OLD ENGLISH LITERATURE

Old English Literature, also called Anglo Saxon literature was written during
600 year Anglo Saxon period of Britain ( mid 5 th century – to Norman Conquest
1066). Anglo-Saxon is the name given to the people and sometimes the Old English
language after the colonisation of Britain in the fifth century AD by tribes of Germanic
origin: the Angles (who conquered the north), the Saxons (who conquered the south)
and the Jutes (who conquered the southeast).
Old English was spoken in very different dialects until 1066, when England
was invaded by William the Conqueror & the Normans. It was a heavily inflected
language, that is, the words changed form to indicate person, number, tense, case,
& mood, & its vocabulary was almost entirely Germanic. After conversion to
Christianity became more general in the 7 th century, some of the Old English poems,
until then passed on only orally, were written down, and probably modified, by
monks. Only about 30 000 lines of these poems have survived.
For about 500 years, almost all Old English verse had the following
characteristics:
l each line - made up of 2 half-lines, separated by a caesura (a pause) and
joined by alliteration;

l each half-line consisted of two 'feet' (a 'foot' contains a number of unstressed

syllables and a stressed syllable);

l the alliteration linking the two half-lines fell on the stressed syllables (at least
one of the main stresses in the first half-line began with the same consonant
sound as the first main stress in the second half-line);

l words beginning with the same consonant had the same sound and therefore
alliterated (unlike in modern English);

a word beginning with a vowel was regarded as 'alliterating' with any other word
beginning with a vowel even if that vowel sound was not the same.
Old English literature is among the oldest vernacular languages to be written
down. Old English began, in written form, as a practical necessity in the aftermath of
the Danish invasion - church officials were concerned that because of the drop in
Latin literacy no one could read their work. In total there are about 400 surviving

1
manuscripts containing Old English text, 189 of them considered major. These
manuscripts have been highly prized by collectors since the 16 th century, both for
their historic value and for their aesthetic beauty of uniformly spaced letters and
decorative elements. The genres that can be found in Old English literature are :
epic poetry, hagiography, sermons, Bible translations, legal works, chronicles,
riddles and others.

Old English Poetry

In Old English poetry we can find: Narrative secular poetry (so called heroic
poems), Lyrical secular poetry (elegial poetry), religious poetry, works written in Latin
and shorter poetical works (like riddles and charms).

Old English poetry was an oral craft, and our understanding of it in written
form is incomplete; for example, we know that the poet (referred to as the Scop)
could be accompanied by a harp, and there may be other aural traditions we are not
aware of. Poetry represents the smallest amount of the surviving Old English text,
but Anglo-Saxon culture had a rich tradition of oral storytelling, of which little has
survived in written form.

Most Old English poets are anonymous; twelve are known by name from
Medieval sources, but only four of those are known by their vernacular works to us
today with any certainty: Caedmon, Bede, Alfred, and Cynewulf. Of these, only
Caedmon, Bede, and Alfred have known biographies.

Features of Anglo Saxon poetry

Anglo-Saxon poetry is marked by the comparative rarity of similes. This is a

particular feature of Anglo-Saxon verse style, and is a consequence of both its
structure and the rapidity with which images are deployed, to be unable to effectively
support the expanded simile. As an example of this, the epic Beowulf contains at
best five similes, and these are of the short variety. This can be contrasted sharply
with the strong and extensive dependence that Anglo-Saxon poetry has upon
metaphor, particularly that afforded by the use of kennings.

2
 Anglo-Saxon poetry has a fast-paced dramatic style, and accordingly is not
prone to the comparatively expansive decoration that may be found in, say, Celtic
literature of the period. Where a Celtic poet of the time might use 3 or 4 similes to
make a point, an Anglo-Saxon poet might insert a single kenning before moving
swiftly on.

Narrative Secular poetry

The longest and the most important heroic poem is Beowulf. The poem tells
the story of a hero Beowulf who is the main character. Besides Beowulf there exist
other heroic poems like: The Fight at Finnsburh - retelling of one of the battle scenes
in Beowulf , and Waldere, a version of the events of the life of Walter of Aquitaine.

Battle of Maldon is the greatest battle poem in English. It is an Anglo-Saxon (Old

English) poem by an unknown poet. It describes a battle between the English and
Viking warriors from Denmark in AD 991 at Maldon in Essex on the River
Blackwater, then called the River Pantan.

The Danish invaders are on the island of Northey at the mouth of the river
waiting for the tide to go out. Byrhtnoth, the earl of Essex, is at the head of the
English warriors on the mainland. A messenger from the Danes offers peace if they
pay a sum of money. Byrhtnoth, however, rejects the offer. Then the tide begins to
go out and Byrhtnoth, far too confident, is tricked into letting the enemy cross to the
mainland.

It is considered one of the finest, but both the beginning and end are missing
and the only manuscript was destroyed in a fire in 1731. A well known speech is
near the end of the poem.
Old English heroic poetry was handed down orally from generation to
generation. As Christianity began to appear, retellers often recast the tales of
Christianity into the older heroic stories.

3
 Lyrical Secular Poetry

This poetry is also called sentimental or elegial poetry and it reflects the
various fortunes of life. The most famous are The Ruin, the Wanderer, the Seafarer,
the Wife's Lament, and the Husband's Message.

The poem The Ruin is very gloomy in mood. It tells of the decay of a once
glorious city of Roman Britain. Part of the poem has been lost due the pages being
damaged by fire. Although the poem shows no overt signs of Christianity, it
embodies some Christian ideals in that it describes the disappearance of a society
that placed an emphasis on hedonism and materialism, and could be the work of an
early Anglo-Saxon Christian. The poet does make several references to Wyrd which
is an element of northern Germanic pagan mythology.

The Seafarer is a 124 line poem that deals with the experience of an outsider.
Indeed the poet's condition of exile has many parallels with the modern idea of the
artist's estrangement from society. It begins with a lament of suffering until the
speaker understands that he prefers to live a life of hardship on the waves rather
than having security of land that he considers a pointless vanity.

Religious Poetry
Cćdmon is one of twelve Anglo-Saxon poets identified in medieval sources,
and one of only three for whom both roughly contemporary biographical information
and examples of literary output have survived.
Cćdmon's only known surviving work is Cćdmon's Hymn, the nine-line
alliterative vernacular praise poem in honour of God he supposedly learned to sing
in his initial dream. The poem is one of the earliest attested examples of Old English
and is, with the runic Ruthwell Cross and Franks Casket inscriptions, one of three
candidates for the earliest attested example of Old English poetry. It is also one of
the earliest recorded examples of sustained poetry in a Germanic language.
A legend says that there was a festival where all people should sing a song
which would worship God; because Cædmon was too humble thinking that he is
unable to sing went away of the festival; in dream God asked him to sing for him - so
the Hymn of creation was written.

4
 Cynewulf is famous for his religious compositions, and is regarded as one of
the preeminent figures of Old English Christian poetry. Posterity knows of his name
by means of runic signatures that are interwoven into the four poems which
comprise his scholastically recognized corpus. These poems are: The Fates of the
Apostles, Juliana, Elene, and Christ II (also referred to as The Ascension). Unlike his
literary predecessor, Caedmon, whose biography is solely derived from Bede's
Ecclesiastical History, Cynewulf's life is a veritable mystery to scholars. We cannot
be sure whether he really existed.
Another important person in Old English literature is Venerable Bede. He was
a Benedictine monk at the Northumbrian monastery of Saint Peter at
Monkwearmouth He is well known as an author and scholar, and his most famous
work, Historia ecclesiastica gentis Anglorum (The Ecclesiastical History of the
English People) gained him the title "The father of English history".
Bede's writings are classed as scientific, historical and theological, reflecting
the range of his writings from music and metrics to Scripture commentaries. He was
proficient in patristic literature, and quotes Pliny the Elder, Virgil, Lucretius, Ovid,
Horace and other classical writers, but with some disapproval. He knew some Greek,
but no Hebrew. His Latin is generally clear and without affectation, and he was a
skillful story-teller. However, his style can be considerably more obscure in his
Biblical commentaries.
The most important and best known of his works is The Ecclesiastical History
of the English People, giving in five books and 400 pages the history of England,
ecclesiastical and political, from the time of Caesar to the date of its completion
(731). The first twenty-one chapters, treating of the period before the mission of
Augustine of Canterbury, are compiled from earlier writers such as Orosius, Gildas,
Prosper of Aquitaine, the letters of Pope Gregory I and others, with the insertion of
legends and traditions.
His other historical works included lives of the abbots of Wearmouth and
Jarrow, as well as lives in verse and prose of Saint Cuthbert of Lindisfarne. In his
Letter on the Death of Bede, Cuthbert, monk and later Abbot of Jarrow, describes
Bede as still writing on his deathbed, working on a translation into Old English of the
Gospel of John and on Isidore of Seville's On the Nature of Things.

5
 Shorter poetical works
Other poetic forms exist in Old English including riddles, charms, short verses,
gnomes, and mnemonic poems for remembering long lists of names.

Old English prose

The amount of surviving Old English prose is much greater than the amount
of poetry. Of the surviving prose, sermons and Latin translations of religious works
are the majority. Old English prose first appears in the 9th century, and continues to
be recorded through the 12th century.
The most widely known author of Old English was King Alfred, who translated
many books from Latin into Old English. These translations include: Gregory the
Great's The Pastoral Care, a manual for priests on how to conduct their duties; The
Consolation of Philosophy by Boethius; and The Soliloquies of Saint Augustine.
Alfred was also responsible for a translation of the fifty Psalms into Old English.
Other important Old English translations completed by associates of Alfred include:
The History of the World by Orosius, a companion piece for Augustine of Hippo's
The City of God; the Dialogues of Gregory the Great; and the Ecclesiastical History
of the English People by Bede.
Alfred the Great was the most prominent king of Wessex. In his times the
ANGLO SAXON CHRONICLE was probably started. It contains the list of historical
events, a diary from 9th till 11th century and it is of great literary value. During
Alfred's reign the country was flourishing, he was supporting education and culture.