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Steve Smith's Swing Paradiddles

1. The document provides variations on playing flam accents with diddles, which creates a hip sound and is easy to play. 2. It demonstrates 4 variations of playing flams with paradiddle diddles at different points in the rhythm. 3. Playing the variations at different speeds can increase your vocabulary and rhythmic awareness.

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Rob
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© Public Domain
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100% found this document useful (1 vote)
63 views

Steve Smith's Swing Paradiddles

1. The document provides variations on playing flam accents with diddles, which creates a hip sound and is easy to play. 2. It demonstrates 4 variations of playing flams with paradiddle diddles at different points in the rhythm. 3. Playing the variations at different speeds can increase your vocabulary and rhythmic awareness.

Uploaded by

Rob
Copyright
© Public Domain
Available Formats
Download as PDF, TXT or read online on Scribd
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Steve Smith's Swing Faradicldles

T!,,ese are some of the building blocksI use tr; create i:rtcle.iiing phiases u:iing flams. i like to put
flams on diddles, which gives you a hip sounc antl ihe*., are l*irly casy ta play" Thesr are not exerr:ises,
they are building blocks that you cen ust-: to iner*agr-' /i-llir";'*itabi:i.t;- iillii e,*Ero Lip *,iiii r:;:eativ*
$i:rasrrs *n thu drusrset.

;{|;*i:i rvilh the paradiddle in its basic i'or:;r. i}r:'! rir:i; i;r,:,. i,;--:':,;:=:}ri:'iiili,.jjr:s'. ;1, ii,i<,ii: i:i i,,rii,, Ii-iEirii ::,1:
iwo Lefts irr a row. Piay ihe exailples siowly;v'iil: a :wir.g ir:,*i. as yr:* pia;r rli*r* iasie;. the;,.i:eci:m*
L-ve[E bue if-you start by swirrging there tfoeir t.,iil !:i"'.,i': :i beti*r ir:,l at higirer iriiip+s. At first plav
=i{}tu
ihr: v,tarxples on the snare dmm fhen iry moving tlie a*::e iit:ri *ai-.: +f- :h* ikri,.:: i+ a t,.x":i ffit{i y,*n rvill bi,
(-li.t your wa,v to coming up with your oyin appliratio:;s of ti:l-r coltc,;pir. F.l1jc;,.-i

\'i.'; iaticn 2 puls the "ciiddie in the iniddie". Play ihe flam ::* tire l"tri:t n,;ie of li're tliridle.

Variaiion 3 with the diddle in front is my favcurite variation and the orre I f;nii mcst us*ful when irnprr:visintr4.

Variation 4 with the diddle as a "pick up". 'Ihis is a very syncepaied and swinging r.ariaiion.

.',r*l-iaeiLj*s
I'g--i.;lE' ii,a s.rq,{t.Ef;rit#, -F=li*tI. Fiag-i,i i-+''r+.
-

You can play the sequence starting on any variation. Here I start rryith Variation 3 using Left IIa::d Lead.

hiE=rv p3ay tfue paradiddl*s urith fTa;es i:a rc"irE*rs

VariaEi*gl I " l{*tice Ehae in ee*h r-g1fasE}r*: iga* sti*'kis'}.g r#v6irs*s"

R.

I r:
--"---- 4

H L LR ffi L ffi j1 L L
l:--*_**" 4 --: __J l.+i +

Viariaei*n 2 i* eripiets.

!!?i

t- .t. fr, rit !+n! JI\E

t_-__:_- 5.--*_--****--* {'.+


I
,4 *-*--t!

ft:iiL;{ t,
IiU'
L" ' ,a 8e

iAi
L._.***-**--- J+ *-{* j
4
L';,ir-j:tt jt:gr i:t *"i1;ltts.
-3

e3

i,i< R E-R ftti R L LR R L R


xi ir'Ei r+ --*.-..i
-f;

L
ii
Li

\.
dav-
{-}
e E

L,RI{T.LR
4
-i!
*--.*'- 5
i
L ---"----*_ /& :--*-l

i,'=eriaticm 4 irl criplets.

=irl
mi\t= RI: RHI--
L_: _-*____:

-.>

LR

Variation 3 played at three speeds: half time, triplets and doubie tirrie. Ihis rvill incr*ase.vour vocahuLary
and rhythmic awareness. Play all four p;rrid:dle i,ariations"

LFi fr L ffi ai. L H L

L R R L R RL L R L r-St 11, L R I( L I f{ L tR R r, Ii .ti L H L


t -4 t t t- *,*."-r
4 -_.) '---_.4-*-) - ,r---.-*, L-.--.i i..-,.-* d -_.---r

LR R E. ffi F.L L ffi L LR ffi L R .ft3- 1.- i?" L !R ;q L !E irL t- :.,1 1". s ft fi E- i7, EL L fi{ .*

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