Title

Shake The Papaya Composer 1 Composer 2 Arranger 1

Down Traditional - Ruth E. Dwyer
Haida Traditional - Henry Leck
Cantate Domino Giuseppe Pitoni - -
Wind on the Hill Victoria Ebel-Sabo - -
America,
A DistantOfShore
Thee (The
I Sing Mary Donnelly George L. O. Strid George L. O. Strid
Water is Wide) Mary Donnelly - George L. O. Strid
Marienwürmchen Johannes Brahms - -
Hine Ma Tov Allan E. Naplan - -
Al Shlosha D'Varim Pirkei Avot (Nishnah) - Allan E. Naplan
A Zing-a Za
Mbiri Kuna Mwari Lee R. Kesselman - -
Fifty Nifty United States Ray Charles
Inscription of Hope Z. Randall Stroope
Hashivenu Israeli Folk Song - Doreen Rao
Hamabe no Uta
Old Joe Clark American
TraditionalFolk Song
Puerto - Mary Goetze
A La(Ancient
Songs Media Noche
Mother & Rican - Greg Gilpin
The Earth is Our Mother) Barbara Sletto
I'm Goin' Up a Yonder Walter Hawkins - Martin Sirvatka
All Ye Who Music Love Baldassare Donato - -
All Ye Who Music Love Baldassare Donato - Norman
Linda Greyson
Steen
The Turtle Dove
(When The Saints Go Folk Song Spevacek
GloriaMarching In) from
in Excelsis Don Besig - -
Didn't My Gloria
Lord Deliver Antonio Vivaldi - -
Daniel - - Roger Emerson
Route 66
Hush! Somebody's Bobby Troup - Roger Emerson
Callin' My Name - - Brazeal W. Dennard
Carol of the Bells Mykola Leontovich - Peter J. Wilhousky
Bashana Haba'ah Nurit Hirsch - John Leavitt

Praise the Lord G. F. Handel - Hal H. Hopson

Come, Join in Singing Jacques Arcadelt - -
African Noel Traditional - Victor Johnson
And Suddenly Michael Engelhardt - -
Elijah
Proud Rock
Music of the Traditional - Moses Hogan
Storm
Boogie Woggie Bugle Jake Runestad - -
Boy Don Raye Hughie Prince Frank Metis
Climb to the Top of the
Higest Mountain Carolyn Jennings - -
Ad Astra Jacob Narverud - -
Weep No More David N. Childs John Keats Lyricist -
Walk Through Life Pinkzebra - -
Tongo Traditonal - Greg Gilpin
Sarasponda Traditional - Ruth Boshkoff
Blessed by Light David Brunner - -
A Chesterton Carol Ryan Kelly - -
CarryBeMe
Dear God, Good to Don Macdonald - -
Me Lee R. Kesselman - -
Winter Changes David Brunner - -
Lightning! Greg Gilpin - -
Ave in
Come Verum Corpus
from the Wolfgang Amadeus Mozart
Firefly - Russell Robinson
Darkness Amy F. Bernon - -
Gloria Franz Joseph Haydn - Benjamin Suchoff
I BoughtTell
Seashell, Memea Cat
Your - - Sally K. Albrecht
Tale Shayla L. Blake
I Dream of a World Sherry Blevins
J'entends le Moulin Emily Crocker
Old West Melody Mark Hayes
BanuwaLights
One Candle Yo the Mark Weston
Way Jay Althouse Sally K. Albrecht
Homeward Bound Jay Althouse Marta Keen
Amazing PINKZEBRA
Bonse Aba Victor C. Johnson
The Seal Lullaby Eric Whitacre Rudyard Kipling Emily Crocker
Stars I Shall Find Victor C. Johnson
HowHow
Can Beautiful
I Stop Singing Twila Paris Lloyd Larson
my Song Cynthia Gray
O Nata Lux Traditional Latin Tom Porter
Gabi, Gabi South African Praise Song - William C. Powell
Afternoon on a Hill David Dickau Edna St. Vincent Millay -
Joyful, Joyful Ludwig Van Beethoven - Steve Milloy
Omnia Vincit Amor Michael John Trotta - -
Oceans and Stars Amy Bernon - -
O Magnum Mysterium
Will the Circle be Evan Ramos - -
Unbroken Rose, Betsy Winter, Cathy; Taylor, Marcia
Moore, J. David
Red, Red Rose Stacy, Kara - -
White Christmas Berlin, Irving - Shaw, Kirby
Black is the Color Koppin, J. Connor N/A N/A
Silent Night Mohr, Joseph Gruber, Franz Robinson, Russell
Arranger 2 Editor Publisher Publication Date
Judith M. Waller Henry Leck Plymouth Music Co. 1994
Thomas Gerber (Piano) Plymouth Music Co. 1994
- Norman Greyson Bourne Co. 1954
- - Boosey & Hawkes 1989
- - Alfred Publishing Co. 1993
- - Alfred Publishing Co. 1995
- Mary Goetze Boosey & Hawkes 1989
- - Boosey & Hawkes 1995
- - Boosey & Hawkes 1995

- Doreen Rao Boosey & Hawkes 1995

Shawnee Press, Inc.
Heritage Choral Series
- Doreen Rao Boosey & Hawkes 1987
Hal Leonard
- - WarnerBoosey & Hawkes U.S.
Bros. Publications 1984
- - INC. 1998
Henry H. Leck Plymouth Music Co., Inc 1995
Budjohn Inc. 1988
- Victoria Meredith Neil A. Kjos Music Co. 1992
Norman Greyson Bourne Co. 1980
Jenson Publications 1986
- - Alfred Publishing Co. 1991
- Mason Martens Walton Music Corp. 1961
- - Jenson Publications 1992
- - Hal Leonard 2004
- - Shawnee Press, Inc. 1991
- - Carl Fischer 1936
- - Hal Leonard 1994

- - Harold Flammer, Inc.

- Patrick Liebergen CPP/Belwin Inc. 1991
- - Heritage Music Press 2000
- - Walton Music Corp. 2013
- - Hal Leonard Corp. 1994
- - JR Music 2017
- - MCA Music 1968
 - - Neil A. Kjos Music Co. 1981
- - Carl Fischer 2018
- - Santa Barbara Music Publishing 1998
- - Pinkzebra Publishing 2014
- - Alfred Music 2017
- - Santa Barbara Music Publishing 1999
- - Boosey & Hawkes 2015
- Doreen Rao Boosey & Hawkes 2018
- - Hal Leonard LLC 2018
- - Boosey & Hawkes 2017
- - Boosey & Hawkes 1994
- - Heritage Music Press 2009
- - Alfred Music 1997
- - Heritage Music Press 2000
- - Walton Music Corp. 1972
- - Alfred Music 2013
Shawnee Press 2019
Hinshaw Music 2020
Hal Leonard Coporation 2007
Shawnee Press 1995
Heritage Music Press 2020
Alfred Music 1995
Alfred Music 1996
Pinkzebra Publishing 2017
Heritage Music Press 2010
- Shadow Water Music/ Hal Leonard 2018
Heritage Music Press 2015
Hope Publishing Company 2003
Heritage Music Press 1998
- Heritage Music Press 2005
- - Hal Leonard Corporation 1999
- - Pavane Publishing 2018
- - Oxford University Press 2012
- - BriLee Publishing 2018
- - Shawnee Press 2015
- - BriLee Publishing 2019
- - Fresh Ayre Music 1988
- - Excelcia Music Publishing LLC 2020
N/A N/A Hal Leonard 1997
N/A N/A Mark Foster Music 2016
N/A N/A Alfred Music Publishing Co, Inc. 1998
 Choral Library Collection - MUSE 356/376 2020-2021
Also available
SSA, SAB,
Publication ID # Voicing Accompaniment
TTBB Solos Language
HL-222 3-Part Treble Keyboard N/A English
HL-516 2-Part Cannon Keyboard N/A Hebrew
C-Instrument or
18716 SATB Unaccompanied Descant
N/A (D4-D5)
Latin
OCTB6519 Unison Keyboard & C-Instrument N/A English
5808 Partner Song Keyboard N/A English
11562 Partner Song Keyboard
May be & C-Instrument N/A English
OCUB6521 Unison performed by
Keyboard N/A German
treble, changed
OCTB6782 2-Part Treble Keyboard
male, or mixed N/A Hebrew
OCTB6783 2-Part Treble voicesKeyboard Optional Hebrew

OCTB6792 4-Part Treble Percussion N/A Hebrew

2-Part Mixed Keyboard N/A English
2-Equal Vocies Keyboard N/A English
OCTB6430 Unison Keyboard N/A Hebrew

OCTB6125 3-Part Mixed Unaccompanied N/A English

SV98103 2-Part Treble Keyboard & Percussion N/A Spanish
HLCC-200 Recorder & Percussion Yes English
OCTB6451 4-Part Treble Keyboard Optional English
ED. 8745 SATB Optional Keyboard N/A English
368105 SAB Unaccompanied N/A English
43720070 3-Part Mixed English
7911 3-Part Treble Keyboard N/A English
W2043 SATB Keyboard N/A Latin
40326168 3-Part Mixed Keyboard N/A English
8551734 3-Part Mixed Keyboard N/A English
D-436 3-Part Mixed Unaccompanied Yes (small group) English
CM7989 SATB Unaccompanied N/A English
8602184 3-Part Mixed Keyboard N/A Hebrew

D-5225 SAB Keyboard N/A English

SV9166 3-Part Mixed Unaccompanied Also
N/A availableEnglish
Orchestra and
15/1560H SSA Unaccompanied N/A Ensemble
Wind English
WLG144 SSA Rhythm Section & Horns N/A English
HL 08705532 SSAATTBB Unaccompanied N/A English
JR0067 SATB Keyboard N/A English
UC-657 SSA Keyboard N/A English
 C8118 SATB Keyboard Optional English
CM9544 3-Part Mixed Keyboard N/A Latin
SBMP249 SSAA Keyboard N/A English
1906013 SSA Keyboard & Percussion N/A English
45660 SAB Percussion N/A Polynesian
SBMP303 2-Part Treble Keyboard N/A Dutch
48023326 2-Part Treble Keyboard N/A English
48024198 2-Part Treble Keyboard & Percussion N/A English
267117 2-Part Treble Keyboard N/A English
48024155 2-Part Treble Unaccompanied N/A English
48004505 Unison Keyboard N/A English
10067747 3-Part Mixed Keyboard N/A English
Oct9802 3-Part Mixed Keyboard N/A Latin
15/1515H 3-Part Mixed Keyboard Yes (I, II, III) English
W4004 SAB Keyboard N/A Latin
00-39801 SAB Keyboard N/A English
322582 2-Part Treble Keyboard & Percussion N/A English
HMC2633 2-Part Treble Keyboard N/A English
4557181 2-Part Treble Keyboard N/A French
35015977 SATB Keyboard N/A English
11196495 2-Part Treble Keyboard N/A liberian
11633 3-Part Mixed Keyboard Optional English
16209 SAB Keyboard Optional Sop English
1712012 SAB Keyboard N/A English
15/2689H 3-Part Mixed Percussion N/A Bemba
HL 00276437 SAB Keyboard N/A English
15/3176H-6 3-Part Mixed Keyboard N/A English
C 5258 SAB Keyboard N/A English
15/1344H-3 3-Part Mixed Keyboard N/A English
15/2031H-2 SATB Keyboard N/A Latin
8703250 SATB Unaccompanied N/A Zwaili
P1595 SAB Keyboard N/A English
978-0-19-336895-1 3-Part Mixed Keyboard N/A English
BL1012 3-Part Mixed Optional Keyboard N/A Latin
35030106 3-Part Mixed Keyboard N/A English
BL1081 SAB Unaccompanied N/A Latin
FAM107201 SATB Unaccompanied N/A English
UTP2002 2-Part Treble Keyboard & Percussion Tambourine English
3088689 SATB Unaccompanied N/A English
35031146 TTBB Keyboard 2 male solo English
SV9877 SAB Keyboard N/A English
 *This column not
required by
assignment
specifications
Style Occasion Voice Ranges Concepts-fermata Skills - breath
Calypso Song General C4-C5 -eighth rest control
Chassidic Round General D4-D5
G4 T:A3-F4 -"so-do" -rounds
- General B:G3-D4 notes & rests -tall
- General D#4-D5 - leggero vowels
Partner Song Patriotic C4-D5 -Vowels to build
Partner Song General D4-D5 tone quality
- General D4-D5 Changes: Major & to major with
Jewish Klezmer General I:D4-D5 II:C4-C5 Relative Minor solfege
- General Eb4-Eb5

Patriotic
-Passing Tones
Unison or Canon General C4-Eb5 -Phrasing -Aoelin
-Harmonies of
I:F4-F5 II:F4- Japanese Music
-Dynamic contrast -Part Singing
C5 III:C4-A4
I:E4-E5 II:D#4- between parts Development
Holiday C5 -Drone
-Dorian Mode (Ostinato)
Gospel General Solo: I: II: III: IV:
Madrigal
Madrigal
-Cut time -Ostinato -Part Singing
New Orleans Jazz General C4-D5 B:
F#3-F#4 -Descant
-Sequencing Development
-Terraced
Baroque, Mass Holiday/General A2-B3
I: F4-F5 -Fermata
II: C4-C5 -Traditional Spiritual dynamics
-Homophony
Traditional Spiritual General III: F3-Db4
I: C4-Eb5 II: C4- -Jazz harmony-Ties
-Syncopation (pg8) -Polyphony
-Homophony
Jazz General Eb5 III: C3-Eb4
I: D4-D5 II: B3-D5 -Geography
and Response -Swing
-Tenuto
Traditional Spiritual General III: D3-D4
Bb4 T: G3-G4 B: -Repeat
-Natural Minor -Marcato
escendo
A Cappella Carol Holiday C3-C4 -Melodic
I: Bb3-Gb5 II: A3- -Fermata -TempoMinor -Marcato
Language
A Cappella General Bb4 III: E3-E4 primo Singing

I:C4-D5 II:B3-Bb4 -Subito Melisma

-Chromatic Melisma
-Dynamic
- General III:F3-C4
SII:D4-D5 A:A3- syllables
-Accented-Cut time
beats contrast
-Dynamic
Traditional African Carol Holiday SI:C4-A5A4SII:C4- -Syncopation
-Supertriplet Contrast
-Legato style
Gospel Holiday/General D5 A:Ab3-D5
A4 TII:A3-G4 -Syncopation
contrast -Tempo -Syncopation
-Dynamic
Gospel General BI&II: E2-E4
C5 T:C3-G4 B:G2- changes
-Vocal timbre contrast
-Vocal energy
- General SI:C4-E5 -Importance
E4SII:G3- Blues of text -Vocal delecacy
-Scat syllables -Diction at fast
12 Bar Blues General C5 A:G3-C5 -Syncopation tempos
 S:D4-E5 A:A3-E5 -Meter -Syncopation -Dynamic
- Religious T:D3-G4
I:C#4-D#5 B:D2-E4
II:B#3- -Polyphony
-descant-Phrasing contrast
- consonants
- C#5 III:F#3-D#4
Kansas State Motto A1:A3-D5 A2:F3- polyphony -duplets -sing
- General S1:D4-F5 D5 S2:C4- forms-perfect 4th imitating parts
- vowel
- General D5 A:A3-D5
S&A:D4-D5 B:D3- - point of -refrain
imitation uniformity
-body
Polynesian Folk Song Canoe song D4 - pick-up- note takadimi percussion-
Dutch Spinning Song Spinning song I:B3-E5 II:E4-E5 articulation
- General S:B3-E5
I:C4-Ab5 A:A3-C5
II:C4-
- Holiday (Religious) Ab5
- General S:F4-F5 A:C4-D5
- Religious S:C4-E5 A:A3-A4
- General I: D4-F5C4-F5 II: C4- -Asymmetrical Meter -Decrescendo
- General I:Bb4
D4-E5 III: F3-D4
II: C4- -Onomatopoeia
-caesura -classical -Imitation
-Latin text
Motet General Bb4 III: E3-D4
I: C#4-F#5 II: B3- -polyphony motet-chordal -Legato singing
-articulation
- General D5 III: F#3-D4
S: D4-G5 A: G3- -chromaticism -vivaceninths -diction
-legato singing
Mass C4 B: A2-C4
General/Liturgical S: C4-E5 A: B3-D4 -ties (syncopation)
dynamic shifts -unison singing
-crescendo
- General B: C3-E4
Part 1: D4-D5 -fermata -glissando
-tempo -diction -decrescendo
-diction
General Part2: C4-D5
Part 1: B3-F5 Part -dynamics -vowels -breath -dynamics
-supported
General 2: B3-C5 support breath
French Canadian Folk Song General
General
Liberian folk song General S: C4-E4 A:C4-A4 -ritardando singing -part
Holiday TB:C3;Eb4
A:Bb3-C4 B: C3- -Accidentals
-homorhythmic singing
-Dynamics
General D4
S: C4-F5 A:A4-D5 -Dynamic/character -Fermata (ppp)
-Rhythmic
Pop General I: C4-F5B:E3-D4
II: C4-Bb4 -Follow changes
Percussion accuracy
-Follow
Zambian Folk Song General III: F3-D4 -Diction!!
S: Ab3-F5 A:Ab3- -Rubato -Accidentals Percussion
tempo -Breath
Lullaby General C5 B:Ab2-C4
I: D4-F#5; -Fermata
II: B3- Ritardando, -
a tempo, Control
shaping of the
General S:D5; III: F#3-D4
D4-C5; A: Bb3- Modulation
suspensions, phrasesand
crescendo
Modern Christian Worship Religious B4; B:D3-D4
I: F4-G5; II: C4-D5; accidentals
Mixed meter, decrescendo
phrasing/
General III: F3-D4
S: D4-E5; A: D4- asymmetrical
Latin diction, meter breath control
polyphonic
Religious D5;
A4; T& B: D3-D4
T: A3-D4; B: accidentals, polyphony singing
African Praise Song Religious A:G2-B4
A3-C5 Zwaili
Dotted Diction
Ties Breath Control
Contemporary Choral General B: C3-C4
B: F3-D4 Homo/Polyphony
Chromaticsm Non-Diatonic
Classical Rework Christmas/General III Part as
II: D4-C5 "SAB" Form Dynamic Var.
Secular Latin General III: A3-D4
II: B3-Bb4 Articulation
Mixolydian Mode Basic
8ve Reading
Range
Contemporary Choral General III: F3-D4
A: Bb3-Bb-4 Meter Changes
Dynamic Control Mode
Contrast
Sacred Latin General/Christmas S: E4-E5;
B: Db3-Ab3
A: B3-B4; dotted eighth to Diction
Advanced
Traditional Appalachain General T:P1:Bb3-Eb5;
G4-E5; B: E2-C4 P2: sixteenth
History notes
(Robert rhythms
musical
Scotish Folk Tune General, Love S:G3-E5; Bb3-C5A: G3-A4; durations, Burns)
vowel blend phrasing
rhythmic part
Modern Jazz Holiday T:E4;
E3-F4; B:G2-C4
B1: G2-E4; rythmic and and unity
tonal part independence
meno mosso),
Appalachian Folk Music General, Ballad B2:G2-E4 independence
S:C4-F5; A: C4-C5; stagger breathing, unison singing
crescendo,
Carol Holiday B: D3-Db4 modulation, ritardando
 'Your Name' or
'In-Class' here

Potential
controlled Problems
consonants Source
--diction
adding in In-Class
new parts In-Class
bright sound In-Class
- repetitive words In-Class
In-Class
In-Class
In-Class
In-Class
In-Class

In-Class
In-Class
Pivot point for
Cambiatas In-Class

In-Class
In-Class
In-Class
In-Class
In-Class
In-Class
composition -Chromatic In-Class
pitchespitches
-Enharmonic In-Class
-Polyphony
-Syncopation In-Class
-Performingpitches
-Chromatic coda In-Class
-"Scat" syllables
challenges with In-Class
entrances
-Diction -Stagger In-Class
breathing
-Going flat due to In-Class
slower tempo In-Class

Melisma -Cut
-Unaccompanied In-Class
causestime
confusion JJ Peil
-Unaccompanied
-Syncopation JJ Peil
-Polyphony
split -Polyphonic JJ Peil
-Syncopation
harmonies (tuning) JJ Peil
-Length-Tempo
-Chromaticism JJ Peil
solidity JJ Peil
 (Religious) -Vowel
to english. -Breathing
Unification JJ Peil
-same- breathing
words with Abigail Morehead
different
counting rests rhythms Abigail Morehead
- -clearly coming
no piano in
to back Abigail Morehead
throughup vocals text
repetitive Abigail Morehead
- octave range Abigail Morehead
Amber Grooms
Amber Grooms
Amber Grooms
Amber Grooms
-Staggered entrances Amber Grooms
-Chaningafter
-Entraces meter
long Liam Boyle
therests -Latin
repeats andtext
coda Liam Boyle
-Non-chord
alto and basstones Liam Boyle
-chromaticism
-non-singing vocal Liam Boyle
-transitionsoundsinto part Liam Boyle
issues singing
starting at Mary Yong
measure 40 Mary Yong
Mary Yong
Mary Yong
mm.13 -key change Mary Yong
and
and18 a tempo mm.39
transition to Alex Drakulich
"bind
part me not"
division SA Alex Drakulich
-mm.78mm.140 pitches and 3- Alex Drakulich
issuespart entrance Alex Drakulich
singing
-pickup
piece (mostly mm. 20in parts I Alex Drakulich
& II
many suspensions Dalton Dietrich
throughout piece Dalton Dietrich
div. at the end in
On the low end of the part I Dalton Dietrich
Low Tenor range
for younger Dalton Dietrich
changed
Div. m.voices
62 Dalton Dietrich
Requires
Lingers infull ranges Matthew Ambrosen
Passagio
For Changed
Lingers Rangefor Matthew Ambrosen
in Passagio
Changed
ChangingRange Meter Matthew Ambrosen
NeedsMale Range
Volume to keep Matthew Ambrosen
and intonation
rhythmic part Matthew Ambrosen
independence.
Staggered breathing, Douglas
balance and
articualtions, blend
blend with Douglas
vowel and
musical timbre.
lines, solos at Douglas
beginning
changed and ending
basses, tempo Douglas
fluctuation Douglas
Voicing Options

Unison
2-Part Mixed
2-Part Treble
2-Part Cannon
2-Equal Vocies
3-Part Mixed
3-Part Treble
4-Part Treble
Partner Song
SAB
SAT
SATB
SSA
SAA
SSAA
TTB
TBB
TTBB
SSATB
SSAATB
SSAATTB
SSAATTBB
Accompaniment Options

Keyboard
Organ
Unaccompanied
Percussion
Body Percussion
Keyboard & Percussion
Keyboard & C-Instrument
Strings
Winds
Full Orchestra
Rhythm Section
Rhythm Section & Horns
Optional Keyboard
Recorder & Percussion