check.
Sea Captain. Winnifer Miro is proficient with navigator’s tools, Control Weather. You can use an action to cast control weather
and she can use her Dexterity instead of her Strength on checks from the chartbook. The duration is 8 hours without
made to swim. requiring concentration, but, after the initial casting, you
can’t change the weather more often than once each hour.
Actions Once you use this feature, you can’t use it again until 7 days
have passed.
Multiattack. Winnifer Miro makes three Dancing Cutlass
attacks and two Dagger attacks. Sextant of Seeming
Dancing Cutlass. Melee Weapon Attack: +7 to hit, reach 5 ft., Wondrous item, very rare
one target. Hit: 7 (1d6 + 4) slashing damage. Winnifer Miro can
use a bonus action to toss this sword into the air and speak its While holding this sextant inside a seafaring vessel, you can
command word, Avast! If she does so, the sword comes to life use an action to cast mirage arcane on the vessel. The illusion
and acts as a dancing sword would. lasts for up to 24 hours or until you use an action to dismiss
Dagger. Melee Weapon Attack: +7 to hit, reach 5 ft., one target. it. Once you use this feature, you can’t use it again until the
Hit: 6 (1d4 + 4) piercing damage. next dawn.
Hand Crossbow. Ranged Weapon Attack: +7 to hit, range
30/120 ft., one target. Hit: 7 (1d6 + 4) piercing damage.
Light the Rum! (recharge 5–6). Winnfer Miro holds lit tinder Shudderer’s Cowl
in front of her and belches on it, creating flames in a 15-foot Wondrous item, rare (requires attunement)
cone. Each creature in the area must make a DC 15 Dexterity
saving throw, taking 35 (10d6) fire damage on a failed save, or While wearing this cloak in bright or dim light, you have
half as much damage on a successful one. If a saving throw fails resistance to cold damage.
by 5 or more, the target is poisoned for 1 minute. A poisoned Curse. Once you don this cursed cloak, you can’t remove it
target can repeat the saving throw at the end of each of its turns, unless you are targeted by the remove curse spell or similar
ending the effect on itself on a success. magic. While wearing this cloak in darkness, you have
vulnerability to cold damage, and you have disadvantage on
saving throws against being frightened.

A ppendix C: P layer M aps

Designation of Product Identity: The following items are hereby designated as the exact terms of this License to Use, the Open Game Content.
Product Identity as provided in section 1(e) of the Open Game License: Any and all 5. Representation of Authority to Contribute: If You are contributing original ma-
material or content that could be claimed as Product Identity pursuant to section 1(e), terial as Open Game Content, You represent that Your Contributions are Your original
below, is hereby claimed as product identity, including but not limited to: 1. The name creation and/or You have sufficient rights to grant the rights conveyed by this License.
“Frog God Games” as well as all logos and identifying marks of Frog God Games, 6. Notice of License Copyright: You must update the COPYRIGHT NOTICE portion
LLC, including but not limited to the Frog God logo and the phrase “Adventures worth of this License to include the exact text of the COPYRIGHT NOTICE of any Open
winning,” as well as the trade dress of Frog God Games products; 2. The product name Game Content You are copying, modifying or distributing, and You must add the title,
“The Lost Lands,” “Mystery at Ravenrock” as well as any and all Frog God Games the copyright date, and the copyright holder’s name to the COPYRIGHT NOTICE of
product names referenced in the work; 3. All artwork, illustration, graphic design, any original Open Game Content you Distribute.
maps, and cartography, including any text contained within such artwork, illustration, 7. Use of Product Identity: You agree not to Use any Product Identity, including as
maps or cartography; 4. The proper names, personality, descriptions and/or motivations an indication as to compatibility, except as expressly licensed in another, independent
of all artifacts, characters, races, countries, geographic locations, plane or planes of Agreement with the owner of each element of that Product Identity. You agree not to
existence, gods, deities, events, magic items, organizations and/or groups unique to this indicate compatibility or co-adaptability with any Trademark or Registered Trademark
book, but not their stat blocks or other game mechanic descriptions (if any), and also in conjunction with a work containing Open Game Content except as expressly licensed
excluding any such names when they are included in monster, spell or feat names. 5. in another, independent Agreement with the owner of such Trademark or Registered
Any other content previously designated as Product Identity is hereby designated as Trademark. The use of any Product Identity in Open Game Content does not constitute
Product Identity and is used with permission and/or pursuant to license. a challenge to the ownership of that Product Identity. The owner of any Product Iden-
This printing is done under version 1.0a of the Open Game License, below. tity used in Open Game Content shall retain all rights, title and interest in and to that
Notice of Open Game Content: This product contains Open Game Content, as defined Product Identity.
in the Open Game License, below. Open Game Content may only be Used under and in 8. Identification: If you distribute Open Game Content You must clearly indicate
terms of the Open Game License. which portions of the work that you are distributing are Open Game Content.
Designation of Open Game Content: Subject to the Product Identity Designation 9. Updating the License: Wizards or its designated Agents may publish updated
herein, the following material is designated as Open Game Content. (1) all monster versions of this License. You may use any authorized version of this License to copy,
statistics, descriptions of special abilities, and sentences including game mechanics modify and distribute any Open Game Content originally distributed under any version
such as die rolls, probabilities, and/or other material required to be open game content of this License.
as part of the game rules, or previously released as Open Game Content, (2) all portions 10. Copy of this License: You MUST include a copy of this License with every copy
of spell descriptions that include rules-specific definitions of the effect of the spells, and of the Open Game Content You Distribute.
all material previously released as Open Game Content, (3) all other descriptions of 11. Use of Contributor Credits: You may not market or advertise the Open Game
game-rule effects specifying die rolls or other mechanic features of the game, whether Content using the name of any Contributor unless You have written permission from
in traps, magic items, hazards, or anywhere else in the text, (4) all previously released the Contributor to do so.
Open Game Content, material required to be Open Game Content under the terms of 12. Inability to Comply: If it is impossible for You to comply with any of the terms
the Open Game License, and public domain material anywhere in the text. of this License with respect to some or all of the Open Game Content due to statute,
Use of Content from Tome of Horrors Complete: This product contains or referenc- judicial order, or governmental regulation then You may not Use any Open Game Mate-
es content from the Tome of Horrors Complete and/or other monster Tomes by Frog rial so affected.
God Games. Such content is used by permission and an abbreviated Section 15 entry 13. Termination: This License will terminate automatically if You fail to comply with
has been approved. Citation to monsters from the Tome of Horrors Complete or other all terms herein and fail to cure such breach within 30 days of becoming aware of the
monster Tomes must be done by citation to that original work. breach. All sublicenses shall survive the termination of this License.
OPEN GAME LICENSE Version 1.0a The following text is the property of Wizards 14. Reformation: If any provision of this License is held to be unenforceable, such
of the Coast, Inc. and is Copyright 2000 Wizards of the Coast, Inc. (“Wizards”). All provision shall be reformed only to the extent necessary to make it enforceable.
Rights Reserved. 15. COPYRIGHT NOTICE
1. Definitions: (a) “Contributors” means the copyright and/or trademark owners who Open Game License v 1.0a © 2000, Wizards of the Coast, Inc.
have contributed Open Game Content; (b) “Derivative Material” means copyrighted System Reference Document © 2000. Wizards of the Coast, Inc; Authors Jonathan
material including derivative works and translations (including into other computer Tweet, Monte Cook, Skip Williams, based on material by E. Gary Gygax and Dave
languages), potation, modification, correction, addition, extension, upgrade, improve- Arneson.
ment, compilation, abridgment or other form in which an existing work may be recast, System Reference Document 5.1 © 2016. Wizards of the Coast, Inc; Authors Mike
transformed or adapted; (c) “Distribute” means to reproduce, license, rent, lease, Mearls, Jeremy Crawford, Chris Perkins, Rodney Thompson, Peter Lee, James Wyatt,
sell, broadcast, publicly display, transmit or otherwise distribute; (d) “Open Game Robert J. Schwalb, Bruce R. Cordell, Chris Sims, and Steve Townshend, based on
Content” means the game mechanic and includes the methods, procedures, processes material by E. Gary Gygax and Dave Arneson.
and routines to the extent such content does not embody the Product Identity and is an Dead Man’s Chest, Copyright 2013, Frog God Games, Authors Authors Lance
enhancement over the prior art and any additional content clearly identified as Open Hawvermale,
Game Content by the Contributor, and means any work covered by this License, includ- Rob Mason, Robert Hunter, Patrick Goulah, Greg Ragland, Matt McGee, Chris Bern-
ing translations and derivative works under copyright law, but specifically excludes hardt,
Product Identity; (e) “Product Identity” means product and product line names, logos Casey W. Christofferson, Chad Coulter, Skeeter Green, and Travis Hawvermale, with
and identifying marks including trade dress; artifacts; creatures; characters; stories, additional contributions by Erica Balsley, Lindsey Barrentine, Jay Decker, Rachel
storylines, plots, thematic elements, dialogue, incidents, language, artwork, symbols, Mason, and
designs, depictions, likenesses, formats, poses, concepts, themes and graphic, photo- Nadine Oatmeyer.
graphic and other visual or audio representations; names and descriptions of characters, Tome of Horrors © 2018, Frog God Games, LLC; Authors: Kevin Baase, Erica
spells, enchantments, personalities, teams, personas, likenesses and special abilities; Balsley, John “Pexx” Barnhouse, Christopher Bishop, Casey Christofferson, Jim
places, locations, environments, creatures, equipment, magical or supernatural abilities Collura, Andrea Costantini, Jayson ‘Rocky’ Gardner, Zach Glazar, Meghan Greene,
or effects, logos, symbols, or graphic designs; and any other trademark or registered Scott Greene, Lance Hawvermale, Travis Hawvermale, Ian S. Johnston, Bill Kenower,
trademark clearly identified as Product identity by the owner of the Product Identity, Patrick Lawinger, Rhiannon Louve, Ian McGarty, Edwin Nagy, James Patterson,
and which specifically excludes the Open Game Content; (f) “Trademark” means the Nathan Paul, Patrick N. Pilgrim, Clark Peterson, Anthony Pryor, Greg Ragland, Robert
logos, names, mark, sign, motto, designs that are used by a Contributor to identify itself Schwalb, G. Scott Swift, Greg A. Vaughan, and Bill Webb
or its products or the associated products contributed to the Open Game License by the The Ghosting of the Lady Quay © 2019 Frog God Games, LLC; Author Lance
Contributor; (g) “Use”, “Used” or “Using” means to use, Distribute, copy, edit, format, Hawvermale
modify, translate and otherwise create Derivative Material of Open Game Content; (h)
“You” or “Your” means the licensee in terms of this agreement. Crabfolk, Sea King’s Malice, Frog God Games
2. The License: This License applies to any Open Game Content that contains a notice Giant leech, Tome of Horrors (5e), Frog God Games
indicating that the Open Game Content may only be Used under and in terms of this Giant water beetles, Tome of Horrors (5e), Frog God Games
License. You must affix such a notice to any Open Game Content that you Use. No Ravager beetle, Tome of Horrors (5e), Frog God Games
terms may be added to or subtracted from this License except as described by the Undead feral cat, Fifth Edition Foes, Frog God Games
License itself. No other terms or conditions may be applied to any Open Game Content Zombie, Brine Tome of Horrors (5e), Frog God Games
distributed using this License.
3. Offer and Acceptance: By Using the Open Game Content You indicate Your accep-
tance of the terms of this License.
4. Grant and Consideration: In consideration for agreeing to use this License, the
Contributors grant You a perpetual, worldwide, royalty-free, non-exclusive license with

The Ghosting of Lady Quay PDF

Uploaded by

Copyright:

Available Formats

The Ghosting of Lady Quay PDF

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

The Ghosting of Lady Quay PDF

Uploaded by

Copyright:

Available Formats

©2019 Frog God Games.

Frog God Games is: Worth

Bill Webb, Matthew J. Finch, Zach Glazar, Frog God Games

2|T he G hosting of L ady Q uay

T he G hosting of L ady Q uay |3

4|T he G hosting of L ady Q uay

T he G hosting of L ady Q uay |5

2. Forecastle The ship’s master cabin is a study in shadows and

6|T he G hosting of L ady Q uay

9. Marine Quarters 12. Upper Hold

13. Lower Hold

T he G hosting of L ady Q uay |7

14. Ship’s Stores Confronting the Captain

8|T he G hosting of L ady Q uay

T he G hosting of L ady Q uay |9

10|T he G hosting of L ady Q uay

T he G hosting of L ady Q uay |11

12|T he G hosting of L ady Q uay

Blue-Finned Vant Undead Fortitude. If damage reduces the zombie to 0 hit

T he G hosting of L ady Q uay |13

Skills Perception +4, Stealth +5 Draug

Actions Helmsman. The draug can control the movements of a seafaring

14|T he G hosting of L ady Q uay

Armor Class 13 Armor Class 14 (natural armor)

Damage Resistances bludgeoning, piercing, slashing Skills Perception +3, Stealth +4

T he G hosting of L ady Q uay |15

16|T he G hosting of L ady Q uay

Water Breathing. The tirmanha swarm can breathe only

T he G hosting of L ady Q uay |17

18|T he G hosting of L ady Q uay

T he G hosting of L ady Q uay |19

20|T he G hosting of L ady Q uay

You might also like