Final Paper Hasan Mansou 21 PDF
Final Paper Hasan Mansou 21 PDF
Final Paper Hasan Mansou 21 PDF
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Abstract:
In contemporary urban planning literature, a significant concern is being paid towards the concept of “urban
identity” after the loss of characters, essence, soul, individuality and distinctiveness of many cities, especially
those with a heritage, cultural, and historical significance.
As long as the city is a space for living, it is in a permanent attempt to cope and adapt to serve the human
needs and development. That imposes multiple temporary identities on the city, which in many cases, especially
in Arab cities, led to distortion or losing of their original inclusive identity that supposed to be felt and sensed out
so we can feel the timeline that brings us inside the wall of time to remind us of how the city was formed as a
result of the accumulation of events.
The contemporary Arab cities are living under a lot of urban pressures and in a case of constant loss for many
of their civilizational and cultural gains. Many defects in the temporal-spatial structure of the city are happening,
and the distorted situation is becoming prevalent. This drives them into more deformity and loss of their
aesthetic and historical values.
In this paper, I will study the loss of identity subject in Arab historical cities taking Damascus as a study case. I
will give detailed information about the unique qualities and characteristics of Damascus, then define the start of
the change in the physical and social combination of the city and its role in the loss of the identity by studying
the proposed general plans in the early 20th century, the role of slums areas, and the effect of urban growth and
globalization on the urban environment and identity.
Keywords: Urban Identity; Urban transformation; Cultural Identity; Spirit of place; Urban heritage.
Introduction:
Cities were formed as an expression of spiritual, material, social and political conditions. The
changes in these conditions from one city to another makes each one a unique unrepeatable
phenomenon. Since the city is a humanitarian situation, it is in a constant state of change, as the
communities and their circumstances are changing through time. “Cities reflect as well as shape
their inhabitant’s values and outlooks in various ways” (Bell & Shalit, 2011). Each of these changes
constitutes a time layer represented by a material reality in the physical structure of the city. Each
layer is supposed to be built on the basis of the previous layer, enrich and add to it not abolish and
erase it. This turns the city into a group of nested and accumulated loops that are difficult to
disband, and broadcast the sense of time intensively to us. “The city is a cumulative reality in space
and time” (Mumford, 1937). Understanding these layers and their relationship to each other is a
Hasan Mansour, The lost Identity of the city: The case of Damascus 2
crucial factor in understanding the city and sensing its identity. Problems start when something
goes wrong in this temporal, spatial structure of the city and the distorted situation becomes the
prevailing, which causes loss of the city properties and adversely affect its identity and could lead to
losing it.
This is experienced by the Arab cities as they began to lose their historic stockpiles, and many
parts of their old centres faded spiritually and materially. Distinguishing characteristics of these
cities became absent and mysterious because of attempts to save those old parts of the city
physically like a museum without paying attention to the time track of its formation. "...Accordingly
the design is oriented towards creating a monotonous, standard, "any place" image rather than
enhancing a sense of heritage and tradition..." (Oktay, 1998).
This led to the loss of the urban environment, its ability to deliver a sense of viewing, and it fell into
a circle of chaos, which brings us to inquire whether there is still a real presence to the Arab identity
of the city, as it was pre-existing, under the urban pressures that are facing the contemporary Arab
cities.
a humanitarian situation, and the man is in a process of continuous change over time according to
all the factors mentioned earlier, the city has a three-dimensional memory that dives into the future
as into the past and reflects permanently the present reality in a unique form and character, that
makes this timeline of events tangible and understandable through the architectural, social, and
physical form of the city. This makes the formation of the city’s identity, a process that is mainly and
directly linked to the factor of time. “Identity is not a ‘found object’ but a process. We develop our
identity by reacting to our problems and our circumstances.” (Correa, 1980).
In this context, we must distinguish between the concept of identity of the city and a number of
other related concepts that are commonly mistaken to mean the same thing. “Urban identity,
architectural identity and the urban images about them are sometimes formed by very different
components in a long period in urban space.” (Yaldız, Aydın, & Sıramkaya, 2013).
majority of the society, city impression has become the historical and cultural component meaning
of the city. Hence, the impression becomes a symbol. To residents, city impression is a soulful
attachment about the place they live. To visitors, city impression means a kind of attractive
newness and mystery.” (Chen, 2009). There might be a similarity between the city impression and
the city image, but from this definition we can see that the concept of the city impression is wider
than the city image, where the impression is not only about how the city looks but also about the
contribution of the people and their lifestyles in projecting the overall city images. The city
impression comes into contact with the concept of identity of the city and can affect it positively or
negatively. If we misunderstood this concept, it would lead to a deformity and loss of the identity of
the city.
As a conclusion for the notion of city identity, we can say that it is a very complex idea that
interferes with many other concepts but differs from them. It is the totalitarian state that expresses
the city and distincts it from other cities. This cannot be exported outside the city limits, therefore
cannot be realized without the experience of living in the city. Although it is impossible for someone
who has never lived in a city to accommodate its identity but he can have a mental perception of it,
and link it to one of its symbols in a simple way. For example, when I think about Damascus, I don’t
think about the Umayyad mosque or the old Damascene houses. Damascus for me is that place
where I never feel thirsty as there is a public water tab in each corner, the children who play football
in those narrow streets, the smell of jasmine and wet soil and wood in a narrow alley shaded with
houses lying on each other, and my beautiful neighbour putting out her washing on the roof of her
house in front of my room’s window. whereas a foreigner would probably buy souvenirs with visual
symbols of Damascus and consider them representative of its identity. This doesn’t mean that the
identity is something not related to the image, symbols, and impression of the city, on contrary, they
are the primary factors in understanding and feeling the urban identity as it is the ultimate and
overall outcome of these factors and other ones clarified previously.
social qualities, where the identity of Egyptian civilizations differed greatly from those of Levant and
Mesopotamia. Therefore, the word Islamic is more capable of giving a collective identity to these
cities but alone would not be true. The right collective identification to the reality of this group of
cities is “Islamic Arab cities”, as we have many other cities where Islam is the main religion but Arab
cultural inventory, stemmed from the Arabic language and its speakers, was not inherited to these
cities, and only spiritual values of the Islamic religion were spread.
We must note that, some of the Islamic Arab cities have older cultural and architectural legacy than
the Islamic one but, unfortunately, most of them totally lost it after the Islamic spread or still only
have some monuments in a physical architectural style without any spiritual value. This era was the
start of losing national identities of the cities in favor of the collective Islamic Arab identity, and led
to a weakness and loss of the identity that the cities show nowadays. “The city continues its
existence carrying the traces of each period because of the changing society culture in time as well
as it is an expression of a historical accumulation.” (Cetin, 2010)
Some orientalists claimed that, the Arab-Islamic cities did not depend on an urban basis or
standards, butthey were rather random cities, where the only effect of the Islamic religion was in the
designing of residential houses that are closed to the outside and open to inside spaces. In fact, the
Arab-Islamic cities have unique characteristics that differ from the western cities, “Historic Arab
cities show a variety of origins and growth patterns, they were nonetheless established by a
common set of social, geographic, and religious factors leading to similar morphological principles
developing the urban fabric.” (Kiet, 2011), where the streets and roads have a big importance in
terms of classifications and the organic relation with the surrounding traditional urbanism, and that
is also different from the concept of roads in the modern city planning.
Arab-Islamic cities were built for many reasons (military, administrative, capitals, and religious).
Other Arab-Islamic cities were formed long ago before the Islamic period so they had a number of
cultures, traditions, ideas, and urban forms that were different from the Islamic ones. As a result of
the Islamic expansion in these cities, they were affected profoundly by the Islamic concepts in
terms of functional organization and the urban form and streets network such as Damascus city.
Sometimes this effect erased the old character as if it never existed. “The Arab City can be seen as
an integration of multiple cultures and eras as they came into contact with the Islamic culture,
eventually leading to the urban structures and morphological form common in Arab cities today.”
(Kiet, 2011)
2.1.1 The main components in the urban planning of the old Arab-Islamic cities:
The grand mosque: the mosque played the role of the heart in the city, as it was the religious,
scientific, and social center, and all the other public buildings were located around it.
Small mosques: served the residential areas.
Markets: were typically located around the grand mosque, each one having its own kind of
merchandise, and distributed very carefully in terms of place, size, activity, and craft as were found:
Main markets: located directly around the grand mosque
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Covered commercial streets: located on the main roads that connect the different parts of the
city.
Small markets: served a residential neighborhood and the daily needs of the inhabitants.
The roads in the Arab-Islamic city connected all the activities but not in the same way as the
western cities do. The roads in Arab-Islamic city were narrow and crooked and took into
consideration the human dimension physically and socially as the priority in designing was to
distinguish between the internal spaces being public or residential, and they are in harmony with
the urban fabric.
Thus, we can see that the Arab-Islamic city has a unique urban character stemmed from the
religious, traditions, and other factors. For example, privacy was an important principle of the Arab
social life and Islamic spiritual principles. This was reflected in the urban fabric, where the houses
were closed to the outside and opened to the interior spaces, as well as architectural elements in
interfaces which helped to achieve privacy. On the street level, the gradual principle from the public
to the private was very clear. The main streets linking the commercial and public events was
divided by a secondary road network connecting residential areas to each other, and then narrow
blocked-end lanes that served a number of houses. “Figure 2.”
These properties in the urban environment of the Arab city were not only a result of the above
factors but also was a solution to cope with the warm climate and other external factors which
makes this type of urbanization a very good one.
Figure 2. Arab-Islamic city urbanization. Source: (Bianca, 2000). Edited by the author.
cement blocks distributed randomly without any rhythm or pattern that is able to reflect the cultural
or social appearance. “The transformation of Arab city until the end of 20th century can be
summarized by a gradual shift from an urban texture of pedestrian scale and formal homogeneity of
the physical environment into a fabric of vehicular scale and formal fragmentation of the physical
environment, thus, from a social order based on total harmony and integration into a social order
based on economical & technological dominance and social segregation & disintegration.” (Cetin,
2010).
As an attempt to mitigate the harshness of this reality, Arab planners and architects tried to resort
to confront it with naive attempts to save the old parts of these cities in its current shape and only in
a visual form, which made these parts look like a museum without any spirit or life. Outside the
walls of old areas, some attempts to accommodate the urban growth were found by copying the
west cities and their images, which makes the crisis of the identity in Arab-Islamic cities deeper and
more complicated. Recently, the Arab awareness to the problem of identity started to pay off, and
many studies have emerged on how to find a contemporary urban Arab-Islamic character in the
face of the foreign global urban currents, especially from the West with its unparalleled views and
different schools. The search began for the innovation of a contemporary Arab-Islamic urban style
that doesn’t comply with the forms or architectural elements invented by ancestors, but carries the
same social or environmental implications that are commensurate with the Arab societies and
combined with the continued progress and technological development in the world.
Damascus rebounded again and in this period the Damscus castle, which is now one of the most
famous buildings in the old city of Damascus, was built. After that, and in the sixteenth century
under the rule of Mamluks, Damascus reached the peak of its proserity and was described by
travelers as the best and most beautiful city in the world. It was also in this period where the
expansion of the city began outside the Roman wall. (Figure5).
Figure 6. The relations of changes in the urban environment. Source: (Jawad, 2011).
In Damascus city, we can say that there is a transformation but not a change. The change
happened many years ago when the urban fabric changed from the Roman principles -in creating
the city based on a perpendicular and intersecting street network- to the Islamic urban fabric after
the fire during the Abbasid period. Many changes happened in the social, economic, and
demographic aspects of the city which led to a massive shift in the urban environment, on both
physical and social dimensions. Then in the Ottoman period another change happened because of
the rise in the population where the city grew outside the Roman wall and new functions in the city
such as the schools and a high number of markets were created. However, nowadays we cannot
Hasan Mansour, The lost Identity of the city: The case of Damascus 12
say that there are changes in the urban fabric of the city after it was considered as a human culture
world heritage. There is a transformation caused by the social life change inside the city where the
people who inhabited it left their houses and went to live outside in new modern houses. This
happened because the type of the old houses inside the historic centers demanded a frequent
maintenance; the materials that these houses had been built from are organic materials that don’t
last long besides being expensive and unaffordable. Moreover, the strict rules of the renovation in
theses area, which implied having every element renovated in the exact same shape withoutany
contribution from the government in the process, led to the migration of the people outside the city
and selling their homes to rich people. Those new owners changed the functions of these houses to
hotels and restaurants or warehouses to their shops, and this led to a new social and traffic flood
modes in the city which in its turn affected the urban environment. (Figure7). “Old Damascus
restaurants are popular among some Damascenes, who see them as a way to preserve old houses
without forfeiting the comforts of modernity. While many Syrians enjoy leisure hours in the old city,
and some are profiting from the restaurant trade, few show any interest in reviving old houses for
other purposes.” (Salamandra, 2004).
borders of the old city wall, as if this wall is protecting the rest of the identity of the city. All what
exist outside the city wall driving to tension and discomfort where the city turned in its expansion to
the functional purpose to provide housing and workplace, and the people became like "employees",
who do not feel the city and it doesn’t feel them.
Despite that this case of losing the identity has started to enter into the heart of old Damascus, Old
City is still capable in some of its details to deliver a sense of watching and take us through time to
understand and realize the identity which is in the danger of loss as the time is passing. This seems
evident in the difference between the descriptions of the poet Mahmoud Darwish in the sixties of
the last century when he said about Damascus: “In Damascus, The sky walks on the old roads
barefooted. What is the need of poets for inspiration and rhyme? In Damascus the stranger sleeps
standing in his own shadow, such as a minaret in the bed of eternity, without feeling nostalgic
towards a country or anybody” and in the descriptions of the poet Naseer Assaf in 2014 where he
said: “These poor houses studded with satellites are similar as the wrinkles in sailors faces. I throw
my dilapidated view on them and prepare myself to a new defeat. In the Taxi, all people look
similar, the poet, the orphan, the quince seller and the taxi driver. We all exchange glances silently
and hastily. I think of my small home, how this small one dirty room with its roof could be called a
home. I will make fire to a guest who will never come, and buy you a bouquet of Narcissus with ten
pounds.” (Figure8).
Figure 8. The change between the old city and the expansion of the new city of Damascus.
This dramatic change in observing the city and the feeling that it gives to the people have happened
because of many factors which are:
3.3.3 The changes on the plan of the city and the urban policies:
“The first scheme for the city of Damascus was developed during the French mandate period in
1937, and its first building system was issued in 1938. With the economic growth in the 1950s and
the expanding of the urbanization, there was a need to a new scheme. The first try was with an
Austrian company in 1957, then the second was with the French planner Michael Ecochard in 1963
and there was a contract with him to develop the second scheme of the city in 1968.” (Jabbour,
2001).
In 1936 the community to organize the French colony of Syria started working on Danger Master
Plan for Damascus city, the master plan started by incision new road separating the organic urban
form famous in Damascus, transforming the city into a modern international city resulting in
destroying the city’s rich history carved in its ancient alleys. By 1968 the authorities of Damascus
started its project of developing Damascus planning process by introducing the Ecochard Master
Plan, the new master plan started its establishment by demolishing large number of the city iconic
heritage buildings like the famous municipality building of Damascus and the Yalbuga historic
mosque. The master plan also suggested demolishing Al-Hijaz station and replacing it with large
concretes masses which would have contracted with the historical surrounding.
The plan introduced several proposals that come in the context of the cities’ globalization, by
erasing the historical memory and weakening the cultural connection of the urban forms.
After labeling the old city of Damascus as world heritage, most of the Ecochard proposals for the
old city have been suspended, but establishing the proposal for expanding the city and developing
the existed neighborhoods caused a cultural shock for most of the city’s residents, which led to
erasing their cultural connection with their thousands of years inherited city. Perhaps the illusion of
contemporaneity justifies the globalization of the cities, but it is certain that this kind of behavior can
cause harsh damages to any city’s urban form.
(such as Yarmouk camp - Palestine camp...), then shifted over time to a random housing areas and
collective irregularities areas.
In 2003 after American invasion of Iraq around million Iraqi refugees settled in Syria and that also
led to an emergence of new illegal houses
Social and economic reasons:
This is mainly about the immigration from rural areas to the main cities looking for jobs which
happened because of the unbalanced development between cities and the countryside. Which led
to the small level of public activities in the rural areas such as educational, cultural, health, and
entertainment activities, and high birth rate and increasing population growth rate in rural areas,
while there are no jobs opportunities. All main events of economic, educational, cultural and tourism
activities, and various work opportunities that follow them were centered in the cities.
Regulatory reasons (legislative and technical)
There are many laws related to housing strategies but they were not effective or were not
developed with the time, and the delay in completion the organizational charts and detailed plans
for the areas of urban expansion led to not provide the real need of the land which is prepared for
construction.
led to export the western ideology all over the world and westernize different aspects of other
civilization. In Syria’s case I believe the effect of this phenomenon came from the media, as Syria
was boycotted by the West due to its political positions at the time which kept it at a big distance
from globalization. However, the ideal image of the western society in the media did a real damage
to the social, economic, and urban Syrian structure, and imitation of the west became a sign of
civilization and advancement, which led to abandoning and forgetting our cultural and historical
heritage which directly reflected on the environmental and urban identity of the Syrian city,
especially Damascus being a capital. The high glass buildings became the evidence of urban
development and progression although it contradicted with the social and even climatic Syrian
requirements; the hot dry weather in Syria made the glass buildings turn into a very uncomfortable
heat reservoirs. This effect was not limited to the urban physical aspect but also to the social
aspects. Imitating the western lifestyle was the ambition of the Arabic person as he thinks that
development could only be achieved through this way and that any difference from that typical
western media drawn image was regarded as retardation and staying in the past. It is worth noting
that the Arabic cultural, historical, social, and urban heritage is pretty flexible and changeable in a
very modern and developed contexts while preserving its true soul and identity which distinct it from
other civilizations. This makes the world richer?? So what is wrong in turning the world into a small
village filled and coloured with different ideas and civilizations that exchange their experience in a
beneficial way to everyone, rather than imposing a single pattern on different contexts and
circumstances that might not be consistent with it?
For example, Instead of imitating the West in its modern buildings, we can draw patterns and
modern urban buildings from the old traditional architectural vocabulary in the Arab city. This has
been done in the Arab World Institute building in Paris, where the architect modified the idea of the
mashrabiyya, which is a traditional Arabic architectural element was used to achieve privacy and
alleviate the light inside the Space. This component was modulating and developed to be utilized in
the southern elevation of the building. (Figure10). This shows that the Arab culture has enormous
ability to cope with the requirements of the era, and we do not need to copy and imitate the
elements of Western architecture. So, we must define and adopt a clear thought linked to our
civilization and Arab culture, in order to produce cities that have Arab identity by recognizing the
characteristics of the elements of this thought and their relation to our culture. Then understanding
the relation of these civilizational, cultural and local elements with the same elements of other
nations and communities, in order to achieve the interaction between the language of the urban
identity of Arab-Islamic cities and the global ones.
Hasan Mansour, The lost Identity of the city: The case of Damascus 18
4. Conclusion:
“Do you know what it means to live in human perfume bottle? Our house was that bottle. I am not
trying to bribe you with an eloquent metaphor, but trust me, with this metaphor, I am not being
justice towards my home. Those who lived in Damascus and penetrated in the narrow alleys and
lanes, know how the paradise opens its arms for them without waiting. A small wooden gate opens,
and the journey starts between the green, and red, and lilac roses, and a symphony of light and
shadow and marble starts.” (Nizar Qabbani, Syrian poet)
It is clear that the Islamic Arab city lacks characteristics under these different physical, social,
cultural and political pressures, which makes it in an urgent need to stick to its identity, not only in
the form and image, but rather a sense and interdependence between man and the city. The loss of
this connection appears clearly in the young Arab generations, as they are the most affected by
these factors. The dream of a young Arab is to get out of his city and his surrounding and
orientation towards the West. While the spiritual link appears between the city and its elderly
inhabitants, if you ask an old Damascene about his opinion to leave Damascus, his natural reaction
will be “It is impossible, if I go far from Damascus I will choke and die”.
Damascus is a city that can deliver its spirit and charm to its inhabitant until now, but hardly. The
only part where you can feel this spirit is the old part. Despite its loss of character, it is not dead yet,
and we have to save it and revive its identity.
This cannot happen by the attraction toward "history," and the restoration of the historical figure
only, but the idea is to be "a renewed identity" not a standard fixed identity performed in the past
only. The identity is a kind of "speech" and "dialogue" that should be created in the city’s space and
centered on the pressing urban issues that are forming the personalities of population and even
shaping their face’s impressions.
By understanding the problem and its reasons, we will be able to put a plan to avoid the danger of
losing our cities identities and be more connected to our rich and impressive culture. Moreover, this
is what should be done.
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Contents
Abstract: .............................................................................................................................. 1
Introduction: ........................................................................................................................ 1
1The concept of city identity:............................................................................................... 1
1.1 Collective identity: ..................................................................................................... 3
1.2 National identity: ....................................................................................................... 3
1.3 City Image: ................................................................................................................ 4
1.4 City symbols:............................................................................................................. 4
1.5 City impression: ........................................................................................................ 4
2 The identity of Arab cities: ................................................................................................ 5
2.1 Arab-Islamic city urban standards: ........................................................................... 6
2.1.1 The main components in the urban planning of the old Arab-Islamic cities: ......... 6
2.2 Transformation of Arab-Islamic cities into their current form: ................................... 7
3 The case of Damascus: ................................................................................................... 8
3.1 Formation of Damascus city: .................................................................................... 8
3.1.1 Greek Period: ......................................................................................................... 9
3.1.2 Roman Period: ....................................................................................................... 9
3.1.3 Islamic Period: ....................................................................................................... 9
3.1.4 Ottoman Period: ................................................................................................... 10
3.2 General notices on the change in the Old City: ...................................................... 10
3.2.1 Changes that happen in the historic centers: ...................................................... 11
3.3 Factors affected the Identity of Damascus: ............................................................ 12
3.3.1 Demographic and social changes: ...................................................................... 13
3.3.2 Environmental change (pollution): ....................................................................... 14
3.3.3 The changes on the plan of the city and the urban policies: ............................... 15
3.3.4 The Slums areas and their effect: ........................................................................ 15
3.3.4.1The reasons of the emergence of slums: .......................................................... 15
3.3.4.2 Characteristics of slums areas: ........................................................................ 16
3.3.4 Globalization effect: ............................................................................................. 16
4. Conclusion: ................................................................................................................... 18
Bibliography ...................................................................................................................... 19