Frank O'Hara: Jackson Pollock (London, 1989) )
Frank O'Hara: Jackson Pollock (London, 1989) )
Frank O'Hara: Jackson Pollock (London, 1989) )
Frank O'Hara, The Collected Poems, ed. Donald Allen, with an Introduction by
John Ashbery (rev. ed., Berkeley, 1995).
Frank O'Hara, Selected Poems, ed. Donald Allen (New York, 1974; Manches-
ter, c.1991); reviewed by Geoffrey Ward, Cambridge Quarterly, 21
(1992), 273-82.
Frank O'Hara, Selected Plays (New York, 1978).
Frank O'Hara, Early Writings, ed. Donald Allen (Bolinas, Cal., 1977).
Frank O'Hara, Poems Retrieved, ed. Donald Allen (Bolinas, Cal., 1977).
Frank O'Hara, Standing Still and Walking in New York, ed. Donald Allen
(Bolinas, Cal., 1975).
Frank O'Hara, Art Chronicles, 1954-1966 (New York, 1975).
Frank O'Hara, Jackson Pollock (New York, 1959) [see also Ellen G. Landau,
Jackson Pollock (London, 1989)].
Frank O'Hara, Robert Motherwell (New York, 1965) [see also Robert
Motherwell, The Collected Writings, ed. Stephanie Terenzio (New York,
1992)].
Frank O'Hara, 'New Directions in Music--About the Early Work [of Morton
Feldman]', liner note to New Directions in Music 2: Morton Feldman
(Columbia Masterworks, 1962?), reprinted in Morton Feldman, Essays
(Beginner Press, Kerpen [/Darmstadt], 1985), pp. 24-29 [with parallel
German translation]; see also Feldman's The O'Hara Songs (New York,
c.1963) [score: voice plus instrumental ensemble], and For Frank O'Hara
(London, c.1986) [score (composed 1973): flute, percussion, piano, violin
and cello; current recording, For Frank O'Hara (with three other pieces),
New Millennium Ensemble plus guests, CD (rec. 2000), Koch
International Classics 3-7466-2H1 DDD.
Berkson (Bill) and Joe LeSueur (eds), Homage to Frank O'Hara (3rd. ed.,
Berkeley, 1988), esp. Irving Sandler, 'Sweeping Up After Frank' (pp. 70-
80) and Waldo Rasmussen, 'Frank O'Hara in the Museum'.
Elledge (Jim) (ed.), Frank O'Hara; To Be True to a City (Ann Arbor, Mich.,
c.1990).
Feldman (Alan), Frank O'Hara (Boston, Mass., 1979).
Gooch (Brad), City Poet; The Life and Times of Frank O'Hara (New York, 1993).
2
Holliday (Billie), with Dufty (William), Lady Sings the Blues (1956, reprinted,
Harmondsworth, 1984).
Lurie (Alison), 'V.R. Lang: A Memoir', in V.R. Lang, Poems & Plays (London,
1975).
Barr (Alfred Hamilton), Cubism and Abstract Art; Painting, Sculpture, Con-
structions, Photography, Architecture, Industrial Art, Theatre, Films,
Posters, Typography (Cambridge, Mass., 1936; reprinted 1986).
Motherwell (Robert) (ed.), The Dada Painters and Poets; An Anthology (New
York, 1951).
Altieri (Charles), Painterly Abstraction in Modernist American Poetry; The
Contemporaneity of Modernism (Cambridge, 1989).
Ashton (Dore), The Life and Times of the New York School (Bath, 1972).
Herbert (James D.), The Political Origins of Abstract-Expressionist Art Criticism:
the Early Theoretical and Critical Writings of Clement Greenberg and
Harold Rosenberg (Stanford, Cal., 1985).
Ross (Clifford) (ed.), Abstract Expressionism: Creators and Critics (New York,
1990).
Sandler (Irving), The New York School; The Painters and Sculptors of the Fifties
(New York & London, 1978).
3
Shapiro (David) and Shapiro (Cecile) (eds), Abstract Expressionism; A Critical
Record (Cambridge, 1990).
Reed (Brian M.), Hart Crane; After His Lights (Tuscaloosa, Ala., 2006), Chap. 7:
'Frank O'Hara's Crane' (pp. 195-224).
Smith (Hazel), Hyperscapes in the Poetry of Frank O'Hara; Difference /
Homosexuality / Topography (Liverpool, 2000).
Ward (Geoffrey), Statutes of Liberty: The New York School of Poets (London,
1992).
Ward (Geoffrey), '"Dedicated to America, whatever that is"; Contemporary
4
Literature and the Egress', in his The Writing of America; Literature and
Cultural Identity from the Puritans to the Present (Cambridge, 2002),
Chap. 7.